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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C5C36 it is the complementary color #93A3C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C5C36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C5C36 shade: #715C31, #826E44, #938057, #A4926A and #B5A47D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C5C36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C5C36 shade: #6C5C36, #5B4A23, #4A3810, #392600 and #281400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C5C36 shade: #6C5C36, #6C4E36, #6C3F36 and #6C3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C5C36 shade: #6C5C36, #6C6B36, #5F6C36, #506C36 and #426C36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C5C36 shade matches the following richer shades: #6C5C36, #796129, #86671C, #946C0F and #A17201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C5C36 shade: #6C5C36, #5F5743, #525151, #444C5E and #37476B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C5C36 shade: #6C3F36, #6C4E36, #6C5C36, #6C6A36 and #5F6C36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C5C36 shade: #352D1B, #514528, #6C5C36, #877344 and #A38B52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C5C36 shade: #6C5C36, #3C6C36 and #46366C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C5C36 shade: #6C5C36, #366C5C and #5C366C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C5C36 shade: #6C5C36, #3C6C36, #36466C and #67366C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C5C36 shade: #6C5C36, #366C41, #36466C and #6C3661

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

Complementary color

CMYK 27 / 19 / 0 / 21

HEX #93A3C9

RGB 147 163 201

HSL 222.22, 0.33%, 0.68%

LAB 66.99, 2.96, -21.29

 

CMYK 0 / 19 / 57 / 56

HEX #715C31

RGB 113 92 49

HSL 40.31, 0.4%, 0.32%

LAB 40.22, 2.72, 27.72

 

CMYK 0 / 15 / 48 / 49

HEX #826E44

RGB 130 110 68

HSL 40.65, 0.31%, 0.39%

LAB 47.39, 1.86, 26.28

 

CMYK 0 / 13 / 41 / 42

HEX #938057

RGB 147 128 87

HSL 41, 0.26%, 0.46%

LAB 54.37, 1.18, 24.93

 

CMYK 0 / 11 / 35 / 36

HEX #A4926A

RGB 164 146 106

HSL 41.38, 0.24%, 0.53%

LAB 61.21, 0.63, 23.68

 

CMYK 0 / 9 / 31 / 29

HEX #B5A47D

RGB 181 164 125

HSL 41.79, 0.27%, 0.6%

LAB 67.91, 0.18, 22.52

 

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

CMYK 0 / 19 / 62 / 64

HEX #5B4A23

RGB 91 74 35

HSL 41.79, 0.44%, 0.25%

LAB 32.35, 1.82, 25.66

 

CMYK 0 / 24 / 78 / 71

HEX #4A3810

RGB 74 56 16

HSL 41.38, 0.64%, 0.18%

LAB 24.71, 3.14, 27

 

CMYK 0 / 33 / 100 / 78

HEX #392600

RGB 57 38 0

HSL 40, 1%, 0.11%

LAB 16.78, 5.01, 24.49

 

CMYK 0 / 50 / 100 / 84

HEX #281400

RGB 40 20 0

HSL 30, 1%, 0.08%

LAB 8.58, 8.01, 13.01

 

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

CMYK 0 / 28 / 50 / 58

HEX #6C4E36

RGB 108 78 54

HSL 26.67, 0.33%, 0.32%

LAB 35.8, 9.38, 19.13

 

CMYK 0 / 42 / 50 / 58

HEX #6C3F36

RGB 108 63 54

HSL 10, 0.33%, 0.32%

LAB 31.83, 18.55, 13.89

 

CMYK 0 / 50 / 50 / 58

HEX #6C3636

RGB 108 54 54

HSL 0, 0.33%, 0.32%

LAB 29.65, 23.91, 10.93

 

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

CMYK 0 / 1 / 50 / 58

HEX #6C6B36

RGB 108 107 54

HSL 58.89, 0.33%, 0.32%

LAB 44.19, -7.86, 29.63

 

CMYK 12 / 0 / 50 / 58

HEX #5F6C36

RGB 95 108 54

HSL 74.44, 0.33%, 0.32%

LAB 43.4, -14.23, 28.41

 

CMYK 26 / 0 / 50 / 58

HEX #506C36

RGB 80 108 54

HSL 91.11, 0.33%, 0.32%

LAB 42.3, -20.6, 26.82

 

CMYK 39 / 0 / 50 / 58

HEX #426C36

RGB 66 108 54

HSL 106.67, 0.33%, 0.32%

LAB 41.45, -26.04, 25.58

 

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

CMYK 0 / 20 / 66 / 53

HEX #796129

RGB 121 97 41

HSL 42, 0.49%, 0.32%

LAB 42.42, 2.86, 34.79

 

CMYK 0 / 23 / 79 / 47

HEX #86671C

RGB 134 103 28

HSL 42.45, 0.65%, 0.32%

LAB 45.43, 4.76, 44.32

 

