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Color name
HEX #6C695E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C695E it is the complementary color #9396A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C695E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C695E shade: #716959, #827B6C, #938D7F, #A49F92 and #B5B1A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C695E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C695E shade: #6C695E, #5B574B, #4A4538, #393325 and #282112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C695E shade: #6D6A5E, #6D665E, #6D625E and #6D5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C695E shade: #6D6A5E, #6C6D5E, #686D5E, #646D5E and #606D5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C695E shade matches the following richer shades: #6D6A5E, #7D734E, #8E7C3D, #9E862D and #AF8F1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C695E shade: #6D6A5E, #5C606F, #4C577F, #3B4D90 and #2B44A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C695E shade: #6D625E, #6D665E, #6D6A5E, #6C6D5E and #686D5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C695E shade: #403F38, #57544B, #6D6A5E, #837F72 and #979387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C695E shade: #6C695E, #5F6D5E and #645E6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C695E shade: #6C695E, #5E6D6A and #6A5E6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C695E shade: #6C695E, #5F6D5E, #5E616D and #6C5E6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C695E shade: #6C695E, #5E6D62, #5E616D and #6D5E69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 13 / 58

HEX #6C695E

RGB 108 105 94

HSL 47.14, 0.07%, 0.4%

LAB 44.38, -0.94, 6.6

 

Complementary color

CMYK 9 / 7 / 0 / 37

HEX #9396A1

RGB 147 150 161

HSL 227.14, 0.07%, 0.6%

LAB 62.16, 1.15, -6.15

 

CMYK 0 / 7 / 21 / 56

HEX #716959

RGB 113 105 89

HSL 40, 0.12%, 0.4%

LAB 44.71, 0.25, 10.14

 

CMYK 0 / 5 / 17 / 49

HEX #827B6C

RGB 130 123 108

HSL 40.91, 0.09%, 0.47%

LAB 51.83, -0.04, 9.16

 

CMYK 0 / 4 / 14 / 42

HEX #938D7F

RGB 147 141 127

HSL 42, 0.08%, 0.54%

LAB 58.77, -0.3, 8.26

 

CMYK 0 / 3 / 11 / 36

HEX #A49F92

RGB 164 159 146

HSL 43.33, 0.09%, 0.61%

LAB 65.56, -0.52, 7.42

 

CMYK 0 / 2 / 9 / 29

HEX #B5B1A5

RGB 181 177 165

HSL 45, 0.1%, 0.68%

LAB 72.22, -0.72, 6.63

 

CMYK 0 / 3 / 13 / 58

HEX #6C695E

RGB 108 105 94

HSL 47.14, 0.07%, 0.4%

LAB 44.38, -0.94, 6.6

 

CMYK 0 / 4 / 18 / 64

HEX #5B574B

RGB 91 87 75

HSL 45, 0.1%, 0.33%

LAB 37.02, -0.7, 7.56

 

CMYK 0 / 7 / 24 / 71

HEX #4A4538

RGB 74 69 56

HSL 43.33, 0.14%, 0.25%

LAB 29.41, -0.4, 8.63

 

CMYK 0 / 11 / 35 / 78

HEX #393325

RGB 57 51 37

HSL 42, 0.21%, 0.18%

LAB 21.47, 0.02, 9.87

 

CMYK 0 / 18 / 55 / 84

HEX #282112

RGB 40 33 18

HSL 40.91, 0.38%, 0.11%

LAB 13.12, 0.66, 11.22

 

CMYK 0 / 3 / 14 / 57

HEX #6D6A5E

RGB 109 106 94

HSL 48, 0.07%, 0.4%

LAB 44.76, -1.12, 7.15

 

CMYK 0 / 6 / 14 / 57

HEX #6D665E

RGB 109 102 94

HSL 32, 0.07%, 0.4%

LAB 43.6, 1.24, 5.51

 

CMYK 0 / 10 / 14 / 57

HEX #6D625E

RGB 109 98 94

HSL 16, 0.07%, 0.4%

LAB 42.45, 3.63, 3.86

 

