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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C7023 it is the complementary color #938FDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C7023. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C7023 shade: #71701E, #828231, #939444, #A4A657 and #B5B86A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C7023. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C7023 shade: #6C7023, #5B5E10, #4A4C00, #393A00 and #282800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C7023 shade: #6C7023, #705F23, #704A23, #703623 and #702323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C7023 shade: #6C7023, #577023, #427023, #2E7023 and #23702D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C7023 shade matches the following richer shades: #6C7023, #777C17 and #81880B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C7023 shade: #6C7023, #61642F, #56583B, #4C4C47 and #414053

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C7023 shade: #704B23, #705F23, #6C7023, #587023 and #437023

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C7023 shade: #2F310F, #4E5119, #6C7023, #8A8F2D and #A8AF37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C7023 shade: #6C7023, #237036 and #552370

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C7023 shade: #6C7023, #236C70 and #70236C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C7023 shade: #6C7023, #237036, #272370 and #70235D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C7023 shade: #6C7023, #23704D, #272370 and #702346

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

Complementary color

CMYK 33 / 35 / 0 / 14

HEX #938FDC

RGB 147 143 220

HSL 243.12, 0.52%, 0.71%

LAB 62.52, 19.16, -38.75

 

CMYK 0 / 1 / 73 / 56

HEX #71701E

RGB 113 112 30

HSL 59.28, 0.58%, 0.28%

LAB 45.9, -10.25, 43.22

 

CMYK 0 / 0 / 62 / 49

HEX #828231

RGB 130 130 49

HSL 60, 0.45%, 0.35%

LAB 52.88, -11.12, 42.6

 

CMYK 1 / 0 / 54 / 42

HEX #939444

RGB 147 148 68

HSL 60.75, 0.37%, 0.42%

LAB 59.71, -11.77, 41.55

 

CMYK 1 / 0 / 48 / 35

HEX #A4A657

RGB 164 166 87

HSL 61.52, 0.31%, 0.5%

LAB 66.41, -12.27, 40.37

 

CMYK 2 / 0 / 42 / 28

HEX #B5B86A

RGB 181 184 106

HSL 62.31, 0.35%, 0.57%

LAB 72.99, -12.66, 39.16

 

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

CMYK 3 / 0 / 83 / 63

HEX #5B5E10

RGB 91 94 16

HSL 62.31, 0.71%, 0.22%

LAB 38.32, -11.32, 40.63

 

CMYK 3 / 0 / 100 / 70

HEX #4A4C00

RGB 74 76 0

HSL 61.58, 1%, 0.15%

LAB 30.94, -10, 39.13

 

CMYK 2 / 0 / 100 / 77

HEX #393A00

RGB 57 58 0

HSL 61.03, 1%, 0.11%

LAB 23.32, -8.04, 31.87

 

CMYK 0 / 0 / 100 / 84

HEX #282800

RGB 40 40 0

HSL 60, 1%, 0.08%

LAB 15.32, -5.97, 22.21

 

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

CMYK 0 / 15 / 69 / 56

HEX #705F23

RGB 112 95 35

HSL 46.75, 0.52%, 0.29%

LAB 40.82, -0.67, 35.77

 

CMYK 0 / 34 / 69 / 56

HEX #704A23

RGB 112 74 35

HSL 30.39, 0.52%, 0.29%

LAB 34.93, 11.98, 29.3

 

CMYK 0 / 52 / 69 / 56

HEX #703623

RGB 112 54 35

HSL 14.81, 0.52%, 0.29%

LAB 29.92, 23.93, 23.49

 

CMYK 0 / 69 / 69 / 56

HEX #702323

RGB 112 35 35

HSL 0, 0.52%, 0.29%

LAB 26.06, 33.97, 18.8

 

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

CMYK 22 / 0 / 69 / 56

HEX #577023

RGB 87 112 35

HSL 79.48, 0.52%, 0.29%

LAB 43.85, -21.72, 38.34

 

CMYK 41 / 0 / 69 / 56

HEX #427023

RGB 66 112 35

HSL 95.84, 0.52%, 0.29%

LAB 42.56, -30.21, 36.58

 

CMYK 59 / 0 / 69 / 56

HEX #2E7023

RGB 46 112 35

HSL 111.43, 0.52%, 0.29%

LAB 41.67, -36.8, 35.36

 

CMYK 69 / 0 / 60 / 56

HEX #23702D

RGB 35 112 45

HSL 127.79, 0.52%, 0.29%

LAB 41.43, -38.35, 30.08

 

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

CMYK 4 / 0 / 81 / 51

HEX #777C17

RGB 119 124 23

HSL 62.97, 0.69%, 0.29%

LAB 49.98, -14.36, 49.72

 

