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Color name
HEX #6D2A3D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D2A3D it is the complementary color #92D5C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D2A3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D2A3D shade: #722A38, #833C4B, #944E5E, #A56071 and #B67284

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D2A3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D2A3D shade: #6D2A3D, #5C182A, #4B0617, #3A0004 and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D2A3D shade: #6E2A3D, #6E2A2B and #6E2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D2A3D shade: #6E2A3D, #6E2A50, #6E2A62, #672A6E and #552A6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D2A3D shade matches the following richer shades: #6E2A3D, #7A1E38, #861233 and #93052D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D2A3D shade: #6E2A3D, #613743, #554348, #494F4E and #3C5C53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D2A3D shade: #6E2A62, #6E2A50, #6E2A3F, #6E2A2D and #6E3A2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D2A3D shade: #32131C, #501F2D, #6E2A3D, #8B364E and #A9415F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D2A3D shade: #6D2A3D, #6E672A and #2A596E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D2A3D shade: #6D2A3D, #3F6E2A and #2A3F6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D2A3D shade: #6D2A3D, #6E672A, #2A6E59 and #2A316E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D2A3D shade: #6D2A3D, #606E2A, #2A6E59 and #382A6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 44 / 57

HEX #6D2A3D

RGB 109 42 61

HSL 342.99, 0.44%, 0.3%

LAB 27.42, 31.76, 3.21

 

Complementary color

CMYK 31 / 0 / 9 / 16

HEX #92D5C2

RGB 146 213 194

HSL 162.99, 0.44%, 0.7%

LAB 80.51, -25.19, 2.65

 

CMYK 0 / 63 / 51 / 55

HEX #722A38

RGB 114 42 56

HSL 348.33, 0.46%, 0.31%

LAB 28.16, 33.07, 7.72

 

CMYK 0 / 54 / 43 / 49

HEX #833C4B

RGB 131 60 75

HSL 347.32, 0.37%, 0.37%

LAB 35.13, 32.13, 5.58

 

CMYK 0 / 47 / 36 / 42

HEX #944E5E

RGB 148 78 94

HSL 346.29, 0.31%, 0.44%

LAB 42.08, 31.13, 3.94

 

CMYK 0 / 42 / 32 / 35

HEX #A56071

RGB 165 96 113

HSL 345.22, 0.28%, 0.51%

LAB 48.95, 30.15, 2.6

 

CMYK 0 / 37 / 27 / 29

HEX #B67284

RGB 182 114 132

HSL 344.12, 0.32%, 0.58%

LAB 55.73, 29.24, 1.47

 

CMYK 0 / 61 / 44 / 57

HEX #6D2A3D

RGB 109 42 61

HSL 342.99, 0.44%, 0.3%

LAB 27.42, 31.76, 3.21

 

CMYK 0 / 74 / 54 / 64

HEX #5C182A

RGB 92 24 42

HSL 344.12, 0.59%, 0.23%

LAB 20.42, 32.31, 5.83

 

CMYK 0 / 92 / 69 / 71

HEX #4B0617

RGB 75 6 23

HSL 345.22, 0.85%, 0.16%

LAB 13.76, 31.86, 9.82

 

CMYK 0 / 100 / 93 / 77

HEX #3A0004

RGB 58 0 4

HSL 355.86, 1%, 0.11%

LAB 8.2, 28.13, 11.32

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 62 / 45 / 57

HEX #6E2A3D

RGB 110 42 61

HSL 343.24, 0.45%, 0.3%

LAB 27.59, 32.13, 3.48

 

CMYK 0 / 62 / 61 / 57

HEX #6E2A2B

RGB 110 42 43

HSL 359.12, 0.45%, 0.3%

LAB 27.14, 30.33, 14.85

 

CMYK 0 / 62 / 62 / 57

HEX #6E2A2A

RGB 110 42 42

HSL 0, 0.45%, 0.3%

LAB 27.12, 30.24, 15.48

 

