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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C7AC6 it is the complementary color #938539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C7AC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C7AC6 shade: #717AC1, #828CD4, #939EE7, #A4B0FA and #B5C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C7AC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C7AC6 shade: #6C7AC6, #5B68B3, #4A56A0, #39448D and #28327A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C7AC6 shade: #6C7AC5, #766CC5, #8E6CC5, #A66CC5 and #BE6CC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C7AC6 shade: #6C7AC5 and #6C6CC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C7AC6 shade matches the following richer shades: #6C7AC5, #5B6ED6, #4B63E6 and #3A57F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C7AC6 shade: #6C7AC5, #7C85B5, #8D90A4, #9D9C94 and #AEA783

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C7AC6 shade: #6CAAC5, #6C93C5, #6C7BC5, #756CC5 and #8D6CC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C7AC6 shade: #3E4DA0, #4E5FBA, #6C7AC5, #8994D1 and #A7AFDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C7AC6 shade: #6C7AC6, #C56CC2 and #9EC56C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C7AC6 shade: #6C7AC6, #C56C7B and #7BC56C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C7AC6 shade: #6C7AC6, #C56CC2, #C5B66C and #6CC56F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C7AC6 shade: #6C7AC6, #C56CA7, #C5B66C and #6CC58A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 38 / 0 / 22

HEX #6C7AC6

RGB 108 122 198

HSL 230.67, 0.44%, 0.6%

LAB 53.15, 15.03, -41.29

 

Complementary color

CMYK 0 / 10 / 61 / 42

HEX #938539

RGB 147 133 57

HSL 50.67, 0.44%, 0.4%

LAB 55.35, -4.53, 41.97

 

CMYK 41 / 37 / 0 / 24

HEX #717AC1

RGB 113 122 193

HSL 233.25, 0.39%, 0.6%

LAB 53.25, 14.84, -38.24

 

CMYK 39 / 34 / 0 / 17

HEX #828CD4

RGB 130 140 212

HSL 232.68, 0.49%, 0.67%

LAB 60.12, 14.09, -38.14

 

CMYK 36 / 32 / 0 / 9

HEX #939EE7

RGB 147 158 231

HSL 232.14, 0.64%, 0.74%

LAB 66.84, 13.45, -38.08

 

CMYK 34 / 30 / 0 / 2

HEX #A4B0FA

RGB 164 176 250

HSL 231.63, 0.9%, 0.81%

LAB 73.45, 12.88, -38.07

 

CMYK 29 / 24 / 0 / 0

HEX #B5C2FF

RGB 181 194 255

HSL 229.46, 1%, 0.85%

LAB 79.4, 8.94, -31.45

 

CMYK 45 / 38 / 0 / 22

HEX #6C7AC6

RGB 108 122 198

HSL 230.67, 0.44%, 0.6%

LAB 53.15, 15.03, -41.29

 

CMYK 49 / 42 / 0 / 30

HEX #5B68B3

RGB 91 104 179

HSL 231.14, 0.37%, 0.53%

LAB 46.15, 16.03, -41.49

 

CMYK 54 / 46 / 0 / 37

HEX #4A56A0

RGB 74 86 160

HSL 231.63, 0.37%, 0.46%

LAB 38.98, 17.25, -41.75

 

CMYK 60 / 52 / 0 / 45

HEX #39448D

RGB 57 68 141

HSL 232.14, 0.42%, 0.39%

LAB 31.64, 18.79, -42.08

 

CMYK 67 / 59 / 0 / 52

HEX #28327A

RGB 40 50 122

HSL 232.68, 0.51%, 0.32%

LAB 24.12, 20.79, -42.43

 

CMYK 45 / 38 / 0 / 23

HEX #6C7AC5

RGB 108 122 197

HSL 230.56, 0.43%, 0.6%

LAB 53.1, 14.73, -40.8

 

