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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D0BB1 it is the complementary color #92F44E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D0BB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D0BB1 shade: #720BAC, #831DBF, #942FD2, #A541E5 and #B653F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D0BB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D0BB1 shade: #6D0BB1, #5C009E, #4B008B, #3A0078 and #290065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D0BB1 shade: #6D0BB1, #9A0BB1, #B10B9B, #B10B6F and #B10B42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D0BB1 shade: #6D0BB1, #400BB1, #130BB1 and #0B0BB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D0BB1 shade matches the following richer shades: #6D0BB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D0BB1 shade: #6D0BB1, #6A1AA2, #672992, #653983 and #624874

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D0BB1 shade: #130BB1, #3F0BB1, #6C0BB1, #980BB1 and #B10B9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D0BB1 shade: #3D0663, #55088A, #6D0BB1, #850DD8 and #9A1EF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D0BB1 shade: #6D0BB1, #B10B2F and #0BB129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D0BB1 shade: #6D0BB1, #B16C0B and #0BB16C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D0BB1 shade: #6D0BB1, #B10B2F, #50B10B and #0BB18D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D0BB1 shade: #6D0BB1, #B1190B, #50B10B and #0BA3B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 94 / 0 / 31

HEX #6D0BB1

RGB 109 11 177

HSL 275.42, 0.88%, 0.37%

LAB 31.03, 63.59, -64.64

 

Complementary color

CMYK 40 / 0 / 68 / 4

HEX #92F44E

RGB 146 244 78

HSL 95.42, 0.88%, 0.63%

LAB 87.66, -55.45, 67.79

 

CMYK 34 / 94 / 0 / 33

HEX #720BAC

RGB 114 11 172

HSL 278.39, 0.88%, 0.36%

LAB 31.34, 63.16, -61.12

 

CMYK 31 / 85 / 0 / 25

HEX #831DBF

RGB 131 29 191

HSL 277.78, 0.74%, 0.43%

LAB 36.87, 65.52, -63.26

 

CMYK 30 / 78 / 0 / 18

HEX #942FD2

RGB 148 47 210

HSL 277.18, 0.64%, 0.5%

LAB 42.74, 66.6, -64.65

 

CMYK 28 / 72 / 0 / 10

HEX #A541E5

RGB 165 65 229

HSL 276.59, 0.76%, 0.58%

LAB 48.81, 66.86, -65.55

 

CMYK 27 / 67 / 0 / 3

HEX #B653F8

RGB 182 83 248

HSL 276, 0.92%, 0.65%

LAB 54.98, 66.64, -66.12

 

CMYK 38 / 94 / 0 / 31

HEX #6D0BB1

RGB 109 11 177

HSL 275.42, 0.88%, 0.37%

LAB 31.03, 63.59, -64.64

 

CMYK 42 / 100 / 0 / 38

HEX #5C009E

RGB 92 0 158

HSL 274.94, 1%, 0.31%

LAB 25.99, 59.56, -61.54

 

CMYK 46 / 100 / 0 / 45

HEX #4B008B

RGB 75 0 139

HSL 272.37, 1%, 0.27%

LAB 21.43, 53.71, -57.4

 

CMYK 52 / 100 / 0 / 53

HEX #3A0078

RGB 58 0 120

HSL 269, 1%, 0.24%

LAB 16.78, 47.75, -53.12

 

CMYK 59 / 100 / 0 / 60

HEX #290065

RGB 41 0 101

HSL 264.36, 1%, 0.2%

LAB 12.03, 41.69, -48.65

 

CMYK 38 / 94 / 0 / 31

HEX #6D0BB1

RGB 109 11 177

HSL 275.42, 0.88%, 0.37%

LAB 31.03, 63.59, -64.64

 

CMYK 13 / 94 / 0 / 31

HEX #9A0BB1

RGB 154 11 177

HSL 291.69, 0.88%, 0.37%

LAB 38.35, 69.84, -52.41

 

CMYK 0 / 94 / 12 / 31

HEX #B10B9B

RGB 177 11 155

HSL 307.95, 0.88%, 0.37%

LAB 41.14, 70.46, -34.51

 

CMYK 0 / 94 / 37 / 31

HEX #B10B6F

RGB 177 11 111

HSL 323.86, 0.88%, 0.37%

LAB 39.13, 65.22, -10.48

 

CMYK 0 / 94 / 63 / 31

HEX #B10B42

RGB 177 11 66

HSL 340.12, 0.88%, 0.37%

LAB 37.81, 61.63, 16.38

 

CMYK 38 / 94 / 0 / 31

HEX #6D0BB1

RGB 109 11 177

HSL 275.42, 0.88%, 0.37%

LAB 31.03, 63.59, -64.64

 

CMYK 64 / 94 / 0 / 31

HEX #400BB1

RGB 64 11 177

HSL 259.16, 0.88%, 0.37%

LAB 25.27, 59.48, -74.35

 

CMYK 89 / 94 / 0 / 31

HEX #130BB1

RGB 19 11 177

HSL 242.89, 0.88%, 0.37%

LAB 22.13, 57.68, -79.66

 

CMYK 94 / 94 / 0 / 31

HEX #0B0BB1

RGB 11 11 177

HSL 240, 0.88%, 0.37%

LAB 21.89, 57.56, -80.07

 

CMYK 38 / 94 / 0 / 31

HEX #6D0BB1

RGB 109 11 177

HSL 275.42, 0.88%, 0.37%

LAB 31.03, 63.59, -64.64

 

CMYK 38 / 94 / 0 / 31

HEX #6D0BB1

RGB 109 11 177

HSL 275.42, 0.88%, 0.37%

LAB 31.03, 63.59, -64.64

 