CMYK 0 / 27 / 90 / 42

HEX #946C0F

RGB 148 108 15

HSL 41.95, 0.82%, 0.32%

LAB 48.33, 8.04, 51.79

 

CMYK 0 / 29 / 99 / 37

HEX #A17201

RGB 161 114 1

HSL 42.38, 0.99%, 0.32%

LAB 51.4, 10.42, 57.72

 

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

CMYK 0 / 8 / 29 / 63

HEX #5F5743

RGB 95 87 67

HSL 42.86, 0.17%, 0.32%

LAB 37.22, -0.3, 12.82

 

CMYK 0 / 1 / 1 / 68

HEX #525151

RGB 82 81 81

HSL 0, 0.01%, 0.32%

LAB 34.54, 0.41, 0.14

 

CMYK 28 / 19 / 0 / 63

HEX #444C5E

RGB 68 76 94

HSL 221.54, 0.16%, 0.32%

LAB 32.27, 1.4, -11.62

 

CMYK 49 / 34 / 0 / 58

HEX #37476B

RGB 55 71 107

HSL 221.54, 0.32%, 0.32%

LAB 30.35, 4.49, -22.91

 

CMYK 0 / 42 / 50 / 58

HEX #6C3F36

RGB 108 63 54

HSL 10, 0.33%, 0.32%

LAB 31.83, 18.55, 13.89

 

CMYK 0 / 28 / 50 / 58

HEX #6C4E36

RGB 108 78 54

HSL 26.67, 0.33%, 0.32%

LAB 35.8, 9.38, 19.13

 

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

CMYK 0 / 2 / 50 / 58

HEX #6C6A36

RGB 108 106 54

HSL 57.78, 0.33%, 0.32%

LAB 43.89, -7.29, 29.27

 

CMYK 12 / 0 / 50 / 58

HEX #5F6C36

RGB 95 108 54

HSL 74.44, 0.33%, 0.32%

LAB 43.4, -14.23, 28.41

 

CMYK 0 / 15 / 49 / 79

HEX #352D1B

RGB 53 45 27

HSL 41.54, 0.33%, 0.16%

LAB 18.85, 0.5, 12.98

 

CMYK 0 / 15 / 51 / 68

HEX #514528

RGB 81 69 40

HSL 42.44, 0.34%, 0.24%

LAB 29.81, 0.57, 19.36

 

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

CMYK 0 / 15 / 50 / 47

HEX #877344

RGB 135 115 68

HSL 42.09, 0.33%, 0.4%

LAB 49.29, 1.21, 28.78

 

CMYK 0 / 15 / 50 / 36

HEX #A38B52

RGB 163 139 82

HSL 42.22, 0.33%, 0.48%

LAB 58.85, 1.38, 33.68

 

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

CMYK 44 / 0 / 50 / 58

HEX #3C6C36

RGB 60 108 54

HSL 113.33, 0.33%, 0.32%

LAB 41.14, -28.16, 25.12

 

CMYK 35 / 50 / 0 / 58

HEX #46366C

RGB 70 54 108

HSL 257.78, 0.33%, 0.32%

LAB 26.8, 20.53, -29.07

 

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

CMYK 50 / 0 / 15 / 58

HEX #366C5C

RGB 54 108 92

HSL 162.22, 0.33%, 0.32%

LAB 41.66, -22.21, 3.44

 

CMYK 15 / 50 / 0 / 58

HEX #5C366C

RGB 92 54 108

HSL 282.22, 0.33%, 0.32%

LAB 29.4, 27.36, -24.78

 

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

CMYK 44 / 0 / 50 / 58

HEX #3C6C36

RGB 60 108 54

HSL 113.33, 0.33%, 0.32%

LAB 41.14, -28.16, 25.12

 

CMYK 50 / 35 / 0 / 58

HEX #36466C

RGB 54 70 108

HSL 222.22, 0.33%, 0.32%

LAB 30.03, 5.21, -24.06

 

CMYK 5 / 50 / 0 / 58

HEX #67366C

RGB 103 54 108

HSL 294.44, 0.33%, 0.32%

LAB 30.89, 30.9, -22.35

 

CMYK 0 / 15 / 50 / 58

HEX #6C5C36

RGB 108 92 54

HSL 42.22, 0.33%, 0.32%

LAB 39.76, 0.9, 24.18

 

CMYK 50 / 0 / 40 / 58

HEX #366C41

RGB 54 108 65

HSL 132.22, 0.33%, 0.32%

LAB 41.04, -28.24, 18.68

 

CMYK 50 / 35 / 0 / 58

HEX #36466C

RGB 54 70 108

HSL 222.22, 0.33%, 0.32%

LAB 30.03, 5.21, -24.06

 

CMYK 0 / 50 / 10 / 58

HEX #6C3661

RGB 108 54 97

HSL 312.22, 0.33%, 0.32%

LAB 31.09, 30.37, -14.94

 

Description

Color code: HEX #6C5C36 | qconv.com Color code: HEX #6C5C36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 92 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 92 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 50 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 50% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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