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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C841C it is the complementary color #937BE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C841C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C841C shade: #718417, #82962A, #93A83D, #A4BA50 and #B5CC63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C841C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C841C shade: #6C841C, #5B7209, #4A6000, #394E00 and #283C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C841C shade: #6A821B, #827E1B, #82621B, #82471B and #822B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C841C shade: #6A821B, #4E821B, #33821B, #1B821F and #1B823B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C841C shade matches the following richer shades: #6A821B, #718F0E and #789C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C841C shade: #6A821B, #637528, #5C6835, #565C42 and #4F4F4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C841C shade: #82611B, #827D1B, #6C821B, #50821B and #35821B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C841C shade: #333E0D, #4E6014, #6A821B, #86A422 and #A2C62A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C841C shade: #6C841C, #1B8246 and #6F1B82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C841C shade: #6C841C, #1B6C82 and #821B6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C841C shade: #6C841C, #1B8246, #311B82 and #821B57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C841C shade: #6C841C, #1B8265, #311B82 and #821B38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 79 / 48

HEX #6C841C

RGB 108 132 28

HSL 73.85, 0.65%, 0.31%

LAB 51.58, -23.24, 49.25

 

Complementary color

CMYK 35 / 46 / 0 / 11

HEX #937BE3

RGB 147 123 227

HSL 253.85, 0.65%, 0.69%

LAB 57.96, 32.58, -49.85

 

CMYK 14 / 0 / 83 / 48

HEX #718417

RGB 113 132 23

HSL 70.46, 0.7%, 0.3%

LAB 51.92, -21.28, 51.27

 

CMYK 13 / 0 / 72 / 41

HEX #82962A

RGB 130 150 42

HSL 71.11, 0.56%, 0.38%

LAB 58.72, -22.07, 51.61

 

CMYK 13 / 0 / 64 / 34

HEX #93A83D

RGB 147 168 61

HSL 71.78, 0.47%, 0.45%

LAB 65.39, -22.65, 51.11

 

CMYK 12 / 0 / 57 / 27

HEX #A4BA50

RGB 164 186 80

HSL 72.45, 0.43%, 0.52%

LAB 71.95, -23.07, 50.23

 

CMYK 11 / 0 / 51 / 20

HEX #B5CC63

RGB 181 204 99

HSL 73.14, 0.51%, 0.59%

LAB 78.41, -23.39, 49.18

 

CMYK 18 / 0 / 79 / 48

HEX #6C841C

RGB 108 132 28

HSL 73.85, 0.65%, 0.31%

LAB 51.58, -23.24, 49.25

 

CMYK 20 / 0 / 92 / 55

HEX #5B7209

RGB 91 114 9

HSL 73.14, 0.85%, 0.24%

LAB 44.63, -22.33, 47.94

 

CMYK 23 / 0 / 100 / 62

HEX #4A6000

RGB 74 96 0

HSL 73.75, 1%, 0.19%

LAB 37.52, -21.04, 44.05

 

CMYK 27 / 0 / 100 / 69

HEX #394E00

RGB 57 78 0

HSL 76.15, 1%, 0.15%

LAB 30.2, -19.46, 37.96

 

CMYK 33 / 0 / 100 / 76

HEX #283C00

RGB 40 60 0

HSL 80, 1%, 0.12%

LAB 22.59, -17.84, 30.67

 

CMYK 18 / 0 / 79 / 49

HEX #6A821B

RGB 106 130 27

HSL 73.98, 0.66%, 0.31%

LAB 50.81, -23.15, 48.82

 

CMYK 0 / 3 / 79 / 49

HEX #827E1B

RGB 130 126 27

HSL 57.67, 0.66%, 0.31%

LAB 51.55, -10.2, 50.2

 

CMYK 0 / 25 / 79 / 49

HEX #82621B

RGB 130 98 27

HSL 41.36, 0.66%, 0.31%

LAB 43.6, 5.74, 42.83

 

