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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C781C it is the complementary color #9387E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C781C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C781C shade: #717817, #828A2A, #939C3D, #A4AE50 and #B5C063

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C781C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C781C shade: #6C781C, #5B6609, #4A5400, #394200 and #283000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C781C shade: #6B771C, #776B1C, #77521C, #77391C and #77201C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C781C shade: #6B771C, #53771C, #3A771C, #21771C and #1C772F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C781C shade matches the following richer shades: #6B771C, #748310 and #7D8F04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C781C shade: #6B771C, #626B28, #5A5F34, #51533F and #48474B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C781C shade: #77511C, #776A1C, #6D771C, #54771C and #3C771C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C781C shade: #2F340C, #4D5614, #6B771C, #899923 and #A7BA2B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C781C shade: #6C781C, #1C7739 and #5D1C77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C781C shade: #6C781C, #1C6D77 and #771C6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C781C shade: #6C781C, #1C7739, #261C77 and #771C5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C781C shade: #6C781C, #1C7754, #261C77 and #771C3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 77 / 53

HEX #6C781C

RGB 108 120 28

HSL 67.83, 0.62%, 0.29%

LAB 47.89, -17.03, 45.77

 

Complementary color

CMYK 35 / 41 / 0 / 11

HEX #9387E3

RGB 147 135 227

HSL 247.83, 0.62%, 0.71%

LAB 60.85, 25.63, -45.27

 

CMYK 6 / 0 / 81 / 53

HEX #717817

RGB 113 120 23

HSL 64.33, 0.68%, 0.28%

LAB 48.27, -14.97, 48

 

CMYK 6 / 0 / 70 / 46

HEX #828A2A

RGB 130 138 42

HSL 65, 0.53%, 0.35%

LAB 55.16, -15.87, 48.05

 

CMYK 6 / 0 / 61 / 39

HEX #939C3D

RGB 147 156 61

HSL 65.68, 0.44%, 0.43%

LAB 61.93, -16.55, 47.36

 

CMYK 6 / 0 / 54 / 32

HEX #A4AE50

RGB 164 174 80

HSL 66.38, 0.37%, 0.5%

LAB 68.57, -17.06, 46.35

 

CMYK 6 / 0 / 48 / 25

HEX #B5C063

RGB 181 192 99

HSL 67.1, 0.42%, 0.57%

LAB 75.09, -17.45, 45.22

 

CMYK 10 / 0 / 77 / 53

HEX #6C781C

RGB 108 120 28

HSL 67.83, 0.62%, 0.29%

LAB 47.89, -17.03, 45.77

 

CMYK 11 / 0 / 91 / 60

HEX #5B6609

RGB 91 102 9

HSL 67.1, 0.84%, 0.22%

LAB 40.81, -16.01, 44.78

 

CMYK 12 / 0 / 100 / 67

HEX #4A5400

RGB 74 84 0

HSL 67.14, 1%, 0.16%

LAB 33.56, -14.58, 41.07

 

CMYK 14 / 0 / 100 / 74

HEX #394200

RGB 57 66 0

HSL 68.18, 1%, 0.13%

LAB 26.06, -12.82, 34.51

 

CMYK 17 / 0 / 100 / 81

HEX #283000

RGB 40 48 0

HSL 70, 1%, 0.09%

LAB 18.21, -11, 25.77

 

CMYK 10 / 0 / 76 / 53

HEX #6B771C

RGB 107 119 28

HSL 67.91, 0.62%, 0.29%

LAB 47.5, -16.95, 45.37

 

CMYK 0 / 10 / 76 / 53

HEX #776B1C

RGB 119 107 28

HSL 52.09, 0.62%, 0.29%

LAB 44.97, -4.7, 43.32

 

CMYK 0 / 31 / 76 / 53

HEX #77521C

RGB 119 82 28

HSL 35.6, 0.62%, 0.29%

LAB 37.91, 10.04, 36.37

 