CMYK 40 / 45 / 0 / 23

HEX #766CC5

RGB 118 108 197

HSL 246.74, 0.43%, 0.6%

LAB 50.23, 25.73, -45.3

 

CMYK 28 / 45 / 0 / 23

HEX #8E6CC5

RGB 142 108 197

HSL 262.92, 0.43%, 0.6%

LAB 52.41, 32.18, -41.71

 

CMYK 16 / 45 / 0 / 23

HEX #A66CC5

RGB 166 108 197

HSL 279.1, 0.43%, 0.6%

LAB 54.93, 39.05, -37.56

 

CMYK 4 / 45 / 0 / 23

HEX #BE6CC5

RGB 190 108 197

HSL 295.28, 0.43%, 0.6%

LAB 57.75, 46.11, -32.94

 

CMYK 45 / 38 / 0 / 23

HEX #6C7AC5

RGB 108 122 197

HSL 230.56, 0.43%, 0.6%

LAB 53.1, 14.73, -40.8

 

CMYK 45 / 45 / 0 / 23

HEX #6C6CC5

RGB 108 108 197

HSL 240, 0.43%, 0.6%

LAB 49.43, 23.22, -46.61

 

CMYK 45 / 38 / 0 / 23

HEX #6C7AC5

RGB 108 122 197

HSL 230.56, 0.43%, 0.6%

LAB 53.1, 14.73, -40.8

 

CMYK 57 / 49 / 0 / 16

HEX #5B6ED6

RGB 91 110 214

HSL 230.73, 0.6%, 0.6%

LAB 49.78, 23.61, -55.84

 

CMYK 67 / 57 / 0 / 10

HEX #4B63E6

RGB 75 99 230

HSL 230.71, 0.76%, 0.6%

LAB 47.15, 33.15, -69.18

 

CMYK 77 / 65 / 0 / 3

HEX #3A57F7

RGB 58 87 247

HSL 230.79, 0.92%, 0.6%

LAB 44.85, 44.46, -82.53

 

CMYK 45 / 38 / 0 / 23

HEX #6C7AC5

RGB 108 122 197

HSL 230.56, 0.43%, 0.6%

LAB 53.1, 14.73, -40.8

 

CMYK 31 / 27 / 0 / 29

HEX #7C85B5

RGB 124 133 181

HSL 230.53, 0.28%, 0.6%

LAB 56.48, 8.11, -26.29

 

CMYK 14 / 12 / 0 / 36

HEX #8D90A4

RGB 141 144 164

HSL 232.17, 0.11%, 0.6%

LAB 60.15, 3.1, -10.89

 

CMYK 0 / 1 / 6 / 38

HEX #9D9C94

RGB 157 156 148

HSL 53.33, 0.04%, 0.6%

LAB 64.23, -1.13, 4.31

 

CMYK 0 / 4 / 25 / 32

HEX #AEA783

RGB 174 167 131

HSL 50.23, 0.21%, 0.6%

LAB 68.22, -3.38, 19.57

 

CMYK 45 / 14 / 0 / 23

HEX #6CAAC5

RGB 108 170 197

HSL 198.2, 0.43%, 0.6%

LAB 66.5, -12.76, -20.03

 

CMYK 45 / 25 / 0 / 23

HEX #6C93C5

RGB 108 147 197

HSL 213.71, 0.43%, 0.6%

LAB 59.97, 0, -30.06

 

CMYK 45 / 38 / 0 / 23

HEX #6C7BC5

RGB 108 123 197

HSL 229.89, 0.43%, 0.6%

LAB 53.37, 14.13, -40.37

 

CMYK 41 / 45 / 0 / 23

HEX #756CC5

RGB 117 108 197

HSL 246.07, 0.43%, 0.6%

LAB 50.14, 25.47, -45.44

 

CMYK 28 / 45 / 0 / 23

HEX #8D6CC5

RGB 141 108 197

HSL 262.25, 0.43%, 0.6%

LAB 52.31, 31.9, -41.87

 

