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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D5977 it is the complementary color #92A688. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D5977. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D5977 shade: #725972, #836B85, #947D98, #A58FAB and #B6A1BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D5977. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D5977 shade: #6D5977, #5C4764, #4B3551, #3A233E and #29112B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D5977 shade: #6D5977, #755977, #775971, #775969 and #775961

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D5977 shade: #6D5977, #655977, #5D5977 and #595977

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D5977 shade matches the following richer shades: #6D5977, #734888, #783899, #7E27A9 and #8316BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D5977 shade: #6D5977, #676A66, #627B55, #5C8C44 and #569D33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D5977 shade: #5D5977, #655977, #6D5977, #755977 and #775971

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D5977 shade: #423648, #57485F, #6D5977, #836B8E and #9682A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D5977 shade: #6D5977, #77595D and #597761

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D5977 shade: #6D5977, #776D59 and #59776D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D5977 shade: #6D5977, #77595D, #637759 and #597773

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D5977 shade: #6D5977, #775E59, #637759 and #597277

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

Complementary color

CMYK 12 / 0 / 18 / 35

HEX #92A688

RGB 146 166 136

HSL 100, 0.14%, 0.59%

LAB 65.87, -12.72, 13.22

 

CMYK 0 / 22 / 0 / 55

HEX #725972

RGB 114 89 114

HSL 300, 0.12%, 0.4%

LAB 41.12, 15, -10.28

 

CMYK 2 / 20 / 0 / 48

HEX #836B85

RGB 131 107 133

HSL 295.38, 0.11%, 0.47%

LAB 48.3, 14.42, -10.75

 

CMYK 3 / 18 / 0 / 40

HEX #947D98

RGB 148 125 152

HSL 291.11, 0.12%, 0.54%

LAB 55.31, 13.91, -11.21

 

CMYK 4 / 16 / 0 / 33

HEX #A58FAB

RGB 165 143 171

HSL 287.14, 0.14%, 0.62%

LAB 62.16, 13.44, -11.65

 

CMYK 4 / 15 / 0 / 25

HEX #B6A1BE

RGB 182 161 190

HSL 283.45, 0.18%, 0.69%

LAB 68.86, 13.02, -12.09

 

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

CMYK 8 / 29 / 0 / 61

HEX #5C4764

RGB 92 71 100

HSL 283.45, 0.17%, 0.34%

LAB 33.35, 14.89, -13.57

 

CMYK 7 / 35 / 0 / 68

HEX #4B3551

RGB 75 53 81

HSL 287.14, 0.21%, 0.26%

LAB 25.67, 15.63, -13.23

 

CMYK 6 / 44 / 0 / 76

HEX #3A233E

RGB 58 35 62

HSL 291.11, 0.28%, 0.19%

LAB 17.69, 16.5, -12.87

 

CMYK 5 / 60 / 0 / 83

HEX #29112B

RGB 41 17 43

HSL 295.38, 0.43%, 0.12%

LAB 9.37, 17.45, -12.37

 

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

CMYK 2 / 25 / 0 / 53

HEX #755977

RGB 117 89 119

HSL 296, 0.14%, 0.41%

LAB 41.62, 17.17, -12.54

 

CMYK 0 / 25 / 5 / 53

HEX #775971

RGB 119 89 113

HSL 312, 0.14%, 0.41%

LAB 41.62, 16.68, -8.85

 

CMYK 0 / 25 / 12 / 53

HEX #775969

RGB 119 89 105

HSL 328, 0.14%, 0.41%

LAB 41.35, 15.14, -4.35

 

CMYK 0 / 25 / 18 / 53

HEX #775961

RGB 119 89 97

HSL 344, 0.14%, 0.41%

LAB 41.1, 13.69, 0.2

 

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

CMYK 15 / 25 / 0 / 53

HEX #655977

RGB 101 89 119

HSL 264, 0.14%, 0.41%

LAB 39.99, 11.37, -15.19

 

CMYK 22 / 25 / 0 / 53

HEX #5D5977

RGB 93 89 119

HSL 248, 0.14%, 0.41%

LAB 39.25, 8.56, -16.38

 

CMYK 25 / 25 / 0 / 53

HEX #595977

RGB 89 89 119

HSL 240, 0.14%, 0.41%

LAB 38.9, 7.19, -16.95

 

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

CMYK 15 / 47 / 0 / 47

HEX #734888

RGB 115 72 136

HSL 280.31, 0.31%, 0.41%

LAB 37.94, 30.47, -28.65

 

CMYK 22 / 63 / 0 / 40

HEX #783899

RGB 120 56 153

HSL 279.59, 0.46%, 0.41%

LAB 36.22, 44.59, -41.7

 

CMYK 25 / 77 / 0 / 34

HEX #7E27A9

RGB 126 39 169

HSL 280.15, 0.63%, 0.41%

LAB 35.5, 56.89, -52.46

 

