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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DAB20 it is the complementary color #9254DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DAB20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DAB20 shade: #72AB1B, #83BD2E, #94CF41, #A5E154 and #B6F367

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DAB20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DAB20 shade: #6DAB20, #5C990D, #4B8700, #3A7500 and #296300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DAB20 shade: #6DAB20, #92AB20, #AB9E20, #AB7920 and #AB5320

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DAB20 shade: #6DAB20, #48AB20, #22AB20, #20AB44 and #20AB69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DAB20 shade matches the following richer shades: #6DAB20 and #6FBB10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DAB20 shade: #6DAB20, #6B9A31, #698A41, #687952 and #666962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DAB20 shade: #AB9D20, #94AB20, #6FAB20, #4AAB20 and #25AB20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DAB20 shade: #416613, #57881A, #6DAB20, #83CE27 and #97DB43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DAB20 shade: #6DAB20, #20AB78 and #AB20A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DAB20 shade: #6DAB20, #206FAB and #AB206F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DAB20 shade: #6DAB20, #20AB78, #5C20AB and #AB2053

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DAB20 shade: #6DAB20, #20ABA2, #5C20AB and #AB2029

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 81 / 33

HEX #6DAB20

RGB 109 171 32

HSL 86.76, 0.68%, 0.4%

LAB 63.74, -40.81, 59.23

 

Complementary color

CMYK 35 / 62 / 0 / 13

HEX #9254DF

RGB 146 84 223

HSL 266.76, 0.68%, 0.6%

LAB 49.23, 52.9, -61.58

 

CMYK 33 / 0 / 84 / 33

HEX #72AB1B

RGB 114 171 27

HSL 83.75, 0.73%, 0.39%

LAB 63.98, -39.17, 60.87

 

CMYK 31 / 0 / 76 / 26

HEX #83BD2E

RGB 131 189 46

HSL 84.34, 0.61%, 0.46%

LAB 70.47, -39.81, 61.64

 

CMYK 29 / 0 / 69 / 19

HEX #94CF41

RGB 148 207 65

HSL 84.93, 0.6%, 0.53%

LAB 76.86, -40.26, 61.54

 

CMYK 27 / 0 / 63 / 12

HEX #A5E154

RGB 165 225 84

HSL 85.53, 0.7%, 0.61%

LAB 83.17, -40.56, 60.96

 

CMYK 25 / 0 / 58 / 5

HEX #B6F367

RGB 182 243 103

HSL 86.14, 0.85%, 0.68%

LAB 89.4, -40.75, 60.12

 

CMYK 36 / 0 / 81 / 33

HEX #6DAB20

RGB 109 171 32

HSL 86.76, 0.68%, 0.4%

LAB 63.74, -40.81, 59.23

 

CMYK 40 / 0 / 92 / 40

HEX #5C990D

RGB 92 153 13

HSL 86.14, 0.84%, 0.33%

LAB 57.16, -39.97, 57.58

 

CMYK 44 / 0 / 100 / 47

HEX #4B8700

RGB 75 135 0

HSL 86.67, 1%, 0.26%

LAB 50.48, -38.78, 54.06

 

CMYK 50 / 0 / 100 / 54

HEX #3A7500

RGB 58 117 0

HSL 90.26, 1%, 0.23%

LAB 43.69, -37.18, 48.42

 

CMYK 59 / 0 / 100 / 61

HEX #296300

RGB 41 99 0

HSL 95.15, 1%, 0.19%

LAB 36.73, -35.37, 42.66

 

CMYK 36 / 0 / 81 / 33

HEX #6DAB20

RGB 109 171 32

HSL 86.76, 0.68%, 0.4%

LAB 63.74, -40.81, 59.23

 

CMYK 15 / 0 / 81 / 33

HEX #92AB20

RGB 146 171 32

HSL 70.79, 0.68%, 0.4%

LAB 66.01, -26.14, 62.12

 

