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Color name
HEX #6D58A8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D58A8 it is the complementary color #92A757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D58A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D58A8 shade: #7258A3, #836AB6, #947CC9, #A58EDC and #B6A0EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D58A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D58A8 shade: #6D58A8, #5C4695, #4B3482, #3A226F and #29105C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D58A8 shade: #6C57A7, #8257A7, #9757A7, #A757A1 and #A7578C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D58A8 shade: #6C57A7 and #5757A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D58A8 shade matches the following richer shades: #6C57A7, #6243BB, #592ED0, #4F1AE4 and #4505F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D58A8 shade: #6C57A7, #766C92, #80817D, #8A9569 and #93AA54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D58A8 shade: #576EA7, #5759A7, #6B57A7, #8057A7 and #9557A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D58A8 shade: #493B70, #5B498C, #6C57A7, #8472B5 and #9C8EC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D58A8 shade: #6D58A8, #A75783 and #63A757

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D58A8 shade: #6D58A8, #A76B57 and #57A76B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D58A8 shade: #6D58A8, #A75783, #93A757 and #57A77B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D58A8 shade: #6D58A8, #A7576B, #93A757 and #57A793

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 48 / 0 / 34

HEX #6D58A8

RGB 109 88 168

HSL 255.75, 0.31%, 0.5%

LAB 42.85, 27.3, -40.18

 

Complementary color

CMYK 13 / 0 / 48 / 35

HEX #92A757

RGB 146 167 87

HSL 75.75, 0.31%, 0.5%

LAB 65.31, -20.19, 38.71

 

CMYK 30 / 46 / 0 / 36

HEX #7258A3

RGB 114 88 163

HSL 260.8, 0.3%, 0.49%

LAB 43.06, 27.34, -36.84

 

CMYK 28 / 42 / 0 / 29

HEX #836AB6

RGB 131 106 182

HSL 259.74, 0.34%, 0.56%

LAB 50.11, 26.43, -36.76

 

CMYK 26 / 38 / 0 / 21

HEX #947CC9

RGB 148 124 201

HSL 258.7, 0.42%, 0.64%

LAB 57.01, 25.61, -36.71

 

CMYK 25 / 35 / 0 / 14

HEX #A58EDC

RGB 165 142 220

HSL 257.69, 0.53%, 0.71%

LAB 63.76, 24.88, -36.7

 

CMYK 24 / 33 / 0 / 6

HEX #B6A0EF

RGB 182 160 239

HSL 256.71, 0.71%, 0.78%

LAB 70.4, 24.22, -36.72

 

CMYK 35 / 48 / 0 / 34

HEX #6D58A8

RGB 109 88 168

HSL 255.75, 0.31%, 0.5%

LAB 42.85, 27.3, -40.18

 

CMYK 38 / 53 / 0 / 42

HEX #5C4695

RGB 92 70 149

HSL 256.71, 0.36%, 0.43%

LAB 35.65, 28.42, -40.37

 

CMYK 42 / 60 / 0 / 49

HEX #4B3482

RGB 75 52 130

HSL 257.69, 0.43%, 0.36%

LAB 28.28, 29.69, -40.59

 

CMYK 48 / 69 / 0 / 56

HEX #3A226F

RGB 58 34 111

HSL 258.7, 0.53%, 0.28%

LAB 20.79, 31.05, -40.72

 

CMYK 55 / 83 / 0 / 64

HEX #29105C

RGB 41 16 92

HSL 259.74, 0.7%, 0.21%

LAB 13.32, 32.19, -40.51

 

CMYK 35 / 48 / 0 / 35

HEX #6C57A7

RGB 108 87 167

HSL 255.75, 0.31%, 0.5%

LAB 42.45, 27.36, -40.22

 

CMYK 22 / 48 / 0 / 35

HEX #8257A7

RGB 130 87 167

HSL 272.25, 0.31%, 0.5%

LAB 44.73, 33.56, -36.46

 

