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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D6977 it is the complementary color #929688. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D6977. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D6977 shade: #726972, #837B85, #948D98, #A59FAB and #B6B1BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D6977. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D6977 shade: #6D6977, #5C5764, #4B4551, #3A333E and #29212B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D6977 shade: #6D6976, #706976, #746976, #766975 and #766972

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D6977 shade: #6D6976, #696976 and #696976

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D6977 shade matches the following richer shades: #6D6976, #655789, #5D459B, #5533AD and #4E20BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D6977 shade: #6D6976, #757B64, #7C8D52, #849F40 and #8CB22E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D6977 shade: #696C76, #696976, #6D6976, #706976 and #746976

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D6977 shade: #45424B, #595661, #6D6976, #817D8C and #96939F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D6977 shade: #6D6977, #766970 and #6B7669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D6977 shade: #6D6977, #766D69 and #69766D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D6977 shade: #6D6977, #766970, #737669 and #69766F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D6977 shade: #6D6977, #76696C, #737669 and #697674

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 12 / 0 / 53

HEX #6D6977

RGB 109 105 119

HSL 257.14, 0.06%, 0.44%

LAB 45.2, 4.52, -7.24

 

Complementary color

CMYK 3 / 0 / 9 / 41

HEX #929688

RGB 146 150 136

HSL 77.14, 0.06%, 0.56%

LAB 61.4, -4.09, 6.88

 

CMYK 0 / 8 / 0 / 55

HEX #726972

RGB 114 105 114

HSL 300, 0.04%, 0.43%

LAB 45.49, 5.32, -3.75

 

CMYK 2 / 8 / 0 / 48

HEX #837B85

RGB 131 123 133

HSL 288, 0.04%, 0.5%

LAB 52.6, 5.01, -4.34

 

CMYK 3 / 7 / 0 / 40

HEX #948D98

RGB 148 141 152

HSL 278.18, 0.05%, 0.57%

LAB 59.54, 4.73, -4.9

 

CMYK 4 / 7 / 0 / 33

HEX #A59FAB

RGB 165 159 171

HSL 270, 0.07%, 0.65%

LAB 66.32, 4.47, -5.45

 

CMYK 4 / 7 / 0 / 25

HEX #B6B1BE

RGB 182 177 190

HSL 263.08, 0.09%, 0.72%

LAB 72.96, 4.23, -5.98

 

CMYK 8 / 12 / 0 / 53

HEX #6D6977

RGB 109 105 119

HSL 257.14, 0.06%, 0.44%

LAB 45.2, 4.52, -7.24

 

CMYK 8 / 13 / 0 / 61

HEX #5C5764

RGB 92 87 100

HSL 263.08, 0.07%, 0.37%

LAB 37.86, 4.83, -6.75

 

CMYK 7 / 15 / 0 / 68

HEX #4B4551

RGB 75 69 81

HSL 270, 0.08%, 0.29%

LAB 30.27, 5.19, -6.26

 

CMYK 6 / 18 / 0 / 76

HEX #3A333E

RGB 58 51 62

HSL 278.18, 0.1%, 0.22%

LAB 22.36, 5.62, -5.75

 

CMYK 5 / 23 / 0 / 83

HEX #29212B

RGB 41 33 43

HSL 288, 0.13%, 0.15%

LAB 14.02, 6.16, -5.24

 

CMYK 8 / 11 / 0 / 54

HEX #6D6976

RGB 109 105 118

HSL 258.46, 0.06%, 0.44%

LAB 45.17, 4.29, -6.69

 

CMYK 5 / 11 / 0 / 54

HEX #706976

RGB 112 105 118

HSL 272.31, 0.06%, 0.44%

LAB 45.44, 5.41, -6.26

 

CMYK 2 / 11 / 0 / 54

HEX #746976

RGB 116 105 118

HSL 290.77, 0.06%, 0.44%

LAB 45.8, 6.92, -5.67

 

CMYK 0 / 11 / 1 / 54

HEX #766975

RGB 118 105 117

HSL 304.62, 0.06%, 0.44%

LAB 45.96, 7.47, -4.82

 

CMYK 0 / 11 / 3 / 54

HEX #766972

RGB 118 105 114

HSL 318.46, 0.06%, 0.44%

LAB 45.87, 6.86, -3.16

 

CMYK 8 / 11 / 0 / 54

HEX #6D6976

RGB 109 105 118

HSL 258.46, 0.06%, 0.44%

LAB 45.17, 4.29, -6.69

 

CMYK 11 / 11 / 0 / 54

HEX #696976

RGB 105 105 118

HSL 240, 0.06%, 0.44%

LAB 44.82, 2.82, -7.24

 

CMYK 11 / 11 / 0 / 54

HEX #696976

RGB 105 105 118

HSL 240, 0.06%, 0.44%

LAB 44.82, 2.82, -7.24

 

CMYK 8 / 11 / 0 / 54

HEX #6D6976

RGB 109 105 118

HSL 258.46, 0.06%, 0.44%

LAB 45.17, 4.29, -6.69

 

CMYK 26 / 36 / 0 / 46

HEX #655789

RGB 101 87 137

HSL 256.8, 0.22%, 0.44%

LAB 40.23, 17.16, -25.79

 

CMYK 40 / 55 / 0 / 39

HEX #5D459B

RGB 93 69 155

HSL 256.74, 0.38%, 0.44%

LAB 35.89, 31.01, -43.62

 

CMYK 51 / 71 / 0 / 32

HEX #5533AD

RGB 85 51 173

HSL 256.72, 0.54%, 0.44%

LAB 32.52, 44.97, -59.94

 

CMYK 59 / 83 / 0 / 25

HEX #4E20BF

RGB 78 32 191

HSL 257.36, 0.71%, 0.44%

LAB 30.43, 57.88, -74.08

 

