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Color name
HEX #6C62A6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C62A6 it is the complementary color #939D59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C62A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C62A6 shade: #7162A1, #8274B4, #9386C7, #A498DA and #B5AAED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C62A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C62A6 shade: #6C62A6, #5B5093, #4A3E80, #392C6D and #281A5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C62A6 shade: #6C62A6, #7E62A6, #9162A6, #A362A6 and #A66297

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C62A6 shade: #6C62A6 and #6262A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C62A6 shade matches the following richer shades: #6C62A6, #5E4EBA, #503ACE, #4226E2 and #3413F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C62A6 shade: #6C62A6, #7A7693, #88897F, #969D6B and #A4B157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C62A6 shade: #627DA6, #626BA6, #6B62A6, #7D62A6 and #9062A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C62A6 shade: #494174, #59508F, #6C62A6, #857CB5 and #9D97C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C62A6 shade: #6C62A6, #A66290 and #74A662

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C62A6 shade: #6C62A6, #A66B62 and #62A66B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C62A6 shade: #6C62A6, #A66290, #9DA662 and #62A679

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C62A6 shade: #6C62A6, #A6627B, #9DA662 and #62A68D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

Complementary color

CMYK 6 / 0 / 43 / 38

HEX #939D59

RGB 147 157 89

HSL 68.82, 0.28%, 0.48%

LAB 62.54, -14.41, 34.28

 

CMYK 30 / 39 / 0 / 37

HEX #7162A1

RGB 113 98 161

HSL 254.29, 0.25%, 0.51%

LAB 45.39, 20.45, -32.01

 

CMYK 28 / 36 / 0 / 29

HEX #8274B4

RGB 130 116 180

HSL 253.13, 0.3%, 0.58%

LAB 52.43, 19.69, -31.97

 

CMYK 26 / 33 / 0 / 22

HEX #9386C7

RGB 147 134 199

HSL 252, 0.37%, 0.65%

LAB 59.32, 19.02, -31.97

 

CMYK 25 / 30 / 0 / 15

HEX #A498DA

RGB 164 152 218

HSL 250.91, 0.47%, 0.73%

LAB 66.07, 18.42, -32.02

 

CMYK 24 / 28 / 0 / 7

HEX #B5AAED

RGB 181 170 237

HSL 249.85, 0.65%, 0.8%

LAB 72.69, 17.88, -32.1

 

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

CMYK 38 / 46 / 0 / 42

HEX #5B5093

RGB 91 80 147

HSL 249.85, 0.3%, 0.45%

LAB 37.96, 21.32, -35.48

 

CMYK 42 / 52 / 0 / 50

HEX #4A3E80

RGB 74 62 128

HSL 250.91, 0.35%, 0.37%

LAB 30.54, 22.48, -35.72

 

CMYK 48 / 60 / 0 / 57

HEX #392C6D

RGB 57 44 109

HSL 252, 0.42%, 0.3%

LAB 22.91, 23.87, -36

 

CMYK 56 / 71 / 0 / 65

HEX #281A5A

RGB 40 26 90

HSL 253.13, 0.55%, 0.23%

LAB 15.11, 25.5, -36.25

 

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

CMYK 24 / 41 / 0 / 35

HEX #7E62A6

RGB 126 98 166

HSL 264.71, 0.28%, 0.52%

LAB 46.87, 25.66, -32.53

 

CMYK 13 / 41 / 0 / 35

HEX #9162A6

RGB 145 98 166

HSL 281.47, 0.28%, 0.52%

LAB 48.89, 31.53, -29.23

 

CMYK 2 / 41 / 0 / 35

HEX #A362A6

RGB 163 98 166

HSL 297.35, 0.28%, 0.52%

LAB 51.01, 37.22, -25.78

 

CMYK 0 / 41 / 9 / 35

HEX #A66297

RGB 166 98 151

HSL 313.24, 0.28%, 0.52%

LAB 50.78, 35.4, -17.29

 

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

CMYK 41 / 41 / 0 / 35

HEX #6262A6

RGB 98 98 166

HSL 240, 0.28%, 0.52%

LAB 44.35, 17.57, -36.67

 

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

CMYK 49 / 58 / 0 / 27

HEX #5E4EBA

RGB 94 78 186

HSL 248.89, 0.44%, 0.52%

LAB 40.2, 34.99, -55.1

 

CMYK 61 / 72 / 0 / 19

HEX #503ACE

RGB 80 58 206

HSL 248.92, 0.6%, 0.52%

LAB 36.34, 50.24, -73.1

 

CMYK 71 / 83 / 0 / 11

HEX #4226E2

RGB 66 38 226

HSL 248.94, 0.76%, 0.52%

LAB 34.06, 64.1, -88.44

 

CMYK 79 / 92 / 0 / 4

HEX #3413F6

RGB 52 19 246

HSL 248.72, 0.93%, 0.52%

LAB 33.67, 74.55, -100.48

 

