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Color name
HEX #6D1399

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D1399 it is the complementary color #92EC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D1399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D1399 shade: #721394, #8325A7, #9437BA, #A549CD and #B65BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D1399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D1399 shade: #6D1399, #5C0186, #4B0073, #3A0060 and #29004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D1399 shade: #6D139A, #92139A, #9A137D, #9A1359 and #9A1334

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D1399 shade: #6D139A, #49139A, #24139A and #13139A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D1399 shade matches the following richer shades: #6D139A and #7205A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D1399 shade: #6D139A, #69218C, #642F7E, #5F3D70 and #5A4B62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D1399 shade: #25139A, #49139A, #6D139A, #91139A and #9A137F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D1399 shade: #390950, #530E75, #6D139A, #8817BF and #A11CE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D1399 shade: #6D1399, #9A1325 and #139A37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D1399 shade: #6D1399, #9A6D13 and #139A6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D1399 shade: #6D1399, #9A1325, #409A13 and #139A88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D1399 shade: #6D1399, #9A2913, #409A13 and #13839A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 88 / 0 / 40

HEX #6D1399

RGB 109 19 153

HSL 280.3, 0.78%, 0.34%

LAB 29.45, 56.91, -52.71

 

Complementary color

CMYK 38 / 0 / 57 / 7

HEX #92EC66

RGB 146 236 102

HSL 100.3, 0.78%, 0.66%

LAB 85.53, -50.14, 55.63

 

CMYK 23 / 87 / 0 / 42

HEX #721394

RGB 114 19 148

HSL 284.19, 0.77%, 0.33%

LAB 29.87, 56.69, -48.93

 

CMYK 22 / 78 / 0 / 35

HEX #8325A7

RGB 131 37 167

HSL 283.38, 0.64%, 0.4%

LAB 35.87, 58.14, -50.63

 

CMYK 20 / 70 / 0 / 27

HEX #9437BA

RGB 148 55 186

HSL 282.6, 0.54%, 0.47%

LAB 42.11, 58.55, -51.7

 

CMYK 20 / 64 / 0 / 20

HEX #A549CD

RGB 165 73 205

HSL 281.82, 0.57%, 0.55%

LAB 48.48, 58.38, -52.39

 

CMYK 19 / 59 / 0 / 12

HEX #B65BE0

RGB 182 91 224

HSL 281.05, 0.68%, 0.62%

LAB 54.88, 57.89, -52.85

 

CMYK 29 / 88 / 0 / 40

HEX #6D1399

RGB 109 19 153

HSL 280.3, 0.78%, 0.34%

LAB 29.45, 56.91, -52.71

 

CMYK 31 / 99 / 0 / 47

HEX #5C0186

RGB 92 1 134

HSL 281.05, 0.99%, 0.26%

LAB 23.73, 54.32, -50.38

 

CMYK 35 / 100 / 0 / 55

HEX #4B0073

RGB 75 0 115

HSL 279.13, 1%, 0.23%

LAB 18.94, 48.42, -46.23

 

CMYK 40 / 100 / 0 / 62

HEX #3A0060

RGB 58 0 96

HSL 276.25, 1%, 0.19%

LAB 14.08, 42.14, -41.84

 

CMYK 47 / 100 / 0 / 70

HEX #29004D

RGB 41 0 77

HSL 271.95, 1%, 0.15%

LAB 9.05, 35.67, -37.3

 

CMYK 29 / 88 / 0 / 40

HEX #6D139A

RGB 109 19 154

HSL 280, 0.78%, 0.34%

LAB 29.54, 57.11, -53.18

 

CMYK 5 / 88 / 0 / 40

HEX #92139A

RGB 146 19 154

HSL 296.44, 0.78%, 0.34%

LAB 35.81, 63.38, -42.73

 

CMYK 0 / 88 / 19 / 40

HEX #9A137D

RGB 154 19 125

HSL 312.89, 0.78%, 0.34%

LAB 35.63, 60.61, -25.04

 

CMYK 0 / 88 / 42 / 40

HEX #9A1359

RGB 154 19 89

HSL 328.89, 0.78%, 0.34%

LAB 34.1, 56.41, -4.44

 

CMYK 0 / 88 / 66 / 40

HEX #9A1334

RGB 154 19 52

HSL 345.33, 0.78%, 0.34%

LAB 33.1, 53.54, 18.36

 

CMYK 29 / 88 / 0 / 40

HEX #6D139A

RGB 109 19 154

HSL 280, 0.78%, 0.34%

LAB 29.54, 57.11, -53.18

 

CMYK 53 / 88 / 0 / 40

HEX #49139A

RGB 73 19 154

HSL 264, 0.78%, 0.34%

LAB 24.37, 52.3, -61.86

 

CMYK 77 / 88 / 0 / 40

HEX #24139A

RGB 36 19 154

HSL 247.56, 0.78%, 0.34%

LAB 20.73, 49.19, -68

 

CMYK 88 / 88 / 0 / 40

HEX #13139A

RGB 19 19 154

HSL 240, 0.78%, 0.34%

LAB 19.79, 48.44, -69.59

 

CMYK 29 / 88 / 0 / 40

HEX #6D139A

RGB 109 19 154

HSL 280, 0.78%, 0.34%

LAB 29.54, 57.11, -53.18

 

CMYK 32 / 97 / 0 / 34

HEX #7205A8

RGB 114 5 168

HSL 280.12, 0.94%, 0.34%

LAB 30.67, 63.27, -59.8

 

CMYK 29 / 88 / 0 / 40

HEX #6D139A

RGB 109 19 154

HSL 280, 0.78%, 0.34%

LAB 29.54, 57.11, -53.18

 

