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Color name
HEX #6D4C3A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D4C3A it is the complementary color #92B3C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D4C3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D4C3A shade: #724C35, #835E48, #94705B, #A5826E and #B69481

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D4C3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D4C3A shade: #6D4C3A, #5C3A27, #4B2814, #3A1601 and #290400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D4C3A shade: #6E4C3A, #6E3E3A and #6E3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D4C3A shade: #6E4C3A, #6E5A3A, #6E683A, #656E3A and #576E3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D4C3A shade matches the following richer shades: #6E4C3A, #7B482C, #89441E, #974011 and #A43C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D4C3A shade: #6E4C3A, #605047, #535455, #455862 and #375C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D4C3A shade: #6E3A43, #6E3E3A, #6E4C3A, #6E5A3A and #6E683A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D4C3A shade: #38261D, #53392B, #6E4C3A, #895F48 and #A47156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D4C3A shade: #6D4C3A, #516E3A and #3A3C6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D4C3A shade: #6D4C3A, #3A6E4C and #4C3A6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D4C3A shade: #6D4C3A, #516E3A, #3A5B6E and #563A6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D4C3A shade: #6D4C3A, #416E3A, #3A5B6E and #663A6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 47 / 57

HEX #6D4C3A

RGB 109 76 58

HSL 21.18, 0.31%, 0.33%

LAB 35.45, 11.53, 16.25

 

Complementary color

CMYK 26 / 9 / 0 / 23

HEX #92B3C5

RGB 146 179 197

HSL 201.18, 0.31%, 0.67%

LAB 71.13, -7.07, -12.82

 

CMYK 0 / 33 / 54 / 55

HEX #724C35

RGB 114 76 53

HSL 22.62, 0.37%, 0.33%

LAB 35.99, 13.25, 20.13

 

CMYK 0 / 28 / 45 / 49

HEX #835E48

RGB 131 94 72

HSL 22.37, 0.29%, 0.4%

LAB 43.21, 12.15, 18.56

 

CMYK 0 / 24 / 39 / 42

HEX #94705B

RGB 148 112 91

HSL 22.11, 0.24%, 0.47%

LAB 50.26, 11.26, 17.18

 

CMYK 0 / 21 / 33 / 35

HEX #A5826E

RGB 165 130 110

HSL 21.82, 0.23%, 0.54%

LAB 57.16, 10.52, 15.96

 

CMYK 0 / 19 / 29 / 29

HEX #B69481

RGB 182 148 129

HSL 21.51, 0.27%, 0.61%

LAB 63.93, 9.89, 14.85

 

CMYK 0 / 30 / 47 / 57

HEX #6D4C3A

RGB 109 76 58

HSL 21.18, 0.31%, 0.33%

LAB 35.45, 11.53, 16.25

 

CMYK 0 / 37 / 58 / 64

HEX #5C3A27

RGB 92 58 39

HSL 21.51, 0.4%, 0.26%

LAB 27.97, 12.73, 17.94

 

CMYK 0 / 47 / 73 / 71

HEX #4B2814

RGB 75 40 20

HSL 21.82, 0.58%, 0.19%

LAB 20.3, 14.31, 19.96

 

CMYK 0 / 62 / 98 / 77

HEX #3A1601

RGB 58 22 1

HSL 22.11, 0.97%, 0.12%

LAB 12.45, 16.25, 18.52

 

CMYK 0 / 90 / 100 / 84

HEX #290400

RGB 41 4 0

HSL 5.85, 1%, 0.08%

LAB 5.04, 17.3, 7.88

 

CMYK 0 / 31 / 47 / 57

HEX #6E4C3A

RGB 110 76 58

HSL 20.77, 0.31%, 0.33%

LAB 35.58, 11.98, 16.44

 

CMYK 0 / 44 / 47 / 57

HEX #6E3E3A

RGB 110 62 58

HSL 4.62, 0.31%, 0.33%

LAB 31.96, 20.48, 11.56

 

