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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C76B6 it is the complementary color #938949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C76B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C76B6 shade: #7176B1, #8288C4, #939AD7, #A4ACEA and #B5BEFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C76B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C76B6 shade: #6C76B6, #5B64A3, #4A5290, #39407D and #282E6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C76B6 shade: #6C76B6, #766CB6, #8A6CB6, #9E6CB6 and #B26CB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C76B6 shade: #6C76B6 and #6C6CB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C76B6 shade matches the following richer shades: #6C76B6, #5A69C8, #485CDA, #364FEB and #2542FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C76B6 shade: #6C76B6, #7D83A4, #8F9093, #A19C81 and #B3A96F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C76B6 shade: #6C9FB6, #6C8BB6, #6C77B6, #746CB6 and #886CB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C76B6 shade: #444E8B, #525DA7, #6C76B6, #878FC4 and #A3A9D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C76B6 shade: #6C76B6, #B66CB2 and #95B66C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C76B6 shade: #6C76B6, #B66C77 and #77B66C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C76B6 shade: #6C76B6, #B66CB2, #B6AB6C and #6CB66F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C76B6 shade: #6C76B6, #B66C9C, #B6AB6C and #6CB686

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 35 / 0 / 29

HEX #6C76B6

RGB 108 118 182

HSL 231.89, 0.34%, 0.57%

LAB 51.29, 12.72, -35.03

 

Complementary color

CMYK 0 / 7 / 50 / 42

HEX #938949

RGB 147 137 73

HSL 51.89, 0.34%, 0.43%

LAB 56.66, -5.35, 35.41

 

CMYK 36 / 33 / 0 / 31

HEX #7176B1

RGB 113 118 177

HSL 235.31, 0.29%, 0.57%

LAB 51.43, 12.7, -31.9

 

CMYK 34 / 31 / 0 / 23

HEX #8288C4

RGB 130 136 196

HSL 234.55, 0.36%, 0.64%

LAB 58.36, 12.08, -31.88

 

CMYK 32 / 28 / 0 / 16

HEX #939AD7

RGB 147 154 215

HSL 233.82, 0.46%, 0.71%

LAB 65.14, 11.54, -31.9

 

CMYK 30 / 26 / 0 / 8

HEX #A4ACEA

RGB 164 172 234

HSL 233.14, 0.63%, 0.78%

LAB 71.78, 11.07, -31.96

 

CMYK 28 / 25 / 0 / 1

HEX #B5BEFD

RGB 181 190 253

HSL 232.5, 0.95%, 0.85%

LAB 78.31, 10.64, -32.05

 

CMYK 41 / 35 / 0 / 29

HEX #6C76B6

RGB 108 118 182

HSL 231.89, 0.34%, 0.57%

LAB 51.29, 12.72, -35.03

 

CMYK 44 / 39 / 0 / 36

HEX #5B64A3

RGB 91 100 163

HSL 232.5, 0.28%, 0.5%

LAB 44.21, 13.55, -35.17

 

CMYK 49 / 43 / 0 / 44

HEX #4A5290

RGB 74 82 144

HSL 233.14, 0.32%, 0.43%

LAB 36.94, 14.56, -35.38

 

CMYK 54 / 49 / 0 / 51

HEX #39407D

RGB 57 64 125

HSL 233.82, 0.37%, 0.36%

LAB 29.46, 15.85, -35.66

 

CMYK 62 / 57 / 0 / 58

HEX #282E6A

RGB 40 46 106

HSL 234.55, 0.45%, 0.29%

LAB 21.75, 17.55, -36.02

 

CMYK 41 / 35 / 0 / 29

HEX #6C76B6

RGB 108 118 182

HSL 231.89, 0.34%, 0.57%

LAB 51.29, 12.72, -35.03

 

CMYK 35 / 41 / 0 / 29

HEX #766CB6

RGB 118 108 182

HSL 248.11, 0.34%, 0.57%

LAB 49.44, 21.53, -37.89

 