CMYK 0 / 14 / 14 / 57

HEX #6D5E5E

RGB 109 94 94

HSL 0, 0.07%, 0.4%

LAB 41.32, 6.05, 2.23

 

CMYK 0 / 3 / 14 / 57

HEX #6D6A5E

RGB 109 106 94

HSL 48, 0.07%, 0.4%

LAB 44.76, -1.12, 7.15

 

CMYK 1 / 0 / 14 / 57

HEX #6C6D5E

RGB 108 109 94

HSL 64, 0.07%, 0.4%

LAB 45.54, -3.28, 8.26

 

CMYK 5 / 0 / 14 / 57

HEX #686D5E

RGB 104 109 94

HSL 80, 0.07%, 0.4%

LAB 45.2, -4.9, 7.73

 

CMYK 8 / 0 / 14 / 57

HEX #646D5E

RGB 100 109 94

HSL 96, 0.07%, 0.4%

LAB 44.88, -6.49, 7.22

 

CMYK 12 / 0 / 14 / 57

HEX #606D5E

RGB 96 109 94

HSL 112, 0.07%, 0.4%

LAB 44.56, -8.06, 6.73

 

CMYK 0 / 3 / 14 / 57

HEX #6D6A5E

RGB 109 106 94

HSL 48, 0.07%, 0.4%

LAB 44.76, -1.12, 7.15

 

CMYK 0 / 8 / 38 / 51

HEX #7D734E

RGB 125 115 78

HSL 47.23, 0.23%, 0.4%

LAB 48.48, -2.05, 21.9

 

CMYK 0 / 13 / 57 / 44

HEX #8E7C3D

RGB 142 124 61

HSL 46.67, 0.4%, 0.4%

LAB 52.4, -1.43, 36.46

 

CMYK 0 / 15 / 72 / 38

HEX #9E862D

RGB 158 134 45

HSL 47.26, 0.56%, 0.4%

LAB 56.59, -0.88, 49.07

 

CMYK 0 / 18 / 84 / 31

HEX #AF8F1C

RGB 175 143 28

HSL 46.94, 0.72%, 0.4%

LAB 60.64, 1.19, 59.56

 

CMYK 0 / 3 / 14 / 57

HEX #6D6A5E

RGB 109 106 94

HSL 48, 0.07%, 0.4%

LAB 44.76, -1.12, 7.15

 

CMYK 17 / 14 / 0 / 56

HEX #5C606F

RGB 92 96 111

HSL 227.37, 0.09%, 0.4%

LAB 40.88, 1.89, -9.01

 

CMYK 40 / 31 / 0 / 50

HEX #4C577F

RGB 76 87 127

HSL 227.06, 0.25%, 0.4%

LAB 37.64, 6.57, -23.89

 

CMYK 59 / 47 / 0 / 44

HEX #3B4D90

RGB 59 77 144

HSL 227.29, 0.42%, 0.4%

LAB 34.5, 14.3, -39.32

 

CMYK 73 / 58 / 0 / 37

HEX #2B44A0

RGB 43 68 160

HSL 227.18, 0.58%, 0.4%

LAB 32.23, 23.42, -52.74

 

CMYK 0 / 10 / 14 / 57

HEX #6D625E

RGB 109 98 94

HSL 16, 0.07%, 0.4%

LAB 42.45, 3.63, 3.86

 

CMYK 0 / 6 / 14 / 57

HEX #6D665E

RGB 109 102 94

HSL 32, 0.07%, 0.4%

LAB 43.6, 1.24, 5.51

 

CMYK 0 / 3 / 14 / 57

HEX #6D6A5E

RGB 109 106 94

HSL 48, 0.07%, 0.4%

LAB 44.76, -1.12, 7.15

 

CMYK 1 / 0 / 14 / 57

HEX #6C6D5E

RGB 108 109 94

HSL 64, 0.07%, 0.4%

LAB 45.54, -3.28, 8.26

 

