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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C9F17 it is the complementary color #9360E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C9F17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C9F17 shade: #719F12, #82B125, #93C338, #A4D54B and #B5E75E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C9F17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C9F17 shade: #6C9F17, #5B8D04, #4A7B00, #396900 and #285700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C9F17 shade: #6DA016, #92A016, #A08A16, #A06416 and #A03F16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C9F17 shade: #6DA016, #47A016, #22A016, #16A030 and #16A055

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C9F17 shade matches the following richer shades: #6DA016 and #70AF08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C9F17 shade: #6DA016, #699125, #658234, #617443 and #5E6552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C9F17 shade: #A08916, #92A016, #6EA016, #49A016 and #24A016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C9F17 shade: #3C580C, #547C11, #6DA016, #85C41C and #9BE029

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C9F17 shade: #6C9F17, #16A064 and #9C16A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C9F17 shade: #6C9F17, #166EA0 and #A0166E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C9F17 shade: #6C9F17, #16A064, #4916A0 and #A01652

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C9F17 shade: #6C9F17, #16A08E, #4916A0 and #A01629

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 86 / 38

HEX #6C9F17

RGB 108 159 23

HSL 82.5, 0.75%, 0.36%

LAB 59.93, -36.29, 58.18

 

Complementary color

CMYK 37 / 59 / 0 / 9

HEX #9360E8

RGB 147 96 232

HSL 262.5, 0.75%, 0.64%

LAB 52.28, 49.05, -61.73

 

CMYK 29 / 0 / 89 / 38

HEX #719F12

RGB 113 159 18

HSL 79.57, 0.8%, 0.35%

LAB 60.2, -34.49, 59.64

 

CMYK 27 / 0 / 79 / 31

HEX #82B125

RGB 130 177 37

HSL 80.14, 0.65%, 0.42%

LAB 66.77, -35.28, 60.97

 

CMYK 25 / 0 / 71 / 24

HEX #93C338

RGB 147 195 56

HSL 80.72, 0.55%, 0.49%

LAB 73.23, -35.84, 61.19

 

CMYK 23 / 0 / 65 / 16

HEX #A4D54B

RGB 164 213 75

HSL 81.3, 0.62%, 0.56%

LAB 79.61, -36.24, 60.78

 

CMYK 22 / 0 / 59 / 9

HEX #B5E75E

RGB 181 231 94

HSL 81.9, 0.74%, 0.64%

LAB 85.9, -36.53, 60.03

 

CMYK 32 / 0 / 86 / 38

HEX #6C9F17

RGB 108 159 23

HSL 82.5, 0.75%, 0.36%

LAB 59.93, -36.29, 58.18

 

CMYK 35 / 0 / 97 / 45

HEX #5B8D04

RGB 91 141 4

HSL 81.9, 0.94%, 0.28%

LAB 53.26, -35.34, 55.86

 

CMYK 40 / 0 / 100 / 52

HEX #4A7B00

RGB 74 123 0

HSL 83.9, 1%, 0.24%

LAB 46.47, -33.98, 50.92

 

CMYK 46 / 0 / 100 / 59

HEX #396900

RGB 57 105 0

HSL 87.43, 1%, 0.21%

LAB 39.53, -32.43, 45.15

 

CMYK 54 / 0 / 100 / 66

HEX #285700

RGB 40 87 0

HSL 92.41, 1%, 0.17%

LAB 32.41, -30.73, 39.24

 

CMYK 32 / 0 / 86 / 37

HEX #6DA016

RGB 109 160 22

HSL 82.17, 0.76%, 0.36%

LAB 60.29, -36.38, 58.76

 

CMYK 9 / 0 / 86 / 37

HEX #92A016

RGB 146 160 22

HSL 66.09, 0.76%, 0.36%

LAB 62.77, -21.01, 61.84

 

CMYK 0 / 14 / 86 / 37

HEX #A08A16

RGB 160 138 22

HSL 50.43, 0.76%, 0.36%

LAB 57.76, -3.09, 58.17

 

CMYK 0 / 38 / 86 / 37

HEX #A06416

RGB 160 100 22

HSL 33.91, 0.76%, 0.36%

LAB 47.81, 18.33, 49.88

 

CMYK 0 / 61 / 86 / 37

HEX #A03F16

RGB 160 63 22

HSL 17.83, 0.76%, 0.36%

LAB 39.73, 38.27, 43.02

 

CMYK 32 / 0 / 86 / 37

HEX #6DA016

RGB 109 160 22

HSL 82.17, 0.76%, 0.36%

LAB 60.29, -36.38, 58.76

 

CMYK 56 / 0 / 86 / 37

HEX #47A016

RGB 71 160 22

HSL 98.7, 0.76%, 0.36%

LAB 58.55, -49.24, 56.55

 

CMYK 79 / 0 / 86 / 37

HEX #22A016

RGB 34 160 22

HSL 114.78, 0.76%, 0.36%

LAB 57.6, -57.16, 55.35

 

CMYK 86 / 0 / 70 / 37

HEX #16A030

RGB 22 160 48

HSL 131.3, 0.76%, 0.36%

LAB 57.58, -56.71, 46.69

 

CMYK 86 / 0 / 47 / 37

HEX #16A055

RGB 22 160 85

HSL 147.39, 0.76%, 0.36%

LAB 58.01, -51.58, 29.52

 

CMYK 32 / 0 / 86 / 37

HEX #6DA016

RGB 109 160 22

HSL 82.17, 0.76%, 0.36%

LAB 60.29, -36.38, 58.76

 

CMYK 36 / 0 / 95 / 31

HEX #70AF08

RGB 112 175 8

HSL 82.63, 0.91%, 0.36%

LAB 65.06, -42.14, 65.14

 