CMYK 0 / 47 / 47 / 57

HEX #6E3A3A

RGB 110 58 58

HSL 0, 0.31%, 0.33%

LAB 30.99, 22.86, 10.23

 

CMYK 0 / 31 / 47 / 57

HEX #6E4C3A

RGB 110 76 58

HSL 20.77, 0.31%, 0.33%

LAB 35.58, 11.98, 16.44

 

CMYK 0 / 18 / 47 / 57

HEX #6E5A3A

RGB 110 90 58

HSL 36.92, 0.31%, 0.33%

LAB 39.47, 3.47, 21.52

 

CMYK 0 / 5 / 47 / 57

HEX #6E683A

RGB 110 104 58

HSL 53.08, 0.31%, 0.33%

LAB 43.54, -4.79, 26.66

 

CMYK 8 / 0 / 47 / 57

HEX #656E3A

RGB 101 110 58

HSL 70.38, 0.31%, 0.33%

LAB 44.55, -12.23, 27.74

 

CMYK 21 / 0 / 47 / 57

HEX #576E3A

RGB 87 110 58

HSL 86.54, 0.31%, 0.33%

LAB 43.48, -18.24, 26.18

 

CMYK 0 / 31 / 47 / 57

HEX #6E4C3A

RGB 110 76 58

HSL 20.77, 0.31%, 0.33%

LAB 35.58, 11.98, 16.44

 

CMYK 0 / 41 / 64 / 52

HEX #7B482C

RGB 123 72 44

HSL 21.27, 0.47%, 0.33%

LAB 36.04, 18.92, 25.83

 

CMYK 0 / 50 / 78 / 46

HEX #89441E

RGB 137 68 30

HSL 21.31, 0.64%, 0.33%

LAB 37.02, 26.55, 35.28

 

CMYK 0 / 58 / 89 / 41

HEX #974011

RGB 151 64 17

HSL 21.04, 0.8%, 0.33%

LAB 38.35, 34.09, 43.32

 

CMYK 0 / 63 / 98 / 36

HEX #A43C03

RGB 164 60 3

HSL 21.24, 0.96%, 0.33%

LAB 39.8, 40.88, 50.01

 

CMYK 0 / 31 / 47 / 57

HEX #6E4C3A

RGB 110 76 58

HSL 20.77, 0.31%, 0.33%

LAB 35.58, 11.98, 16.44

 

CMYK 0 / 17 / 26 / 62

HEX #605047

RGB 96 80 71

HSL 21.6, 0.15%, 0.33%

LAB 35.36, 5.08, 7.78

 

CMYK 2 / 1 / 0 / 67

HEX #535455

RGB 83 84 85

HSL 210, 0.01%, 0.33%

LAB 35.67, -0.18, -0.73

 

CMYK 30 / 10 / 0 / 62

HEX #455862

RGB 69 88 98

HSL 200.69, 0.17%, 0.33%

LAB 36.23, -4.64, -8.15

 

CMYK 51 / 18 / 0 / 56

HEX #375C70

RGB 55 92 112

HSL 201.05, 0.34%, 0.33%

LAB 37.18, -7.16, -15.47

 

CMYK 0 / 47 / 39 / 57

HEX #6E3A43

RGB 110 58 67

HSL 349.62, 0.31%, 0.33%

LAB 31.22, 23.98, 4.72

 

CMYK 0 / 44 / 47 / 57

HEX #6E3E3A

RGB 110 62 58

HSL 4.62, 0.31%, 0.33%

LAB 31.96, 20.48, 11.56

 

CMYK 0 / 31 / 47 / 57

HEX #6E4C3A

RGB 110 76 58

HSL 20.77, 0.31%, 0.33%

LAB 35.58, 11.98, 16.44

 

CMYK 0 / 18 / 47 / 57

HEX #6E5A3A

RGB 110 90 58

HSL 36.92, 0.31%, 0.33%

LAB 39.47, 3.47, 21.52

 

CMYK 0 / 5 / 47 / 57

HEX #6E683A

RGB 110 104 58

HSL 53.08, 0.31%, 0.33%

LAB 43.54, -4.79, 26.66

 

