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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D9B26 it is the complementary color #9264D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D9B26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D9B26 shade: #729B21, #83AD34, #94BF47, #A5D15A and #B6E36D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D9B26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D9B26 shade: #6D9B26, #5C8913, #4B7700, #3A6500 and #295300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D9B26 shade: #6D9C25, #8D9C25, #9C8A25, #9C6A25 and #9C4A25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D9B26 shade: #6D9C25, #4D9C25, #2D9C25, #259C3D and #259C5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D9B26 shade matches the following richer shades: #6D9C25, #70AB16 and #74BB06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D9B26 shade: #6D9C25, #6A8C35, #667C45, #636C54 and #605D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D9B26 shade: #9C8A25, #8E9C25, #6E9C25, #4F9C25 and #2F9C25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D9B26 shade: #3E5915, #567A1D, #6D9C25, #84BD2D and #99D142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D9B26 shade: #6D9B26, #259C6A and #9A259C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D9B26 shade: #6D9B26, #256E9C and #9C256E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D9B26 shade: #6D9B26, #259C6A, #53259C and #9C2557

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D9B26 shade: #6D9B26, #259C8E, #53259C and #9C2533

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 75 / 39

HEX #6D9B26

RGB 109 155 38

HSL 83.59, 0.61%, 0.38%

LAB 58.82, -33.37, 52.71

 

Complementary color

CMYK 33 / 54 / 0 / 15

HEX #9264D9

RGB 146 100 217

HSL 263.59, 0.61%, 0.62%

LAB 52.1, 42.81, -53.56

 

CMYK 26 / 0 / 79 / 39

HEX #729B21

RGB 114 155 33

HSL 80.16, 0.65%, 0.37%

LAB 59.09, -31.66, 54.75

 

CMYK 24 / 0 / 70 / 32

HEX #83AD34

RGB 131 173 52

HSL 80.83, 0.54%, 0.44%

LAB 65.72, -32.2, 54.81

 

CMYK 23 / 0 / 63 / 25

HEX #94BF47

RGB 148 191 71

HSL 81.5, 0.48%, 0.51%

LAB 72.24, -32.56, 54.23

 

CMYK 21 / 0 / 57 / 18

HEX #A5D15A

RGB 165 209 90

HSL 82.18, 0.56%, 0.59%

LAB 78.66, -32.81, 53.35

 

CMYK 20 / 0 / 52 / 11

HEX #B6E36D

RGB 182 227 109

HSL 82.88, 0.68%, 0.66%

LAB 84.99, -32.97, 52.32

 

CMYK 30 / 0 / 75 / 39

HEX #6D9B26

RGB 109 155 38

HSL 83.59, 0.61%, 0.38%

LAB 58.82, -33.37, 52.71

 

CMYK 33 / 0 / 86 / 46

HEX #5C8913

RGB 92 137 19

HSL 82.88, 0.76%, 0.31%

LAB 52.08, -32.71, 51.97

 

CMYK 37 / 0 / 100 / 53

HEX #4B7700

RGB 75 119 0

HSL 82.18, 1%, 0.23%

LAB 45.21, -31.79, 49.96

 

CMYK 43 / 0 / 100 / 60

HEX #3A6500

RGB 58 101 0

HSL 85.54, 1%, 0.2%

LAB 38.21, -30.27, 44.15

 

CMYK 51 / 0 / 100 / 67

HEX #295300

RGB 41 83 0

HSL 90.36, 1%, 0.16%

LAB 31.02, -28.62, 38.17

 

CMYK 30 / 0 / 76 / 39

HEX #6D9C25

RGB 109 156 37

HSL 83.7, 0.62%, 0.38%

LAB 59.12, -33.89, 53.35

 

CMYK 10 / 0 / 76 / 39

HEX #8D9C25

RGB 141 156 37

HSL 67.56, 0.62%, 0.38%

LAB 61.28, -20.61, 56.16

 

