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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C6CED it is the complementary color #939312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C6CED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C6CED shade: #716CE8, #827EFB, #9390FF, #A4A2FF and #B5B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C6CED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C6CED shade: #6C6CED, #5B5ADA, #4A48C7, #3936B4 and #2824A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C6CED shade: #6D6DED, #906DED, #B26DED, #D46DED and #ED6DE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C6CED shade: #6D6DED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C6CED shade matches the following richer shades: #6D6DED and #6060FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C6CED shade: #6D6DED, #7A7ADF, #8888D2, #9595C5 and #A2A2B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C6CED shade: #6DB1ED, #6D8FED, #6D6DED, #8F6DED and #B16DED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C6CED shade: #2424E3, #4949E8, #6D6DED, #9292F1 and #B7B7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C6CED shade: #6C6CED, #ED6DD3 and #A0ED6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C6CED shade: #6C6CED, #ED6D6D and #6DED6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C6CED shade: #6C6CED, #ED6DD3, #EDED6D and #6DED87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C6CED shade: #6C6CED, #ED6DAD, #EDED6D and #6DEDAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 54 / 0 / 7

HEX #6C6CED

RGB 108 108 237

HSL 240, 0.78%, 0.68%

LAB 51.87, 35.47, -65.37

 

Complementary color

CMYK 0 / 0 / 88 / 42

HEX #939312

RGB 147 147 18

HSL 60, 0.78%, 0.32%

LAB 59.08, -13.97, 59.71

 

CMYK 51 / 53 / 0 / 9

HEX #716CE8

RGB 113 108 232

HSL 242.42, 0.73%, 0.67%

LAB 51.91, 34.91, -62.49

 

CMYK 48 / 50 / 0 / 2

HEX #827EFB

RGB 130 126 251

HSL 241.92, 0.94%, 0.74%

LAB 58.63, 33.52, -62.17

 

CMYK 42 / 44 / 0 / 0

HEX #9390FF

RGB 147 144 255

HSL 241.62, 1%, 0.78%

LAB 64.46, 28.06, -54.99

 

CMYK 36 / 36 / 0 / 0

HEX #A4A2FF

RGB 164 162 255

HSL 241.29, 1%, 0.82%

LAB 70.14, 22.05, -45.93

 

CMYK 29 / 29 / 0 / 0

HEX #B5B4FF

RGB 181 180 255

HSL 240.8, 1%, 0.85%

LAB 75.88, 16.63, -36.89

 

CMYK 54 / 54 / 0 / 7

HEX #6C6CED

RGB 108 108 237

HSL 240, 0.78%, 0.68%

LAB 51.87, 35.47, -65.37

 

CMYK 58 / 59 / 0 / 15

HEX #5B5ADA

RGB 91 90 218

HSL 240.47, 0.63%, 0.6%

LAB 45.08, 37.19, -65.7

 

CMYK 63 / 64 / 0 / 22

HEX #4A48C7

RGB 74 72 199

HSL 240.94, 0.53%, 0.53%

LAB 38.22, 39.15, -65.97

 

CMYK 68 / 70 / 0 / 29

HEX #3936B4

RGB 57 54 180

HSL 241.43, 0.54%, 0.46%

LAB 31.36, 41.34, -66.1

 

CMYK 75 / 78 / 0 / 37

HEX #2824A1

RGB 40 36 161

HSL 241.92, 0.63%, 0.39%

LAB 24.6, 43.58, -65.86

 

CMYK 54 / 54 / 0 / 7

HEX #6D6DED

RGB 109 109 237

HSL 240, 0.78%, 0.68%

LAB 52.18, 35.06, -64.87

 

CMYK 39 / 54 / 0 / 7

HEX #906DED

RGB 144 109 237

HSL 256.41, 0.78%, 0.68%

LAB 55.05, 42.5, -60.09

 

CMYK 25 / 54 / 0 / 7

HEX #B26DED

RGB 178 109 237

HSL 272.34, 0.78%, 0.68%

LAB 58.52, 50.68, -54.34

 

CMYK 11 / 54 / 0 / 7

HEX #D46DED

RGB 212 109 237

HSL 288.28, 0.78%, 0.68%

LAB 62.55, 59.34, -47.7

 

CMYK 0 / 54 / 4 / 7

HEX #ED6DE3

RGB 237 109 227

HSL 304.69, 0.78%, 0.68%

LAB 65.35, 64.14, -37.52

 

CMYK 54 / 54 / 0 / 7

HEX #6D6DED

RGB 109 109 237

HSL 240, 0.78%, 0.68%

LAB 52.18, 35.06, -64.87

 

CMYK 54 / 54 / 0 / 7

HEX #6D6DED

RGB 109 109 237

HSL 240, 0.78%, 0.68%

LAB 52.18, 35.06, -64.87

 

CMYK 62 / 62 / 0 / 2

HEX #6060FA

RGB 96 96 250

HSL 240, 0.94%, 0.68%

LAB 49.2, 44.64, -77

 

CMYK 54 / 54 / 0 / 7

HEX #6D6DED

RGB 109 109 237

HSL 240, 0.78%, 0.68%

LAB 52.18, 35.06, -64.87

 

CMYK 45 / 45 / 0 / 13

HEX #7A7ADF

RGB 122 122 223

HSL 240, 0.61%, 0.68%

LAB 55.47, 25.85, -51.7

 

