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Color name
HEX #6D6202

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D6202 it is the complementary color #929DFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D6202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D6202 shade: #726200, #837410, #948623, #A59836 and #B6AA49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D6202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D6202 shade: #6D6202, #5C5000, #4B3E00, #3A2C00 and #291A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D6202 shade: #6D6202, #6D4502, #6D2802, #6D0B02 and #6D0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D6202 shade: #6D6202, #5B6D02, #3E6D02, #216D02 and #046D02

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D6202 shade matches the following richer shades: #6D6202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D6202 shade: #6D6202, #645B0B, #5B5414, #524D1D and #494626

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D6202 shade: #6D2702, #6D4402, #6D6102, #5D6D02 and #416D02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D6202 shade: #1D1A00, #453E01, #6D6202, #968703 and #BEAB03

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D6202 shade: #6D6202, #026D0B and #36026D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D6202 shade: #6D6202, #026D61 and #61026D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D6202 shade: #6D6202, #026D0B, #020E6D and #6D0264

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D6202 shade: #6D6202, #026D2B, #020E6D and #6D0244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 98 / 57

HEX #6D6202

RGB 109 98 2

HSL 53.83, 0.96%, 0.22%

LAB 41.2, -5.24, 47.59

 

Complementary color

CMYK 42 / 38 / 0 / 1

HEX #929DFD

RGB 146 157 253

HSL 233.83, 0.96%, 0.78%

LAB 67.51, 19.77, -49.07

 

CMYK 0 / 14 / 100 / 55

HEX #726200

RGB 114 98 0

HSL 51.58, 1%, 0.22%

LAB 41.71, -2.84, 48.73

 

CMYK 0 / 11 / 88 / 49

HEX #837410

RGB 131 116 16

HSL 52.17, 0.78%, 0.29%

LAB 48.7, -4.55, 51.07

 

CMYK 0 / 9 / 76 / 42

HEX #948623

RGB 148 134 35

HSL 52.57, 0.62%, 0.36%

LAB 55.55, -5.94, 51.69

 

CMYK 0 / 8 / 67 / 35

HEX #A59836

RGB 165 152 54

HSL 52.97, 0.51%, 0.43%

LAB 62.27, -7.04, 51.27

 

CMYK 0 / 7 / 60 / 29

HEX #B6AA49

RGB 182 170 73

HSL 53.39, 0.43%, 0.5%

LAB 68.88, -7.92, 50.38

 

CMYK 0 / 10 / 98 / 57

HEX #6D6202

RGB 109 98 2

HSL 53.83, 0.96%, 0.22%

LAB 41.2, -5.24, 47.59

 

CMYK 0 / 13 / 100 / 64

HEX #5C5000

RGB 92 80 0

HSL 52.17, 1%, 0.18%

LAB 34.01, -3.19, 42.18

 

CMYK 0 / 17 / 100 / 71

HEX #4B3E00

RGB 75 62 0

HSL 49.6, 1%, 0.15%

LAB 26.57, -0.94, 35.65

 

CMYK 0 / 24 / 100 / 77

HEX #3A2C00

RGB 58 44 0

HSL 45.52, 1%, 0.11%

LAB 18.8, 1.51, 26.96

 

CMYK 0 / 37 / 100 / 84

HEX #291A00

RGB 41 26 0

HSL 38.05, 1%, 0.08%

LAB 10.63, 4.28, 15.96

 

CMYK 0 / 10 / 98 / 57

HEX #6D6202

RGB 109 98 2

HSL 53.83, 0.96%, 0.22%

LAB 41.2, -5.24, 47.59

 

CMYK 0 / 37 / 98 / 57

HEX #6D4502

RGB 109 69 2

HSL 37.57, 0.96%, 0.22%

LAB 32.94, 12.15, 41.65

 

CMYK 0 / 63 / 98 / 57

HEX #6D2802

RGB 109 40 2

HSL 21.31, 0.96%, 0.22%

LAB 26.08, 28.97, 36.3

 

CMYK 0 / 90 / 98 / 57

HEX #6D0B02

RGB 109 11 2

HSL 5.05, 0.96%, 0.22%

LAB 21.93, 40.34, 32.19

 

CMYK 0 / 98 / 98 / 57

HEX #6D0202

RGB 109 2 2

HSL 0, 0.96%, 0.22%

LAB 21.2, 42.41, 31.41

 

CMYK 0 / 10 / 98 / 57

HEX #6D6202

RGB 109 98 2

HSL 53.83, 0.96%, 0.22%

LAB 41.2, -5.24, 47.59

 

CMYK 17 / 0 / 98 / 57

HEX #5B6D02

RGB 91 109 2

HSL 70.09, 0.96%, 0.22%

LAB 43.01, -19.95, 48.26

 

CMYK 43 / 0 / 98 / 57

HEX #3E6D02

RGB 62 109 2

HSL 86.36, 0.96%, 0.22%

LAB 41.16, -32.25, 46.02

 

CMYK 70 / 0 / 98 / 57

HEX #216D02

RGB 33 109 2

HSL 102.62, 0.96%, 0.22%

LAB 40.02, -41.22, 44.63

 

CMYK 96 / 0 / 98 / 57

HEX #046D02

RGB 4 109 2

HSL 118.88, 0.96%, 0.22%

LAB 39.53, -45.59, 44.01

 

CMYK 0 / 10 / 98 / 57

HEX #6D6202

RGB 109 98 2

HSL 53.83, 0.96%, 0.22%

LAB 41.2, -5.24, 47.59

 

CMYK 0 / 10 / 98 / 57

HEX #6D6202

RGB 109 98 2

HSL 53.83, 0.96%, 0.22%

LAB 41.2, -5.24, 47.59

 

