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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D0AC1 it is the complementary color #92F53E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D0AC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D0AC1 shade: #720ABC, #831CCF, #942EE2, #A540F5 and #B652FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D0AC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D0AC1 shade: #6D0AC1, #5C00AE, #4B009B, #3A0088 and #290075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D0AC1 shade: #6D0AC1, #9F0AC1, #C10AB3, #C10A81 and #C10A50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D0AC1 shade: #6D0AC1, #3C0AC1, #0A0AC1 and #0A0AC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D0AC1 shade matches the following richer shades: #6D0AC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D0AC1 shade: #6D0AC1, #6C1AB1, #6A2BA0, #693B90 and #684C7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D0AC1 shade: #0A0AC1, #3B0AC1, #6C0AC1, #9D0AC1 and #C10AB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D0AC1 shade: #410673, #57089A, #6D0AC1, #830CE8 and #972AF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D0AC1 shade: #6D0AC1, #C10A3B and #0AC122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D0AC1 shade: #6D0AC1, #C16C0A and #0AC16C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D0AC1 shade: #6D0AC1, #C10A3B, #5FC10A and #0AC190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D0AC1 shade: #6D0AC1, #C1100A, #5FC10A and #0ABBC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

Complementary color

CMYK 40 / 0 / 75 / 4

HEX #92F53E

RGB 146 245 62

HSL 92.46, 0.9%, 0.6%

LAB 87.85, -56.87, 73.48

 

CMYK 39 / 95 / 0 / 26

HEX #720ABC

RGB 114 10 188

HSL 275.06, 0.9%, 0.39%

LAB 32.76, 66.64, -68.32

 

CMYK 37 / 86 / 0 / 19

HEX #831CCF

RGB 131 28 207

HSL 274.53, 0.76%, 0.46%

LAB 38.13, 69.14, -70.54

 

CMYK 35 / 80 / 0 / 11

HEX #942EE2

RGB 148 46 226

HSL 274, 0.76%, 0.53%

LAB 43.86, 70.33, -71.99

 

CMYK 33 / 74 / 0 / 4

HEX #A540F5

RGB 165 64 245

HSL 273.48, 0.9%, 0.61%

LAB 49.81, 70.69, -72.92

 

CMYK 29 / 68 / 0 / 0

HEX #B652FF

RGB 182 82 255

HSL 274.68, 1%, 0.66%

LAB 55.28, 68.58, -69.52

 

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

CMYK 47 / 100 / 0 / 32

HEX #5C00AE

RGB 92 0 174

HSL 271.72, 1%, 0.34%

LAB 27.66, 63.02, -68.49

 

CMYK 52 / 100 / 0 / 39

HEX #4B009B

RGB 75 0 155

HSL 269.03, 1%, 0.3%

LAB 23.21, 57.34, -64.38

 

CMYK 57 / 100 / 0 / 47

HEX #3A0088

RGB 58 0 136

HSL 265.59, 1%, 0.27%

LAB 18.7, 51.58, -60.11

 

CMYK 65 / 100 / 0 / 54

HEX #290075

RGB 41 0 117

HSL 261.03, 1%, 0.23%

LAB 14.15, 45.76, -55.61

 

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

CMYK 18 / 95 / 0 / 24

HEX #9F0AC1

RGB 159 10 193

HSL 288.85, 0.9%, 0.4%

LAB 40.31, 73.46, -58.64

 

CMYK 0 / 95 / 7 / 24

HEX #C10AB3

RGB 193 10 179

HSL 304.59, 0.9%, 0.4%

LAB 45.37, 76.8, -41.95

 

CMYK 0 / 95 / 33 / 24

HEX #C10A81

RGB 193 10 129

HSL 320.98, 0.9%, 0.4%

LAB 42.97, 70.65, -15.56

 

CMYK 0 / 95 / 59 / 24

HEX #C10A50

RGB 193 10 80

HSL 337.05, 0.9%, 0.4%

LAB 41.43, 66.5, 12.9

 

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

CMYK 69 / 95 / 0 / 24

HEX #3C0AC1

RGB 60 10 193

HSL 256.39, 0.9%, 0.4%

LAB 26.81, 63.45, -81.31

 

CMYK 95 / 95 / 0 / 24

HEX #0A0AC1

RGB 10 10 193

HSL 240, 0.9%, 0.4%

LAB 24.1, 62.07, -85.9

 

CMYK 95 / 95 / 0 / 24

HEX #0A0AC1

RGB 10 10 193

HSL 240, 0.9%, 0.4%

LAB 24.1, 62.07, -85.9

 

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

CMYK 39 / 85 / 0 / 31

HEX #6C1AB1

RGB 108 26 177

HSL 272.58, 0.74%, 0.4%

LAB 32.04, 60.05, -63

 

