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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C9D95 it is the complementary color #93626A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C9D95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C9D95 shade: #719D90, #82AFA3, #93C1B6, #A4D3C9 and #B5E5DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C9D95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C9D95 shade: #6C9D95, #5B8B82, #4A796F, #39675C and #285549

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C9D95 shade: #6C9D95, #6C9D87, #6C9D7A, #6C9D6D and #779D6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C9D95 shade: #6C9D95, #6C979D, #6C8A9D, #6C7D9D and #6C709D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C9D95 shade matches the following richer shades: #6C9D95, #58B0A2, #44C4AF, #30D8BD and #1CECCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C9D95 shade: #6C9D95, #7F8987, #93757A, #A7616D and #BB4D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C9D95 shade: #6C9D7A, #6C9D87, #6C9D94, #6C989D and #6C8B9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C9D95 shade: #496D67, #59867F, #6C9D95, #84ADA6 and #9DBEB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C9D95 shade: #6C9D95, #6D6C9D and #9D816C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C9D95 shade: #6C9D95, #946C9D and #9D946C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C9D95 shade: #6C9D95, #6D6C9D, #9D6C74 and #9B9D6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C9D95 shade: #6C9D95, #7C6C9D, #9D6C74 and #8C9D6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 5 / 38

HEX #6C9D95

RGB 108 157 149

HSL 170.2, 0.2%, 0.52%

LAB 61.2, -18.18, -1.08

 

Complementary color

CMYK 0 / 33 / 28 / 42

HEX #93626A

RGB 147 98 106

HSL 350.2, 0.2%, 0.48%

LAB 46.95, 21.04, 3.61

 

CMYK 28 / 0 / 8 / 38

HEX #719D90

RGB 113 157 144

HSL 162.27, 0.18%, 0.53%

LAB 61.34, -17.77, 1.99

 

CMYK 26 / 0 / 7 / 31

HEX #82AFA3

RGB 130 175 163

HSL 164, 0.22%, 0.6%

LAB 68.06, -17.6, 1.27

 

CMYK 24 / 0 / 6 / 24

HEX #93C1B6

RGB 147 193 182

HSL 165.65, 0.27%, 0.67%

LAB 74.65, -17.45, 0.58

 

CMYK 22 / 0 / 5 / 17

HEX #A4D3C9

RGB 164 211 201

HSL 167.23, 0.35%, 0.74%

LAB 81.13, -17.33, -0.07

 

CMYK 21 / 0 / 4 / 10

HEX #B5E5DC

RGB 181 229 220

HSL 168.75, 0.48%, 0.8%

LAB 87.5, -17.22, -0.7

 

CMYK 31 / 0 / 5 / 38

HEX #6C9D95

RGB 108 157 149

HSL 170.2, 0.2%, 0.52%

LAB 61.2, -18.18, -1.08

 

CMYK 35 / 0 / 6 / 45

HEX #5B8B82

RGB 91 139 130

HSL 168.75, 0.21%, 0.45%

LAB 54.35, -18.35, -0.36

 

CMYK 39 / 0 / 8 / 53

HEX #4A796F

RGB 74 121 111

HSL 167.23, 0.24%, 0.38%

LAB 47.34, -18.53, 0.42

 

CMYK 45 / 0 / 11 / 60

HEX #39675C

RGB 57 103 92

HSL 165.65, 0.29%, 0.31%

LAB 40.15, -18.71, 1.28

 

CMYK 53 / 0 / 14 / 67

HEX #285549

RGB 40 85 73

HSL 164, 0.36%, 0.25%

LAB 32.76, -18.86, 2.25

 

CMYK 31 / 0 / 5 / 38

HEX #6C9D95

RGB 108 157 149

HSL 170.2, 0.2%, 0.52%

LAB 61.2, -18.18, -1.08

 

CMYK 31 / 0 / 14 / 38

HEX #6C9D87

RGB 108 157 135

HSL 153.06, 0.2%, 0.52%

LAB 60.83, -21.32, 6.29

 

CMYK 31 / 0 / 22 / 38

HEX #6C9D7A

RGB 108 157 122

HSL 137.14, 0.2%, 0.52%

LAB 60.52, -23.99, 13.16

 

