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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D75F2 it is the complementary color #928A0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D75F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D75F2 shade: #7275ED, #8387FF, #9499FF, #A5ABFF and #B6BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D75F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D75F2 shade: #6D75F2, #5C63DF, #4B51CC, #3A3FB9 and #292DA6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D75F2 shade: #6D75F2, #896DF2, #AD6DF2, #D06DF2 and #F26DEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D75F2 shade: #6D75F2 and #6D6DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D75F2 shade matches the following richer shades: #6D75F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D75F2 shade: #6D75F2, #7A80E5, #878CD8, #9397CB and #A0A2BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D75F2 shade: #6DBDF2, #6D99F2, #6D76F2, #886DF2 and #AB6DF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D75F2 shade: #212DEB, #4751EF, #6D75F2, #9399F5 and #B9BDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D75F2 shade: #6D75F2, #F26DE0 and #ABF26D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D75F2 shade: #6D75F2, #F26D76 and #76F26D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D75F2 shade: #6D75F2, #F26DE0, #F2E96D and #6DF27F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D75F2 shade: #6D75F2, #F26DB8, #F2E96D and #6DF2A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 52 / 0 / 5

HEX #6D75F2

RGB 109 117 242

HSL 236.39, 0.84%, 0.69%

LAB 54.43, 31.83, -64.02

 

Complementary color

CMYK 0 / 5 / 91 / 43

HEX #928A0D

RGB 146 138 13

HSL 56.39, 0.84%, 0.31%

LAB 56.4, -9.74, 58.53

 

CMYK 52 / 51 / 0 / 7

HEX #7275ED

RGB 114 117 237

HSL 238.54, 0.77%, 0.69%

LAB 54.46, 31.28, -61.17

 

CMYK 49 / 47 / 0 / 0

HEX #8387FF

RGB 131 135 255

HSL 238.06, 1%, 0.76%

LAB 61.11, 29.64, -60.4

 

CMYK 42 / 40 / 0 / 0

HEX #9499FF

RGB 148 153 255

HSL 237.2, 1%, 0.79%

LAB 66.75, 23.12, -51.36

 

CMYK 35 / 33 / 0 / 0

HEX #A5ABFF

RGB 165 171 255

HSL 236, 1%, 0.82%

LAB 72.46, 17.24, -42.3

 

CMYK 29 / 26 / 0 / 0

HEX #B6BDFF

RGB 182 189 255

HSL 234.25, 1%, 0.86%

LAB 78.2, 11.96, -33.28

 

CMYK 55 / 52 / 0 / 5

HEX #6D75F2

RGB 109 117 242

HSL 236.39, 0.84%, 0.69%

LAB 54.43, 31.83, -64.02

 

CMYK 59 / 56 / 0 / 13

HEX #5C63DF

RGB 92 99 223

HSL 236.79, 0.67%, 0.62%

LAB 47.66, 33.51, -64.35

 

CMYK 63 / 60 / 0 / 20

HEX #4B51CC

RGB 75 81 204

HSL 237.21, 0.56%, 0.55%

LAB 40.8, 35.46, -64.67

 

CMYK 69 / 66 / 0 / 27

HEX #3A3FB9

RGB 58 63 185

HSL 237.64, 0.52%, 0.48%

LAB 33.89, 37.7, -64.9

 

CMYK 75 / 73 / 0 / 35

HEX #292DA6

RGB 41 45 166

HSL 238.08, 0.6%, 0.41%

LAB 27.02, 40.21, -64.89

 

CMYK 55 / 52 / 0 / 5

HEX #6D75F2

RGB 109 117 242

HSL 236.39, 0.84%, 0.69%

LAB 54.43, 31.83, -64.02

 

CMYK 43 / 55 / 0 / 5

HEX #896DF2

RGB 137 109 242

HSL 252.63, 0.84%, 0.69%

LAB 54.73, 42.3, -63.43

 

CMYK 29 / 55 / 0 / 5

HEX #AD6DF2

RGB 173 109 242

HSL 268.87, 0.84%, 0.69%

LAB 58.26, 50.61, -57.58

 

CMYK 14 / 55 / 0 / 5

HEX #D06DF2

RGB 208 109 242

HSL 284.66, 0.84%, 0.69%

LAB 62.3, 59.3, -50.89

 

CMYK 0 / 55 / 1 / 5

HEX #F26DEF

RGB 242 109 239

HSL 301.35, 0.84%, 0.69%

LAB 66.56, 67.44, -42.24

 

CMYK 55 / 52 / 0 / 5

HEX #6D75F2

RGB 109 117 242

HSL 236.39, 0.84%, 0.69%

LAB 54.43, 31.83, -64.02

 

CMYK 55 / 55 / 0 / 5

HEX #6D6DF2

RGB 109 109 242

HSL 240, 0.84%, 0.69%

LAB 52.51, 36.61, -67.13

 

CMYK 55 / 52 / 0 / 5

HEX #6D75F2

RGB 109 117 242

HSL 236.39, 0.84%, 0.69%

LAB 54.43, 31.83, -64.02

 

CMYK 55 / 52 / 0 / 5

HEX #6D75F2

RGB 109 117 242

HSL 236.39, 0.84%, 0.69%

LAB 54.43, 31.83, -64.02

 

CMYK 47 / 44 / 0 / 10

HEX #7A80E5

RGB 122 128 229

HSL 236.64, 0.67%, 0.69%

LAB 57.3, 24.05, -52.13

 