CMYK 10 / 48 / 0 / 35

HEX #9757A7

RGB 151 87 167

HSL 288, 0.31%, 0.5%

LAB 47.22, 39.75, -32.39

 

CMYK 0 / 48 / 4 / 35

HEX #A757A1

RGB 167 87 161

HSL 304.5, 0.31%, 0.5%

LAB 49.01, 43.42, -25.89

 

CMYK 0 / 48 / 16 / 35

HEX #A7578C

RGB 167 87 140

HSL 320.25, 0.31%, 0.5%

LAB 48.17, 39.8, -14.72

 

CMYK 35 / 48 / 0 / 35

HEX #6C57A7

RGB 108 87 167

HSL 255.75, 0.31%, 0.5%

LAB 42.45, 27.36, -40.22

 

CMYK 48 / 48 / 0 / 35

HEX #5757A7

RGB 87 87 167

HSL 240, 0.31%, 0.5%

LAB 40.63, 21.94, -43.24

 

CMYK 35 / 48 / 0 / 35

HEX #6C57A7

RGB 108 87 167

HSL 255.75, 0.31%, 0.5%

LAB 42.45, 27.36, -40.22

 

CMYK 48 / 64 / 0 / 27

HEX #6243BB

RGB 98 67 187

HSL 255.5, 0.47%, 0.5%

LAB 38.2, 42.55, -58.92

 

CMYK 57 / 78 / 0 / 18

HEX #592ED0

RGB 89 46 208

HSL 255.93, 0.64%, 0.5%

LAB 35.27, 57.85, -76.01

 

CMYK 65 / 89 / 0 / 11

HEX #4F1AE4

RGB 79 26 228

HSL 255.74, 0.8%, 0.5%

LAB 33.99, 69.51, -89.67

 

CMYK 72 / 98 / 0 / 2

HEX #4505F9

RGB 69 5 249

HSL 255.74, 0.96%, 0.5%

LAB 34.42, 78.09, -100.88

 

CMYK 35 / 48 / 0 / 35

HEX #6C57A7

RGB 108 87 167

HSL 255.75, 0.31%, 0.5%

LAB 42.45, 27.36, -40.22

 

CMYK 19 / 26 / 0 / 43

HEX #766C92

RGB 118 108 146

HSL 255.79, 0.15%, 0.5%

LAB 47.82, 12.17, -19.32

 

CMYK 1 / 0 / 3 / 49

HEX #80817D

RGB 128 129 125

HSL 75, 0.02%, 0.5%

LAB 53.78, -1.16, 2.03

 

CMYK 7 / 0 / 30 / 42

HEX #8A9569

RGB 138 149 105

HSL 75, 0.17%, 0.5%

LAB 59.81, -11.73, 21.97

 

CMYK 14 / 0 / 51 / 33

HEX #93AA54

RGB 147 170 84

HSL 76.05, 0.34%, 0.5%

LAB 66.21, -21.62, 41.32

 

CMYK 48 / 34 / 0 / 35

HEX #576EA7

RGB 87 110 167

HSL 222.75, 0.31%, 0.5%

LAB 46.93, 7.56, -33.25

 

CMYK 48 / 47 / 0 / 35

HEX #5759A7

RGB 87 89 167

HSL 238.5, 0.31%, 0.5%

LAB 41.15, 20.68, -42.4

 

CMYK 36 / 48 / 0 / 35

HEX #6B57A7

RGB 107 87 167

HSL 255, 0.31%, 0.5%

LAB 42.36, 27.08, -40.38

 

CMYK 23 / 48 / 0 / 35

HEX #8057A7

RGB 128 87 167

HSL 270.75, 0.31%, 0.5%

LAB 44.51, 32.98, -36.83

 

CMYK 11 / 48 / 0 / 35

HEX #9557A7

RGB 149 87 167

HSL 286.5, 0.31%, 0.5%

LAB 46.97, 39.15, -32.79

 