CMYK 0 / 8 / 81 / 33

HEX #AB9E20

RGB 171 158 32

HSL 54.39, 0.68%, 0.4%

LAB 64.34, -8.58, 61.42

 

CMYK 0 / 29 / 81 / 33

HEX #AB7920

RGB 171 121 32

HSL 38.42, 0.68%, 0.4%

LAB 54.49, 11.73, 52.7

 

CMYK 0 / 51 / 81 / 33

HEX #AB5320

RGB 171 83 32

HSL 22.01, 0.68%, 0.4%

LAB 45.56, 32.77, 44.49

 

CMYK 36 / 0 / 81 / 33

HEX #6DAB20

RGB 109 171 32

HSL 86.76, 0.68%, 0.4%

LAB 63.74, -40.81, 59.23

 

CMYK 58 / 0 / 81 / 33

HEX #48AB20

RGB 72 171 32

HSL 102.73, 0.68%, 0.4%

LAB 62.18, -52.53, 57.22

 

CMYK 80 / 0 / 81 / 33

HEX #22AB20

RGB 34 171 32

HSL 119.14, 0.68%, 0.4%

LAB 61.28, -60.04, 56.06

 

CMYK 81 / 0 / 60 / 33

HEX #20AB44

RGB 32 171 68

HSL 135.54, 0.68%, 0.4%

LAB 61.52, -56.92, 42.31

 

CMYK 81 / 0 / 39 / 33

HEX #20AB69

RGB 32 171 105

HSL 151.51, 0.68%, 0.4%

LAB 62.04, -50.82, 24.17

 

CMYK 36 / 0 / 81 / 33

HEX #6DAB20

RGB 109 171 32

HSL 86.76, 0.68%, 0.4%

LAB 63.74, -40.81, 59.23

 

CMYK 41 / 0 / 91 / 27

HEX #6FBB10

RGB 111 187 16

HSL 86.67, 0.84%, 0.4%

LAB 68.72, -47.31, 67.02

 

CMYK 36 / 0 / 81 / 33

HEX #6DAB20

RGB 109 171 32

HSL 86.76, 0.68%, 0.4%

LAB 63.74, -40.81, 59.23

 

CMYK 31 / 0 / 68 / 40

HEX #6B9A31

RGB 107 154 49

HSL 86.86, 0.52%, 0.4%

LAB 58.47, -32.94, 48.07

 

CMYK 24 / 0 / 53 / 46

HEX #698A41

RGB 105 138 65

HSL 87.12, 0.36%, 0.4%

LAB 53.56, -24.51, 35.04

 

CMYK 14 / 0 / 32 / 53

HEX #687952

RGB 104 121 82

HSL 86.15, 0.19%, 0.4%

LAB 48.54, -13.72, 19.38

 

CMYK 3 / 0 / 7 / 59

HEX #666962

RGB 102 105 98

HSL 85.71, 0.03%, 0.4%

LAB 43.96, -2.59, 3.53

 

CMYK 0 / 8 / 81 / 33

HEX #AB9D20

RGB 171 157 32

HSL 53.96, 0.68%, 0.4%

LAB 64.06, -8.05, 61.18

 

CMYK 13 / 0 / 81 / 33

HEX #94AB20

RGB 148 171 32

HSL 69.93, 0.68%, 0.4%

LAB 66.16, -25.29, 62.3

 

CMYK 35 / 0 / 81 / 33

HEX #6FAB20

RGB 111 171 32

HSL 85.9, 0.68%, 0.4%

LAB 63.84, -40.07, 59.36

 

CMYK 57 / 0 / 81 / 33

HEX #4AAB20

RGB 74 171 32

HSL 101.87, 0.68%, 0.4%

LAB 62.24, -52, 57.3

 

CMYK 78 / 0 / 81 / 33

HEX #25AB20

RGB 37 171 32

HSL 117.84, 0.68%, 0.4%

LAB 61.33, -59.63, 56.12

 

