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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D1F41 it is the complementary color #92E0BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D1F41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D1F41 shade: #721F3C, #83314F, #944362, #A55575 and #B66788

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D1F41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D1F41 shade: #6D1F41, #5C0D2E, #4B001B, #3A0008 and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D1F41 shade: #6B1E3F, #6B1E2B and #6B1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D1F41 shade: #6B1E3F, #6B1E54, #6B1E69, #581E6B and #431E6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D1F41 shade matches the following richer shades: #6B1E3F, #76133E and #81083D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D1F41 shade: #6B1E3F, #602941, #553442, #493F44 and #3E4A45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D1F41 shade: #6B1E6A, #6B1E55, #6B1E40, #6B1E2C and #6B241E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D1F41 shade: #2B0C19, #4B152C, #6B1E3F, #8B2753 and #AB3066

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D1F41 shade: #6D1F41, #6B581E and #1E5F6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D1F41 shade: #6D1F41, #406B1E and #1E406B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D1F41 shade: #6D1F41, #6B581E, #1E6B48 and #1E316B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D1F41 shade: #6D1F41, #676B1E, #1E6B48 and #221E6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 40 / 57

HEX #6D1F41

RGB 109 31 65

HSL 333.85, 0.56%, 0.27%

LAB 25.6, 37.5, -2.13

 

Complementary color

CMYK 35 / 0 / 15 / 12

HEX #92E0BE

RGB 146 224 190

HSL 153.85, 0.56%, 0.73%

LAB 83.52, -31.32, 9.1

 

CMYK 0 / 73 / 47 / 55

HEX #721F3C

RGB 114 31 60

HSL 339.04, 0.57%, 0.28%

LAB 26.4, 38.58, 2.54

 

CMYK 0 / 63 / 40 / 49

HEX #83314F

RGB 131 49 79

HSL 338.05, 0.46%, 0.35%

LAB 33.11, 38.26, 0.08

 

CMYK 0 / 55 / 34 / 42

HEX #944362

RGB 148 67 98

HSL 337.04, 0.38%, 0.42%

LAB 39.9, 37.54, -1.72

 

CMYK 0 / 48 / 29 / 35

HEX #A55575

RGB 165 85 117

HSL 336, 0.32%, 0.49%

LAB 46.69, 36.69, -3.13

 

CMYK 0 / 43 / 25 / 29

HEX #B66788

RGB 182 103 136

HSL 334.94, 0.35%, 0.56%

LAB 53.41, 35.82, -4.28

 

CMYK 0 / 72 / 40 / 57

HEX #6D1F41

RGB 109 31 65

HSL 333.85, 0.56%, 0.27%

LAB 25.6, 37.5, -2.13

 

CMYK 0 / 86 / 50 / 64

HEX #5C0D2E

RGB 92 13 46

HSL 334.94, 0.75%, 0.21%

LAB 19.06, 36.87, 1.05

 

CMYK 0 / 100 / 64 / 71

HEX #4B001B

RGB 75 0 27

HSL 338.4, 1%, 0.15%

LAB 13.08, 34.41, 5.9

 

CMYK 0 / 100 / 86 / 77

HEX #3A0008

RGB 58 0 8

HSL 351.72, 1%, 0.11%

LAB 8.28, 28.34, 9.81

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 72 / 41 / 58

HEX #6B1E3F

RGB 107 30 63

HSL 334.29, 0.56%, 0.27%

LAB 24.99, 37.05, -1.71

 

CMYK 0 / 72 / 60 / 58

HEX #6B1E2B

RGB 107 30 43

HSL 349.87, 0.56%, 0.27%

LAB 24.41, 35.02, 11.11

 

CMYK 0 / 72 / 72 / 58

HEX #6B1E1E

RGB 107 30 30

HSL 0, 0.56%, 0.27%

LAB 24.16, 34.1, 19.52

 

CMYK 0 / 72 / 41 / 58

HEX #6B1E3F

RGB 107 30 63

HSL 334.29, 0.56%, 0.27%

LAB 24.99, 37.05, -1.71

 

CMYK 0 / 72 / 21 / 58

HEX #6B1E54

RGB 107 30 84

HSL 317.92, 0.56%, 0.27%

LAB 25.85, 39.91, -14.54

 

CMYK 0 / 72 / 2 / 58

HEX #6B1E69

RGB 107 30 105

HSL 301.56, 0.56%, 0.27%

LAB 26.95, 43.44, -26.58

 

CMYK 18 / 72 / 0 / 58

HEX #581E6B

RGB 88 30 107

HSL 285.19, 0.56%, 0.27%

LAB 23.88, 39.08, -32.94

 

CMYK 37 / 72 / 0 / 58

HEX #431E6B

RGB 67 30 107

HSL 268.83, 0.56%, 0.27%

LAB 20.76, 34.14, -38.13

 

CMYK 0 / 72 / 41 / 58

HEX #6B1E3F

RGB 107 30 63

HSL 334.29, 0.56%, 0.27%

LAB 24.99, 37.05, -1.71

 

CMYK 0 / 84 / 47 / 54

HEX #76133E

RGB 118 19 62

HSL 333.94, 0.72%, 0.27%

LAB 25.76, 44.25, 0.35

 

CMYK 0 / 94 / 53 / 49

HEX #81083D

RGB 129 8 61

HSL 333.72, 0.88%, 0.27%

LAB 27.24, 49.55, 3.46

 

CMYK 0 / 72 / 41 / 58

HEX #6B1E3F

RGB 107 30 63

HSL 334.29, 0.56%, 0.27%

LAB 24.99, 37.05, -1.71

 

