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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C70E9 it is the complementary color #938F16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C70E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C70E9 shade: #7170E4, #8282F7, #9394FF, #A4A6FF and #B5B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C70E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C70E9 shade: #6C70E9, #5B5ED6, #4A4CC3, #393AB0 and #28289D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C70E9 shade: #6C70E9, #8A6CE9, #AB6CE9, #CD6CE9 and #E96CE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C70E9 shade: #6C70E9 and #6C6CE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C70E9 shade matches the following richer shades: #6C70E9 and #5E63F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C70E9 shade: #6C70E9, #7A7DDB, #878ACD, #9596C0 and #A3A3B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C70E9 shade: #6CB3E9, #6C91E9, #6C70E9, #896CE9 and #AA6CE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C70E9 shade: #242ADE, #484DE3, #6C70E9, #9093EE and #B4B6F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C70E9 shade: #6C70E9, #E96CD4 and #A2E96C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C70E9 shade: #6C70E9, #E96C70 and #70E96C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C70E9 shade: #6C70E9, #E96CD4, #E9E46C and #6CE981

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C70E9 shade: #6C70E9, #E96CAF, #E9E46C and #6CE9A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

Complementary color

CMYK 0 / 3 / 85 / 42

HEX #938F16

RGB 147 143 22

HSL 58.08, 0.74%, 0.33%

LAB 57.95, -11.75, 57.84

 

CMYK 50 / 51 / 0 / 11

HEX #7170E4

RGB 113 112 228

HSL 240.52, 0.68%, 0.67%

LAB 52.62, 31.31, -59.09

 

CMYK 47 / 47 / 0 / 3

HEX #8282F7

RGB 130 130 247

HSL 240, 0.88%, 0.74%

LAB 59.37, 30, -58.79

 

CMYK 42 / 42 / 0 / 0

HEX #9394FF

RGB 147 148 255

HSL 239.44, 1%, 0.79%

LAB 65.44, 25.76, -53.44

 

CMYK 36 / 35 / 0 / 0

HEX #A4A6FF

RGB 164 166 255

HSL 238.68, 1%, 0.82%

LAB 71.14, 19.79, -44.37

 

CMYK 29 / 28 / 0 / 0

HEX #B5B8FF

RGB 181 184 255

HSL 237.57, 1%, 0.85%

LAB 76.88, 14.42, -35.34

 

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

CMYK 57 / 56 / 0 / 16

HEX #5B5ED6

RGB 91 94 214

HSL 238.54, 0.6%, 0.6%

LAB 45.75, 33.47, -62.33

 

CMYK 62 / 61 / 0 / 24

HEX #4A4CC3

RGB 74 76 195

HSL 239.01, 0.5%, 0.53%

LAB 38.84, 35.38, -62.64

 

CMYK 68 / 67 / 0 / 31

HEX #393AB0

RGB 57 58 176

HSL 239.5, 0.51%, 0.46%

LAB 31.88, 37.57, -62.87

 

CMYK 75 / 75 / 0 / 38

HEX #28289D

RGB 40 40 157

HSL 240, 0.59%, 0.39%

LAB 24.96, 39.97, -62.82

 

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

CMYK 41 / 54 / 0 / 9

HEX #8A6CE9

RGB 138 108 233

HSL 254.4, 0.74%, 0.67%

LAB 54.04, 40.61, -59.51

 

CMYK 27 / 54 / 0 / 9

HEX #AB6CE9

RGB 171 108 233

HSL 270.24, 0.74%, 0.67%

LAB 57.33, 48.54, -54.05

 

CMYK 12 / 54 / 0 / 9

HEX #CD6CE9

RGB 205 108 233

HSL 286.56, 0.74%, 0.67%

LAB 61.3, 57.24, -47.51

 

CMYK 0 / 54 / 3 / 9

HEX #E96CE3

RGB 233 108 227

HSL 302.88, 0.74%, 0.67%

LAB 64.64, 63.52, -38.67

 

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

CMYK 54 / 54 / 0 / 9

HEX #6C6CE9

RGB 108 108 233

HSL 240, 0.74%, 0.67%

LAB 51.61, 34.23, -63.55

 

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

CMYK 62 / 60 / 0 / 4

HEX #5E63F6

RGB 94 99 246

HSL 238.03, 0.89%, 0.67%

LAB 49.44, 41.29, -74.37

 

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

CMYK 44 / 43 / 0 / 14

HEX #7A7DDB

RGB 122 125 219

HSL 238.14, 0.57%, 0.67%

LAB 56.01, 22.89, -48.59

 

