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Color name
HEX #6D1C58

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D1C58 it is the complementary color #92E3A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D1C58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D1C58 shade: #721C53, #832E66, #944079, #A5528C and #B6649F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D1C58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D1C58 shade: #6D1C58, #5C0A45, #4B0032, #3A001F and #29000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D1C58 shade: #6D1C58, #6D1C42, #6D1C2C and #6D1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D1C58 shade: #6D1C58, #6C1C6D, #561C6D, #401C6D and #2A1C6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D1C58 shade matches the following richer shades: #6D1C58, #78115D and #830563

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D1C58 shade: #6D1C58, #622753, #57324D, #4C3D48 and #404842

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D1C58 shade: #561C6D, #6C1C6D, #6D1C59, #6D1C43 and #6D1C2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D1C58 shade: #2B0B23, #4C133D, #6D1C58, #8E2472 and #AF2D8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D1C58 shade: #6D1C58, #6D401C and #1C6D61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D1C58 shade: #6D1C58, #596D1C and #1C596D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D1C58 shade: #6D1C58, #6D401C, #1C6D30 and #1C486D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D1C58 shade: #6D1C58, #6D591C, #1C6D30 and #1C306D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

Complementary color

CMYK 36 / 0 / 26 / 11

HEX #92E3A7

RGB 146 227 167

HSL 135.56, 0.59%, 0.73%

LAB 83.88, -37.12, 21.66

 

CMYK 0 / 75 / 27 / 55

HEX #721C53

RGB 114 28 83

HSL 321.63, 0.61%, 0.28%

LAB 26.83, 42.59, -12.25

 

CMYK 0 / 65 / 22 / 49

HEX #832E66

RGB 131 46 102

HSL 320.47, 0.48%, 0.35%

LAB 33.43, 42.78, -14.24

 

CMYK 0 / 57 / 18 / 42

HEX #944079

RGB 148 64 121

HSL 319.29, 0.4%, 0.42%

LAB 40.15, 42.4, -15.64

 

CMYK 0 / 50 / 15 / 35

HEX #A5528C

RGB 165 82 140

HSL 318.07, 0.34%, 0.48%

LAB 46.88, 41.75, -16.71

 

CMYK 0 / 45 / 13 / 29

HEX #B6649F

RGB 182 100 159

HSL 316.83, 0.36%, 0.55%

LAB 53.56, 41.01, -17.56

 

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

CMYK 0 / 89 / 25 / 64

HEX #5C0A45

RGB 92 10 69

HSL 316.83, 0.8%, 0.2%

LAB 19.73, 40.51, -14.08

 

CMYK 0 / 100 / 33 / 71

HEX #4B0032

RGB 75 0 50

HSL 320, 1%, 0.15%

LAB 13.98, 36.77, -9.82

 

CMYK 0 / 100 / 47 / 77

HEX #3A001F

RGB 58 0 31

HSL 327.93, 1%, 0.11%

LAB 8.98, 30.19, -3.61

 

CMYK 0 / 100 / 71 / 84

HEX #29000C

RGB 41 0 12

HSL 342.44, 1%, 0.08%

LAB 4.5, 20.5, 2.14

 

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

CMYK 0 / 74 / 39 / 57

HEX #6D1C42

RGB 109 28 66

HSL 331.85, 0.59%, 0.27%

LAB 25.18, 38.88, -3.42

 

CMYK 0 / 74 / 60 / 57

HEX #6D1C2C

RGB 109 28 44

HSL 348.15, 0.59%, 0.27%

LAB 24.52, 36.66, 10.64

 

CMYK 0 / 74 / 74 / 57

HEX #6D1C1C

RGB 109 28 28

HSL 0, 0.59%, 0.27%

LAB 24.21, 35.57, 20.99

 

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

CMYK 1 / 74 / 0 / 57

HEX #6C1C6D

RGB 108 28 109

HSL 299.26, 0.59%, 0.27%

LAB 27.08, 45.2, -28.93

 

CMYK 21 / 74 / 0 / 57

HEX #561C6D

RGB 86 28 109

HSL 282.96, 0.59%, 0.27%

LAB 23.38, 39.97, -35.06

 

CMYK 41 / 74 / 0 / 57

HEX #401C6D

RGB 64 28 109

HSL 266.67, 0.59%, 0.27%

LAB 20.14, 35.11, -40.46

 

CMYK 61 / 74 / 0 / 57

HEX #2A1C6D

RGB 42 28 109

HSL 250.37, 0.59%, 0.27%

LAB 17.58, 31.03, -44.74

 

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

CMYK 0 / 86 / 23 / 53

HEX #78115D

RGB 120 17 93

HSL 315.73, 0.75%, 0.27%

LAB 27.25, 48.99, -18.1

 

CMYK 0 / 96 / 24 / 49

HEX #830563

RGB 131 5 99

HSL 315.24, 0.93%, 0.27%

LAB 28.99, 54.56, -19.15

 

