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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D408B it is the complementary color #92BF74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D408B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D408B shade: #724086, #835299, #9464AC, #A576BF and #B688D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D408B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D408B shade: #6D408B, #5C2E78, #4B1C65, #3A0A52 and #29003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D408B shade: #6D408B, #81408B, #8B4081, #8B406C and #8B4058

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D408B shade: #6D408B, #59408B, #44408B and #40408B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D408B shade matches the following richer shades: #6D408B, #702F9C, #741FAC and #770EBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D408B shade: #6D408B, #6A507B, #66616A, #63715A and #608249

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D408B shade: #45408B, #59408B, #6D408B, #81408B and #8B4081

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D408B shade: #412653, #57336F, #6D408B, #834DA8 and #9765B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D408B shade: #6D408B, #8B404F and #408B4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D408B shade: #6D408B, #8B6D40 and #408B6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D408B shade: #6D408B, #8B404F, #5E8B40 and #408B7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D408B shade: #6D408B, #8B4740, #5E8B40 and #40848B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

Complementary color

CMYK 24 / 0 / 39 / 25

HEX #92BF74

RGB 146 191 116

HSL 96, 0.37%, 0.6%

LAB 72.65, -28.44, 33.11

 

CMYK 15 / 52 / 0 / 47

HEX #724086

RGB 114 64 134

HSL 282.86, 0.35%, 0.39%

LAB 35.92, 34.33, -30.62

 

CMYK 14 / 46 / 0 / 40

HEX #835299

RGB 131 82 153

HSL 281.41, 0.3%, 0.46%

LAB 43, 33.48, -30.86

 

CMYK 14 / 42 / 0 / 33

HEX #9464AC

RGB 148 100 172

HSL 280, 0.3%, 0.53%

LAB 49.96, 32.65, -31.05

 

CMYK 14 / 38 / 0 / 25

HEX #A576BF

RGB 165 118 191

HSL 278.63, 0.36%, 0.61%

LAB 56.8, 31.86, -31.22

 

CMYK 13 / 35 / 0 / 18

HEX #B688D2

RGB 182 136 210

HSL 277.3, 0.45%, 0.68%

LAB 63.51, 31.12, -31.39

 

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

CMYK 23 / 62 / 0 / 53

HEX #5C2E78

RGB 92 46 120

HSL 277.3, 0.45%, 0.33%

LAB 28.34, 34.9, -34.09

 

CMYK 26 / 72 / 0 / 60

HEX #4B1C65

RGB 75 28 101

HSL 278.63, 0.57%, 0.25%

LAB 21.08, 35.5, -33.64

 

CMYK 29 / 88 / 0 / 68

HEX #3A0A52

RGB 58 10 82

HSL 280, 0.78%, 0.18%

LAB 13.98, 35.15, -32.56

 

CMYK 35 / 100 / 0 / 75

HEX #29003F

RGB 41 0 63

HSL 279.05, 1%, 0.12%

LAB 7.5, 32.27, -29.97

 

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

CMYK 7 / 54 / 0 / 45

HEX #81408B

RGB 129 64 139

HSL 292, 0.37%, 0.4%

LAB 38.2, 39.84, -29.96

 

CMYK 0 / 54 / 7 / 45

HEX #8B4081

RGB 139 64 129

HSL 308, 0.37%, 0.4%

LAB 39.14, 40.93, -22.25

 

CMYK 0 / 54 / 22 / 45

HEX #8B406C

RGB 139 64 108

HSL 324.8, 0.37%, 0.4%

LAB 38.27, 37.41, -10.56

 

CMYK 0 / 54 / 37 / 45

HEX #8B4058

RGB 139 64 88

HSL 340.8, 0.37%, 0.4%

LAB 37.59, 34.58, 1.02

 

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

CMYK 36 / 54 / 0 / 45

HEX #59408B

RGB 89 64 139

HSL 260, 0.37%, 0.4%

LAB 33.25, 28.48, -38.11

 

CMYK 51 / 54 / 0 / 45

HEX #44408B

RGB 68 64 139

HSL 243.2, 0.37%, 0.4%

LAB 31.25, 23.18, -41.42

 

CMYK 54 / 54 / 0 / 45

HEX #40408B

RGB 64 64 139

HSL 240, 0.37%, 0.4%

LAB 30.93, 22.26, -41.97

 

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

CMYK 28 / 70 / 0 / 39

HEX #702F9C

RGB 112 47 156

HSL 275.78, 0.54%, 0.4%

LAB 33.73, 47.81, -47.58

 

CMYK 33 / 82 / 0 / 33

HEX #741FAC

RGB 116 31 172

HSL 276.17, 0.69%, 0.4%

LAB 33.29, 58.58, -57.91

 