CMYK 0 / 12 / 76 / 39

HEX #9C8A25

RGB 156 138 37

HSL 50.92, 0.62%, 0.38%

LAB 57.44, -4.39, 53.01

 

CMYK 0 / 32 / 76 / 39

HEX #9C6A25

RGB 156 106 37

HSL 34.79, 0.62%, 0.38%

LAB 48.9, 13.64, 44.76

 

CMYK 0 / 53 / 76 / 39

HEX #9C4A25

RGB 156 74 37

HSL 18.66, 0.62%, 0.38%

LAB 41.37, 31.59, 37.09

 

CMYK 30 / 0 / 76 / 39

HEX #6D9C25

RGB 109 156 37

HSL 83.7, 0.62%, 0.38%

LAB 59.12, -33.89, 53.35

 

CMYK 51 / 0 / 76 / 39

HEX #4D9C25

RGB 77 156 37

HSL 99.83, 0.62%, 0.38%

LAB 57.55, -45.13, 51.28

 

CMYK 71 / 0 / 76 / 39

HEX #2D9C25

RGB 45 156 37

HSL 115.97, 0.62%, 0.38%

LAB 56.55, -53.12, 49.96

 

CMYK 76 / 0 / 61 / 39

HEX #259C3D

RGB 37 156 61

HSL 132.1, 0.62%, 0.38%

LAB 56.59, -52.06, 39.9

 

CMYK 76 / 0 / 40 / 39

HEX #259C5D

RGB 37 156 93

HSL 148.24, 0.62%, 0.38%

LAB 57.04, -46.87, 24.02

 

CMYK 30 / 0 / 76 / 39

HEX #6D9C25

RGB 109 156 37

HSL 83.7, 0.62%, 0.38%

LAB 59.12, -33.89, 53.35

 

CMYK 35 / 0 / 87 / 33

HEX #70AB16

RGB 112 171 22

HSL 83.76, 0.77%, 0.38%

LAB 63.86, -40.09, 61.88

 

CMYK 38 / 0 / 97 / 27

HEX #74BB06

RGB 116 187 6

HSL 83.54, 0.94%, 0.38%

LAB 68.94, -45.75, 68.56

 

CMYK 30 / 0 / 76 / 39

HEX #6D9C25

RGB 109 156 37

HSL 83.7, 0.62%, 0.38%

LAB 59.12, -33.89, 53.35

 

CMYK 24 / 0 / 62 / 45

HEX #6A8C35

RGB 106 140 53

HSL 83.45, 0.45%, 0.38%

LAB 54.11, -26.32, 41.57

 

CMYK 18 / 0 / 44 / 51

HEX #667C45

RGB 102 124 69

HSL 84, 0.28%, 0.38%

LAB 49.09, -18.02, 27.38

 

CMYK 8 / 0 / 22 / 58

HEX #636C54

RGB 99 108 84

HSL 82.5, 0.13%, 0.38%

LAB 44.26, -8.15, 12.31

 

CMYK 4 / 7 / 0 / 61

HEX #605D64

RGB 96 93 100

HSL 265.71, 0.04%, 0.38%

LAB 39.97, 2.68, -3.57

 

CMYK 0 / 12 / 76 / 39

HEX #9C8A25

RGB 156 138 37

HSL 50.92, 0.62%, 0.38%

LAB 57.44, -4.39, 53.01

 

CMYK 9 / 0 / 76 / 39

HEX #8E9C25

RGB 142 156 37

HSL 67.06, 0.62%, 0.38%

LAB 61.36, -20.18, 56.26

 

CMYK 29 / 0 / 76 / 39

HEX #6E9C25

RGB 110 156 37

HSL 83.19, 0.62%, 0.38%

LAB 59.18, -33.5, 53.42

 

CMYK 49 / 0 / 76 / 39

HEX #4F9C25

RGB 79 156 37

HSL 98.82, 0.62%, 0.38%

LAB 57.63, -44.51, 51.38

 