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

CMYK 0 / 60 / 15 / 62

HEX #622753

RGB 98 39 83

HSL 315.25, 0.43%, 0.27%

LAB 25.78, 32.68, -14.11

 

CMYK 0 / 43 / 11 / 66

HEX #57324D

RGB 87 50 77

HSL 316.22, 0.27%, 0.27%

LAB 26.28, 21.27, -9.51

 

CMYK 0 / 20 / 5 / 70

HEX #4C3D48

RGB 76 61 72

HSL 316, 0.11%, 0.27%

LAB 27.69, 8.76, -4.24

 

CMYK 11 / 0 / 8 / 72

HEX #404842

RGB 64 72 66

HSL 135, 0.06%, 0.27%

LAB 29.71, -4.62, 2.49

 

CMYK 21 / 74 / 0 / 57

HEX #561C6D

RGB 86 28 109

HSL 282.96, 0.59%, 0.27%

LAB 23.38, 39.97, -35.06

 

CMYK 1 / 74 / 0 / 57

HEX #6C1C6D

RGB 108 28 109

HSL 299.26, 0.59%, 0.27%

LAB 27.08, 45.2, -28.93

 

CMYK 0 / 74 / 18 / 57

HEX #6D1C59

RGB 109 28 89

HSL 314.81, 0.59%, 0.27%

LAB 26.17, 42.07, -17.32

 

CMYK 0 / 74 / 39 / 57

HEX #6D1C43

RGB 109 28 67

HSL 331.11, 0.59%, 0.27%

LAB 25.22, 39, -4.05

 

CMYK 0 / 74 / 59 / 57

HEX #6D1C2D

RGB 109 28 45

HSL 347.41, 0.59%, 0.27%

LAB 24.55, 36.74, 9.99

 

CMYK 0 / 74 / 19 / 83

HEX #2B0B23

RGB 43 11 35

HSL 315, 0.59%, 0.11%

LAB 7.9, 20.12, -8.63

 

CMYK 0 / 75 / 20 / 70

HEX #4C133D

RGB 76 19 61

HSL 315.79, 0.6%, 0.19%

LAB 17.18, 31.72, -12.72

 

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

CMYK 0 / 75 / 20 / 44

HEX #8E2472

RGB 142 36 114

HSL 315.85, 0.6%, 0.35%

LAB 34.45, 51.67, -20.13

 

CMYK 0 / 74 / 19 / 31

HEX #AF2D8D

RGB 175 45 141

HSL 315.69, 0.59%, 0.43%

LAB 42.63, 60.76, -23.71

 

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

CMYK 0 / 41 / 74 / 57

HEX #6D401C

RGB 109 64 28

HSL 26.67, 0.59%, 0.27%

LAB 31.81, 16.19, 29.57

 

CMYK 74 / 0 / 11 / 57

HEX #1C6D61

RGB 28 109 97

HSL 171.11, 0.59%, 0.27%

LAB 41.29, -26.87, -0.23

 

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

CMYK 18 / 0 / 74 / 57

HEX #596D1C

RGB 89 109 28

HSL 74.81, 0.59%, 0.27%

LAB 42.98, -19.78, 40.49

 

CMYK 74 / 18 / 0 / 57

HEX #1C596D

RGB 28 89 109

HSL 194.81, 0.59%, 0.27%

LAB 34.99, -12.12, -17.06

 

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

CMYK 0 / 41 / 74 / 57

HEX #6D401C

RGB 109 64 28

HSL 26.67, 0.59%, 0.27%

LAB 31.81, 16.19, 29.57

 

CMYK 74 / 0 / 56 / 57

HEX #1C6D30

RGB 28 109 48

HSL 134.81, 0.59%, 0.27%

LAB 40.24, -38.15, 27.04

 

CMYK 74 / 34 / 0 / 57

HEX #1C486D

RGB 28 72 109

HSL 207.41, 0.59%, 0.27%

LAB 29.38, -1.53, -25.81

 

CMYK 0 / 74 / 19 / 57

HEX #6D1C58

RGB 109 28 88

HSL 315.56, 0.59%, 0.27%

LAB 26.12, 41.91, -16.74

 

CMYK 0 / 18 / 74 / 57

HEX #6D591C

RGB 109 89 28

HSL 45.19, 0.59%, 0.27%

LAB 38.69, 1, 36.78

 

CMYK 74 / 0 / 56 / 57

HEX #1C6D30

RGB 28 109 48

HSL 134.81, 0.59%, 0.27%

LAB 40.24, -38.15, 27.04

 

CMYK 74 / 56 / 0 / 57

HEX #1C306D

RGB 28 48 109

HSL 225.19, 0.59%, 0.27%

LAB 21.82, 15.1, -37.89

 

Description

Color code: HEX #6D1C58 | qconv.com Color code: HEX #6D1C58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 28 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 28 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 19 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 19% 57% C M Y K

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Provide designers and agencies with accurate color values.

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