CMYK 32 / 0 / 86 / 37

HEX #6DA016

RGB 109 160 22

HSL 82.17, 0.76%, 0.36%

LAB 60.29, -36.38, 58.76

 

CMYK 28 / 0 / 74 / 43

HEX #699125

RGB 105 145 37

HSL 82.22, 0.59%, 0.36%

LAB 55.47, -30.35, 49.71

 

CMYK 22 / 0 / 60 / 49

HEX #658234

RGB 101 130 52

HSL 82.31, 0.43%, 0.36%

LAB 50.66, -23.48, 38.09

 

CMYK 16 / 0 / 42 / 55

HEX #617443

RGB 97 116 67

HSL 83.27, 0.27%, 0.36%

LAB 46.23, -16.08, 24.77

 

CMYK 7 / 0 / 19 / 60

HEX #5E6552

RGB 94 101 82

HSL 82.11, 0.1%, 0.36%

LAB 41.68, -6.51, 9.86

 

CMYK 0 / 14 / 86 / 37

HEX #A08916

RGB 160 137 22

HSL 50, 0.76%, 0.36%

LAB 57.49, -2.54, 57.95

 

CMYK 9 / 0 / 86 / 37

HEX #92A016

RGB 146 160 22

HSL 66.09, 0.76%, 0.36%

LAB 62.77, -21.01, 61.84

 

CMYK 31 / 0 / 86 / 37

HEX #6EA016

RGB 110 160 22

HSL 81.74, 0.76%, 0.36%

LAB 60.35, -36, 58.83

 

CMYK 54 / 0 / 86 / 37

HEX #49A016

RGB 73 160 22

HSL 97.83, 0.76%, 0.36%

LAB 58.62, -48.67, 56.64

 

CMYK 78 / 0 / 86 / 37

HEX #24A016

RGB 36 160 22

HSL 113.91, 0.76%, 0.36%

LAB 57.63, -56.87, 55.39

 

CMYK 32 / 0 / 86 / 65

HEX #3C580C

RGB 60 88 12

HSL 82.11, 0.76%, 0.2%

LAB 33.91, -22.7, 37.07

 

CMYK 32 / 0 / 86 / 51

HEX #547C11

RGB 84 124 17

HSL 82.43, 0.76%, 0.28%

LAB 47.42, -29.95, 48.23

 

CMYK 32 / 0 / 86 / 37

HEX #6DA016

RGB 109 160 22

HSL 82.17, 0.76%, 0.36%

LAB 60.29, -36.38, 58.76

 

CMYK 32 / 0 / 86 / 23

HEX #85C41C

RGB 133 196 28

HSL 82.5, 0.75%, 0.44%

LAB 72.59, -42.88, 68.51

 

CMYK 31 / 0 / 82 / 12

HEX #9BE029

RGB 155 224 41

HSL 82.62, 0.75%, 0.52%

LAB 82.08, -46.27, 74.22

 

CMYK 32 / 0 / 86 / 38

HEX #6C9F17

RGB 108 159 23

HSL 82.5, 0.75%, 0.36%

LAB 59.93, -36.29, 58.18

 

CMYK 86 / 0 / 38 / 37

HEX #16A064

RGB 22 160 100

HSL 153.91, 0.76%, 0.36%

LAB 58.26, -48.66, 21.79

 

CMYK 2 / 86 / 0 / 37

HEX #9C16A0

RGB 156 22 160

HSL 298.26, 0.76%, 0.36%

LAB 38.16, 65.62, -42.5

 

CMYK 32 / 0 / 86 / 38

HEX #6C9F17

RGB 108 159 23

HSL 82.5, 0.75%, 0.36%

LAB 59.93, -36.29, 58.18

 

CMYK 86 / 31 / 0 / 37

HEX #166EA0

RGB 22 110 160

HSL 201.74, 0.76%, 0.36%

LAB 44.03, -6.18, -33.87

 

CMYK 0 / 86 / 31 / 37

HEX #A0166E

RGB 160 22 110

HSL 321.74, 0.76%, 0.36%

LAB 36.32, 59.48, -14.44

 

CMYK 32 / 0 / 86 / 38

HEX #6C9F17

RGB 108 159 23

HSL 82.5, 0.75%, 0.36%

LAB 59.93, -36.29, 58.18

 

CMYK 86 / 0 / 38 / 37

HEX #16A064

RGB 22 160 100

HSL 153.91, 0.76%, 0.36%

LAB 58.26, -48.66, 21.79

 

CMYK 54 / 86 / 0 / 37

HEX #4916A0

RGB 73 22 160

HSL 262.17, 0.76%, 0.36%

LAB 25.35, 52.84, -63.92

 

CMYK 0 / 86 / 49 / 37

HEX #A01652

RGB 160 22 82

HSL 333.91, 0.76%, 0.36%

LAB 35.31, 56.65, 2.02

 

CMYK 32 / 0 / 86 / 38

HEX #6C9F17

RGB 108 159 23

HSL 82.5, 0.75%, 0.36%

LAB 59.93, -36.29, 58.18

 

CMYK 86 / 0 / 11 / 37

HEX #16A08E

RGB 22 160 142

HSL 172.17, 0.76%, 0.36%

LAB 59.22, -38.24, -0.33

 

CMYK 54 / 86 / 0 / 37

HEX #4916A0

RGB 73 22 160

HSL 262.17, 0.76%, 0.36%

LAB 25.35, 52.84, -63.92

 

CMYK 0 / 86 / 74 / 37

HEX #A01629

RGB 160 22 41

HSL 351.74, 0.76%, 0.36%

LAB 34.41, 54.01, 27.31

 

Description

Color code: HEX #6C9F17 | qconv.com Color code: HEX #6C9F17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 159 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 159 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 86 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 86% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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