CMYK 0 / 52 / 76 / 53

HEX #77391C

RGB 119 57 28

HSL 19.12, 0.62%, 0.29%

LAB 31.65, 24.84, 29.85

 

CMYK 0 / 73 / 76 / 53

HEX #77201C

RGB 119 32 28

HSL 2.64, 0.62%, 0.29%

LAB 26.85, 37.45, 24.56

 

CMYK 10 / 0 / 76 / 53

HEX #6B771C

RGB 107 119 28

HSL 67.91, 0.62%, 0.29%

LAB 47.5, -16.95, 45.37

 

CMYK 30 / 0 / 76 / 53

HEX #53771C

RGB 83 119 28

HSL 83.74, 0.62%, 0.29%

LAB 45.79, -27.4, 43.13

 

CMYK 51 / 0 / 76 / 53

HEX #3A771C

RGB 58 119 28

HSL 100.22, 0.62%, 0.29%

LAB 44.49, -36.67, 41.4

 

CMYK 72 / 0 / 76 / 53

HEX #21771C

RGB 33 119 28

HSL 116.7, 0.62%, 0.29%

LAB 43.65, -43.31, 40.3

 

CMYK 76 / 0 / 61 / 53

HEX #1C772F

RGB 28 119 47

HSL 132.53, 0.62%, 0.29%

LAB 43.72, -42.11, 31.72

 

CMYK 10 / 0 / 76 / 53

HEX #6B771C

RGB 107 119 28

HSL 67.91, 0.62%, 0.29%

LAB 47.5, -16.95, 45.37

 

CMYK 11 / 0 / 88 / 49

HEX #748310

RGB 116 131 16

HSL 67.83, 0.78%, 0.29%

LAB 51.82, -19.66, 53.12

 

CMYK 13 / 0 / 97 / 44

HEX #7D8F04

RGB 125 143 4

HSL 67.77, 0.95%, 0.29%

LAB 56.1, -22.05, 59.04

 

CMYK 10 / 0 / 76 / 53

HEX #6B771C

RGB 107 119 28

HSL 67.91, 0.62%, 0.29%

LAB 47.5, -16.95, 45.37

 

CMYK 8 / 0 / 63 / 58

HEX #626B28

RGB 98 107 40

HSL 68.06, 0.46%, 0.29%

LAB 43.16, -13.74, 35.49

 

CMYK 5 / 0 / 45 / 63

HEX #5A5F34

RGB 90 95 52

HSL 66.98, 0.29%, 0.29%

LAB 38.91, -9.38, 23.89

 

CMYK 2 / 0 / 24 / 67

HEX #51533F

RGB 81 83 63

HSL 66, 0.14%, 0.29%

LAB 34.59, -4.71, 11.48

 

CMYK 4 / 5 / 0 / 71

HEX #48474B

RGB 72 71 75

HSL 255, 0.03%, 0.29%

LAB 30.38, 1.31, -2.25

 

CMYK 0 / 32 / 76 / 53

HEX #77511C

RGB 119 81 28

HSL 34.95, 0.62%, 0.29%

LAB 37.65, 10.65, 36.1

 

CMYK 0 / 11 / 76 / 53

HEX #776A1C

RGB 119 106 28

HSL 51.43, 0.62%, 0.29%

LAB 44.68, -4.12, 43.04

 

CMYK 8 / 0 / 76 / 53

HEX #6D771C

RGB 109 119 28

HSL 66.59, 0.62%, 0.29%

LAB 47.66, -16.04, 45.58

 

CMYK 29 / 0 / 76 / 53

HEX #54771C

RGB 84 119 28

HSL 83.08, 0.62%, 0.29%

LAB 45.86, -26.99, 43.22

 

CMYK 50 / 0 / 76 / 53

HEX #3C771C

RGB 60 119 28

HSL 98.9, 0.62%, 0.29%

LAB 44.57, -36.01, 41.52

 

