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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D2B21 it is the complementary color #92D4DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D2B21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D2B21 shade: #722B1C, #833D2F, #944F42, #A56155 and #B67368

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D2B21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D2B21 shade: #6D2B21, #5C190E, #4B0700, #3A0000 and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D2B21 shade: #6D2A20 and #6D2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D2B21 shade: #6D2A20, #6D3F20, #6D5420, #6D6920 and #5D6D20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D2B21 shade matches the following richer shades: #6D2A20, #792215 and #851909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D2B21 shade: #6D2A20, #62332C, #563C37, #4B4443 and #3F4D4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D2B21 shade: #6D2040, #6D202C, #6D2920, #6D3E20 and #6D5220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D2B21 shade: #2E120D, #4E1E17, #6D2A20, #8D372A and #AD4333

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D2B21 shade: #6D2B21, #556D20 and #20366D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D2B21 shade: #6D2B21, #206D29 and #29206D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D2B21 shade: #6D2B21, #556D20, #20646D and #39206D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D2B21 shade: #6D2B21, #3E6D20, #20646D and #50206D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 70 / 57

HEX #6D2B21

RGB 109 43 33

HSL 7.89, 0.54%, 0.28%

LAB 26.99, 28.65, 21.09

 

Complementary color

CMYK 34 / 5 / 0 / 13

HEX #92D4DE

RGB 146 212 222

HSL 187.89, 0.54%, 0.72%

LAB 81, -18.33, -11.58

 

CMYK 0 / 62 / 75 / 55

HEX #722B1C

RGB 114 43 28

HSL 10.47, 0.61%, 0.28%

LAB 27.82, 30.38, 25.4

 

CMYK 0 / 53 / 64 / 49

HEX #833D2F

RGB 131 61 47

HSL 10, 0.47%, 0.35%

LAB 34.74, 28.9, 22.72

 

CMYK 0 / 47 / 55 / 42

HEX #944F42

RGB 148 79 66

HSL 9.51, 0.38%, 0.42%

LAB 41.66, 27.5, 20.53

 

CMYK 0 / 41 / 48 / 35

HEX #A56155

RGB 165 97 85

HSL 9, 0.32%, 0.49%

LAB 48.52, 26.24, 18.7

 

CMYK 0 / 37 / 43 / 29

HEX #B67368

RGB 182 115 104

HSL 8.46, 0.35%, 0.56%

LAB 55.28, 25.12, 17.13

 

CMYK 0 / 61 / 70 / 57

HEX #6D2B21

RGB 109 43 33

HSL 7.89, 0.54%, 0.28%

LAB 26.99, 28.65, 21.09

 

CMYK 0 / 73 / 85 / 64

HEX #5C190E

RGB 92 25 14

HSL 8.46, 0.74%, 0.21%

LAB 20.05, 29.93, 23.99

 

CMYK 0 / 91 / 100 / 71

HEX #4B0700

RGB 75 7 0

HSL 5.6, 1%, 0.15%

LAB 13.52, 30.39, 21

 

CMYK 0 / 100 / 100 / 77

HEX #3A0000

RGB 58 0 0

HSL 0, 1%, 0.11%

LAB 8.12, 27.91, 12.84

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 61 / 71 / 57

HEX #6D2A20

RGB 109 42 32

HSL 7.79, 0.55%, 0.28%

LAB 26.77, 29.12, 21.46

 

CMYK 0 / 71 / 71 / 57

HEX #6D2020

RGB 109 32 32

HSL 0, 0.55%, 0.28%

LAB 24.92, 34.05, 19.22

 

CMYK 0 / 61 / 71 / 57

HEX #6D2A20

RGB 109 42 32

HSL 7.79, 0.55%, 0.28%

LAB 26.77, 29.12, 21.46

 

CMYK 0 / 42 / 71 / 57

HEX #6D3F20

RGB 109 63 32

HSL 24.16, 0.55%, 0.28%

LAB 31.6, 17.04, 27.1

 

CMYK 0 / 23 / 71 / 57

HEX #6D5420

RGB 109 84 32

HSL 40.52, 0.55%, 0.28%

LAB 37.29, 4.26, 33.38

 

CMYK 0 / 4 / 71 / 57

HEX #6D6920

RGB 109 105 32

HSL 56.88, 0.55%, 0.28%

LAB 43.45, -8.08, 39.81

 

CMYK 15 / 0 / 71 / 57

HEX #5D6D20

RGB 93 109 32

HSL 72.47, 0.55%, 0.28%

LAB 43.31, -17.72, 39.24

 

CMYK 0 / 61 / 71 / 57

HEX #6D2A20

RGB 109 42 32

HSL 7.79, 0.55%, 0.28%

LAB 26.77, 29.12, 21.46

 

CMYK 0 / 72 / 83 / 53

HEX #792215

RGB 121 34 21

HSL 7.8, 0.7%, 0.28%

LAB 27.47, 37.03, 29.56

 

CMYK 0 / 81 / 93 / 48

HEX #851909

RGB 133 25 9

HSL 7.74, 0.87%, 0.28%

LAB 28.65, 44.15, 37.54

 

CMYK 0 / 61 / 71 / 57

HEX #6D2A20

RGB 109 42 32

HSL 7.79, 0.55%, 0.28%

LAB 26.77, 29.12, 21.46

 

CMYK 0 / 48 / 55 / 62

HEX #62332C

RGB 98 51 44

HSL 7.78, 0.38%, 0.28%

LAB 27.15, 20.31, 13.82

 

