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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D2082 it is the complementary color #92DF7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D2082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D2082 shade: #72207D, #833290, #9444A3, #A556B6 and #B668C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D2082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D2082 shade: #6D2082, #5C0E6F, #4B005C, #3A0049 and #290036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D2082 shade: #6D2082, #82207D, #822062, #822048 and #82202D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D2082 shade: #6D2082, #532082, #382082 and #202082

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D2082 shade matches the following richer shades: #6D2082, #75138F and #7C069C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D2082 shade: #6D2082, #662D75, #5E3B68, #56485A and #4F554D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D2082 shade: #392082, #532082, #6D2082, #82207D and #822063

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D2082 shade: #361040, #511861, #6D2082, #8928A3 and #A431C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D2082 shade: #6D2082, #822022 and #208246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D2082 shade: #6D2082, #826D20 and #20826D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D2082 shade: #6D2082, #822022, #358220 and #208280

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D2082 shade: #6D2082, #823C20, #358220 and #206682

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

Complementary color

CMYK 35 / 0 / 44 / 13

HEX #92DF7D

RGB 146 223 125

HSL 107.14, 0.6%, 0.68%

LAB 82.04, -41.91, 40.58

 

CMYK 9 / 74 / 0 / 51

HEX #72207D

RGB 114 32 125

HSL 292.9, 0.59%, 0.31%

LAB 29.64, 48.09, -34.98

 

CMYK 9 / 65 / 0 / 44

HEX #833290

RGB 131 50 144

HSL 291.7, 0.48%, 0.38%

LAB 36.21, 48.31, -36.13

 

CMYK 9 / 58 / 0 / 36

HEX #9444A3

RGB 148 68 163

HSL 290.53, 0.41%, 0.45%

LAB 42.88, 47.97, -36.88

 

CMYK 9 / 53 / 0 / 29

HEX #A556B6

RGB 165 86 182

HSL 289.38, 0.4%, 0.53%

LAB 49.54, 47.37, -37.4

 

CMYK 9 / 48 / 0 / 21

HEX #B668C9

RGB 182 104 201

HSL 288.25, 0.47%, 0.6%

LAB 56.15, 46.65, -37.79

 

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

CMYK 17 / 87 / 0 / 56

HEX #5C0E6F

RGB 92 14 111

HSL 288.25, 0.78%, 0.25%

LAB 22.78, 46.72, -37.27

 

CMYK 18 / 100 / 0 / 64

HEX #4B005C

RGB 75 0 92

HSL 288.91, 1%, 0.18%

LAB 16.84, 43.7, -34.54

 

CMYK 21 / 100 / 0 / 71

HEX #3A0049

RGB 58 0 73

HSL 287.67, 1%, 0.14%

LAB 11.83, 37.14, -29.84

 

CMYK 24 / 100 / 0 / 79

HEX #290036

RGB 41 0 54

HSL 285.56, 1%, 0.11%

LAB 6.66, 29.93, -24.81

 

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

CMYK 0 / 75 / 4 / 49

HEX #82207D

RGB 130 32 125

HSL 303.06, 0.6%, 0.32%

LAB 32.39, 51.81, -30.44

 

CMYK 0 / 75 / 25 / 49

HEX #822062

RGB 130 32 98

HSL 319.59, 0.6%, 0.32%

LAB 31.02, 47.64, -15.38

 

CMYK 0 / 75 / 45 / 49

HEX #822048

RGB 130 32 72

HSL 335.51, 0.6%, 0.32%

LAB 30.03, 44.47, 0.15

 

CMYK 0 / 75 / 65 / 49

HEX #82202D

RGB 130 32 45

HSL 352.04, 0.6%, 0.32%

LAB 29.33, 42.18, 17.11

 

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

CMYK 36 / 75 / 0 / 49

HEX #532082

RGB 83 32 130

HSL 271.22, 0.6%, 0.32%

LAB 25.21, 42.52, -45.51

 

CMYK 57 / 75 / 0 / 49

HEX #382082

RGB 56 32 130

HSL 254.69, 0.6%, 0.32%

LAB 21.89, 37.69, -51.07

 

CMYK 75 / 75 / 0 / 49

HEX #202082

RGB 32 32 130

HSL 240, 0.6%, 0.32%

LAB 19.85, 34.57, -54.5

 

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

CMYK 18 / 87 / 0 / 44

HEX #75138F

RGB 117 19 143

HSL 287.42, 0.77%, 0.32%

LAB 29.99, 56.23, -45.63

 

CMYK 21 / 96 / 0 / 39

HEX #7C069C

RGB 124 6 156

HSL 287.2, 0.93%, 0.32%

LAB 31.38, 62.18, -51.29

 

