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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C771C it is the complementary color #9388E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C771C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C771C shade: #717717, #82892A, #939B3D, #A4AD50 and #B5BF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C771C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C771C shade: #6C771C, #5B6509, #4A5300, #394100 and #282F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C771C shade: #6C771C, #776A1C, #77511C, #77381C and #771F1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C771C shade: #6C771C, #53771C, #3B771C, #22771C and #1C772E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C771C shade matches the following richer shades: #6C771C, #758310 and #7E8F04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C771C shade: #6C771C, #636B28, #5A5F34, #51533F and #48474B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C771C shade: #77511C, #776A1C, #6D771C, #54771C and #3C771C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C771C shade: #30340C, #4E5614, #6C771C, #8B9923 and #A9BA2B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C771C shade: #6C771C, #1C7739 and #5D1C77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C771C shade: #6C771C, #1C6D77 and #771C6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C771C shade: #6C771C, #1C7739, #261C77 and #771C5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C771C shade: #6C771C, #1C7754, #261C77 and #771C3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

Complementary color

CMYK 35 / 40 / 0 / 11

HEX #9388E3

RGB 147 136 227

HSL 247.25, 0.62%, 0.71%

LAB 61.1, 25.05, -44.88

 

CMYK 5 / 0 / 81 / 53

HEX #717717

RGB 113 119 23

HSL 63.75, 0.68%, 0.28%

LAB 47.96, -14.44, 47.73

 

CMYK 5 / 0 / 69 / 46

HEX #82892A

RGB 130 137 42

HSL 64.42, 0.53%, 0.35%

LAB 54.87, -15.35, 47.75

 

CMYK 5 / 0 / 61 / 39

HEX #939B3D

RGB 147 155 61

HSL 65.11, 0.44%, 0.42%

LAB 61.64, -16.03, 47.04

 

CMYK 5 / 0 / 54 / 32

HEX #A4AD50

RGB 164 173 80

HSL 65.81, 0.37%, 0.5%

LAB 68.28, -16.54, 46.03

 

CMYK 5 / 0 / 48 / 25

HEX #B5BF63

RGB 181 191 99

HSL 66.52, 0.42%, 0.57%

LAB 74.82, -16.95, 44.89

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 10 / 0 / 91 / 60

HEX #5B6509

RGB 91 101 9

HSL 66.52, 0.84%, 0.22%

LAB 40.49, -15.46, 44.52

 

CMYK 11 / 0 / 100 / 67

HEX #4A5300

RGB 74 83 0

HSL 66.51, 1%, 0.16%

LAB 33.23, -14.02, 40.82

 

CMYK 12 / 0 / 100 / 75

HEX #394100

RGB 57 65 0

HSL 67.38, 1%, 0.13%

LAB 25.71, -12.24, 34.19

 

CMYK 15 / 0 / 100 / 82

HEX #282F00

RGB 40 47 0

HSL 68.94, 1%, 0.09%

LAB 17.85, -10.39, 25.34

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 0 / 11 / 76 / 53

HEX #776A1C

RGB 119 106 28

HSL 51.43, 0.62%, 0.29%

LAB 44.68, -4.12, 43.04

 

CMYK 0 / 32 / 76 / 53

HEX #77511C

RGB 119 81 28

HSL 34.95, 0.62%, 0.29%

LAB 37.65, 10.65, 36.1

 

CMYK 0 / 53 / 76 / 53

HEX #77381C

RGB 119 56 28

HSL 18.46, 0.62%, 0.29%

LAB 31.43, 25.41, 29.61

 

CMYK 0 / 74 / 76 / 53

HEX #771F1C

RGB 119 31 28

HSL 1.98, 0.62%, 0.29%

LAB 26.69, 37.87, 24.39

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 30 / 0 / 76 / 53

HEX #53771C

RGB 83 119 28

HSL 83.74, 0.62%, 0.29%

LAB 45.79, -27.4, 43.13

 

CMYK 50 / 0 / 76 / 53

HEX #3B771C

RGB 59 119 28

HSL 99.56, 0.62%, 0.29%

LAB 44.53, -36.34, 41.46

 

CMYK 71 / 0 / 76 / 53

HEX #22771C

RGB 34 119 28

HSL 116.04, 0.62%, 0.29%

LAB 43.68, -43.1, 40.33

 

CMYK 76 / 0 / 61 / 53

HEX #1C772E

RGB 28 119 46

HSL 131.87, 0.62%, 0.29%

LAB 43.71, -42.25, 32.21

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 11 / 0 / 88 / 49

HEX #758310

RGB 117 131 16

HSL 67.3, 0.78%, 0.29%

LAB 51.9, -19.21, 53.22

 

