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Color name
HEX #6D521C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D521C it is the complementary color #92ADE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D521C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D521C shade: #725217, #83642A, #94763D, #A58850 and #B69A63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D521C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D521C shade: #6D521C, #5C4009, #4B2E00, #3A1C00 and #290A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D521C shade: #6D521C, #6D3C1C, #6D261C and #6D1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D521C shade: #6D521C, #6D681C, #5C6D1C, #466D1C and #306D1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D521C shade matches the following richer shades: #6D521C, #785611 and #835905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D521C shade: #6D521C, #624E27, #574A32, #4C473D and #404348

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D521C shade: #6D271C, #6D3C1C, #6D521C, #6D681C and #5D6D1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D521C shade: #2B210B, #4C3913, #6D521C, #8E6B24 and #AF832D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D521C shade: #6D521C, #276D1C and #311C6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D521C shade: #6D521C, #1C6D52 and #521C6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D521C shade: #6D521C, #276D1C, #1C376D and #621C6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D521C shade: #6D521C, #1C6D29, #1C376D and #6D1C5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

Complementary color

CMYK 36 / 24 / 0 / 11

HEX #92ADE3

RGB 146 173 227

HSL 220, 0.59%, 0.73%

LAB 70.56, 3.67, -30.14

 

CMYK 0 / 28 / 80 / 55

HEX #725217

RGB 114 82 23

HSL 38.9, 0.66%, 0.27%

LAB 37.25, 7.39, 37.8

 

CMYK 0 / 24 / 68 / 49

HEX #83642A

RGB 131 100 42

HSL 39.1, 0.51%, 0.34%

LAB 44.39, 5.87, 36.76

 

CMYK 0 / 20 / 59 / 42

HEX #94763D

RGB 148 118 61

HSL 39.31, 0.42%, 0.41%

LAB 51.37, 4.68, 35.4

 

CMYK 0 / 18 / 52 / 35

HEX #A58850

RGB 165 136 80

HSL 39.53, 0.35%, 0.48%

LAB 58.21, 3.72, 34.01

 

CMYK 0 / 15 / 46 / 29

HEX #B69A63

RGB 182 154 99

HSL 39.76, 0.36%, 0.55%

LAB 64.93, 2.94, 32.66

 

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

CMYK 0 / 30 / 90 / 64

HEX #5C4009

RGB 92 64 9

HSL 39.76, 0.82%, 0.2%

LAB 29.32, 6.98, 35.19

 

CMYK 0 / 39 / 100 / 71

HEX #4B2E00

RGB 75 46 0

HSL 36.8, 1%, 0.15%

LAB 21.76, 9.37, 30.92

 

CMYK 0 / 52 / 100 / 77

HEX #3A1C00

RGB 58 28 0

HSL 28.97, 1%, 0.11%

LAB 14, 12.31, 20.99

 

CMYK 0 / 76 / 100 / 84

HEX #290A00

RGB 41 10 0

HSL 14.63, 1%, 0.08%

LAB 6.22, 14.62, 9.59

 

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

CMYK 0 / 45 / 74 / 57

HEX #6D3C1C

RGB 109 60 28

HSL 23.7, 0.59%, 0.27%

LAB 30.8, 18.6, 28.47

 

CMYK 0 / 65 / 74 / 57

HEX #6D261C

RGB 109 38 28

HSL 7.41, 0.59%, 0.27%

LAB 25.93, 30.94, 22.99

 

CMYK 0 / 74 / 74 / 57

HEX #6D1C1C

RGB 109 28 28

HSL 0, 0.59%, 0.27%

LAB 24.21, 35.57, 20.99

 

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

CMYK 0 / 5 / 74 / 57

HEX #6D681C

RGB 109 104 28

HSL 56.3, 0.59%, 0.27%

LAB 43.12, -7.75, 41.19

 

CMYK 16 / 0 / 74 / 57

HEX #5C6D1C

RGB 92 109 28

HSL 72.59, 0.59%, 0.27%

LAB 43.21, -18.44, 40.79

 

CMYK 36 / 0 / 74 / 57

HEX #466D1C

RGB 70 109 28

HSL 88.89, 0.59%, 0.27%

LAB 41.73, -27.85, 38.82

 

CMYK 56 / 0 / 74 / 57

HEX #306D1C

RGB 48 109 28

HSL 105.19, 0.59%, 0.27%

LAB 40.65, -35.64, 37.38

 

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

CMYK 0 / 28 / 86 / 53

HEX #785611

RGB 120 86 17

HSL 40.19, 0.75%, 0.27%

LAB 39.05, 7.65, 42.11

 

CMYK 0 / 32 / 96 / 49

HEX #835905

RGB 131 89 5

HSL 40, 0.93%, 0.27%

LAB 41.19, 10.86, 47.9

 