CMYK 0 / 62 / 45 / 57

HEX #6E2A3D

RGB 110 42 61

HSL 343.24, 0.45%, 0.3%

LAB 27.59, 32.13, 3.48

 

CMYK 0 / 62 / 27 / 57

HEX #6E2A50

RGB 110 42 80

HSL 326.47, 0.45%, 0.3%

LAB 28.25, 34.67, -8.18

 

CMYK 0 / 62 / 11 / 57

HEX #6E2A62

RGB 110 42 98

HSL 310.59, 0.45%, 0.3%

LAB 29.04, 37.61, -18.73

 

CMYK 6 / 62 / 0 / 57

HEX #672A6E

RGB 103 42 110

HSL 293.82, 0.45%, 0.3%

LAB 28.55, 37.84, -27.3

 

CMYK 23 / 62 / 0 / 57

HEX #552A6E

RGB 85 42 110

HSL 277.94, 0.45%, 0.3%

LAB 25.9, 32.79, -31.67

 

CMYK 0 / 62 / 45 / 57

HEX #6E2A3D

RGB 110 42 61

HSL 343.24, 0.45%, 0.3%

LAB 27.59, 32.13, 3.48

 

CMYK 0 / 75 / 54 / 52

HEX #7A1E38

RGB 122 30 56

HSL 343.04, 0.61%, 0.3%

LAB 27.71, 41.18, 7.32

 

CMYK 0 / 87 / 62 / 47

HEX #861233

RGB 134 18 51

HSL 342.93, 0.76%, 0.3%

LAB 28.75, 48.14, 12.49

 

CMYK 0 / 97 / 69 / 42

HEX #93052D

RGB 147 5 45

HSL 343.1, 0.93%, 0.3%

LAB 30.64, 53.63, 19.51

 

CMYK 0 / 62 / 45 / 57

HEX #6E2A3D

RGB 110 42 61

HSL 343.24, 0.45%, 0.3%

LAB 27.59, 32.13, 3.48

 

CMYK 0 / 43 / 31 / 62

HEX #613743

RGB 97 55 67

HSL 342.86, 0.28%, 0.3%

LAB 28.59, 20.43, 0.68

 

CMYK 0 / 21 / 15 / 67

HEX #554348

RGB 85 67 72

HSL 343.33, 0.12%, 0.3%

LAB 30.43, 8.67, -0.08

 

CMYK 8 / 0 / 1 / 69

HEX #494F4E

RGB 73 79 78

HSL 170, 0.04%, 0.3%

LAB 33.05, -2.64, -0.25

 

CMYK 35 / 0 / 10 / 64

HEX #3C5C53

RGB 60 92 83

HSL 163.13, 0.21%, 0.3%

LAB 36.44, -13.97, 1.45

 

CMYK 0 / 62 / 11 / 57

HEX #6E2A62

RGB 110 42 98

HSL 310.59, 0.45%, 0.3%

LAB 29.04, 37.61, -18.73

 

CMYK 0 / 62 / 27 / 57

HEX #6E2A50

RGB 110 42 80

HSL 326.47, 0.45%, 0.3%

LAB 28.25, 34.67, -8.18

 

CMYK 0 / 62 / 43 / 57

HEX #6E2A3F

RGB 110 42 63

HSL 341.47, 0.45%, 0.3%

LAB 27.65, 32.37, 2.23

 

CMYK 0 / 62 / 59 / 57

HEX #6E2A2D

RGB 110 42 45

HSL 357.35, 0.45%, 0.3%

LAB 27.19, 30.5, 13.58

 

CMYK 0 / 47 / 62 / 57

HEX #6E3A2A

RGB 110 58 42

HSL 14.12, 0.45%, 0.3%

LAB 30.66, 21.25, 20

 