CMYK 61 / 52 / 0 / 37

HEX #3E4DA0

RGB 62 77 160

HSL 230.82, 0.44%, 0.44%

LAB 35.73, 20.57, -47.01

 

CMYK 58 / 49 / 0 / 27

HEX #4E5FBA

RGB 78 95 186

HSL 230.56, 0.44%, 0.52%

LAB 43.28, 21.1, -50.19

 

CMYK 45 / 38 / 0 / 23

HEX #6C7AC5

RGB 108 122 197

HSL 230.56, 0.43%, 0.6%

LAB 53.1, 14.73, -40.8

 

CMYK 34 / 29 / 0 / 18

HEX #8994D1

RGB 137 148 209

HSL 230.83, 0.44%, 0.68%

LAB 62.59, 10.57, -32.56

 

CMYK 24 / 20 / 0 / 14

HEX #A7AFDC

RGB 167 175 220

HSL 230.94, 0.43%, 0.76%

LAB 72.26, 6.91, -23.58

 

CMYK 45 / 38 / 0 / 22

HEX #6C7AC6

RGB 108 122 198

HSL 230.67, 0.44%, 0.6%

LAB 53.15, 15.03, -41.29

 

CMYK 0 / 45 / 2 / 23

HEX #C56CC2

RGB 197 108 194

HSL 302.02, 0.43%, 0.6%

LAB 58.5, 47.63, -30

 

CMYK 20 / 0 / 45 / 23

HEX #9EC56C

RGB 158 197 108

HSL 86.29, 0.43%, 0.6%

LAB 75, -27.92, 40.32

 

CMYK 45 / 38 / 0 / 22

HEX #6C7AC6

RGB 108 122 198

HSL 230.67, 0.44%, 0.6%

LAB 53.15, 15.03, -41.29

 

CMYK 0 / 45 / 38 / 23

HEX #C56C7B

RGB 197 108 123

HSL 349.89, 0.43%, 0.6%

LAB 56.11, 36.87, 7.52

 

CMYK 38 / 0 / 45 / 23

HEX #7BC56C

RGB 123 197 108

HSL 109.89, 0.43%, 0.6%

LAB 73.04, -40.21, 37.43

 

CMYK 45 / 38 / 0 / 22

HEX #6C7AC6

RGB 108 122 198

HSL 230.67, 0.44%, 0.6%

LAB 53.15, 15.03, -41.29

 

CMYK 0 / 45 / 2 / 23

HEX #C56CC2

RGB 197 108 194

HSL 302.02, 0.43%, 0.6%

LAB 58.5, 47.63, -30

 

CMYK 0 / 8 / 45 / 23

HEX #C5B66C

RGB 197 182 108

HSL 49.89, 0.43%, 0.6%

LAB 73.81, -4.89, 39.46

 

CMYK 45 / 0 / 44 / 23

HEX #6CC56F

RGB 108 197 111

HSL 122.02, 0.43%, 0.6%

LAB 72.41, -44.38, 34.97

 

CMYK 45 / 38 / 0 / 22

HEX #6C7AC6

RGB 108 122 198

HSL 230.67, 0.44%, 0.6%

LAB 53.15, 15.03, -41.29

 

CMYK 0 / 45 / 15 / 23

HEX #C56CA7

RGB 197 108 167

HSL 320.22, 0.43%, 0.6%

LAB 57.45, 43.03, -16.12

 

CMYK 0 / 8 / 45 / 23

HEX #C5B66C

RGB 197 182 108

HSL 49.89, 0.43%, 0.6%

LAB 73.81, -4.89, 39.46

 

CMYK 45 / 0 / 30 / 23

HEX #6CC58A

RGB 108 197 138

HSL 140.22, 0.43%, 0.6%

LAB 72.86, -39.83, 21.5

 

Description

Color code: HEX #6C7AC6 | qconv.com Color code: HEX #6C7AC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 122 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 122 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 38 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 38% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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