CMYK 70 / 0 / 76 / 39

HEX #2F9C25

RGB 47 156 37

HSL 114.96, 0.62%, 0.38%

LAB 56.6, -52.73, 50.02

 

CMYK 30 / 0 / 76 / 65

HEX #3E5915

RGB 62 89 21

HSL 83.82, 0.62%, 0.22%

LAB 34.44, -21.78, 34.23

 

CMYK 30 / 0 / 76 / 52

HEX #567A1D

RGB 86 122 29

HSL 83.23, 0.62%, 0.3%

LAB 46.96, -27.56, 43.96

 

CMYK 30 / 0 / 76 / 39

HEX #6D9C25

RGB 109 156 37

HSL 83.7, 0.62%, 0.38%

LAB 59.12, -33.89, 53.35

 

CMYK 30 / 0 / 76 / 26

HEX #84BD2D

RGB 132 189 45

HSL 83.75, 0.62%, 0.46%

LAB 70.52, -39.49, 62.03

 

CMYK 27 / 0 / 68 / 18

HEX #99D142

RGB 153 209 66

HSL 83.5, 0.61%, 0.54%

LAB 77.74, -39.22, 62.15

 

CMYK 30 / 0 / 75 / 39

HEX #6D9B26

RGB 109 155 38

HSL 83.59, 0.61%, 0.38%

LAB 58.82, -33.37, 52.71

 

CMYK 76 / 0 / 32 / 39

HEX #259C6A

RGB 37 156 106

HSL 154.79, 0.62%, 0.38%

LAB 57.28, -44.15, 17.2

 

CMYK 1 / 76 / 0 / 39

HEX #9A259C

RGB 154 37 156

HSL 298.99, 0.62%, 0.38%

LAB 38.89, 60.76, -38.95

 

CMYK 30 / 0 / 75 / 39

HEX #6D9B26

RGB 109 155 38

HSL 83.59, 0.61%, 0.38%

LAB 58.82, -33.37, 52.71

 

CMYK 76 / 29 / 0 / 39

HEX #256E9C

RGB 37 110 156

HSL 203.19, 0.62%, 0.38%

LAB 44.15, -6.11, -31.29

 

CMYK 0 / 76 / 29 / 39

HEX #9C256E

RGB 156 37 110

HSL 323.19, 0.62%, 0.38%

LAB 36.96, 54.46, -13.53

 

CMYK 30 / 0 / 75 / 39

HEX #6D9B26

RGB 109 155 38

HSL 83.59, 0.61%, 0.38%

LAB 58.82, -33.37, 52.71

 

CMYK 76 / 0 / 32 / 39

HEX #259C6A

RGB 37 156 106

HSL 154.79, 0.62%, 0.38%

LAB 57.28, -44.15, 17.2

 

CMYK 47 / 76 / 0 / 39

HEX #53259C

RGB 83 37 156

HSL 263.19, 0.62%, 0.38%

LAB 28.28, 46.97, -56.61

 

CMYK 0 / 76 / 44 / 39

HEX #9C2557

RGB 156 37 87

HSL 334.79, 0.62%, 0.38%

LAB 36.14, 51.88, -0.11

 

CMYK 30 / 0 / 75 / 39

HEX #6D9B26

RGB 109 155 38

HSL 83.59, 0.61%, 0.38%

LAB 58.82, -33.37, 52.71

 

CMYK 76 / 0 / 9 / 39

HEX #259C8E

RGB 37 156 142

HSL 172.94, 0.62%, 0.38%

LAB 58.15, -35, -1.87

 

CMYK 47 / 76 / 0 / 39

HEX #53259C

RGB 83 37 156

HSL 263.19, 0.62%, 0.38%

LAB 28.28, 46.97, -56.61

 

CMYK 0 / 76 / 67 / 39

HEX #9C2533

RGB 156 37 51

HSL 352.94, 0.62%, 0.38%

LAB 35.26, 49.06, 21.85

 

Description

Color code: HEX #6D9B26 | qconv.com Color code: HEX #6D9B26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 155 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 155 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 75 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 75% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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