CMYK 38 / 35 / 0 / 15

HEX #878CD8

RGB 135 140 216

HSL 236.3, 0.51%, 0.69%

LAB 60.66, 16.54, -39.5

 

CMYK 28 / 26 / 0 / 20

HEX #9397CB

RGB 147 151 203

HSL 235.71, 0.35%, 0.69%

LAB 63.87, 10.23, -27.17

 

CMYK 16 / 15 / 0 / 25

HEX #A0A2BF

RGB 160 162 191

HSL 236.13, 0.19%, 0.69%

LAB 67.33, 5.3, -15.12

 

CMYK 55 / 22 / 0 / 5

HEX #6DBDF2

RGB 109 189 242

HSL 203.91, 0.84%, 0.69%

LAB 73.58, -9.79, -33.77

 

CMYK 55 / 37 / 0 / 5

HEX #6D99F2

RGB 109 153 242

HSL 220.15, 0.84%, 0.69%

LAB 63.71, 10.4, -49.21

 

CMYK 55 / 51 / 0 / 5

HEX #6D76F2

RGB 109 118 242

HSL 235.94, 0.84%, 0.69%

LAB 54.68, 31.23, -63.62

 

CMYK 44 / 55 / 0 / 5

HEX #886DF2

RGB 136 109 242

HSL 252.18, 0.84%, 0.69%

LAB 54.64, 42.08, -63.58

 

CMYK 29 / 55 / 0 / 5

HEX #AB6DF2

RGB 171 109 242

HSL 267.97, 0.84%, 0.69%

LAB 58.04, 50.13, -57.93

 

CMYK 86 / 81 / 0 / 8

HEX #212DEB

RGB 33 45 235

HSL 236.44, 0.83%, 0.53%

LAB 34.39, 62.06, -93.06

 

CMYK 70 / 66 / 0 / 6

HEX #4751EF

RGB 71 81 239

HSL 236.43, 0.84%, 0.61%

LAB 43.44, 46.63, -80.32

 

CMYK 55 / 52 / 0 / 5

HEX #6D75F2

RGB 109 117 242

HSL 236.39, 0.84%, 0.69%

LAB 54.43, 31.83, -64.02

 

CMYK 40 / 38 / 0 / 4

HEX #9399F5

RGB 147 153 245

HSL 236.33, 0.83%, 0.77%

LAB 66.2, 20.1, -46.78

 

CMYK 25 / 24 / 0 / 3

HEX #B9BDF8

RGB 185 189 248

HSL 236.19, 0.82%, 0.85%

LAB 78.16, 11.16, -29.58

 

CMYK 55 / 52 / 0 / 5

HEX #6D75F2

RGB 109 117 242

HSL 236.39, 0.84%, 0.69%

LAB 54.43, 31.83, -64.02

 

CMYK 0 / 55 / 7 / 5

HEX #F26DE0

RGB 242 109 224

HSL 308.12, 0.84%, 0.69%

LAB 65.9, 65, -34.94

 

CMYK 29 / 0 / 55 / 5

HEX #ABF26D

RGB 171 242 109

HSL 92.03, 0.84%, 0.69%

LAB 88.57, -43.64, 56.37

 

CMYK 55 / 52 / 0 / 5

HEX #6D75F2

RGB 109 117 242

HSL 236.39, 0.84%, 0.69%

LAB 54.43, 31.83, -64.02

 

CMYK 0 / 55 / 51 / 5

HEX #F26D76

RGB 242 109 118

HSL 355.94, 0.84%, 0.69%

LAB 62.61, 51.88, 20.43

 

CMYK 51 / 0 / 55 / 5

HEX #76F26D

RGB 118 242 109

HSL 115.94, 0.84%, 0.69%

LAB 86.24, -59.88, 53.04

 

CMYK 55 / 52 / 0 / 5

HEX #6D75F2

RGB 109 117 242

HSL 236.39, 0.84%, 0.69%

LAB 54.43, 31.83, -64.02

 

CMYK 0 / 55 / 7 / 5

HEX #F26DE0

RGB 242 109 224

HSL 308.12, 0.84%, 0.69%

LAB 65.9, 65, -34.94

 

CMYK 0 / 4 / 55 / 5

HEX #F2E96D

RGB 242 233 109

HSL 55.94, 0.84%, 0.69%

LAB 90.9, -12.45, 60.29

 

CMYK 55 / 0 / 48 / 5

HEX #6DF27F

RGB 109 242 127

HSL 128.12, 0.84%, 0.69%

LAB 86.15, -59.8, 44.48

 

CMYK 55 / 52 / 0 / 5

HEX #6D75F2

RGB 109 117 242

HSL 236.39, 0.84%, 0.69%

LAB 54.43, 31.83, -64.02

 

CMYK 0 / 55 / 24 / 5

HEX #F26DB8

RGB 242 109 184

HSL 326.17, 0.84%, 0.69%

LAB 64.38, 59.13, -14.77

 

CMYK 0 / 4 / 55 / 5

HEX #F2E96D

RGB 242 233 109

HSL 55.94, 0.84%, 0.69%

LAB 90.9, -12.45, 60.29

 

CMYK 55 / 0 / 31 / 5

HEX #6DF2A7

RGB 109 242 167

HSL 146.17, 0.84%, 0.69%

LAB 86.77, -53.19, 25.39

 

Description

Color code: HEX #6D75F2 | qconv.com Color code: HEX #6D75F2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 117 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 117 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 52 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 52% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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