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

CMYK 0 / 20 / 60 / 62

HEX #624E27

RGB 98 78 39

HSL 39.66, 0.43%, 0.27%

LAB 34.38, 3.13, 25.97

 

CMYK 0 / 15 / 43 / 66

HEX #574A32

RGB 87 74 50

HSL 38.92, 0.27%, 0.27%

LAB 32.16, 1.57, 16.36

 

CMYK 0 / 7 / 20 / 70

HEX #4C473D

RGB 76 71 61

HSL 40, 0.11%, 0.27%

LAB 30.35, 0.13, 6.77

 

CMYK 11 / 7 / 0 / 72

HEX #404348

RGB 64 67 72

HSL 217.5, 0.06%, 0.27%

LAB 28.31, -0.06, -3.45

 

CMYK 0 / 64 / 74 / 57

HEX #6D271C

RGB 109 39 28

HSL 8.15, 0.59%, 0.27%

LAB 26.12, 30.43, 23.22

 

CMYK 0 / 45 / 74 / 57

HEX #6D3C1C

RGB 109 60 28

HSL 23.7, 0.59%, 0.27%

LAB 30.8, 18.6, 28.47

 

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

CMYK 0 / 5 / 74 / 57

HEX #6D681C

RGB 109 104 28

HSL 56.3, 0.59%, 0.27%

LAB 43.12, -7.75, 41.19

 

CMYK 15 / 0 / 74 / 57

HEX #5D6D1C

RGB 93 109 28

HSL 71.85, 0.59%, 0.27%

LAB 43.28, -17.98, 40.89

 

CMYK 0 / 23 / 74 / 83

HEX #2B210B

RGB 43 33 11

HSL 41.25, 0.59%, 0.11%

LAB 13.38, 1.5, 15.27

 

CMYK 0 / 25 / 75 / 70

HEX #4C3913

RGB 76 57 19

HSL 40, 0.6%, 0.19%

LAB 25.29, 3.72, 26.12

 

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

CMYK 0 / 25 / 75 / 44

HEX #8E6B24

RGB 142 107 36

HSL 40.19, 0.6%, 0.35%

LAB 47.49, 6.57, 43.24

 

CMYK 0 / 25 / 74 / 31

HEX #AF832D

RGB 175 131 45

HSL 39.69, 0.59%, 0.43%

LAB 57.59, 8.48, 50.66

 

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

CMYK 64 / 0 / 74 / 57

HEX #276D1C

RGB 39 109 28

HSL 111.85, 0.59%, 0.27%

LAB 40.33, -38.19, 36.95

 

CMYK 55 / 74 / 0 / 57

HEX #311C6D

RGB 49 28 109

HSL 255.56, 0.59%, 0.27%

LAB 18.31, 32.21, -43.52

 

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

CMYK 74 / 0 / 25 / 57

HEX #1C6D52

RGB 28 109 82

HSL 160, 0.59%, 0.27%

LAB 40.89, -31.02, 8.25

 

CMYK 25 / 74 / 0 / 57

HEX #521C6D

RGB 82 28 109

HSL 280, 0.59%, 0.27%

LAB 22.75, 39.05, -36.1

 

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

CMYK 64 / 0 / 74 / 57

HEX #276D1C

RGB 39 109 28

HSL 111.85, 0.59%, 0.27%

LAB 40.33, -38.19, 36.95

 

CMYK 74 / 50 / 0 / 57

HEX #1C376D

RGB 28 55 109

HSL 220, 0.59%, 0.27%

LAB 23.95, 10.11, -34.45

 

CMYK 10 / 74 / 0 / 57

HEX #621C6D

RGB 98 28 109

HSL 291.85, 0.59%, 0.27%

LAB 25.36, 42.79, -31.78

 

CMYK 0 / 25 / 74 / 57

HEX #6D521C

RGB 109 82 28

HSL 40, 0.59%, 0.27%

LAB 36.69, 5.22, 34.73

 

CMYK 74 / 0 / 62 / 57

HEX #1C6D29

RGB 28 109 41

HSL 129.63, 0.59%, 0.27%

LAB 40.15, -39.18, 30.59

 

CMYK 74 / 50 / 0 / 57

HEX #1C376D

RGB 28 55 109

HSL 220, 0.59%, 0.27%

LAB 23.95, 10.11, -34.45

 

CMYK 0 / 74 / 13 / 57

HEX #6D1C5F

RGB 109 28 95

HSL 310.37, 0.59%, 0.27%

LAB 26.47, 43.02, -20.79

 

Description

Color code: HEX #6D521C | qconv.com Color code: HEX #6D521C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 82 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 82 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 74 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 74% 57% C M Y K

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Provide designers and agencies with accurate color values.

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