CMYK 36 / 0 / 81 / 60

HEX #416613

RGB 65 102 19

HSL 86.75, 0.69%, 0.24%

LAB 39.03, -27.11, 39.55

 

CMYK 36 / 0 / 81 / 47

HEX #57881A

RGB 87 136 26

HSL 86.73, 0.68%, 0.32%

LAB 51.51, -33.88, 49.35

 

CMYK 36 / 0 / 81 / 33

HEX #6DAB20

RGB 109 171 32

HSL 86.76, 0.68%, 0.4%

LAB 63.74, -40.81, 59.23

 

CMYK 36 / 0 / 81 / 19

HEX #83CE27

RGB 131 206 39

HSL 86.95, 0.68%, 0.48%

LAB 75.52, -47.39, 68.4

 

CMYK 31 / 0 / 69 / 14

HEX #97DB43

RGB 151 219 67

HSL 86.84, 0.68%, 0.56%

LAB 80.54, -44.25, 64.61

 

CMYK 36 / 0 / 81 / 33

HEX #6DAB20

RGB 109 171 32

HSL 86.76, 0.68%, 0.4%

LAB 63.74, -40.81, 59.23

 

CMYK 81 / 0 / 30 / 33

HEX #20AB78

RGB 32 171 120

HSL 157.99, 0.68%, 0.4%

LAB 62.33, -47.6, 16.4

 

CMYK 0 / 81 / 3 / 33

HEX #AB20A6

RGB 171 32 166

HSL 302.16, 0.68%, 0.4%

LAB 41.91, 67.25, -39.97

 

CMYK 36 / 0 / 81 / 33

HEX #6DAB20

RGB 109 171 32

HSL 86.76, 0.68%, 0.4%

LAB 63.74, -40.81, 59.23

 

CMYK 81 / 35 / 0 / 33

HEX #206FAB

RGB 32 111 171

HSL 205.9, 0.68%, 0.4%

LAB 45.1, -1.66, -38.64

 

CMYK 0 / 81 / 35 / 33

HEX #AB206F

RGB 171 32 111

HSL 325.9, 0.68%, 0.4%

LAB 39.31, 59.89, -10.33

 

CMYK 36 / 0 / 81 / 33

HEX #6DAB20

RGB 109 171 32

HSL 86.76, 0.68%, 0.4%

LAB 63.74, -40.81, 59.23

 

CMYK 81 / 0 / 30 / 33

HEX #20AB78

RGB 32 171 120

HSL 157.99, 0.68%, 0.4%

LAB 62.33, -47.6, 16.4

 

CMYK 46 / 81 / 0 / 33

HEX #5C20AB

RGB 92 32 171

HSL 265.9, 0.68%, 0.4%

LAB 30.03, 54.36, -62.78

 

CMYK 0 / 81 / 51 / 33

HEX #AB2053

RGB 171 32 83

HSL 337.99, 0.68%, 0.4%

LAB 38.4, 57.2, 6.1

 

CMYK 36 / 0 / 81 / 33

HEX #6DAB20

RGB 109 171 32

HSL 86.76, 0.68%, 0.4%

LAB 63.74, -40.81, 59.23

 

CMYK 81 / 0 / 5 / 33

HEX #20ABA2

RGB 32 171 162

HSL 176.12, 0.68%, 0.4%

LAB 63.38, -36.64, -5.45

 

CMYK 46 / 81 / 0 / 33

HEX #5C20AB

RGB 92 32 171

HSL 265.9, 0.68%, 0.4%

LAB 30.03, 54.36, -62.78

 

CMYK 0 / 81 / 76 / 33

HEX #AB2029

RGB 171 32 41

HSL 356.12, 0.68%, 0.4%

LAB 37.57, 54.67, 31.52

 

Description

Color code: HEX #6DAB20 | qconv.com Color code: HEX #6DAB20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 171 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 171 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 81 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 81% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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