CMYK 31 / 0 / 31 / 38

HEX #6C9D6D

RGB 108 157 109

HSL 121.22, 0.2%, 0.52%

LAB 60.25, -26.4, 20.02

 

CMYK 24 / 0 / 31 / 38

HEX #779D6C

RGB 119 157 108

HSL 106.53, 0.2%, 0.52%

LAB 60.89, -22.69, 21.53

 

CMYK 31 / 0 / 5 / 38

HEX #6C9D95

RGB 108 157 149

HSL 170.2, 0.2%, 0.52%

LAB 61.2, -18.18, -1.08

 

CMYK 31 / 4 / 0 / 38

HEX #6C979D

RGB 108 151 157

HSL 187.35, 0.2%, 0.52%

LAB 59.67, -13.06, -7.87

 

CMYK 31 / 12 / 0 / 38

HEX #6C8A9D

RGB 108 138 157

HSL 203.27, 0.2%, 0.52%

LAB 55.89, -5.87, -13.54

 

CMYK 31 / 20 / 0 / 38

HEX #6C7D9D

RGB 108 125 157

HSL 219.18, 0.2%, 0.52%

LAB 52.16, 1.61, -19.2

 

CMYK 31 / 29 / 0 / 38

HEX #6C709D

RGB 108 112 157

HSL 235.1, 0.2%, 0.52%

LAB 48.52, 9.35, -24.79

 

CMYK 31 / 0 / 5 / 38

HEX #6C9D95

RGB 108 157 149

HSL 170.2, 0.2%, 0.52%

LAB 61.2, -18.18, -1.08

 

CMYK 50 / 0 / 8 / 31

HEX #58B0A2

RGB 88 176 162

HSL 170.45, 0.36%, 0.52%

LAB 66.32, -29.94, -0.96

 

CMYK 65 / 0 / 11 / 23

HEX #44C4AF

RGB 68 196 175

HSL 170.16, 0.52%, 0.52%

LAB 72.1, -39.82, 0.27

 

CMYK 78 / 0 / 13 / 15

HEX #30D8BD

RGB 48 216 189

HSL 170.36, 0.68%, 0.52%

LAB 78.12, -47.44, 1.45

 

CMYK 88 / 0 / 14 / 7

HEX #1CECCA

RGB 28 236 202

HSL 170.19, 0.85%, 0.52%

LAB 84.23, -53.81, 3.41

 

CMYK 31 / 0 / 5 / 38

HEX #6C9D95

RGB 108 157 149

HSL 170.2, 0.2%, 0.52%

LAB 61.2, -18.18, -1.08

 

CMYK 7 / 0 / 1 / 46

HEX #7F8987

RGB 127 137 135

HSL 168, 0.04%, 0.52%

LAB 56.24, -4.05, -0.19

 

CMYK 0 / 20 / 17 / 42

HEX #93757A

RGB 147 117 122

HSL 350, 0.12%, 0.52%

LAB 52.21, 12.56, 1.72

 

CMYK 0 / 42 / 35 / 35

HEX #A7616D

RGB 167 97 109

HSL 349.71, 0.28%, 0.52%

LAB 49.34, 29.82, 5.58

 

CMYK 0 / 59 / 49 / 27

HEX #BB4D5F

RGB 187 77 95

HSL 350.18, 0.45%, 0.52%

LAB 47.88, 45.93, 12.36

 

CMYK 31 / 0 / 22 / 38

HEX #6C9D7A

RGB 108 157 122

HSL 137.14, 0.2%, 0.52%

LAB 60.52, -23.99, 13.16

 

CMYK 31 / 0 / 14 / 38

HEX #6C9D87

RGB 108 157 135

HSL 153.06, 0.2%, 0.52%

LAB 60.83, -21.32, 6.29

 

CMYK 31 / 0 / 6 / 38

HEX #6C9D94

RGB 108 157 148

HSL 168.98, 0.2%, 0.52%

LAB 61.17, -18.42, -0.55

 

CMYK 31 / 3 / 0 / 38

HEX #6C989D

RGB 108 152 157

HSL 186.12, 0.2%, 0.52%

LAB 59.96, -13.6, -7.43

 