CMYK 35 / 35 / 0 / 18

HEX #8888D2

RGB 136 136 210

HSL 240, 0.45%, 0.68%

LAB 59.43, 17.52, -38.06

 

CMYK 24 / 24 / 0 / 23

HEX #9595C5

RGB 149 149 197

HSL 240, 0.29%, 0.68%

LAB 63.27, 10.51, -24.73

 

CMYK 12 / 12 / 0 / 28

HEX #A2A2B8

RGB 162 162 184

HSL 240, 0.13%, 0.68%

LAB 67.26, 4.44, -11.32

 

CMYK 54 / 25 / 0 / 7

HEX #6DB1ED

RGB 109 177 237

HSL 208.13, 0.78%, 0.68%

LAB 70.04, -4.76, -36.55

 

CMYK 54 / 40 / 0 / 7

HEX #6D8FED

RGB 109 143 237

HSL 224.06, 0.78%, 0.68%

LAB 60.79, 14.71, -51.08

 

CMYK 54 / 54 / 0 / 7

HEX #6D6DED

RGB 109 109 237

HSL 240, 0.78%, 0.68%

LAB 52.18, 35.06, -64.87

 

CMYK 40 / 54 / 0 / 7

HEX #8F6DED

RGB 143 109 237

HSL 255.94, 0.78%, 0.68%

LAB 54.96, 42.27, -60.24

 

CMYK 25 / 54 / 0 / 7

HEX #B16DED

RGB 177 109 237

HSL 271.88, 0.78%, 0.68%

LAB 58.41, 50.44, -54.52

 

CMYK 84 / 84 / 0 / 11

HEX #2424E3

RGB 36 36 227

HSL 240, 0.77%, 0.52%

LAB 32.22, 63.69, -92.11

 

CMYK 69 / 69 / 0 / 9

HEX #4949E8

RGB 73 73 232

HSL 240, 0.78%, 0.6%

LAB 41.23, 49.2, -80

 

CMYK 54 / 54 / 0 / 7

HEX #6D6DED

RGB 109 109 237

HSL 240, 0.78%, 0.68%

LAB 52.18, 35.06, -64.87

 

CMYK 39 / 39 / 0 / 5

HEX #9292F1

RGB 146 146 241

HSL 240, 0.77%, 0.76%

LAB 64.18, 22.79, -47.77

 

CMYK 26 / 26 / 0 / 4

HEX #B7B7F6

RGB 183 183 246

HSL 240, 0.78%, 0.84%

LAB 76.43, 13.39, -31.18

 

CMYK 54 / 54 / 0 / 7

HEX #6C6CED

RGB 108 108 237

HSL 240, 0.78%, 0.68%

LAB 51.87, 35.47, -65.37

 

CMYK 0 / 54 / 11 / 7

HEX #ED6DD3

RGB 237 109 211

HSL 312.19, 0.78%, 0.68%

LAB 64.68, 61.58, -29.62

 

CMYK 32 / 0 / 54 / 7

HEX #A0ED6D

RGB 160 237 109

HSL 96.09, 0.78%, 0.68%

LAB 86.58, -45.24, 53.89

 

CMYK 54 / 54 / 0 / 7

HEX #6C6CED

RGB 108 108 237

HSL 240, 0.78%, 0.68%

LAB 51.87, 35.47, -65.37

 

CMYK 0 / 54 / 54 / 7

HEX #ED6D6D

RGB 237 109 109

HSL 0, 0.78%, 0.68%

LAB 61.69, 49.41, 24.2

 

CMYK 54 / 0 / 54 / 7

HEX #6DED6D

RGB 109 237 109

HSL 120, 0.78%, 0.68%

LAB 84.44, -60.29, 50.83

 

CMYK 54 / 54 / 0 / 7

HEX #6C6CED

RGB 108 108 237

HSL 240, 0.78%, 0.68%

LAB 51.87, 35.47, -65.37

 

CMYK 0 / 54 / 11 / 7

HEX #ED6DD3

RGB 237 109 211

HSL 312.19, 0.78%, 0.68%

LAB 64.68, 61.58, -29.62

 

CMYK 0 / 0 / 54 / 7

HEX #EDED6D

RGB 237 237 109

HSL 60, 0.78%, 0.68%

LAB 91.54, -16.41, 60.91

 

CMYK 54 / 0 / 43 / 7

HEX #6DED87

RGB 109 237 135

HSL 132.19, 0.78%, 0.68%

LAB 84.78, -56.7, 38.84

 

CMYK 54 / 54 / 0 / 7

HEX #6C6CED

RGB 108 108 237

HSL 240, 0.78%, 0.68%

LAB 51.87, 35.47, -65.37

 

CMYK 0 / 54 / 27 / 7

HEX #ED6DAD

RGB 237 109 173

HSL 330, 0.78%, 0.68%

LAB 63.31, 56.15, -10.2

 

CMYK 0 / 0 / 54 / 7

HEX #EDED6D

RGB 237 237 109

HSL 60, 0.78%, 0.68%

LAB 91.54, -16.41, 60.91

 

CMYK 54 / 0 / 27 / 7

HEX #6DEDAD

RGB 109 237 173

HSL 150, 0.78%, 0.68%

LAB 85.42, -49.98, 20.45

 

Description

Color code: HEX #6C6CED | qconv.com Color code: HEX #6C6CED | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 108 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 108 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 54 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 54% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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