CMYK 0 / 45 / 79 / 49

HEX #82471B

RGB 130 71 27

HSL 25.63, 0.66%, 0.31%

LAB 36.61, 21.63, 36.05

 

CMYK 0 / 67 / 79 / 49

HEX #822B1B

RGB 130 43 27

HSL 9.32, 0.66%, 0.31%

LAB 30.77, 36.55, 30.06

 

CMYK 18 / 0 / 79 / 49

HEX #6A821B

RGB 106 130 27

HSL 73.98, 0.66%, 0.31%

LAB 50.81, -23.15, 48.82

 

CMYK 40 / 0 / 79 / 49

HEX #4E821B

RGB 78 130 27

HSL 90.29, 0.66%, 0.31%

LAB 49.09, -34.52, 46.58

 

CMYK 61 / 0 / 79 / 49

HEX #33821B

RGB 51 130 27

HSL 106.02, 0.66%, 0.31%

LAB 47.94, -43.2, 45.08

 

CMYK 79 / 0 / 76 / 49

HEX #1B821F

RGB 27 130 31

HSL 122.33, 0.66%, 0.31%

LAB 47.36, -47.93, 42.85

 

CMYK 79 / 0 / 55 / 49

HEX #1B823B

RGB 27 130 59

HSL 138.64, 0.66%, 0.31%

LAB 47.64, -44.55, 30.23

 

CMYK 18 / 0 / 79 / 49

HEX #6A821B

RGB 106 130 27

HSL 73.98, 0.66%, 0.31%

LAB 50.81, -23.15, 48.82

 

CMYK 21 / 0 / 90 / 44

HEX #718F0E

RGB 113 143 14

HSL 73.95, 0.82%, 0.31%

LAB 55.26, -27.06, 56.33

 

CMYK 23 / 0 / 99 / 39

HEX #789C02

RGB 120 156 2

HSL 74.03, 0.97%, 0.31%

LAB 59.68, -30.6, 61.95

 

CMYK 18 / 0 / 79 / 49

HEX #6A821B

RGB 106 130 27

HSL 73.98, 0.66%, 0.31%

LAB 50.81, -23.15, 48.82

 

CMYK 15 / 0 / 66 / 54

HEX #637528

RGB 99 117 40

HSL 74.03, 0.49%, 0.31%

LAB 46.35, -18.69, 38.98

 

CMYK 12 / 0 / 49 / 59

HEX #5C6835

RGB 92 104 53

HSL 74.12, 0.32%, 0.31%

LAB 41.9, -13.46, 27.07

 

CMYK 7 / 0 / 28 / 64

HEX #565C42

RGB 86 92 66

HSL 73.85, 0.16%, 0.31%

LAB 37.89, -7.39, 14.21

 

CMYK 0 / 0 / 1 / 69

HEX #4F4F4E

RGB 79 79 78

HSL 60, 0.01%, 0.31%

LAB 33.57, -0.21, 0.58

 

CMYK 0 / 25 / 79 / 49

HEX #82611B

RGB 130 97 27

HSL 40.78, 0.66%, 0.31%

LAB 43.32, 6.32, 42.57

 

CMYK 0 / 4 / 79 / 49

HEX #827D1B

RGB 130 125 27

HSL 57.09, 0.66%, 0.31%

LAB 51.26, -9.65, 49.94

 

CMYK 17 / 0 / 79 / 49

HEX #6C821B

RGB 108 130 27

HSL 72.82, 0.66%, 0.31%

LAB 50.96, -22.28, 49

 

CMYK 38 / 0 / 79 / 49

HEX #50821B

RGB 80 130 27

HSL 89.13, 0.66%, 0.31%

LAB 49.19, -33.78, 46.71

 

CMYK 59 / 0 / 79 / 49

HEX #35821B

RGB 53 130 27

HSL 104.85, 0.66%, 0.31%

LAB 48.01, -42.65, 45.17

 