CMYK 0 / 62 / 44 / 80

HEX #32131C

RGB 50 19 28

HSL 342.58, 0.45%, 0.14%

LAB 10.76, 16.88, 1.11

 

CMYK 0 / 61 / 44 / 69

HEX #501F2D

RGB 80 31 45

HSL 342.86, 0.44%, 0.22%

LAB 19.54, 24.6, 2.15

 

CMYK 0 / 62 / 45 / 57

HEX #6E2A3D

RGB 110 42 61

HSL 343.24, 0.45%, 0.3%

LAB 27.59, 32.13, 3.48

 

CMYK 0 / 61 / 44 / 45

HEX #8B364E

RGB 139 54 78

HSL 343.06, 0.44%, 0.38%

LAB 35.36, 38.49, 4.16

 

CMYK 0 / 62 / 44 / 34

HEX #A9415F

RGB 169 65 95

HSL 342.69, 0.44%, 0.46%

LAB 42.83, 45.4, 4.81

 

CMYK 0 / 61 / 44 / 57

HEX #6D2A3D

RGB 109 42 61

HSL 342.99, 0.44%, 0.3%

LAB 27.42, 31.76, 3.21

 

CMYK 0 / 6 / 62 / 57

HEX #6E672A

RGB 110 103 42

HSL 53.82, 0.45%, 0.3%

LAB 43.04, -5.76, 34.65

 

CMYK 62 / 19 / 0 / 57

HEX #2A596E

RGB 42 89 110

HSL 198.53, 0.45%, 0.3%

LAB 35.52, -9.14, -16.83

 

CMYK 0 / 61 / 44 / 57

HEX #6D2A3D

RGB 109 42 61

HSL 342.99, 0.44%, 0.3%

LAB 27.42, 31.76, 3.21

 

CMYK 43 / 0 / 62 / 57

HEX #3F6E2A

RGB 63 110 42

HSL 101.47, 0.45%, 0.3%

LAB 41.81, -29.65, 32.33

 

CMYK 62 / 43 / 0 / 57

HEX #2A3F6E

RGB 42 63 110

HSL 221.47, 0.45%, 0.3%

LAB 27.22, 7.64, -29.81

 

CMYK 0 / 61 / 44 / 57

HEX #6D2A3D

RGB 109 42 61

HSL 342.99, 0.44%, 0.3%

LAB 27.42, 31.76, 3.21

 

CMYK 0 / 6 / 62 / 57

HEX #6E672A

RGB 110 103 42

HSL 53.82, 0.45%, 0.3%

LAB 43.04, -5.76, 34.65

 

CMYK 62 / 0 / 19 / 57

HEX #2A6E59

RGB 42 110 89

HSL 161.47, 0.45%, 0.3%

LAB 41.79, -26.97, 5.38

 

CMYK 62 / 55 / 0 / 57

HEX #2A316E

RGB 42 49 110

HSL 233.82, 0.45%, 0.3%

LAB 23.05, 17.36, -36.5

 

CMYK 0 / 61 / 44 / 57

HEX #6D2A3D

RGB 109 42 61

HSL 342.99, 0.44%, 0.3%

LAB 27.42, 31.76, 3.21

 

CMYK 13 / 0 / 62 / 57

HEX #606E2A

RGB 96 110 42

HSL 72.35, 0.45%, 0.3%

LAB 43.95, -16.11, 35.34

 

CMYK 62 / 0 / 19 / 57

HEX #2A6E59

RGB 42 110 89

HSL 161.47, 0.45%, 0.3%

LAB 41.79, -26.97, 5.38

 

CMYK 49 / 62 / 0 / 57

HEX #382A6E

RGB 56 42 110

HSL 252.35, 0.45%, 0.3%

LAB 22.38, 25.26, -37.51

 

Description

Color code: HEX #6D2A3D | qconv.com Color code: HEX #6D2A3D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 42 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 42 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 44 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 44% 57% C M Y K

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Provide designers and agencies with accurate color values.

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