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

CMYK 13 / 62 / 0 / 54

HEX #662D75

RGB 102 45 117

HSL 287.5, 0.44%, 0.32%

LAB 29.38, 37.49, -30.46

 

CMYK 10 / 43 / 0 / 59

HEX #5E3B68

RGB 94 59 104

HSL 286.67, 0.28%, 0.32%

LAB 30.66, 24.04, -20.25

 

CMYK 4 / 20 / 0 / 65

HEX #56485A

RGB 86 72 90

HSL 286.67, 0.11%, 0.32%

LAB 32.59, 9.67, -8.43

 

CMYK 7 / 0 / 9 / 67

HEX #4F554D

RGB 79 85 77

HSL 105, 0.05%, 0.32%

LAB 35.39, -4.11, 3.84

 

CMYK 56 / 75 / 0 / 49

HEX #392082

RGB 57 32 130

HSL 255.31, 0.6%, 0.32%

LAB 22, 37.85, -50.9

 

CMYK 36 / 75 / 0 / 49

HEX #532082

RGB 83 32 130

HSL 271.22, 0.6%, 0.32%

LAB 25.21, 42.52, -45.51

 

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

CMYK 0 / 75 / 4 / 49

HEX #82207D

RGB 130 32 125

HSL 303.06, 0.6%, 0.32%

LAB 32.39, 51.81, -30.44

 

CMYK 0 / 75 / 24 / 49

HEX #822063

RGB 130 32 99

HSL 318.98, 0.6%, 0.32%

LAB 31.07, 47.78, -15.96

 

CMYK 16 / 75 / 0 / 75

HEX #361040

RGB 54 16 64

HSL 287.5, 0.6%, 0.16%

LAB 12.77, 27.28, -22.05

 

CMYK 16 / 75 / 0 / 62

HEX #511861

RGB 81 24 97

HSL 286.85, 0.6%, 0.24%

LAB 21.08, 37.9, -30.97

 

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

CMYK 16 / 75 / 0 / 36

HEX #8928A3

RGB 137 40 163

HSL 287.32, 0.61%, 0.4%

LAB 36.89, 57.47, -46.52

 

CMYK 16 / 75 / 0 / 23

HEX #A431C4

RGB 164 49 196

HSL 286.94, 0.6%, 0.48%

LAB 44.34, 66.03, -53.84

 

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

CMYK 0 / 75 / 74 / 49

HEX #822022

RGB 130 32 34

HSL 358.78, 0.6%, 0.32%

LAB 29.14, 41.54, 24

 

CMYK 75 / 0 / 46 / 49

HEX #208246

RGB 32 130 70

HSL 143.27, 0.6%, 0.32%

LAB 47.9, -41.9, 24.66

 

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

CMYK 0 / 16 / 75 / 49

HEX #826D20

RGB 130 109 32

HSL 47.14, 0.6%, 0.32%

LAB 46.69, -0.42, 43.74

 

CMYK 75 / 0 / 16 / 49

HEX #20826D

RGB 32 130 109

HSL 167.14, 0.6%, 0.32%

LAB 48.73, -32.88, 3.44

 

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

CMYK 0 / 75 / 74 / 49

HEX #822022

RGB 130 32 34

HSL 358.78, 0.6%, 0.32%

LAB 29.14, 41.54, 24

 

CMYK 59 / 0 / 75 / 49

HEX #358220

RGB 53 130 32

HSL 107.14, 0.6%, 0.32%

LAB 48.04, -42.29, 43.37

 

CMYK 75 / 0 / 2 / 49

HEX #208280

RGB 32 130 128

HSL 178.78, 0.6%, 0.32%

LAB 49.29, -27.33, -6.9

 

CMYK 16 / 75 / 0 / 49

HEX #6D2082

RGB 109 32 130

HSL 287.14, 0.6%, 0.32%

LAB 29.15, 47.96, -38.95

 

CMYK 0 / 54 / 75 / 49

HEX #823C20

RGB 130 60 32

HSL 17.14, 0.6%, 0.32%

LAB 34.15, 28.09, 30.85

 

CMYK 59 / 0 / 75 / 49

HEX #358220

RGB 53 130 32

HSL 107.14, 0.6%, 0.32%

LAB 48.04, -42.29, 43.37

 

CMYK 75 / 22 / 0 / 49

HEX #206682

RGB 32 102 130

HSL 197.14, 0.6%, 0.32%

LAB 40.28, -11.56, -21.78

 

Description

Color code: HEX #6D2082 | qconv.com Color code: HEX #6D2082 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 32 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 32 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 75 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 75% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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