CMYK 12 / 0 / 97 / 44

HEX #7E8F04

RGB 126 143 4

HSL 67.34, 0.95%, 0.29%

LAB 56.18, -21.61, 59.13

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 7 / 0 / 63 / 58

HEX #636B28

RGB 99 107 40

HSL 67.16, 0.46%, 0.29%

LAB 43.24, -13.29, 35.6

 

CMYK 5 / 0 / 45 / 63

HEX #5A5F34

RGB 90 95 52

HSL 66.98, 0.29%, 0.29%

LAB 38.91, -9.38, 23.89

 

CMYK 2 / 0 / 24 / 67

HEX #51533F

RGB 81 83 63

HSL 66, 0.14%, 0.29%

LAB 34.59, -4.71, 11.48

 

CMYK 4 / 5 / 0 / 71

HEX #48474B

RGB 72 71 75

HSL 255, 0.03%, 0.29%

LAB 30.38, 1.31, -2.25

 

CMYK 0 / 32 / 76 / 53

HEX #77511C

RGB 119 81 28

HSL 34.95, 0.62%, 0.29%

LAB 37.65, 10.65, 36.1

 

CMYK 0 / 11 / 76 / 53

HEX #776A1C

RGB 119 106 28

HSL 51.43, 0.62%, 0.29%

LAB 44.68, -4.12, 43.04

 

CMYK 8 / 0 / 76 / 53

HEX #6D771C

RGB 109 119 28

HSL 66.59, 0.62%, 0.29%

LAB 47.66, -16.04, 45.58

 

CMYK 29 / 0 / 76 / 53

HEX #54771C

RGB 84 119 28

HSL 83.08, 0.62%, 0.29%

LAB 45.86, -26.99, 43.22

 

CMYK 50 / 0 / 76 / 53

HEX #3C771C

RGB 60 119 28

HSL 98.9, 0.62%, 0.29%

LAB 44.57, -36.01, 41.52

 

CMYK 8 / 0 / 77 / 80

HEX #30340C

RGB 48 52 12

HSL 66, 0.63%, 0.13%

LAB 20.48, -8.29, 23.65

 

CMYK 9 / 0 / 77 / 66

HEX #4E5614

RGB 78 86 20

HSL 67.27, 0.62%, 0.21%

LAB 34.65, -12.86, 35.26

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 9 / 0 / 77 / 40

HEX #8B9923

RGB 139 153 35

HSL 67.12, 0.63%, 0.37%

LAB 60.24, -20.05, 55.8

 

CMYK 9 / 0 / 77 / 27

HEX #A9BA2B

RGB 169 186 43

HSL 67.13, 0.62%, 0.45%

LAB 72.05, -23.33, 64.96

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 76 / 0 / 52 / 53

HEX #1C7739

RGB 28 119 57

HSL 139.12, 0.62%, 0.29%

LAB 43.85, -40.57, 26.62

 

CMYK 22 / 76 / 0 / 53

HEX #5D1C77

RGB 93 28 119

HSL 282.86, 0.62%, 0.29%

LAB 25.23, 43.76, -38.45

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 76 / 8 / 0 / 53

HEX #1C6D77

RGB 28 109 119

HSL 186.59, 0.62%, 0.29%

LAB 42.02, -19.89, -12.46

 

CMYK 0 / 76 / 8 / 53

HEX #771C6D

RGB 119 28 109

HSL 306.59, 0.62%, 0.29%

LAB 29.05, 47.88, -25.69

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 76 / 0 / 52 / 53

HEX #1C7739

RGB 28 119 57

HSL 139.12, 0.62%, 0.29%

LAB 43.85, -40.57, 26.62

 

CMYK 68 / 76 / 0 / 53

HEX #261C77

RGB 38 28 119

HSL 246.59, 0.62%, 0.29%

LAB 18.25, 33.84, -50.12

 

CMYK 0 / 76 / 24 / 53

HEX #771C5A

RGB 119 28 90

HSL 319.12, 0.62%, 0.29%

LAB 28.09, 44.96, -14.85

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 76 / 0 / 29 / 53

HEX #1C7754

RGB 28 119 84

HSL 156.92, 0.62%, 0.29%

LAB 44.35, -34.99, 11.9

 

CMYK 68 / 76 / 0 / 53

HEX #261C77

RGB 38 28 119

HSL 246.59, 0.62%, 0.29%

LAB 18.25, 33.84, -50.12

 

CMYK 0 / 76 / 47 / 53

HEX #771C3F

RGB 119 28 63

HSL 336.92, 0.62%, 0.29%

LAB 27.05, 41.66, 1.57

 

Description

Color code: HEX #6C771C | qconv.com Color code: HEX #6C771C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 119 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 119 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 76 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 76% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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