CMYK 5 / 0 / 92 / 47

HEX #81880B

RGB 129 136 11

HSL 63.36, 0.85%, 0.29%

LAB 54.34, -16.51, 56.64

 

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

CMYK 3 / 0 / 53 / 61

HEX #61642F

RGB 97 100 47

HSL 63.4, 0.36%, 0.29%

LAB 40.99, -9.62, 29.37

 

CMYK 2 / 0 / 33 / 65

HEX #56583B

RGB 86 88 59

HSL 64.14, 0.2%, 0.29%

LAB 36.51, -6.13, 16.6

 

CMYK 0 / 0 / 7 / 70

HEX #4C4C47

RGB 76 76 71

HSL 60, 0.03%, 0.29%

LAB 32.17, -1.06, 2.97

 

CMYK 22 / 23 / 0 / 67

HEX #414053

RGB 65 64 83

HSL 243.16, 0.13%, 0.29%

LAB 27.89, 5.1, -11.25

 

CMYK 0 / 33 / 69 / 56

HEX #704B23

RGB 112 75 35

HSL 31.17, 0.52%, 0.29%

LAB 35.2, 11.37, 29.6

 

CMYK 0 / 15 / 69 / 56

HEX #705F23

RGB 112 95 35

HSL 46.75, 0.52%, 0.29%

LAB 40.82, -0.67, 35.77

 

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

CMYK 21 / 0 / 69 / 56

HEX #587023

RGB 88 112 35

HSL 78.7, 0.52%, 0.29%

LAB 43.92, -21.29, 38.43

 

CMYK 40 / 0 / 69 / 56

HEX #437023

RGB 67 112 35

HSL 95.06, 0.52%, 0.29%

LAB 42.62, -29.83, 36.65

 

CMYK 4 / 0 / 69 / 81

HEX #2F310F

RGB 47 49 15

HSL 63.53, 0.53%, 0.13%

LAB 19.37, -6.66, 20.89

 

CMYK 4 / 0 / 69 / 68

HEX #4E5119

RGB 78 81 25

HSL 63.21, 0.53%, 0.21%

LAB 33.08, -9.64, 31.4

 

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

CMYK 3 / 0 / 69 / 44

HEX #8A8F2D

RGB 138 143 45

HSL 63.06, 0.52%, 0.37%

LAB 57.31, -14.78, 49.2

 

CMYK 4 / 0 / 69 / 31

HEX #A8AF37

RGB 168 175 55

HSL 63.5, 0.52%, 0.45%

LAB 68.94, -17.68, 57.75

 

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

CMYK 69 / 0 / 52 / 56

HEX #237036

RGB 35 112 54

HSL 134.81, 0.52%, 0.29%

LAB 41.55, -36.96, 25.43

 

CMYK 24 / 69 / 0 / 56

HEX #552370

RGB 85 35 112

HSL 278.96, 0.52%, 0.29%

LAB 24.65, 37.05, -34.96

 

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

CMYK 69 / 4 / 0 / 56

HEX #236C70

RGB 35 108 112

HSL 183.12, 0.52%, 0.29%

LAB 41.61, -20.61, -8.82

 

CMYK 0 / 69 / 4 / 56

HEX #70236C

RGB 112 35 108

HSL 303.12, 0.52%, 0.29%

LAB 28.72, 43.21, -25.65

 

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

CMYK 69 / 0 / 52 / 56

HEX #237036

RGB 35 112 54

HSL 134.81, 0.52%, 0.29%

LAB 41.55, -36.96, 25.43

 

CMYK 65 / 69 / 0 / 56

HEX #272370

RGB 39 35 112

HSL 243.12, 0.52%, 0.29%

LAB 19.24, 27.13, -43.99

 

CMYK 0 / 69 / 17 / 56

HEX #70235D

RGB 112 35 93

HSL 314.81, 0.52%, 0.29%

LAB 27.95, 40.64, -17.15

 

CMYK 4 / 0 / 69 / 56

HEX #6C7023

RGB 108 112 35

HSL 63.12, 0.52%, 0.29%

LAB 45.49, -12.28, 40.56

 

CMYK 69 / 0 / 31 / 56

HEX #23704D

RGB 35 112 77

HSL 152.73, 0.52%, 0.29%

LAB 41.97, -32.35, 12.77

 

CMYK 65 / 69 / 0 / 56

HEX #272370

RGB 39 35 112

HSL 243.12, 0.52%, 0.29%

LAB 19.24, 27.13, -43.99

 

CMYK 0 / 69 / 38 / 56

HEX #702346

RGB 112 35 70

HSL 332.73, 0.52%, 0.29%

LAB 26.99, 37.33, -3.38

 

Description

Color code: HEX #6C7023 | qconv.com Color code: HEX #6C7023 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 112 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 112 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 69 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 69% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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