CMYK 0 / 9 / 89 / 61

HEX #645B0B

RGB 100 91 11

HSL 53.93, 0.8%, 0.22%

LAB 38.23, -5.36, 42.44

 

CMYK 0 / 8 / 78 / 64

HEX #5B5414

RGB 91 84 20

HSL 54.08, 0.64%, 0.22%

LAB 35.23, -5.32, 36.24

 

CMYK 0 / 6 / 65 / 68

HEX #524D1D

RGB 82 77 29

HSL 54.34, 0.48%, 0.22%

LAB 32.24, -4.97, 28.57

 

CMYK 0 / 4 / 48 / 71

HEX #494626

RGB 73 70 38

HSL 54.86, 0.32%, 0.22%

LAB 29.25, -4.18, 19.69

 

CMYK 0 / 64 / 98 / 57

HEX #6D2702

RGB 109 39 2

HSL 20.75, 0.96%, 0.22%

LAB 25.88, 29.49, 36.12

 

CMYK 0 / 38 / 98 / 57

HEX #6D4402

RGB 109 68 2

HSL 37.01, 0.96%, 0.22%

LAB 32.68, 12.76, 41.47

 

CMYK 0 / 11 / 98 / 57

HEX #6D6102

RGB 109 97 2

HSL 53.27, 0.96%, 0.22%

LAB 40.9, -4.66, 47.37

 

CMYK 15 / 0 / 98 / 57

HEX #5D6D02

RGB 93 109 2

HSL 68.97, 0.96%, 0.22%

LAB 43.17, -19.03, 48.44

 

CMYK 40 / 0 / 98 / 57

HEX #416D02

RGB 65 109 2

HSL 84.67, 0.96%, 0.22%

LAB 41.32, -31.1, 46.21

 

CMYK 0 / 10 / 100 / 89

HEX #1D1A00

RGB 29 26 0

HSL 53.79, 1%, 0.06%

LAB 8.99, -2.89, 13.4

 

CMYK 0 / 10 / 99 / 73

HEX #453E01

RGB 69 62 1

HSL 53.82, 0.97%, 0.14%

LAB 25.9, -4.08, 34.39

 

CMYK 0 / 10 / 98 / 57

HEX #6D6202

RGB 109 98 2

HSL 53.83, 0.96%, 0.22%

LAB 41.2, -5.24, 47.59

 

CMYK 0 / 10 / 98 / 41

HEX #968703

RGB 150 135 3

HSL 53.88, 0.96%, 0.3%

LAB 55.91, -6.43, 60

 

CMYK 0 / 10 / 98 / 25

HEX #BEAB03

RGB 190 171 3

HSL 53.9, 0.97%, 0.38%

LAB 69.53, -7.51, 71.63

 

CMYK 0 / 10 / 98 / 57

HEX #6D6202

RGB 109 98 2

HSL 53.83, 0.96%, 0.22%

LAB 41.2, -5.24, 47.59

 

CMYK 98 / 0 / 90 / 57

HEX #026D0B

RGB 2 109 11

HSL 125.05, 0.96%, 0.22%

LAB 39.54, -45.36, 41.76

 

CMYK 50 / 98 / 0 / 57

HEX #36026D

RGB 54 2 109

HSL 269.16, 0.96%, 0.22%

LAB 15.13, 44.05, -48.74

 

CMYK 0 / 10 / 98 / 57

HEX #6D6202

RGB 109 98 2

HSL 53.83, 0.96%, 0.22%

LAB 41.2, -5.24, 47.59

 

CMYK 98 / 0 / 11 / 57

HEX #026D61

RGB 2 109 97

HSL 173.27, 0.96%, 0.22%

LAB 40.92, -29.44, -0.82

 

CMYK 11 / 98 / 0 / 57

HEX #61026D

RGB 97 2 109

HSL 293.27, 0.96%, 0.22%

LAB 22.62, 50.01, -36.19

 

CMYK 0 / 10 / 98 / 57

HEX #6D6202

RGB 109 98 2

HSL 53.83, 0.96%, 0.22%

LAB 41.2, -5.24, 47.59

 

CMYK 98 / 0 / 90 / 57

HEX #026D0B

RGB 2 109 11

HSL 125.05, 0.96%, 0.22%

LAB 39.54, -45.36, 41.76

 

CMYK 98 / 87 / 0 / 57

HEX #020E6D

RGB 2 14 109

HSL 233.27, 0.96%, 0.22%

LAB 12.16, 35.6, -53.78

 

CMYK 0 / 98 / 8 / 57

HEX #6D0264

RGB 109 2 100

HSL 305.05, 0.96%, 0.22%

LAB 24.37, 50.71, -27.38

 

CMYK 0 / 10 / 98 / 57

HEX #6D6202

RGB 109 98 2

HSL 53.83, 0.96%, 0.22%

LAB 41.2, -5.24, 47.59

 

CMYK 98 / 0 / 61 / 57

HEX #026D2B

RGB 2 109 43

HSL 142.99, 0.96%, 0.22%

LAB 39.79, -42.17, 29.04

 

CMYK 98 / 87 / 0 / 57

HEX #020E6D

RGB 2 14 109

HSL 233.27, 0.96%, 0.22%

LAB 12.16, 35.6, -53.78

 

CMYK 0 / 98 / 38 / 57

HEX #6D0244

RGB 109 2 68

HSL 322.99, 0.96%, 0.22%

LAB 22.7, 46.44, -8.52

 

Description

Color code: HEX #6D6202 | qconv.com Color code: HEX #6D6202 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 98 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 98 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 98 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 98% 57% C M Y K

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Provide designers and agencies with accurate color values.

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