CMYK 31 / 11 / 0 / 38

HEX #6C8B9D

RGB 108 139 157

HSL 202.04, 0.2%, 0.52%

LAB 56.18, -6.44, -13.1

 

CMYK 33 / 0 / 6 / 57

HEX #496D67

RGB 73 109 103

HSL 170, 0.2%, 0.36%

LAB 43.26, -14.28, -0.76

 

CMYK 34 / 0 / 5 / 47

HEX #59867F

RGB 89 134 127

HSL 170.67, 0.2%, 0.44%

LAB 52.63, -17.02, -1.15

 

CMYK 31 / 0 / 5 / 38

HEX #6C9D95

RGB 108 157 149

HSL 170.2, 0.2%, 0.52%

LAB 61.2, -18.18, -1.08

 

CMYK 24 / 0 / 4 / 32

HEX #84ADA6

RGB 132 173 166

HSL 169.76, 0.2%, 0.6%

LAB 67.68, -15.27, -0.92

 

CMYK 17 / 0 / 3 / 25

HEX #9DBEB8

RGB 157 190 184

HSL 169.09, 0.2%, 0.68%

LAB 74.48, -12.3, -0.68

 

CMYK 31 / 0 / 5 / 38

HEX #6C9D95

RGB 108 157 149

HSL 170.2, 0.2%, 0.52%

LAB 61.2, -18.18, -1.08

 

CMYK 31 / 31 / 0 / 38

HEX #6D6C9D

RGB 109 108 157

HSL 241.22, 0.2%, 0.52%

LAB 47.51, 12.08, -26.36

 

CMYK 0 / 18 / 31 / 38

HEX #9D816C

RGB 157 129 108

HSL 25.71, 0.2%, 0.52%

LAB 56.04, 7.53, 15.42

 

CMYK 31 / 0 / 5 / 38

HEX #6C9D95

RGB 108 157 149

HSL 170.2, 0.2%, 0.52%

LAB 61.2, -18.18, -1.08

 

CMYK 6 / 31 / 0 / 38

HEX #946C9D

RGB 148 108 157

HSL 288.98, 0.2%, 0.52%

LAB 51.22, 24.81, -20.34

 

CMYK 0 / 6 / 31 / 38

HEX #9D946C

RGB 157 148 108

HSL 48.98, 0.2%, 0.52%

LAB 61.16, -3.09, 22.39

 

CMYK 31 / 0 / 5 / 38

HEX #6C9D95

RGB 108 157 149

HSL 170.2, 0.2%, 0.52%

LAB 61.2, -18.18, -1.08

 

CMYK 31 / 31 / 0 / 38

HEX #6D6C9D

RGB 109 108 157

HSL 241.22, 0.2%, 0.52%

LAB 47.51, 12.08, -26.36

 

CMYK 0 / 31 / 26 / 38

HEX #9D6C74

RGB 157 108 116

HSL 350.2, 0.2%, 0.52%

LAB 50.87, 20.71, 3.45

 

CMYK 1 / 0 / 31 / 38

HEX #9B9D6C

RGB 155 157 108

HSL 62.45, 0.2%, 0.52%

LAB 63.48, -8.78, 25.46

 

CMYK 31 / 0 / 5 / 38

HEX #6C9D95

RGB 108 157 149

HSL 170.2, 0.2%, 0.52%

LAB 61.2, -18.18, -1.08

 

CMYK 21 / 31 / 0 / 38

HEX #7C6C9D

RGB 124 108 157

HSL 259.59, 0.2%, 0.52%

LAB 48.82, 16.83, -24.23

 

CMYK 0 / 31 / 26 / 38

HEX #9D6C74

RGB 157 108 116

HSL 350.2, 0.2%, 0.52%

LAB 50.87, 20.71, 3.45

 

CMYK 11 / 0 / 31 / 38

HEX #8C9D6C

RGB 140 157 108

HSL 80.82, 0.2%, 0.52%

LAB 62.31, -14.75, 23.7

 

Description

Color code: HEX #6C9D95 | qconv.com Color code: HEX #6C9D95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 157 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 157 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 5 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 5% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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