CMYK 10 / 0 / 77 / 80

HEX #2F340C

RGB 47 52 12

HSL 67.5, 0.63%, 0.13%

LAB 20.39, -8.81, 23.51

 

CMYK 10 / 0 / 77 / 66

HEX #4D5614

RGB 77 86 20

HSL 68.18, 0.62%, 0.21%

LAB 34.57, -13.34, 35.15

 

CMYK 10 / 0 / 76 / 53

HEX #6B771C

RGB 107 119 28

HSL 67.91, 0.62%, 0.29%

LAB 47.5, -16.95, 45.37

 

CMYK 10 / 0 / 77 / 40

HEX #899923

RGB 137 153 35

HSL 68.14, 0.63%, 0.37%

LAB 60.09, -20.92, 55.6

 

CMYK 10 / 0 / 77 / 27

HEX #A7BA2B

RGB 167 186 43

HSL 67.97, 0.62%, 0.45%

LAB 71.9, -24.17, 64.77

 

CMYK 10 / 0 / 77 / 53

HEX #6C781C

RGB 108 120 28

HSL 67.83, 0.62%, 0.29%

LAB 47.89, -17.03, 45.77

 

CMYK 76 / 0 / 52 / 53

HEX #1C7739

RGB 28 119 57

HSL 139.12, 0.62%, 0.29%

LAB 43.85, -40.57, 26.62

 

CMYK 22 / 76 / 0 / 53

HEX #5D1C77

RGB 93 28 119

HSL 282.86, 0.62%, 0.29%

LAB 25.23, 43.76, -38.45

 

CMYK 10 / 0 / 77 / 53

HEX #6C781C

RGB 108 120 28

HSL 67.83, 0.62%, 0.29%

LAB 47.89, -17.03, 45.77

 

CMYK 76 / 8 / 0 / 53

HEX #1C6D77

RGB 28 109 119

HSL 186.59, 0.62%, 0.29%

LAB 42.02, -19.89, -12.46

 

CMYK 0 / 76 / 8 / 53

HEX #771C6D

RGB 119 28 109

HSL 306.59, 0.62%, 0.29%

LAB 29.05, 47.88, -25.69

 

CMYK 10 / 0 / 77 / 53

HEX #6C781C

RGB 108 120 28

HSL 67.83, 0.62%, 0.29%

LAB 47.89, -17.03, 45.77

 

CMYK 76 / 0 / 52 / 53

HEX #1C7739

RGB 28 119 57

HSL 139.12, 0.62%, 0.29%

LAB 43.85, -40.57, 26.62

 

CMYK 68 / 76 / 0 / 53

HEX #261C77

RGB 38 28 119

HSL 246.59, 0.62%, 0.29%

LAB 18.25, 33.84, -50.12

 

CMYK 0 / 76 / 24 / 53

HEX #771C5A

RGB 119 28 90

HSL 319.12, 0.62%, 0.29%

LAB 28.09, 44.96, -14.85

 

CMYK 10 / 0 / 77 / 53

HEX #6C781C

RGB 108 120 28

HSL 67.83, 0.62%, 0.29%

LAB 47.89, -17.03, 45.77

 

CMYK 76 / 0 / 29 / 53

HEX #1C7754

RGB 28 119 84

HSL 156.92, 0.62%, 0.29%

LAB 44.35, -34.99, 11.9

 

CMYK 68 / 76 / 0 / 53

HEX #261C77

RGB 38 28 119

HSL 246.59, 0.62%, 0.29%

LAB 18.25, 33.84, -50.12

 

CMYK 0 / 76 / 47 / 53

HEX #771C3F

RGB 119 28 63

HSL 336.92, 0.62%, 0.29%

LAB 27.05, 41.66, 1.57

 

Description

Color code: HEX #6C781C | qconv.com Color code: HEX #6C781C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 120 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 120 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 77 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 77% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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