CMYK 8 / 11 / 0 / 54

HEX #6D6976

RGB 109 105 118

HSL 258.46, 0.06%, 0.44%

LAB 45.17, 4.29, -6.69

 

CMYK 5 / 0 / 19 / 52

HEX #757B64

RGB 117 123 100

HSL 75.65, 0.1%, 0.44%

LAB 50.53, -6.62, 11.84

 

CMYK 12 / 0 / 42 / 45

HEX #7C8D52

RGB 124 141 82

HSL 77.29, 0.26%, 0.44%

LAB 56.03, -16.29, 29.42

 

CMYK 17 / 0 / 60 / 38

HEX #849F40

RGB 132 159 64

HSL 77.05, 0.43%, 0.44%

LAB 61.72, -24.13, 45.44

 

CMYK 21 / 0 / 74 / 30

HEX #8CB22E

RGB 140 178 46

HSL 77.27, 0.59%, 0.44%

LAB 67.73, -31.32, 59.2

 

CMYK 11 / 8 / 0 / 54

HEX #696C76

RGB 105 108 118

HSL 226.15, 0.06%, 0.44%

LAB 45.68, 1.03, -5.96

 

CMYK 11 / 11 / 0 / 54

HEX #696976

RGB 105 105 118

HSL 240, 0.06%, 0.44%

LAB 44.82, 2.82, -7.24

 

CMYK 8 / 11 / 0 / 54

HEX #6D6976

RGB 109 105 118

HSL 258.46, 0.06%, 0.44%

LAB 45.17, 4.29, -6.69

 

CMYK 5 / 11 / 0 / 54

HEX #706976

RGB 112 105 118

HSL 272.31, 0.06%, 0.44%

LAB 45.44, 5.41, -6.26

 

CMYK 2 / 11 / 0 / 54

HEX #746976

RGB 116 105 118

HSL 290.77, 0.06%, 0.44%

LAB 45.8, 6.92, -5.67

 

CMYK 8 / 12 / 0 / 71

HEX #45424B

RGB 69 66 75

HSL 260, 0.06%, 0.28%

LAB 28.56, 3.31, -4.98

 

CMYK 8 / 11 / 0 / 62

HEX #595661

RGB 89 86 97

HSL 256.36, 0.06%, 0.36%

LAB 37.19, 3.62, -5.91

 

CMYK 8 / 11 / 0 / 54

HEX #6D6976

RGB 109 105 118

HSL 258.46, 0.06%, 0.44%

LAB 45.17, 4.29, -6.69

 

CMYK 8 / 11 / 0 / 45

HEX #817D8C

RGB 129 125 140

HSL 256, 0.06%, 0.52%

LAB 53.2, 4.58, -7.57

 

CMYK 6 / 8 / 0 / 38

HEX #96939F

RGB 150 147 159

HSL 255, 0.06%, 0.6%

LAB 61.53, 3.47, -5.92

 

CMYK 8 / 12 / 0 / 53

HEX #6D6977

RGB 109 105 119

HSL 257.14, 0.06%, 0.44%

LAB 45.2, 4.52, -7.24

 

CMYK 0 / 11 / 5 / 54

HEX #766970

RGB 118 105 112

HSL 327.69, 0.06%, 0.44%

LAB 45.8, 6.46, -2.04

 

CMYK 9 / 0 / 11 / 54

HEX #6B7669

RGB 107 118 105

HSL 110.77, 0.06%, 0.44%

LAB 48.39, -6.79, 5.76

 

CMYK 8 / 12 / 0 / 53

HEX #6D6977

RGB 109 105 119

HSL 257.14, 0.06%, 0.44%

LAB 45.2, 4.52, -7.24

 

CMYK 0 / 8 / 11 / 54

HEX #766D69

RGB 118 109 105

HSL 18.46, 0.06%, 0.44%

LAB 46.72, 2.75, 3.49

 

CMYK 11 / 0 / 8 / 54

HEX #69766D

RGB 105 118 109

HSL 138.46, 0.06%, 0.44%

LAB 48.34, -6.74, 3.31

 

CMYK 8 / 12 / 0 / 53

HEX #6D6977

RGB 109 105 119

HSL 257.14, 0.06%, 0.44%

LAB 45.2, 4.52, -7.24

 

CMYK 0 / 11 / 5 / 54

HEX #766970

RGB 118 105 112

HSL 327.69, 0.06%, 0.44%

LAB 45.8, 6.46, -2.04

 

CMYK 3 / 0 / 11 / 54

HEX #737669

RGB 115 118 105

HSL 73.85, 0.06%, 0.44%

LAB 49.03, -3.68, 6.77

 

CMYK 11 / 0 / 6 / 54

HEX #69766F

RGB 105 118 111

HSL 147.69, 0.06%, 0.44%

LAB 48.4, -6.33, 2.2

 

CMYK 8 / 12 / 0 / 53

HEX #6D6977

RGB 109 105 119

HSL 257.14, 0.06%, 0.44%

LAB 45.2, 4.52, -7.24

 

CMYK 0 / 11 / 8 / 54

HEX #76696C

RGB 118 105 108

HSL 346.15, 0.06%, 0.44%

LAB 45.69, 5.69, 0.19

 

CMYK 3 / 0 / 11 / 54

HEX #737669

RGB 115 118 105

HSL 73.85, 0.06%, 0.44%

LAB 49.03, -3.68, 6.77

 

CMYK 11 / 0 / 2 / 54

HEX #697674

RGB 105 118 116

HSL 170.77, 0.06%, 0.44%

LAB 48.54, -5.26, -0.55

 

Description

Color code: HEX #6D6977 | qconv.com Color code: HEX #6D6977 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 105 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 105 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 12 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 12% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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