CMYK 25 / 76 / 0 / 45

HEX #69218C

RGB 105 33 140

HSL 280.37, 0.62%, 0.34%

LAB 29.37, 48.85, -44.86

 

CMYK 21 / 63 / 0 / 51

HEX #642F7E

RGB 100 47 126

HSL 280.25, 0.46%, 0.34%

LAB 30.03, 37.93, -35.11

 

CMYK 15 / 46 / 0 / 56

HEX #5F3D70

RGB 95 61 112

HSL 280, 0.29%, 0.34%

LAB 31.67, 25.03, -23.74

 

CMYK 8 / 23 / 0 / 62

HEX #5A4B62

RGB 90 75 98

HSL 279.13, 0.13%, 0.34%

LAB 34.16, 11.14, -11.09

 

CMYK 76 / 88 / 0 / 40

HEX #25139A

RGB 37 19 154

HSL 248, 0.78%, 0.34%

LAB 20.8, 49.25, -67.88

 

CMYK 53 / 88 / 0 / 40

HEX #49139A

RGB 73 19 154

HSL 264, 0.78%, 0.34%

LAB 24.37, 52.3, -61.86

 

CMYK 29 / 88 / 0 / 40

HEX #6D139A

RGB 109 19 154

HSL 280, 0.78%, 0.34%

LAB 29.54, 57.11, -53.18

 

CMYK 6 / 88 / 0 / 40

HEX #91139A

RGB 145 19 154

HSL 296, 0.78%, 0.34%

LAB 35.63, 63.2, -43.03

 

CMYK 0 / 88 / 18 / 40

HEX #9A137F

RGB 154 19 127

HSL 312, 0.78%, 0.34%

LAB 35.73, 60.88, -26.13

 

CMYK 29 / 89 / 0 / 69

HEX #390950

RGB 57 9 80

HSL 280.56, 0.8%, 0.17%

LAB 13.5, 34.86, -31.98

 

CMYK 29 / 88 / 0 / 54

HEX #530E75

RGB 83 14 117

HSL 280.19, 0.79%, 0.26%

LAB 21.72, 46.36, -42.93

 

CMYK 29 / 88 / 0 / 40

HEX #6D139A

RGB 109 19 154

HSL 280, 0.78%, 0.34%

LAB 29.54, 57.11, -53.18

 

CMYK 29 / 88 / 0 / 25

HEX #8817BF

RGB 136 23 191

HSL 280.36, 0.79%, 0.42%

LAB 37.13, 67.71, -62.8

 

CMYK 29 / 88 / 0 / 11

HEX #A11CE3

RGB 161 28 227

HSL 280.1, 0.78%, 0.5%

LAB 44.17, 77.19, -71.98

 

CMYK 29 / 88 / 0 / 40

HEX #6D1399

RGB 109 19 153

HSL 280.3, 0.78%, 0.34%

LAB 29.45, 56.91, -52.71

 

CMYK 0 / 88 / 76 / 40

HEX #9A1325

RGB 154 19 37

HSL 352, 0.78%, 0.34%

LAB 32.85, 52.81, 27.69

 

CMYK 88 / 0 / 64 / 40

HEX #139A37

RGB 19 154 55

HSL 136, 0.78%, 0.34%

LAB 55.61, -54.3, 41.5

 

CMYK 29 / 88 / 0 / 40

HEX #6D1399

RGB 109 19 153

HSL 280.3, 0.78%, 0.34%

LAB 29.45, 56.91, -52.71

 

CMYK 0 / 29 / 88 / 40

HEX #9A6D13

RGB 154 109 19

HSL 40, 0.78%, 0.34%

LAB 49.32, 10.36, 51.78

 

CMYK 88 / 0 / 29 / 40

HEX #139A6D

RGB 19 154 109

HSL 160, 0.78%, 0.34%

LAB 56.44, -44.56, 14.32

 

CMYK 29 / 88 / 0 / 40

HEX #6D1399

RGB 109 19 153

HSL 280.3, 0.78%, 0.34%

LAB 29.45, 56.91, -52.71

 

CMYK 0 / 88 / 76 / 40

HEX #9A1325

RGB 154 19 37

HSL 352, 0.78%, 0.34%

LAB 32.85, 52.81, 27.69

 

CMYK 58 / 0 / 88 / 40

HEX #409A13

RGB 64 154 19

HSL 100, 0.78%, 0.34%

LAB 56.34, -49.08, 55.21

 

CMYK 88 / 0 / 12 / 40

HEX #139A88

RGB 19 154 136

HSL 172, 0.78%, 0.34%

LAB 57.1, -37.48, -0.02

 

CMYK 29 / 88 / 0 / 40

HEX #6D1399

RGB 109 19 153

HSL 280.3, 0.78%, 0.34%

LAB 29.45, 56.91, -52.71

 

CMYK 0 / 73 / 88 / 40

HEX #9A2913

RGB 154 41 19

HSL 9.78, 0.78%, 0.34%

LAB 35.01, 45.67, 39.93

 

CMYK 58 / 0 / 88 / 40

HEX #409A13

RGB 64 154 19

HSL 100, 0.78%, 0.34%

LAB 56.34, -49.08, 55.21

 

CMYK 88 / 15 / 0 / 40

HEX #13839A

RGB 19 131 154

HSL 190.22, 0.78%, 0.34%

LAB 50.34, -20.53, -20.55

 

Description

Color code: HEX #6D1399 | qconv.com Color code: HEX #6D1399 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 19 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 19 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 88 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 88% 0% 40% C M Y K

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Provide designers and agencies with accurate color values.

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