CMYK 34 / 73 / 0 / 37

HEX #6A2BA0

RGB 106 43 160

HSL 272.31, 0.58%, 0.4%

LAB 32.55, 49.37, -51.96

 

CMYK 27 / 59 / 0 / 44

HEX #693B90

RGB 105 59 144

HSL 272.47, 0.42%, 0.4%

LAB 34.28, 37.02, -39.42

 

CMYK 18 / 40 / 0 / 50

HEX #684C7F

RGB 104 76 127

HSL 272.94, 0.25%, 0.4%

LAB 37.2, 22.4, -24.39

 

CMYK 95 / 95 / 0 / 24

HEX #0A0AC1

RGB 10 10 193

HSL 240, 0.9%, 0.4%

LAB 24.1, 62.07, -85.9

 

CMYK 69 / 95 / 0 / 24

HEX #3B0AC1

RGB 59 10 193

HSL 256.07, 0.9%, 0.4%

LAB 26.73, 63.4, -81.46

 

CMYK 44 / 95 / 0 / 24

HEX #6C0AC1

RGB 108 10 193

HSL 272.13, 0.9%, 0.4%

LAB 32.38, 67.07, -71.92

 

CMYK 19 / 95 / 0 / 24

HEX #9D0AC1

RGB 157 10 193

HSL 288.2, 0.9%, 0.4%

LAB 39.97, 73.17, -59.19

 

CMYK 0 / 95 / 6 / 24

HEX #C10AB5

RGB 193 10 181

HSL 303.93, 0.9%, 0.4%

LAB 45.48, 77.08, -42.95

 

CMYK 43 / 95 / 0 / 55

HEX #410673

RGB 65 6 115

HSL 272.48, 0.9%, 0.24%

LAB 17.88, 45.45, -48.04

 

CMYK 44 / 95 / 0 / 40

HEX #57089A

RGB 87 8 154

HSL 272.47, 0.9%, 0.32%

LAB 25.36, 56.58, -60.16

 

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

CMYK 44 / 95 / 0 / 9

HEX #830CE8

RGB 131 12 232

HSL 272.45, 0.9%, 0.48%

LAB 39.44, 77.33, -82.75

 

CMYK 38 / 83 / 0 / 5

HEX #972AF3

RGB 151 42 243

HSL 272.54, 0.89%, 0.56%

LAB 45.23, 75.63, -79.35

 

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

CMYK 0 / 95 / 69 / 24

HEX #C10A3B

RGB 193 10 59

HSL 343.93, 0.9%, 0.4%

LAB 41.01, 65.35, 25.63

 

CMYK 95 / 0 / 82 / 24

HEX #0AC122

RGB 10 193 34

HSL 127.87, 0.9%, 0.4%

LAB 68.26, -68.36, 61.91

 

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

CMYK 0 / 44 / 95 / 24

HEX #C16C0A

RGB 193 108 10

HSL 32.13, 0.9%, 0.4%

LAB 54.12, 28.11, 59.79

 

CMYK 95 / 0 / 44 / 24

HEX #0AC16C

RGB 10 193 108

HSL 152.13, 0.9%, 0.4%

LAB 68.96, -59.66, 31.64

 

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

CMYK 0 / 95 / 69 / 24

HEX #C10A3B

RGB 193 10 59

HSL 343.93, 0.9%, 0.4%

LAB 41.01, 65.35, 25.63

 

CMYK 51 / 0 / 95 / 24

HEX #5FC10A

RGB 95 193 10

HSL 92.13, 0.9%, 0.4%

LAB 69.89, -54.88, 68.48

 

CMYK 95 / 0 / 25 / 24

HEX #0AC190

RGB 10 193 144

HSL 163.93, 0.9%, 0.4%

LAB 69.62, -52.04, 13.46

 

CMYK 44 / 95 / 0 / 24

HEX #6D0AC1

RGB 109 10 193

HSL 272.46, 0.9%, 0.4%

LAB 32.52, 67.17, -71.68

 

CMYK 0 / 92 / 95 / 24

HEX #C1100A

RGB 193 16 10

HSL 1.97, 0.9%, 0.4%

LAB 40.78, 63.32, 51.28

 

CMYK 51 / 0 / 95 / 24

HEX #5FC10A

RGB 95 193 10

HSL 92.13, 0.9%, 0.4%

LAB 69.89, -54.88, 68.48

 

CMYK 95 / 3 / 0 / 24

HEX #0ABBC1

RGB 10 187 193

HSL 181.97, 0.9%, 0.4%

LAB 69.08, -35.94, -14.14

 

Description

Color code: HEX #6D0AC1 | qconv.com Color code: HEX #6D0AC1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 10 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 10 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 95 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 95% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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