CMYK 0 / 57 / 32 / 62

HEX #602941

RGB 96 41 65

HSL 333.82, 0.4%, 0.27%

LAB 25.12, 27.97, -3.1

 

CMYK 0 / 39 / 22 / 67

HEX #553442

RGB 85 52 66

HSL 334.55, 0.24%, 0.27%

LAB 26.1, 17.15, -2.5

 

CMYK 0 / 14 / 7 / 71

HEX #493F44

RGB 73 63 68

HSL 330, 0.07%, 0.27%

LAB 27.82, 5.34, -1.46

 

CMYK 16 / 0 / 7 / 71

HEX #3E4A45

RGB 62 74 69

HSL 155, 0.09%, 0.27%

LAB 30.28, -5.99, 1.37

 

CMYK 0 / 72 / 1 / 58

HEX #6B1E6A

RGB 107 30 106

HSL 300.78, 0.56%, 0.27%

LAB 27, 43.62, -27.13

 

CMYK 0 / 72 / 21 / 58

HEX #6B1E55

RGB 107 30 85

HSL 317.14, 0.56%, 0.27%

LAB 25.89, 40.07, -15.13

 

CMYK 0 / 72 / 40 / 58

HEX #6B1E40

RGB 107 30 64

HSL 333.51, 0.56%, 0.27%

LAB 25.03, 37.17, -2.34

 

CMYK 0 / 72 / 59 / 58

HEX #6B1E2C

RGB 107 30 44

HSL 349.09, 0.56%, 0.27%

LAB 24.44, 35.11, 10.46

 

CMYK 0 / 66 / 72 / 58

HEX #6B241E

RGB 107 36 30

HSL 4.68, 0.56%, 0.27%

LAB 25.2, 31.27, 20.78

 

CMYK 0 / 72 / 42 / 83

HEX #2B0C19

RGB 43 12 25

HSL 334.84, 0.56%, 0.11%

LAB 7.65, 17.74, -1.31

 

CMYK 0 / 72 / 41 / 71

HEX #4B152C

RGB 75 21 44

HSL 334.44, 0.56%, 0.19%

LAB 16.57, 27.9, -1.57

 

CMYK 0 / 72 / 41 / 58

HEX #6B1E3F

RGB 107 30 63

HSL 334.29, 0.56%, 0.27%

LAB 24.99, 37.05, -1.71

 

CMYK 0 / 72 / 40 / 45

HEX #8B2753

RGB 139 39 83

HSL 333.6, 0.56%, 0.35%

LAB 33.06, 45.72, -2.41

 

CMYK 0 / 72 / 40 / 33

HEX #AB3066

RGB 171 48 102

HSL 333.66, 0.56%, 0.43%

LAB 40.79, 53.86, -2.48

 

CMYK 0 / 72 / 40 / 57

HEX #6D1F41

RGB 109 31 65

HSL 333.85, 0.56%, 0.27%

LAB 25.6, 37.5, -2.13

 

CMYK 0 / 18 / 72 / 58

HEX #6B581E

RGB 107 88 30

HSL 45.19, 0.56%, 0.27%

LAB 38.2, 0.75, 35.26

 

CMYK 72 / 11 / 0 / 58

HEX #1E5F6B

RGB 30 95 107

HSL 189.35, 0.56%, 0.27%

LAB 36.97, -15.97, -12.79

 

CMYK 0 / 72 / 40 / 57

HEX #6D1F41

RGB 109 31 65

HSL 333.85, 0.56%, 0.27%

LAB 25.6, 37.5, -2.13

 

CMYK 40 / 0 / 72 / 58

HEX #406B1E

RGB 64 107 30

HSL 93.51, 0.56%, 0.27%

LAB 40.73, -29.07, 36.84

 

CMYK 72 / 40 / 0 / 58

HEX #1E406B

RGB 30 64 107

HSL 213.51, 0.56%, 0.27%

LAB 26.75, 3.37, -28.69

 

CMYK 0 / 72 / 40 / 57

HEX #6D1F41

RGB 109 31 65

HSL 333.85, 0.56%, 0.27%

LAB 25.6, 37.5, -2.13

 

CMYK 0 / 18 / 72 / 58

HEX #6B581E

RGB 107 88 30

HSL 45.19, 0.56%, 0.27%

LAB 38.2, 0.75, 35.26

 

CMYK 72 / 0 / 33 / 58

HEX #1E6B48

RGB 30 107 72

HSL 152.73, 0.56%, 0.27%

LAB 40.01, -32.23, 13.03

 

CMYK 72 / 54 / 0 / 58

HEX #1E316B

RGB 30 49 107

HSL 225.19, 0.56%, 0.27%

LAB 22.07, 13.91, -36.18

 

CMYK 0 / 72 / 40 / 57

HEX #6D1F41

RGB 109 31 65

HSL 333.85, 0.56%, 0.27%

LAB 25.6, 37.5, -2.13

 

CMYK 4 / 0 / 72 / 58

HEX #676B1E

RGB 103 107 30

HSL 63.12, 0.56%, 0.27%

LAB 43.5, -12.16, 40.55

 

CMYK 72 / 0 / 33 / 58

HEX #1E6B48

RGB 30 107 72

HSL 152.73, 0.56%, 0.27%

LAB 40.01, -32.23, 13.03

 

CMYK 68 / 72 / 0 / 58

HEX #221E6B

RGB 34 30 107

HSL 243.12, 0.56%, 0.27%

LAB 17.13, 27.82, -44.2

 

Description

Color code: HEX #6D1F41 | qconv.com Color code: HEX #6D1F41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 31 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 31 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 40 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 40% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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