CMYK 30 / 88 / 0 / 27

HEX #8316BA

RGB 131 22 186

HSL 279.88, 0.79%, 0.41%

LAB 35.88, 66.21, -61.93

 

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

CMYK 3 / 0 / 4 / 58

HEX #676A66

RGB 103 106 102

HSL 105, 0.02%, 0.41%

LAB 44.45, -1.98, 1.83

 

CMYK 20 / 0 / 31 / 52

HEX #627B55

RGB 98 123 85

HSL 99.47, 0.18%, 0.41%

LAB 48.78, -16.7, 17.9

 

CMYK 34 / 0 / 51 / 45

HEX #5C8C44

RGB 92 140 68

HSL 100, 0.35%, 0.41%

LAB 53.44, -30.09, 33.16

 

CMYK 45 / 0 / 68 / 38

HEX #569D33

RGB 86 157 51

HSL 100.19, 0.51%, 0.41%

LAB 58.35, -41.6, 46.77

 

CMYK 22 / 25 / 0 / 53

HEX #5D5977

RGB 93 89 119

HSL 248, 0.14%, 0.41%

LAB 39.25, 8.56, -16.38

 

CMYK 15 / 25 / 0 / 53

HEX #655977

RGB 101 89 119

HSL 264, 0.14%, 0.41%

LAB 39.99, 11.37, -15.19

 

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

CMYK 2 / 25 / 0 / 53

HEX #755977

RGB 117 89 119

HSL 296, 0.14%, 0.41%

LAB 41.62, 17.17, -12.54

 

CMYK 0 / 25 / 5 / 53

HEX #775971

RGB 119 89 113

HSL 312, 0.14%, 0.41%

LAB 41.62, 16.68, -8.85

 

CMYK 8 / 25 / 0 / 72

HEX #423648

RGB 66 54 72

HSL 280, 0.14%, 0.25%

LAB 24.53, 9.3, -9.1

 

CMYK 8 / 24 / 0 / 63

HEX #57485F

RGB 87 72 95

HSL 279.13, 0.14%, 0.33%

LAB 32.89, 11.21, -11.15

 

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

CMYK 8 / 25 / 0 / 44

HEX #836B8E

RGB 131 107 142

HSL 281.14, 0.14%, 0.49%

LAB 48.63, 16.33, -15.61

 

CMYK 7 / 19 / 0 / 37

HEX #9682A1

RGB 150 130 161

HSL 278.71, 0.14%, 0.57%

LAB 57.1, 13.58, -13.69

 

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

CMYK 0 / 25 / 22 / 53

HEX #77595D

RGB 119 89 93

HSL 352, 0.14%, 0.41%

LAB 40.99, 13, 2.5

 

CMYK 25 / 0 / 18 / 53

HEX #597761

RGB 89 119 97

HSL 136, 0.14%, 0.41%

LAB 47.21, -15.68, 8.63

 

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

CMYK 0 / 8 / 25 / 53

HEX #776D59

RGB 119 109 89

HSL 40, 0.14%, 0.41%

LAB 46.42, 0.43, 12.61

 

CMYK 25 / 0 / 8 / 53

HEX #59776D

RGB 89 119 109

HSL 160, 0.14%, 0.41%

LAB 47.52, -13.08, 1.98

 

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

CMYK 0 / 25 / 22 / 53

HEX #77595D

RGB 119 89 93

HSL 352, 0.14%, 0.41%

LAB 40.99, 13, 2.5

 

CMYK 17 / 0 / 25 / 53

HEX #637759

RGB 99 119 89

HSL 100, 0.14%, 0.41%

LAB 47.71, -13.44, 14.13

 

CMYK 25 / 0 / 3 / 53

HEX #597773

RGB 89 119 115

HSL 172, 0.14%, 0.41%

LAB 47.69, -11.68, -1.33

 

CMYK 8 / 25 / 0 / 53

HEX #6D5977

RGB 109 89 119

HSL 280, 0.14%, 0.41%

LAB 40.78, 14.24, -13.9

 

CMYK 0 / 21 / 25 / 53

HEX #775E59

RGB 119 94 89

HSL 10, 0.14%, 0.41%

LAB 42.23, 9.33, 6.73

 

CMYK 17 / 0 / 25 / 53

HEX #637759

RGB 99 119 89

HSL 100, 0.14%, 0.41%

LAB 47.71, -13.44, 14.13

 

CMYK 25 / 4 / 0 / 53

HEX #597277

RGB 89 114 119

HSL 190, 0.14%, 0.41%

LAB 46.3, -7.87, -5.77

 

Description

Color code: HEX #6D5977 | qconv.com Color code: HEX #6D5977 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 89 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 89 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 25 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 25% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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