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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D6820 it is the complementary color #9297DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D6820. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D6820 shade: #72681B, #837A2E, #948C41, #A59E54 and #B6B067

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D6820. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D6820 shade: #6D6820, #5C560D, #4B4400, #3A3200 and #292000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D6820 shade: #6E6920, #6E5420, #6E3F20, #6E2A20 and #6E2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D6820 shade: #6E6920, #5E6E20, #496E20, #346E20 and #206E21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D6820 shade matches the following richer shades: #6E6920, #7A7314 and #857D09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D6820 shade: #6E6920, #635F2B, #575537, #4C4B42 and #40414E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D6820 shade: #6E3F20, #6E5420, #6E6920, #5E6E20 and #4A6E20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D6820 shade: #2E2C0D, #4E4B16, #6E6920, #8E8829 and #AEA632

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D6820 shade: #6D6820, #206E2A and #4A206E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D6820 shade: #6D6820, #206E69 and #69206E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D6820 shade: #6D6820, #206E2A, #20256E and #6E2064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D6820 shade: #6D6820, #206E42, #20256E and #6E204C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 71 / 57

HEX #6D6820

RGB 109 104 32

HSL 56.1, 0.55%, 0.28%

LAB 43.15, -7.52, 39.51

 

Complementary color

CMYK 35 / 32 / 0 / 13

HEX #9297DF

RGB 146 151 223

HSL 236.1, 0.55%, 0.72%

LAB 64.62, 15.06, -37.14

 

CMYK 0 / 9 / 76 / 55

HEX #72681B

RGB 114 104 27

HSL 53.1, 0.62%, 0.28%

LAB 43.59, -5.42, 42.23

 

CMYK 0 / 7 / 65 / 49

HEX #837A2E

RGB 131 122 46

HSL 53.65, 0.48%, 0.35%

LAB 50.62, -6.48, 41.59

 

CMYK 0 / 5 / 56 / 42

HEX #948C41

RGB 148 140 65

HSL 54.22, 0.39%, 0.42%

LAB 57.5, -7.28, 40.5

 

CMYK 0 / 4 / 49 / 35

HEX #A59E54

RGB 165 158 84

HSL 54.81, 0.33%, 0.49%

LAB 64.24, -7.91, 39.28

 

CMYK 0 / 3 / 43 / 29

HEX #B6B067

RGB 182 176 103

HSL 55.44, 0.35%, 0.56%

LAB 70.85, -8.42, 38.04

 

CMYK 0 / 5 / 71 / 57

HEX #6D6820

RGB 109 104 32

HSL 56.1, 0.55%, 0.28%

LAB 43.15, -7.52, 39.51

 

CMYK 0 / 7 / 86 / 64

HEX #5C560D

RGB 92 86 13

HSL 55.44, 0.75%, 0.21%

LAB 35.91, -6.33, 39.52

 

CMYK 0 / 9 / 100 / 71

HEX #4B4400

RGB 75 68 0

HSL 54.4, 1%, 0.15%

LAB 28.46, -4.68, 37.27

 

CMYK 0 / 14 / 100 / 77

HEX #3A3200

RGB 58 50 0

HSL 51.72, 1%, 0.11%

LAB 20.75, -2.44, 29.18

 

CMYK 0 / 22 / 100 / 84

HEX #292000

RGB 41 32 0

HSL 46.83, 1%, 0.08%

LAB 12.64, 0.03, 18.71

 

CMYK 0 / 5 / 71 / 57

HEX #6E6920

RGB 110 105 32

HSL 56.15, 0.55%, 0.28%

LAB 43.54, -7.61, 39.94

 

CMYK 0 / 24 / 71 / 57

HEX #6E5420

RGB 110 84 32

HSL 40, 0.55%, 0.28%

LAB 37.41, 4.74, 33.54

 

CMYK 0 / 43 / 71 / 57

HEX #6E3F20

RGB 110 63 32

HSL 23.85, 0.55%, 0.28%

LAB 31.75, 17.51, 27.31

 