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

CMYK 17 / 20 / 0 / 42

HEX #7A7693

RGB 122 118 147

HSL 248.28, 0.12%, 0.52%

LAB 50.92, 7.8, -15.15

 

CMYK 1 / 0 / 7 / 46

HEX #88897F

RGB 136 137 127

HSL 66, 0.04%, 0.52%

LAB 56.74, -2.28, 5.23

 

CMYK 4 / 0 / 32 / 38

HEX #969D6B

RGB 150 157 107

HSL 68.4, 0.2%, 0.52%

LAB 63.06, -10.93, 25.37

 

CMYK 7 / 0 / 51 / 31

HEX #A4B157

RGB 164 177 87

HSL 68.67, 0.37%, 0.52%

LAB 69.49, -17.94, 44.06

 

CMYK 41 / 25 / 0 / 35

HEX #627DA6

RGB 98 125 166

HSL 216.18, 0.28%, 0.52%

LAB 51.86, 1.16, -24.95

 

CMYK 41 / 36 / 0 / 35

HEX #626BA6

RGB 98 107 166

HSL 232.06, 0.28%, 0.52%

LAB 46.8, 12.01, -32.83

 

CMYK 36 / 41 / 0 / 35

HEX #6B62A6

RGB 107 98 166

HSL 247.94, 0.28%, 0.52%

LAB 45.1, 20.07, -35.45

 

CMYK 25 / 41 / 0 / 35

HEX #7D62A6

RGB 125 98 166

HSL 263.82, 0.28%, 0.52%

LAB 46.78, 25.36, -32.7

 

CMYK 13 / 41 / 0 / 35

HEX #9062A6

RGB 144 98 166

HSL 280.59, 0.28%, 0.52%

LAB 48.78, 31.22, -29.41

 

CMYK 37 / 44 / 0 / 55

HEX #494174

RGB 73 65 116

HSL 249.41, 0.28%, 0.35%

LAB 30.54, 16.59, -28.21

 

CMYK 38 / 44 / 0 / 44

HEX #59508F

RGB 89 80 143

HSL 248.57, 0.28%, 0.44%

LAB 37.56, 19.59, -33.7

 

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

CMYK 27 / 31 / 0 / 29

HEX #857CB5

RGB 133 124 181

HSL 249.47, 0.28%, 0.6%

LAB 54.8, 16.12, -28.84

 

CMYK 20 / 23 / 0 / 23

HEX #9D97C4

RGB 157 151 196

HSL 248, 0.28%, 0.68%

LAB 64.39, 11.64, -22.4

 

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

CMYK 0 / 41 / 13 / 35

HEX #A66290

RGB 166 98 144

HSL 319.41, 0.28%, 0.52%

LAB 50.52, 34.19, -13.55

 

CMYK 30 / 0 / 41 / 35

HEX #74A662

RGB 116 166 98

HSL 104.12, 0.28%, 0.52%

LAB 63.23, -29.75, 30

 

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

CMYK 0 / 36 / 41 / 35

HEX #A66B62

RGB 166 107 98

HSL 7.94, 0.28%, 0.52%

LAB 51.27, 22.46, 14.81

 

CMYK 41 / 0 / 36 / 35

HEX #62A66B

RGB 98 166 107

HSL 127.94, 0.28%, 0.52%

LAB 62.45, -34.31, 23.98

 

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

CMYK 0 / 41 / 13 / 35

HEX #A66290

RGB 166 98 144

HSL 319.41, 0.28%, 0.52%

LAB 50.52, 34.19, -13.55

 

CMYK 5 / 0 / 41 / 35

HEX #9DA662

RGB 157 166 98

HSL 67.94, 0.28%, 0.52%

LAB 66, -13.98, 34.1

 

CMYK 41 / 0 / 27 / 35

HEX #62A679

RGB 98 166 121

HSL 140.29, 0.28%, 0.52%

LAB 62.72, -31.73, 16.69

 

CMYK 35 / 41 / 0 / 35

HEX #6C62A6

RGB 108 98 166

HSL 248.82, 0.28%, 0.52%

LAB 45.19, 20.35, -35.3

 

CMYK 0 / 41 / 26 / 35

HEX #A6627B

RGB 166 98 123

HSL 337.94, 0.28%, 0.52%

LAB 49.82, 30.84, -2.1

 

CMYK 5 / 0 / 41 / 35

HEX #9DA662

RGB 157 166 98

HSL 67.94, 0.28%, 0.52%

LAB 66, -13.98, 34.1

 

CMYK 41 / 0 / 15 / 35

HEX #62A68D

RGB 98 166 141

HSL 157.94, 0.28%, 0.52%

LAB 63.17, -27.52, 6.22

 

Description

Color code: HEX #6C62A6 | qconv.com Color code: HEX #6C62A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 98 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 98 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 41 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 41% 0% 35% C M Y K

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Provide designers and agencies with accurate color values.

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