CMYK 0 / 30 / 36 / 66

HEX #563C37

RGB 86 60 55

HSL 9.68, 0.22%, 0.28%

LAB 28.08, 10.67, 7.63

 

CMYK 0 / 9 / 11 / 71

HEX #4B4443

RGB 75 68 67

HSL 7.5, 0.06%, 0.28%

LAB 29.5, 2.76, 1.67

 

CMYK 20 / 3 / 0 / 69

HEX #3F4D4F

RGB 63 77 79

HSL 187.5, 0.11%, 0.28%

LAB 31.64, -5.01, -3.04

 

CMYK 0 / 71 / 41 / 57

HEX #6D2040

RGB 109 32 64

HSL 335.06, 0.55%, 0.28%

LAB 25.73, 36.95, -1.27

 

CMYK 0 / 71 / 60 / 57

HEX #6D202C

RGB 109 32 44

HSL 350.65, 0.55%, 0.28%

LAB 25.16, 34.92, 11.5

 

CMYK 0 / 62 / 71 / 57

HEX #6D2920

RGB 109 41 32

HSL 7.01, 0.55%, 0.28%

LAB 26.57, 29.64, 21.22

 

CMYK 0 / 43 / 71 / 57

HEX #6D3E20

RGB 109 62 32

HSL 23.38, 0.55%, 0.28%

LAB 31.35, 17.65, 26.82

 

CMYK 0 / 25 / 71 / 57

HEX #6D5220

RGB 109 82 32

HSL 38.96, 0.55%, 0.28%

LAB 36.72, 5.47, 32.77

 

CMYK 0 / 61 / 72 / 82

HEX #2E120D

RGB 46 18 13

HSL 9.09, 0.56%, 0.12%

LAB 9.34, 13.79, 8.85

 

CMYK 0 / 62 / 71 / 69

HEX #4E1E17

RGB 78 30 23

HSL 7.64, 0.54%, 0.2%

LAB 18.41, 22.06, 15.88

 

CMYK 0 / 61 / 71 / 57

HEX #6D2A20

RGB 109 42 32

HSL 7.79, 0.55%, 0.28%

LAB 26.77, 29.12, 21.46

 

CMYK 0 / 61 / 70 / 45

HEX #8D372A

RGB 141 55 42

HSL 7.88, 0.54%, 0.36%

LAB 35.13, 35.7, 26.62

 

CMYK 0 / 61 / 71 / 32

HEX #AD4333

RGB 173 67 51

HSL 7.87, 0.54%, 0.44%

LAB 42.97, 42.41, 31.9

 

CMYK 0 / 61 / 70 / 57

HEX #6D2B21

RGB 109 43 33

HSL 7.89, 0.54%, 0.28%

LAB 26.99, 28.65, 21.09

 

CMYK 22 / 0 / 71 / 57

HEX #556D20

RGB 85 109 32

HSL 78.7, 0.55%, 0.28%

LAB 42.72, -21.27, 38.44

 

CMYK 71 / 50 / 0 / 57

HEX #20366D

RGB 32 54 109

HSL 222.86, 0.55%, 0.28%

LAB 23.83, 11.5, -34.62

 

CMYK 0 / 61 / 70 / 57

HEX #6D2B21

RGB 109 43 33

HSL 7.89, 0.54%, 0.28%

LAB 26.99, 28.65, 21.09

 

CMYK 71 / 0 / 62 / 57

HEX #206D29

RGB 32 109 41

HSL 127.01, 0.55%, 0.28%

LAB 40.25, -38.37, 30.73

 

CMYK 62 / 71 / 0 / 57

HEX #29206D

RGB 41 32 109

HSL 247.01, 0.55%, 0.28%

LAB 18.4, 28.36, -43.4

 

CMYK 0 / 61 / 70 / 57

HEX #6D2B21

RGB 109 43 33

HSL 7.89, 0.54%, 0.28%

LAB 26.99, 28.65, 21.09

 

CMYK 22 / 0 / 71 / 57

HEX #556D20

RGB 85 109 32

HSL 78.7, 0.55%, 0.28%

LAB 42.72, -21.27, 38.44

 

CMYK 71 / 8 / 0 / 57

HEX #20646D

RGB 32 100 109

HSL 187.01, 0.55%, 0.28%

LAB 38.77, -17.75, -11.29

 

CMYK 48 / 71 / 0 / 57

HEX #39206D

RGB 57 32 109

HSL 259.48, 0.55%, 0.28%

LAB 20.07, 31.42, -40.61

 

CMYK 0 / 61 / 70 / 57

HEX #6D2B21

RGB 109 43 33

HSL 7.89, 0.54%, 0.28%

LAB 26.99, 28.65, 21.09

 

CMYK 43 / 0 / 71 / 57

HEX #3E6D20

RGB 62 109 32

HSL 96.62, 0.55%, 0.28%

LAB 41.32, -30.57, 36.54

 

CMYK 71 / 8 / 0 / 57

HEX #20646D

RGB 32 100 109

HSL 187.01, 0.55%, 0.28%

LAB 38.77, -17.75, -11.29

 

CMYK 27 / 71 / 0 / 57

HEX #50206D

RGB 80 32 109

HSL 277.4, 0.55%, 0.28%

LAB 23.14, 36.63, -35.49

 

Description

Color code: HEX #6D2B21 | qconv.com Color code: HEX #6D2B21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 43 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 43 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 70 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 70% 57% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - MAKE UP FOR EVER in ...
Link: http://www.makeupforever.at

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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