CMYK 0 / 62 / 71 / 57

HEX #6E2A20

RGB 110 42 32

HSL 7.69, 0.55%, 0.28%

LAB 26.95, 29.52, 21.72

 

CMYK 0 / 71 / 71 / 57

HEX #6E2020

RGB 110 32 32

HSL 0, 0.55%, 0.28%

LAB 25.11, 34.42, 19.51

 

CMYK 0 / 5 / 71 / 57

HEX #6E6920

RGB 110 105 32

HSL 56.15, 0.55%, 0.28%

LAB 43.54, -7.61, 39.94

 

CMYK 15 / 0 / 71 / 57

HEX #5E6E20

RGB 94 110 32

HSL 72.31, 0.55%, 0.28%

LAB 43.71, -17.8, 39.67

 

CMYK 34 / 0 / 71 / 57

HEX #496E20

RGB 73 110 32

HSL 88.46, 0.55%, 0.28%

LAB 42.27, -26.81, 37.73

 

CMYK 53 / 0 / 71 / 57

HEX #346E20

RGB 52 110 32

HSL 104.62, 0.55%, 0.28%

LAB 41.19, -34.45, 36.27

 

CMYK 71 / 0 / 70 / 57

HEX #206E21

RGB 32 110 33

HSL 120.77, 0.55%, 0.28%

LAB 40.52, -39.73, 34.89

 

CMYK 0 / 5 / 71 / 57

HEX #6E6920

RGB 110 105 32

HSL 56.15, 0.55%, 0.28%

LAB 43.54, -7.61, 39.94

 

CMYK 0 / 6 / 84 / 52

HEX #7A7314

RGB 122 115 20

HSL 55.88, 0.72%, 0.28%

LAB 47.56, -8.13, 48.62

 

CMYK 0 / 6 / 93 / 48

HEX #857D09

RGB 133 125 9

HSL 56.13, 0.87%, 0.28%

LAB 51.47, -8.78, 54.88

 

CMYK 0 / 5 / 71 / 57

HEX #6E6920

RGB 110 105 32

HSL 56.15, 0.55%, 0.28%

LAB 43.54, -7.61, 39.94

 

CMYK 0 / 4 / 57 / 61

HEX #635F2B

RGB 99 95 43

HSL 55.71, 0.39%, 0.28%

LAB 39.6, -6.21, 29.93

 

CMYK 0 / 2 / 37 / 66

HEX #575537

RGB 87 85 55

HSL 56.25, 0.23%, 0.28%

LAB 35.59, -4.47, 17.83

 

CMYK 0 / 1 / 13 / 70

HEX #4C4B42

RGB 76 75 66

HSL 54, 0.07%, 0.28%

LAB 31.72, -1.43, 5.51

 

CMYK 18 / 17 / 0 / 69

HEX #40414E

RGB 64 65 78

HSL 235.71, 0.1%, 0.28%

LAB 27.9, 2.75, -7.97

 

CMYK 0 / 43 / 71 / 57

HEX #6E3F20

RGB 110 63 32

HSL 23.85, 0.55%, 0.28%

LAB 31.75, 17.51, 27.31

 

CMYK 0 / 24 / 71 / 57

HEX #6E5420

RGB 110 84 32

HSL 40, 0.55%, 0.28%

LAB 37.41, 4.74, 33.54

 

CMYK 0 / 5 / 71 / 57

HEX #6E6920

RGB 110 105 32

HSL 56.15, 0.55%, 0.28%

LAB 43.54, -7.61, 39.94

 

CMYK 15 / 0 / 71 / 57

HEX #5E6E20

RGB 94 110 32

HSL 72.31, 0.55%, 0.28%

LAB 43.71, -17.8, 39.67

 

CMYK 33 / 0 / 71 / 57

HEX #4A6E20

RGB 74 110 32

HSL 87.69, 0.55%, 0.28%

LAB 42.33, -26.41, 37.81

 

