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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C65A8 it is the complementary color #939A57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C65A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C65A8 shade: #7165A3, #8277B6, #9389C9, #A49BDC and #B5ADEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C65A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C65A8 shade: #6C65A8, #5B5395, #4A4182, #392F6F and #281D5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C65A8 shade: #6C65A8, #7E65A8, #9065A8, #A265A8 and #A8659C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C65A8 shade: #6C65A8 and #6565A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C65A8 shade matches the following richer shades: #6C65A8, #5D52BC, #4D3ECF, #3E2BE2 and #2F18F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C65A8 shade: #6C65A8, #7B7895, #8B8C81, #9A9F6E and #A9B35B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C65A8 shade: #6582A8, #6570A8, #6C65A8, #7E65A8 and #9065A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C65A8 shade: #494378, #595292, #6C65A8, #857FB7 and #9F9AC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C65A8 shade: #6C65A8, #A86594 and #79A865

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C65A8 shade: #6C65A8, #A86C65 and #65A86C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C65A8 shade: #6C65A8, #A86594, #A1A865 and #65A879

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C65A8 shade: #6C65A8, #A86580, #A1A865 and #65A88D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

Complementary color

CMYK 5 / 0 / 44 / 40

HEX #939A57

RGB 147 154 87

HSL 66.27, 0.28%, 0.47%

LAB 61.66, -13.05, 34.23

 

CMYK 31 / 38 / 0 / 36

HEX #7165A3

RGB 113 101 163

HSL 251.61, 0.25%, 0.52%

LAB 46.26, 19.16, -31.82

 

CMYK 29 / 35 / 0 / 29

HEX #8277B6

RGB 130 119 182

HSL 250.48, 0.3%, 0.59%

LAB 53.29, 18.42, -31.78

 

CMYK 27 / 32 / 0 / 21

HEX #9389C9

RGB 147 137 201

HSL 249.38, 0.37%, 0.66%

LAB 60.17, 17.78, -31.78

 

CMYK 25 / 30 / 0 / 14

HEX #A49BDC

RGB 164 155 220

HSL 248.31, 0.48%, 0.74%

LAB 66.9, 17.2, -31.83

 

CMYK 24 / 28 / 0 / 6

HEX #B5ADEF

RGB 181 173 239

HSL 247.27, 0.67%, 0.81%

LAB 73.51, 16.68, -31.91

 

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

CMYK 39 / 44 / 0 / 42

HEX #5B5395

RGB 91 83 149

HSL 247.27, 0.28%, 0.45%

LAB 38.86, 20.02, -35.26

 

CMYK 43 / 50 / 0 / 49

HEX #4A4182

RGB 74 65 130

HSL 248.31, 0.33%, 0.38%

LAB 31.46, 21.15, -35.5

 

CMYK 49 / 58 / 0 / 56

HEX #392F6F

RGB 57 47 111

HSL 249.38, 0.41%, 0.31%

LAB 23.84, 22.53, -35.8

 

CMYK 57 / 68 / 0 / 64

HEX #281D5C

RGB 40 29 92

HSL 250.48, 0.52%, 0.24%

LAB 16.02, 24.22, -36.1

 

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

CMYK 25 / 40 / 0 / 34

HEX #7E65A8

RGB 126 101 168

HSL 262.39, 0.28%, 0.53%

LAB 47.71, 24.37, -32.39

 

CMYK 14 / 40 / 0 / 34

HEX #9065A8

RGB 144 101 168

HSL 278.51, 0.28%, 0.53%

LAB 49.57, 29.94, -29.35

 

CMYK 4 / 40 / 0 / 34

HEX #A265A8

RGB 162 101 168

HSL 294.63, 0.28%, 0.53%

LAB 51.63, 35.64, -26

 

CMYK 0 / 40 / 7 / 34

HEX #A8659C

RGB 168 101 156

HSL 310.75, 0.28%, 0.53%

LAB 51.87, 35.32, -18.54

 

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

CMYK 40 / 40 / 0 / 34

HEX #6565A8

RGB 101 101 168

HSL 240, 0.28%, 0.53%

LAB 45.5, 17.12, -36.03

 

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

CMYK 51 / 56 / 0 / 26

HEX #5D52BC

RGB 93 82 188

HSL 246.23, 0.44%, 0.53%

LAB 41.2, 32.96, -54.65

 

CMYK 63 / 70 / 0 / 19

HEX #4D3ECF

RGB 77 62 207

HSL 246.21, 0.6%, 0.53%

LAB 36.98, 47.97, -72.64

 

CMYK 73 / 81 / 0 / 11

HEX #3E2BE2

RGB 62 43 226

HSL 246.23, 0.76%, 0.53%

LAB 34.48, 61.76, -87.74

 