CMYK 37 / 93 / 0 / 26

HEX #770EBD

RGB 119 14 189

HSL 276, 0.86%, 0.4%

LAB 33.8, 66.8, -67.18

 

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

CMYK 14 / 35 / 0 / 52

HEX #6A507B

RGB 106 80 123

HSL 276.28, 0.21%, 0.4%

LAB 38.25, 19.65, -20.26

 

CMYK 4 / 8 / 0 / 58

HEX #66616A

RGB 102 97 106

HSL 273.33, 0.04%, 0.4%

LAB 41.87, 3.86, -4.39

 

CMYK 12 / 0 / 20 / 56

HEX #63715A

RGB 99 113 90

HSL 96.52, 0.11%, 0.4%

LAB 45.91, -9.92, 11.04

 

CMYK 26 / 0 / 44 / 49

HEX #608249

RGB 96 130 73

HSL 95.79, 0.28%, 0.4%

LAB 50.61, -22.99, 27.02

 

CMYK 50 / 54 / 0 / 45

HEX #45408B

RGB 69 64 139

HSL 244, 0.37%, 0.4%

LAB 31.34, 23.41, -41.28

 

CMYK 36 / 54 / 0 / 45

HEX #59408B

RGB 89 64 139

HSL 260, 0.37%, 0.4%

LAB 33.25, 28.48, -38.11

 

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

CMYK 7 / 54 / 0 / 45

HEX #81408B

RGB 129 64 139

HSL 292, 0.37%, 0.4%

LAB 38.2, 39.84, -29.96

 

CMYK 0 / 54 / 7 / 45

HEX #8B4081

RGB 139 64 129

HSL 308, 0.37%, 0.4%

LAB 39.14, 40.93, -22.25

 

CMYK 22 / 54 / 0 / 67

HEX #412653

RGB 65 38 83

HSL 276, 0.37%, 0.24%

LAB 20.57, 22.35, -22.6

 

CMYK 22 / 54 / 0 / 56

HEX #57336F

RGB 87 51 111

HSL 276, 0.37%, 0.32%

LAB 28.23, 28.35, -28.6

 

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

CMYK 22 / 54 / 0 / 34

HEX #834DA8

RGB 131 77 168

HSL 275.6, 0.37%, 0.48%

LAB 42.7, 39.74, -40.26

 

CMYK 18 / 45 / 0 / 28

HEX #9765B8

RGB 151 101 184

HSL 276.14, 0.37%, 0.56%

LAB 51.09, 35.67, -36.23

 

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

CMYK 0 / 54 / 43 / 45

HEX #8B404F

RGB 139 64 79

HSL 348, 0.37%, 0.4%

LAB 37.34, 33.48, 6.34

 

CMYK 54 / 0 / 43 / 45

HEX #408B4F

RGB 64 139 79

HSL 132, 0.37%, 0.4%

LAB 51.97, -36.98, 25.16

 

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

CMYK 0 / 22 / 54 / 45

HEX #8B6D40

RGB 139 109 64

HSL 36, 0.37%, 0.4%

LAB 48, 6.07, 29.49

 

CMYK 54 / 0 / 22 / 45

HEX #408B6D

RGB 64 139 109

HSL 156, 0.37%, 0.4%

LAB 52.57, -30.85, 9.05

 

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

CMYK 0 / 54 / 43 / 45

HEX #8B404F

RGB 139 64 79

HSL 348, 0.37%, 0.4%

LAB 37.34, 33.48, 6.34

 

CMYK 32 / 0 / 54 / 45

HEX #5E8B40

RGB 94 139 64

HSL 96, 0.37%, 0.4%

LAB 53.18, -29.37, 34.94

 

CMYK 54 / 0 / 11 / 45

HEX #408B7C

RGB 64 139 124

HSL 168, 0.37%, 0.4%

LAB 52.96, -27.13, 0.95

 

CMYK 22 / 54 / 0 / 45

HEX #6D408B

RGB 109 64 139

HSL 276, 0.37%, 0.4%

LAB 35.56, 34.04, -34.29

 

CMYK 0 / 49 / 54 / 45

HEX #8B4740

RGB 139 71 64

HSL 5.6, 0.37%, 0.4%

LAB 38.49, 28.09, 17.33

 

CMYK 32 / 0 / 54 / 45

HEX #5E8B40

RGB 94 139 64

HSL 96, 0.37%, 0.4%

LAB 53.18, -29.37, 34.94

 

CMYK 54 / 5 / 0 / 45

HEX #40848B

RGB 64 132 139

HSL 185.6, 0.37%, 0.4%

LAB 51.22, -19.37, -10.36

 

Description

Color code: HEX #6D408B | qconv.com Color code: HEX #6D408B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 64 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 64 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 54 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 54% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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