CMYK 0 / 4 / 72 / 82

HEX #2E2C0D

RGB 46 44 13

HSL 56.36, 0.56%, 0.12%

LAB 17.51, -4.15, 19.67

 

CMYK 0 / 4 / 72 / 69

HEX #4E4B16

RGB 78 75 22

HSL 56.79, 0.56%, 0.2%

LAB 31.14, -6.3, 30.81

 

CMYK 0 / 5 / 71 / 57

HEX #6E6920

RGB 110 105 32

HSL 56.15, 0.55%, 0.28%

LAB 43.54, -7.61, 39.94

 

CMYK 0 / 4 / 71 / 44

HEX #8E8829

RGB 142 136 41

HSL 56.44, 0.55%, 0.36%

LAB 55.6, -9.47, 49.23

 

CMYK 0 / 5 / 71 / 32

HEX #AEA632

RGB 174 166 50

HSL 56.13, 0.55%, 0.44%

LAB 66.9, -10.71, 57.81

 

CMYK 0 / 5 / 71 / 57

HEX #6D6820

RGB 109 104 32

HSL 56.1, 0.55%, 0.28%

LAB 43.15, -7.52, 39.51

 

CMYK 71 / 0 / 62 / 57

HEX #206E2A

RGB 32 110 42

HSL 127.69, 0.55%, 0.28%

LAB 40.62, -38.63, 30.65

 

CMYK 33 / 71 / 0 / 57

HEX #4A206E

RGB 74 32 110

HSL 272.31, 0.55%, 0.28%

LAB 22.35, 35.47, -37.45

 

CMYK 0 / 5 / 71 / 57

HEX #6D6820

RGB 109 104 32

HSL 56.1, 0.55%, 0.28%

LAB 43.15, -7.52, 39.51

 

CMYK 71 / 0 / 5 / 57

HEX #206E69

RGB 32 110 105

HSL 176.15, 0.55%, 0.28%

LAB 41.97, -24.34, -4.06

 

CMYK 5 / 71 / 0 / 57

HEX #69206E

RGB 105 32 110

HSL 296.15, 0.55%, 0.28%

LAB 27.19, 43.04, -29.43

 

CMYK 0 / 5 / 71 / 57

HEX #6D6820

RGB 109 104 32

HSL 56.1, 0.55%, 0.28%

LAB 43.15, -7.52, 39.51

 

CMYK 71 / 0 / 62 / 57

HEX #206E2A

RGB 32 110 42

HSL 127.69, 0.55%, 0.28%

LAB 40.62, -38.63, 30.65

 

CMYK 71 / 66 / 0 / 57

HEX #20256E

RGB 32 37 110

HSL 236.15, 0.55%, 0.28%

LAB 19.04, 23.92, -43.04

 

CMYK 0 / 71 / 9 / 57

HEX #6E2064

RGB 110 32 100

HSL 307.69, 0.55%, 0.28%

LAB 27.49, 42.53, -22.45

 

CMYK 0 / 5 / 71 / 57

HEX #6D6820

RGB 109 104 32

HSL 56.1, 0.55%, 0.28%

LAB 43.15, -7.52, 39.51

 

CMYK 71 / 0 / 40 / 57

HEX #206E42

RGB 32 110 66

HSL 146.15, 0.55%, 0.28%

LAB 40.98, -34.49, 17.87

 

CMYK 71 / 66 / 0 / 57

HEX #20256E

RGB 32 37 110

HSL 236.15, 0.55%, 0.28%

LAB 19.04, 23.92, -43.04

 

CMYK 0 / 71 / 31 / 57

HEX #6E204C

RGB 110 32 76

HSL 326.15, 0.55%, 0.28%

LAB 26.36, 38.81, -8.37

 

Description

Color code: HEX #6D6820 | qconv.com Color code: HEX #6D6820 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 104 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 104 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 71 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 71% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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