CMYK 24 / 41 / 0 / 29

HEX #8A6CB6

RGB 138 108 182

HSL 264.32, 0.34%, 0.57%

LAB 51.27, 27.31, -34.88

 

CMYK 13 / 41 / 0 / 29

HEX #9E6CB6

RGB 158 108 182

HSL 280.54, 0.34%, 0.57%

LAB 53.35, 33.38, -31.48

 

CMYK 2 / 41 / 0 / 29

HEX #B26CB6

RGB 178 108 182

HSL 296.76, 0.34%, 0.57%

LAB 55.65, 39.59, -27.73

 

CMYK 41 / 35 / 0 / 29

HEX #6C76B6

RGB 108 118 182

HSL 231.89, 0.34%, 0.57%

LAB 51.29, 12.72, -35.03

 

CMYK 41 / 41 / 0 / 29

HEX #6C6CB6

RGB 108 108 182

HSL 240, 0.34%, 0.57%

LAB 48.62, 18.79, -39.23

 

CMYK 41 / 35 / 0 / 29

HEX #6C76B6

RGB 108 118 182

HSL 231.89, 0.34%, 0.57%

LAB 51.29, 12.72, -35.03

 

CMYK 55 / 48 / 0 / 22

HEX #5A69C8

RGB 90 105 200

HSL 231.82, 0.5%, 0.57%

LAB 47.56, 21.92, -51.4

 

CMYK 67 / 58 / 0 / 15

HEX #485CDA

RGB 72 92 218

HSL 231.78, 0.66%, 0.57%

LAB 44.37, 32.94, -66.91

 

CMYK 77 / 66 / 0 / 8

HEX #364FEB

RGB 54 79 235

HSL 231.71, 0.82%, 0.57%

LAB 41.81, 44.79, -80.78

 

CMYK 85 / 74 / 0 / 1

HEX #2542FD

RGB 37 66 253

HSL 231.94, 0.98%, 0.57%

LAB 40.22, 57.25, -93.55

 

CMYK 41 / 35 / 0 / 29

HEX #6C76B6

RGB 108 118 182

HSL 231.89, 0.34%, 0.57%

LAB 51.29, 12.72, -35.03

 

CMYK 24 / 20 / 0 / 36

HEX #7D83A4

RGB 125 131 164

HSL 230.77, 0.18%, 0.57%

LAB 55.35, 5.26, -18.27

 

CMYK 3 / 2 / 0 / 42

HEX #8F9093

RGB 143 144 147

HSL 225, 0.02%, 0.57%

LAB 59.79, 0.23, -1.72

 

CMYK 0 / 3 / 20 / 37

HEX #A19C81

RGB 161 156 129

HSL 50.63, 0.15%, 0.57%

LAB 64.11, -2.81, 14.82

 

CMYK 0 / 6 / 38 / 30

HEX #B3A96F

RGB 179 169 111

HSL 51.18, 0.31%, 0.57%

LAB 68.83, -5.06, 31.24

 

CMYK 41 / 13 / 0 / 29

HEX #6C9FB6

RGB 108 159 182

HSL 198.65, 0.34%, 0.57%

LAB 62.81, -10.92, -17.26

 

CMYK 41 / 24 / 0 / 29

HEX #6C8BB6

RGB 108 139 182

HSL 214.86, 0.34%, 0.57%

LAB 57.11, 0.31, -25.99

 

CMYK 41 / 35 / 0 / 29

HEX #6C77B6

RGB 108 119 182

HSL 231.08, 0.34%, 0.57%

LAB 51.56, 12.12, -34.61

 

CMYK 36 / 41 / 0 / 29

HEX #746CB6

RGB 116 108 182

HSL 246.49, 0.34%, 0.57%

LAB 49.27, 20.97, -38.17

 

CMYK 25 / 41 / 0 / 29

HEX #886CB6

RGB 136 108 182

HSL 262.7, 0.34%, 0.57%

LAB 51.08, 26.72, -35.2

 