CMYK 81 / 90 / 0 / 4

HEX #2F18F6

RGB 47 24 246

HSL 246.22, 0.93%, 0.53%

LAB 33.8, 73.19, -100.27

 

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

CMYK 17 / 19 / 0 / 42

HEX #7B7895

RGB 123 120 149

HSL 246.21, 0.12%, 0.53%

LAB 51.63, 7.43, -15.24

 

CMYK 1 / 0 / 8 / 45

HEX #8B8C81

RGB 139 140 129

HSL 65.45, 0.05%, 0.53%

LAB 57.88, -2.45, 5.74

 

CMYK 3 / 0 / 31 / 38

HEX #9A9F6E

RGB 154 159 110

HSL 66.12, 0.2%, 0.53%

LAB 63.99, -9.98, 25.04

 

CMYK 6 / 0 / 49 / 30

HEX #A9B35B

RGB 169 179 91

HSL 66.82, 0.37%, 0.53%

LAB 70.48, -16.52, 43.38

 

CMYK 40 / 23 / 0 / 34

HEX #6582A8

RGB 101 130 168

HSL 214.03, 0.28%, 0.53%

LAB 53.56, -0.36, -23.47

 

CMYK 40 / 33 / 0 / 34

HEX #6570A8

RGB 101 112 168

HSL 230.15, 0.28%, 0.53%

LAB 48.49, 10.37, -31.33

 

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

CMYK 25 / 40 / 0 / 34

HEX #7E65A8

RGB 126 101 168

HSL 262.39, 0.28%, 0.53%

LAB 47.71, 24.37, -32.39

 

CMYK 14 / 40 / 0 / 34

HEX #9065A8

RGB 144 101 168

HSL 278.51, 0.28%, 0.53%

LAB 49.57, 29.94, -29.35

 

CMYK 39 / 44 / 0 / 53

HEX #494378

RGB 73 67 120

HSL 246.79, 0.28%, 0.37%

LAB 31.32, 16.49, -29.49

 

CMYK 39 / 44 / 0 / 43

HEX #595292

RGB 89 82 146

HSL 246.56, 0.28%, 0.45%

LAB 38.26, 19.21, -34.42

 

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

CMYK 27 / 31 / 0 / 28

HEX #857FB7

RGB 133 127 183

HSL 246.43, 0.28%, 0.61%

LAB 55.67, 14.86, -28.64

 

CMYK 20 / 22 / 0 / 22

HEX #9F9AC6

RGB 159 154 198

HSL 246.82, 0.28%, 0.69%

LAB 65.4, 11.04, -21.96

 

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

CMYK 0 / 40 / 12 / 34

HEX #A86594

RGB 168 101 148

HSL 317.91, 0.28%, 0.53%

LAB 51.58, 33.91, -14.29

 

CMYK 28 / 0 / 40 / 34

HEX #79A865

RGB 121 168 101

HSL 102.09, 0.28%, 0.53%

LAB 64.17, -28.49, 29.68

 

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

CMYK 0 / 36 / 40 / 34

HEX #A86C65

RGB 168 108 101

HSL 6.27, 0.28%, 0.53%

LAB 51.83, 23.06, 13.85

 

CMYK 40 / 0 / 36 / 34

HEX #65A86C

RGB 101 168 108

HSL 126.27, 0.28%, 0.53%

LAB 63.22, -34.13, 24.49

 

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

CMYK 0 / 40 / 12 / 34

HEX #A86594

RGB 168 101 148

HSL 317.91, 0.28%, 0.53%

LAB 51.58, 33.91, -14.29

 

CMYK 4 / 0 / 40 / 34

HEX #A1A865

RGB 161 168 101

HSL 66.27, 0.28%, 0.53%

LAB 66.92, -13.04, 33.76

 

CMYK 40 / 0 / 28 / 34

HEX #65A879

RGB 101 168 121

HSL 137.91, 0.28%, 0.53%

LAB 63.47, -31.77, 17.74

 

CMYK 36 / 40 / 0 / 34

HEX #6C65A8

RGB 108 101 168

HSL 246.27, 0.28%, 0.53%

LAB 46.07, 19.07, -35.09

 

CMYK 0 / 40 / 24 / 34

HEX #A86580

RGB 168 101 128

HSL 335.82, 0.28%, 0.53%

LAB 50.91, 30.66, -3.45

 

CMYK 4 / 0 / 40 / 34

HEX #A1A865

RGB 161 168 101

HSL 66.27, 0.28%, 0.53%

LAB 66.92, -13.04, 33.76

 

CMYK 40 / 0 / 16 / 34

HEX #65A88D

RGB 101 168 141

HSL 155.82, 0.28%, 0.53%

LAB 63.91, -27.65, 7.3

 

Description

Color code: HEX #6C65A8 | qconv.com Color code: HEX #6C65A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 101 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 101 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 40 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 40% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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