CMYK 35 / 47 / 0 / 56

HEX #493B70

RGB 73 59 112

HSL 255.85, 0.31%, 0.34%

LAB 28.68, 19.33, -28.62

 

CMYK 35 / 48 / 0 / 45

HEX #5B498C

RGB 91 73 140

HSL 256.12, 0.31%, 0.42%

LAB 35.76, 23.71, -34.72

 

CMYK 35 / 48 / 0 / 35

HEX #6C57A7

RGB 108 87 167

HSL 255.75, 0.31%, 0.5%

LAB 42.45, 27.36, -40.22

 

CMYK 27 / 37 / 0 / 29

HEX #8472B5

RGB 132 114 181

HSL 256.12, 0.31%, 0.58%

LAB 52.15, 21.73, -32.98

 

CMYK 20 / 27 / 0 / 24

HEX #9C8EC3

RGB 156 142 195

HSL 255.85, 0.31%, 0.66%

LAB 61.96, 16.22, -25.58

 

CMYK 35 / 48 / 0 / 34

HEX #6D58A8

RGB 109 88 168

HSL 255.75, 0.31%, 0.5%

LAB 42.85, 27.3, -40.18

 

CMYK 0 / 48 / 22 / 35

HEX #A75783

RGB 167 87 131

HSL 327, 0.31%, 0.5%

LAB 47.84, 38.38, -9.82

 

CMYK 41 / 0 / 48 / 35

HEX #63A757

RGB 99 167 87

HSL 111, 0.31%, 0.5%

LAB 62.49, -37.57, 34.61

 

CMYK 35 / 48 / 0 / 34

HEX #6D58A8

RGB 109 88 168

HSL 255.75, 0.31%, 0.5%

LAB 42.85, 27.3, -40.18

 

CMYK 0 / 36 / 48 / 35

HEX #A76B57

RGB 167 107 87

HSL 15, 0.31%, 0.5%

LAB 51.17, 21.65, 21.12

 

CMYK 48 / 0 / 36 / 35

HEX #57A76B

RGB 87 167 107

HSL 135, 0.31%, 0.5%

LAB 62.27, -38.01, 23.66

 

CMYK 35 / 48 / 0 / 34

HEX #6D58A8

RGB 109 88 168

HSL 255.75, 0.31%, 0.5%

LAB 42.85, 27.3, -40.18

 

CMYK 0 / 48 / 22 / 35

HEX #A75783

RGB 167 87 131

HSL 327, 0.31%, 0.5%

LAB 47.84, 38.38, -9.82

 

CMYK 12 / 0 / 48 / 35

HEX #93A757

RGB 147 167 87

HSL 75, 0.31%, 0.5%

LAB 65.38, -19.79, 38.82

 

CMYK 48 / 0 / 26 / 35

HEX #57A77B

RGB 87 167 123

HSL 147, 0.31%, 0.5%

LAB 62.59, -34.92, 15.33

 

CMYK 35 / 48 / 0 / 34

HEX #6D58A8

RGB 109 88 168

HSL 255.75, 0.31%, 0.5%

LAB 42.85, 27.3, -40.18

 

CMYK 0 / 48 / 36 / 35

HEX #A7576B

RGB 167 87 107

HSL 345, 0.31%, 0.5%

LAB 47.1, 35.02, 3.56

 

CMYK 12 / 0 / 48 / 35

HEX #93A757

RGB 147 167 87

HSL 75, 0.31%, 0.5%

LAB 65.38, -19.79, 38.82

 

CMYK 48 / 0 / 12 / 35

HEX #57A793

RGB 87 167 147

HSL 165, 0.31%, 0.5%

LAB 63.15, -29.53, 2.78

 

Description

Color code: HEX #6D58A8 | qconv.com Color code: HEX #6D58A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 88 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 88 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 48 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 48% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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