CMYK 51 / 44 / 0 / 45

HEX #444E8B

RGB 68 78 139

HSL 231.55, 0.34%, 0.41%

LAB 35.09, 14.01, -35.3

 

CMYK 51 / 44 / 0 / 35

HEX #525DA7

RGB 82 93 167

HSL 232.24, 0.34%, 0.49%

LAB 41.86, 16.94, -41.29

 

CMYK 41 / 35 / 0 / 29

HEX #6C76B6

RGB 108 118 182

HSL 231.89, 0.34%, 0.57%

LAB 51.29, 12.72, -35.03

 

CMYK 31 / 27 / 0 / 23

HEX #878FC4

RGB 135 143 196

HSL 232.13, 0.34%, 0.65%

LAB 60.59, 9.47, -28.39

 

CMYK 22 / 19 / 0 / 18

HEX #A3A9D1

RGB 163 169 209

HSL 232.17, 0.33%, 0.73%

LAB 70.01, 6.44, -21

 

CMYK 41 / 35 / 0 / 29

HEX #6C76B6

RGB 108 118 182

HSL 231.89, 0.34%, 0.57%

LAB 51.29, 12.72, -35.03

 

CMYK 0 / 41 / 2 / 29

HEX #B66CB2

RGB 182 108 178

HSL 303.24, 0.34%, 0.57%

LAB 55.97, 40.09, -24.89

 

CMYK 18 / 0 / 41 / 29

HEX #95B66C

RGB 149 182 108

HSL 86.76, 0.34%, 0.57%

LAB 70.13, -24.02, 34.03

 

CMYK 41 / 35 / 0 / 29

HEX #6C76B6

RGB 108 118 182

HSL 231.89, 0.34%, 0.57%

LAB 51.29, 12.72, -35.03

 

CMYK 0 / 41 / 35 / 29

HEX #B66C77

RGB 182 108 119

HSL 351.08, 0.34%, 0.57%

LAB 54.03, 30.78, 6.63

 

CMYK 35 / 0 / 41 / 29

HEX #77B66C

RGB 119 182 108

HSL 111.08, 0.34%, 0.57%

LAB 68.36, -34.76, 31.41

 

CMYK 41 / 35 / 0 / 29

HEX #6C76B6

RGB 108 118 182

HSL 231.89, 0.34%, 0.57%

LAB 51.29, 12.72, -35.03

 

CMYK 0 / 41 / 2 / 29

HEX #B66CB2

RGB 182 108 178

HSL 303.24, 0.34%, 0.57%

LAB 55.97, 40.09, -24.89

 

CMYK 0 / 6 / 41 / 29

HEX #B6AB6C

RGB 182 171 108

HSL 51.08, 0.34%, 0.57%

LAB 69.58, -5.24, 33.84

 

CMYK 41 / 0 / 39 / 29

HEX #6CB66F

RGB 108 182 111

HSL 122.43, 0.34%, 0.57%

LAB 67.87, -37.83, 29.09

 

CMYK 41 / 35 / 0 / 29

HEX #6C76B6

RGB 108 118 182

HSL 231.89, 0.34%, 0.57%

LAB 51.29, 12.72, -35.03

 

CMYK 0 / 41 / 14 / 29

HEX #B66C9C

RGB 182 108 156

HSL 321.08, 0.34%, 0.57%

LAB 55.14, 36.23, -13.41

 

CMYK 0 / 6 / 41 / 29

HEX #B6AB6C

RGB 182 171 108

HSL 51.08, 0.34%, 0.57%

LAB 69.58, -5.24, 33.84

 

CMYK 41 / 0 / 26 / 29

HEX #6CB686

RGB 108 182 134

HSL 141.08, 0.34%, 0.57%

LAB 68.29, -33.76, 17.35

 

Description

Color code: HEX #6C76B6 | qconv.com Color code: HEX #6C76B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 118 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 118 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 35 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 35% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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