CMYK 18 / 0 / 79 / 76

HEX #333E0D

RGB 51 62 13

HSL 73.47, 0.65%, 0.15%

LAB 24.25, -12.71, 27.23

 

CMYK 19 / 0 / 79 / 62

HEX #4E6014

RGB 78 96 20

HSL 74.21, 0.66%, 0.23%

LAB 37.91, -18.37, 38.42

 

CMYK 18 / 0 / 79 / 49

HEX #6A821B

RGB 106 130 27

HSL 73.98, 0.66%, 0.31%

LAB 50.81, -23.15, 48.82

 

CMYK 18 / 0 / 79 / 36

HEX #86A422

RGB 134 164 34

HSL 73.85, 0.66%, 0.39%

LAB 63.12, -27.69, 58.63

 

CMYK 18 / 0 / 79 / 22

HEX #A2C62A

RGB 162 198 42

HSL 73.85, 0.65%, 0.47%

LAB 74.97, -32.01, 67.75

 

CMYK 18 / 0 / 79 / 48

HEX #6C841C

RGB 108 132 28

HSL 73.85, 0.65%, 0.31%

LAB 51.58, -23.24, 49.25

 

CMYK 79 / 0 / 46 / 49

HEX #1B8246

RGB 27 130 70

HSL 145.05, 0.66%, 0.31%

LAB 47.8, -42.65, 24.52

 

CMYK 15 / 79 / 0 / 49

HEX #6F1B82

RGB 111 27 130

HSL 288.93, 0.66%, 0.31%

LAB 28.84, 50.22, -39.44

 

CMYK 18 / 0 / 79 / 48

HEX #6C841C

RGB 108 132 28

HSL 73.85, 0.65%, 0.31%

LAB 51.58, -23.24, 49.25

 

CMYK 79 / 17 / 0 / 49

HEX #1B6C82

RGB 27 108 130

HSL 192.82, 0.66%, 0.31%

LAB 42.11, -15.66, -18.97

 

CMYK 0 / 79 / 17 / 49

HEX #821B6C

RGB 130 27 108

HSL 312.82, 0.66%, 0.31%

LAB 30.91, 50.75, -21.99

 

CMYK 18 / 0 / 79 / 48

HEX #6C841C

RGB 108 132 28

HSL 73.85, 0.65%, 0.31%

LAB 51.58, -23.24, 49.25

 

CMYK 79 / 0 / 46 / 49

HEX #1B8246

RGB 27 130 70

HSL 145.05, 0.66%, 0.31%

LAB 47.8, -42.65, 24.52

 

CMYK 62 / 79 / 0 / 49

HEX #311B82

RGB 49 27 130

HSL 252.82, 0.66%, 0.31%

LAB 20.24, 39.38, -53.82

 

CMYK 0 / 79 / 33 / 49

HEX #821B57

RGB 130 27 87

HSL 325.05, 0.66%, 0.31%

LAB 29.96, 47.91, -9.85

 

CMYK 18 / 0 / 79 / 48

HEX #6C841C

RGB 108 132 28

HSL 73.85, 0.65%, 0.31%

LAB 51.58, -23.24, 49.25

 

CMYK 79 / 0 / 22 / 49

HEX #1B8265

RGB 27 130 101

HSL 163.11, 0.66%, 0.31%

LAB 48.43, -35.68, 7.68

 

CMYK 62 / 79 / 0 / 49

HEX #311B82

RGB 49 27 130

HSL 252.82, 0.66%, 0.31%

LAB 20.24, 39.38, -53.82

 

CMYK 0 / 79 / 57 / 49

HEX #821B38

RGB 130 27 56

HSL 343.11, 0.66%, 0.31%

LAB 28.94, 44.76, 9.27

 

Description

Color code: HEX #6C841C | qconv.com Color code: HEX #6C841C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 132 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 132 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 79 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 79% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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