CMYK 0 / 32 / 48 / 78

HEX #38261D

RGB 56 38 29

HSL 20, 0.32%, 0.17%

LAB 17.06, 7.08, 9.33

 

CMYK 0 / 31 / 48 / 67

HEX #53392B

RGB 83 57 43

HSL 21, 0.32%, 0.25%

LAB 26.56, 9.54, 13.31

 

CMYK 0 / 31 / 47 / 57

HEX #6E4C3A

RGB 110 76 58

HSL 20.77, 0.31%, 0.33%

LAB 35.58, 11.98, 16.44

 

CMYK 0 / 31 / 47 / 46

HEX #895F48

RGB 137 95 72

HSL 21.23, 0.31%, 0.41%

LAB 44.19, 14.19, 19.99

 

CMYK 0 / 31 / 48 / 36

HEX #A47156

RGB 164 113 86

HSL 20.77, 0.31%, 0.49%

LAB 52.26, 16.89, 23.07

 

CMYK 0 / 30 / 47 / 57

HEX #6D4C3A

RGB 109 76 58

HSL 21.18, 0.31%, 0.33%

LAB 35.45, 11.53, 16.25

 

CMYK 26 / 0 / 47 / 57

HEX #516E3A

RGB 81 110 58

HSL 93.46, 0.31%, 0.33%

LAB 43.07, -20.7, 25.58

 

CMYK 47 / 45 / 0 / 57

HEX #3A3C6E

RGB 58 60 110

HSL 237.69, 0.31%, 0.33%

LAB 27.45, 13.7, -29.37

 

CMYK 0 / 30 / 47 / 57

HEX #6D4C3A

RGB 109 76 58

HSL 21.18, 0.31%, 0.33%

LAB 35.45, 11.53, 16.25

 

CMYK 47 / 0 / 31 / 57

HEX #3A6E4C

RGB 58 110 76

HSL 140.77, 0.31%, 0.33%

LAB 42.11, -25.8, 13.69

 

CMYK 31 / 47 / 0 / 57

HEX #4C3A6E

RGB 76 58 110

HSL 260.77, 0.31%, 0.33%

LAB 28.61, 20.32, -27.43

 

CMYK 0 / 30 / 47 / 57

HEX #6D4C3A

RGB 109 76 58

HSL 21.18, 0.31%, 0.33%

LAB 35.45, 11.53, 16.25

 

CMYK 26 / 0 / 47 / 57

HEX #516E3A

RGB 81 110 58

HSL 93.46, 0.31%, 0.33%

LAB 43.07, -20.7, 25.58

 

CMYK 47 / 17 / 0 / 57

HEX #3A5B6E

RGB 58 91 110

HSL 201.92, 0.31%, 0.33%

LAB 36.94, -6.37, -14.59

 

CMYK 22 / 47 / 0 / 57

HEX #563A6E

RGB 86 58 110

HSL 272.31, 0.31%, 0.33%

LAB 29.74, 23.47, -25.58

 

CMYK 0 / 30 / 47 / 57

HEX #6D4C3A

RGB 109 76 58

HSL 21.18, 0.31%, 0.33%

LAB 35.45, 11.53, 16.25

 

CMYK 41 / 0 / 47 / 57

HEX #416E3A

RGB 65 110 58

HSL 111.92, 0.31%, 0.33%

LAB 42.13, -26.77, 24.18

 

CMYK 47 / 17 / 0 / 57

HEX #3A5B6E

RGB 58 91 110

HSL 201.92, 0.31%, 0.33%

LAB 36.94, -6.37, -14.59

 

CMYK 7 / 47 / 0 / 57

HEX #663A6E

RGB 102 58 110

HSL 290.77, 0.31%, 0.33%

LAB 31.75, 28.68, -22.28

 

Description

Color code: HEX #6D4C3A | qconv.com Color code: HEX #6D4C3A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 76 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 76 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 47 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 47% 57% C M Y K

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Provide designers and agencies with accurate color values.

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