CMYK 35 / 84 / 0 / 36

HEX #6A1AA2

RGB 106 26 162

HSL 275.29, 0.72%, 0.37%

LAB 30.43, 56.4, -56.62

 

CMYK 29 / 72 / 0 / 43

HEX #672992

RGB 103 41 146

HSL 275.43, 0.56%, 0.37%

LAB 30.75, 46.34, -46.35

 

CMYK 23 / 56 / 0 / 49

HEX #653983

RGB 101 57 131

HSL 275.68, 0.39%, 0.37%

LAB 32.55, 33.85, -34.2

 

CMYK 16 / 38 / 0 / 55

HEX #624874

RGB 98 72 116

HSL 275.45, 0.23%, 0.37%

LAB 34.99, 20.19, -21.05

 

CMYK 89 / 94 / 0 / 31

HEX #130BB1

RGB 19 11 177

HSL 242.89, 0.88%, 0.37%

LAB 22.13, 57.68, -79.66

 

CMYK 64 / 94 / 0 / 31

HEX #3F0BB1

RGB 63 11 177

HSL 258.8, 0.88%, 0.37%

LAB 25.17, 59.41, -74.52

 

CMYK 39 / 94 / 0 / 31

HEX #6C0BB1

RGB 108 11 177

HSL 275.06, 0.88%, 0.37%

LAB 30.88, 63.48, -64.89

 

CMYK 14 / 94 / 0 / 31

HEX #980BB1

RGB 152 11 177

HSL 290.96, 0.88%, 0.37%

LAB 38, 69.53, -52.98

 

CMYK 0 / 94 / 11 / 31

HEX #B10B9E

RGB 177 11 158

HSL 306.87, 0.88%, 0.37%

LAB 41.3, 70.88, -36.07

 

CMYK 38 / 94 / 0 / 61

HEX #3D0663

RGB 61 6 99

HSL 275.48, 0.89%, 0.21%

LAB 15.61, 41.11, -41.32

 

CMYK 38 / 94 / 0 / 46

HEX #55088A

RGB 85 8 138

HSL 275.54, 0.89%, 0.29%

LAB 23.47, 52.76, -53.36

 

CMYK 38 / 94 / 0 / 31

HEX #6D0BB1

RGB 109 11 177

HSL 275.42, 0.88%, 0.37%

LAB 31.03, 63.59, -64.64

 

CMYK 38 / 94 / 0 / 15

HEX #850DD8

RGB 133 13 216

HSL 275.47, 0.89%, 0.45%

LAB 38.26, 74.11, -75.52

 

CMYK 36 / 88 / 0 / 6

HEX #9A1EF0

RGB 154 30 240

HSL 275.43, 0.88%, 0.53%

LAB 44.36, 78.42, -79.07

 

CMYK 38 / 94 / 0 / 31

HEX #6D0BB1

RGB 109 11 177

HSL 275.42, 0.88%, 0.37%

LAB 31.03, 63.59, -64.64

 

CMYK 0 / 94 / 73 / 31

HEX #B10B2F

RGB 177 11 47

HSL 346.99, 0.88%, 0.37%

LAB 37.47, 60.68, 28.05

 

CMYK 94 / 0 / 77 / 31

HEX #0BB129

RGB 11 177 41

HSL 130.84, 0.88%, 0.37%

LAB 63.07, -63.27, 54.88

 

CMYK 38 / 94 / 0 / 31

HEX #6D0BB1

RGB 109 11 177

HSL 275.42, 0.88%, 0.37%

LAB 31.03, 63.59, -64.64

 

CMYK 0 / 39 / 94 / 31

HEX #B16C0B

RGB 177 108 11

HSL 35.06, 0.88%, 0.37%

LAB 51.95, 21.19, 57.05

 

CMYK 94 / 0 / 39 / 31

HEX #0BB16C

RGB 11 177 108

HSL 155.06, 0.88%, 0.37%

LAB 63.83, -54, 24.91

 

CMYK 38 / 94 / 0 / 31

HEX #6D0BB1

RGB 109 11 177

HSL 275.42, 0.88%, 0.37%

LAB 31.03, 63.59, -64.64

 

CMYK 0 / 94 / 73 / 31

HEX #B10B2F

RGB 177 11 47

HSL 346.99, 0.88%, 0.37%

LAB 37.47, 60.68, 28.05

 

CMYK 55 / 0 / 94 / 31

HEX #50B10B

RGB 80 177 11

HSL 95.06, 0.88%, 0.37%

LAB 64.3, -53.31, 63.57

 

CMYK 94 / 0 / 20 / 31

HEX #0BB18D

RGB 11 177 141

HSL 166.99, 0.88%, 0.37%

LAB 64.51, -46.38, 7.87

 

CMYK 38 / 94 / 0 / 31

HEX #6D0BB1

RGB 109 11 177

HSL 275.42, 0.88%, 0.37%

LAB 31.03, 63.59, -64.64

 

CMYK 0 / 86 / 94 / 31

HEX #B1190B

RGB 177 25 11

HSL 5.06, 0.88%, 0.37%

LAB 37.96, 57.38, 47.53

 

CMYK 55 / 0 / 94 / 31

HEX #50B10B

RGB 80 177 11

HSL 95.06, 0.88%, 0.37%

LAB 64.3, -53.31, 63.57

 

CMYK 94 / 8 / 0 / 31

HEX #0BA3B1

RGB 11 163 177

HSL 185.06, 0.88%, 0.37%

LAB 61.17, -29.53, -17.2

 

Description

Color code: HEX #6D0BB1 | qconv.com Color code: HEX #6D0BB1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 11 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 11 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 94 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 94% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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