CMYK 34 / 33 / 0 / 20

HEX #878ACD

RGB 135 138 205

HSL 237.43, 0.41%, 0.67%

LAB 59.65, 14.73, -34.92

 

CMYK 22 / 22 / 0 / 25

HEX #9596C0

RGB 149 150 192

HSL 238.6, 0.25%, 0.67%

LAB 63.35, 8.74, -21.81

 

CMYK 8 / 8 / 0 / 30

HEX #A3A3B2

RGB 163 163 178

HSL 240, 0.09%, 0.67%

LAB 67.42, 2.97, -7.73

 

CMYK 54 / 23 / 0 / 9

HEX #6CB3E9

RGB 108 179 233

HSL 205.92, 0.74%, 0.67%

LAB 70.39, -7.26, -33.83

 

CMYK 54 / 38 / 0 / 9

HEX #6C91E9

RGB 108 145 233

HSL 222.24, 0.74%, 0.67%

LAB 61.06, 12.06, -48.44

 

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

CMYK 41 / 54 / 0 / 9

HEX #896CE9

RGB 137 108 233

HSL 253.92, 0.74%, 0.67%

LAB 53.95, 40.39, -59.66

 

CMYK 27 / 54 / 0 / 9

HEX #AA6CE9

RGB 170 108 233

HSL 269.76, 0.74%, 0.67%

LAB 57.23, 48.29, -54.23

 

CMYK 84 / 81 / 0 / 13

HEX #242ADE

RGB 36 42 222

HSL 238.06, 0.74%, 0.51%

LAB 32.49, 59.62, -88.79

 

CMYK 68 / 66 / 0 / 11

HEX #484DE3

RGB 72 77 227

HSL 238.06, 0.73%, 0.59%

LAB 41.58, 45.14, -76.58

 

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

CMYK 39 / 38 / 0 / 7

HEX #9093EE

RGB 144 147 238

HSL 238.09, 0.73%, 0.75%

LAB 64.14, 20.87, -46.19

 

CMYK 26 / 25 / 0 / 5

HEX #B4B6F3

RGB 180 182 243

HSL 238.1, 0.72%, 0.83%

LAB 75.84, 12.35, -30.49

 

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

CMYK 0 / 54 / 9 / 9

HEX #E96CD4

RGB 233 108 212

HSL 310.08, 0.74%, 0.67%

LAB 64, 61.07, -31.28

 

CMYK 30 / 0 / 54 / 9

HEX #A2E96C

RGB 162 233 108

HSL 94.08, 0.74%, 0.67%

LAB 85.53, -42.93, 53.13

 

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

CMYK 0 / 54 / 52 / 9

HEX #E96C70

RGB 233 108 112

HSL 358.08, 0.74%, 0.67%

LAB 60.97, 48.72, 21.42

 

CMYK 52 / 0 / 54 / 9

HEX #70E96C

RGB 112 233 108

HSL 118.08, 0.74%, 0.67%

LAB 83.34, -58.15, 50

 

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

CMYK 0 / 54 / 9 / 9

HEX #E96CD4

RGB 233 108 212

HSL 310.08, 0.74%, 0.67%

LAB 64, 61.07, -31.28

 

CMYK 0 / 2 / 54 / 9

HEX #E9E46C

RGB 233 228 108

HSL 57.6, 0.74%, 0.67%

LAB 88.87, -13.66, 58.22

 

CMYK 54 / 0 / 45 / 9

HEX #6CE981

RGB 108 233 129

HSL 130.08, 0.74%, 0.67%

LAB 83.47, -56.3, 40.11

 

CMYK 54 / 52 / 0 / 9

HEX #6C70E9

RGB 108 112 233

HSL 238.08, 0.74%, 0.67%

LAB 52.58, 31.82, -61.99

 

CMYK 0 / 54 / 25 / 9

HEX #E96CAF

RGB 233 108 175

HSL 327.84, 0.74%, 0.67%

LAB 62.63, 55.64, -12.42

 

CMYK 0 / 2 / 54 / 9

HEX #E9E46C

RGB 233 228 108

HSL 57.6, 0.74%, 0.67%

LAB 88.87, -13.66, 58.22

 

CMYK 54 / 0 / 29 / 9

HEX #6CE9A6

RGB 108 233 166

HSL 147.84, 0.74%, 0.67%

LAB 84.08, -49.92, 22.21

 

Description

Color code: HEX #6C70E9 | qconv.com Color code: HEX #6C70E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 112 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 112 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 52 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 52% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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