CMYK 5 / 0 / 14 / 57

HEX #686D5E

RGB 104 109 94

HSL 80, 0.07%, 0.4%

LAB 45.2, -4.9, 7.73

 

CMYK 0 / 2 / 13 / 75

HEX #403F38

RGB 64 63 56

HSL 52.5, 0.07%, 0.24%

LAB 26.54, -1.06, 4.44

 

CMYK 0 / 3 / 14 / 66

HEX #57544B

RGB 87 84 75

HSL 45, 0.07%, 0.32%

LAB 35.74, -0.57, 5.69

 

CMYK 0 / 3 / 14 / 57

HEX #6D6A5E

RGB 109 106 94

HSL 48, 0.07%, 0.4%

LAB 44.76, -1.12, 7.15

 

CMYK 0 / 3 / 13 / 49

HEX #837F72

RGB 131 127 114

HSL 45.88, 0.07%, 0.48%

LAB 53.19, -0.9, 7.6

 

CMYK 0 / 3 / 11 / 41

HEX #979387

RGB 151 147 135

HSL 45, 0.07%, 0.56%

LAB 60.95, -0.72, 6.87

 

CMYK 0 / 3 / 13 / 58

HEX #6C695E

RGB 108 105 94

HSL 47.14, 0.07%, 0.4%

LAB 44.38, -0.94, 6.6

 

CMYK 13 / 0 / 14 / 57

HEX #5F6D5E

RGB 95 109 94

HSL 116, 0.07%, 0.4%

LAB 44.49, -8.45, 6.61

 

CMYK 8 / 14 / 0 / 57

HEX #645E6D

RGB 100 94 109

HSL 264, 0.07%, 0.4%

LAB 40.93, 5.59, -7.64

 

CMYK 0 / 3 / 13 / 58

HEX #6C695E

RGB 108 105 94

HSL 47.14, 0.07%, 0.4%

LAB 44.38, -0.94, 6.6

 

CMYK 14 / 0 / 3 / 57

HEX #5E6D6A

RGB 94 109 106

HSL 168, 0.07%, 0.4%

LAB 44.74, -6.29, -0.23

 

CMYK 3 / 14 / 0 / 57

HEX #6A5E6D

RGB 106 94 109

HSL 288, 0.07%, 0.4%

LAB 41.49, 7.86, -6.74

 

CMYK 0 / 3 / 13 / 58

HEX #6C695E

RGB 108 105 94

HSL 47.14, 0.07%, 0.4%

LAB 44.38, -0.94, 6.6

 

CMYK 13 / 0 / 14 / 57

HEX #5F6D5E

RGB 95 109 94

HSL 116, 0.07%, 0.4%

LAB 44.49, -8.45, 6.61

 

CMYK 14 / 11 / 0 / 57

HEX #5E616D

RGB 94 97 109

HSL 228, 0.07%, 0.4%

LAB 41.27, 1.53, -7.19

 

CMYK 1 / 14 / 0 / 57

HEX #6C5E6D

RGB 108 94 109

HSL 296, 0.07%, 0.4%

LAB 41.69, 8.62, -6.43

 

CMYK 0 / 3 / 13 / 58

HEX #6C695E

RGB 108 105 94

HSL 47.14, 0.07%, 0.4%

LAB 44.38, -0.94, 6.6

 

CMYK 14 / 0 / 10 / 57

HEX #5E6D62

RGB 94 109 98

HSL 136, 0.07%, 0.4%

LAB 44.52, -8.02, 4.25

 

CMYK 14 / 11 / 0 / 57

HEX #5E616D

RGB 94 97 109

HSL 228, 0.07%, 0.4%

LAB 41.27, 1.53, -7.19

 

CMYK 0 / 14 / 4 / 57

HEX #6D5E69

RGB 109 94 105

HSL 316, 0.07%, 0.4%

LAB 41.65, 8.18, -4.02

 

Description

Color code: HEX #6C695E | qconv.com Color code: HEX #6C695E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 105 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 105 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 13 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 13% 58% C M Y K

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Provide designers and agencies with accurate color values.

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