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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DB4E3 it is the complementary color #924B1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DB4E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DB4E3 shade: #72B4DE, #83C6F1, #94D8FF, #A5EAFF and #B6FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DB4E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DB4E3 shade: #6DB4E3, #5CA2D0, #4B90BD, #3A7EAA and #296C97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DB4E3 shade: #6DB4E3, #6D94E3, #6D74E3, #856DE3 and #A56DE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DB4E3 shade: #6DB4E3, #6D94E3, #6D74E3 and #6D6DE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DB4E3 shade matches the following richer shades: #6DB4E3 and #5FB7F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DB4E3 shade: #6DB4E3, #7BB1D5, #89AEC7, #97ABB9 and #A5A8AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DB4E3 shade: #6DE3D1, #6DD5E3, #6DB6E3, #6D96E3 and #6D77E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DB4E3 shade: #2890D5, #4AA2DC, #6DB4E3, #90C6E9 and #B2D7F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DB4E3 shade: #6DB4E3, #B26DE3 and #E3E16D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DB4E3 shade: #6DB4E3, #E36DB6 and #B6E36D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DB4E3 shade: #6DB4E3, #B26DE3, #E39A6D and #9EE36D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DB4E3 shade: #6DB4E3, #D56DE3, #E39A6D and #7BE36D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 21 / 0 / 11

HEX #6DB4E3

RGB 109 180 227

HSL 203.9, 0.68%, 0.66%

LAB 70.48, -9.36, -30.42

 

Complementary color

CMYK 0 / 49 / 81 / 43

HEX #924B1C

RGB 146 75 28

HSL 23.9, 0.68%, 0.34%

LAB 39.96, 26.45, 39.66

 

CMYK 49 / 19 / 0 / 13

HEX #72B4DE

RGB 114 180 222

HSL 203.33, 0.62%, 0.66%

LAB 70.52, -9.68, -27.61

 

CMYK 46 / 18 / 0 / 5

HEX #83C6F1

RGB 131 198 241

HSL 203.45, 0.8%, 0.73%

LAB 77.02, -10.01, -27.86

 

CMYK 42 / 15 / 0 / 0

HEX #94D8FF

RGB 148 216 255

HSL 201.87, 1%, 0.79%

LAB 83.25, -11.59, -25.73

 

CMYK 35 / 8 / 0 / 0

HEX #A5EAFF

RGB 165 234 255

HSL 194, 1%, 0.82%

LAB 88.95, -16.46, -17.01

 

CMYK 29 / 1 / 0 / 0

HEX #B6FCFF

RGB 182 252 255

HSL 182.47, 1%, 0.86%

LAB 94.65, -20.81, -8.41

 

CMYK 52 / 21 / 0 / 11

HEX #6DB4E3

RGB 109 180 227

HSL 203.9, 0.68%, 0.66%

LAB 70.48, -9.36, -30.42

 

CMYK 56 / 22 / 0 / 18

HEX #5CA2D0

RGB 92 162 208

HSL 203.79, 0.55%, 0.59%

LAB 63.89, -8.85, -30.19

 

CMYK 60 / 24 / 0 / 26

HEX #4B90BD

RGB 75 144 189

HSL 203.68, 0.46%, 0.52%

LAB 57.19, -8.19, -29.97

 

CMYK 66 / 26 / 0 / 33

HEX #3A7EAA

RGB 58 126 170

HSL 203.57, 0.49%, 0.45%

LAB 50.36, -7.34, -29.74

 

CMYK 73 / 28 / 0 / 41

HEX #296C97

RGB 41 108 151

HSL 203.45, 0.57%, 0.38%

LAB 43.41, -6.18, -29.5

 

CMYK 52 / 21 / 0 / 11

HEX #6DB4E3

RGB 109 180 227

HSL 203.9, 0.68%, 0.66%

LAB 70.48, -9.36, -30.42

 

CMYK 52 / 35 / 0 / 11

HEX #6D94E3

RGB 109 148 227

HSL 220.17, 0.68%, 0.66%

LAB 61.63, 8.66, -44.21

 

CMYK 52 / 49 / 0 / 11

HEX #6D74E3

RGB 109 116 227

HSL 236.44, 0.68%, 0.66%

LAB 53.26, 27.75, -57.52

 

CMYK 41 / 52 / 0 / 11

HEX #856DE3

RGB 133 109 227

HSL 252.2, 0.68%, 0.66%

LAB 53.46, 37.24, -57.1

 

CMYK 27 / 52 / 0 / 11

HEX #A56DE3

RGB 165 109 227

HSL 268.47, 0.68%, 0.66%

LAB 56.57, 45.08, -51.95

 

CMYK 52 / 21 / 0 / 11

HEX #6DB4E3

RGB 109 180 227

HSL 203.9, 0.68%, 0.66%

LAB 70.48, -9.36, -30.42

 

CMYK 52 / 35 / 0 / 11

HEX #6D94E3

RGB 109 148 227

HSL 220.17, 0.68%, 0.66%

LAB 61.63, 8.66, -44.21

 

CMYK 52 / 49 / 0 / 11

HEX #6D74E3

RGB 109 116 227

HSL 236.44, 0.68%, 0.66%

LAB 53.26, 27.75, -57.52

 

CMYK 52 / 52 / 0 / 11

HEX #6D6DE3

RGB 109 109 227

HSL 240, 0.68%, 0.66%

LAB 51.54, 31.97, -60.29

 

CMYK 52 / 21 / 0 / 11

HEX #6DB4E3

RGB 109 180 227

HSL 203.9, 0.68%, 0.66%

LAB 70.48, -9.36, -30.42

 

CMYK 61 / 24 / 0 / 5

HEX #5FB7F1

RGB 95 183 241

HSL 203.84, 0.84%, 0.66%

LAB 71.32, -9.55, -36.78

 

CMYK 52 / 21 / 0 / 11

HEX #6DB4E3

RGB 109 180 227

HSL 203.9, 0.68%, 0.66%

LAB 70.48, -9.36, -30.42

 

CMYK 42 / 17 / 0 / 16

HEX #7BB1D5

RGB 123 177 213

HSL 204, 0.52%, 0.66%

LAB 69.8, -8.38, -23.76

 

CMYK 31 / 13 / 0 / 22

HEX #89AEC7

RGB 137 174 199

HSL 204.19, 0.36%, 0.66%

LAB 69.27, -6.56, -16.79

 

CMYK 18 / 8 / 0 / 27

HEX #97ABB9

RGB 151 171 185

HSL 204.71, 0.2%, 0.66%

LAB 68.9, -3.92, -9.51

 

CMYK 4 / 2 / 0 / 33

HEX #A5A8AB

RGB 165 168 171

HSL 210, 0.03%, 0.66%

LAB 68.71, -0.48, -1.92

 

CMYK 52 / 0 / 8 / 11

HEX #6DE3D1

RGB 109 227 209

HSL 170.85, 0.68%, 0.66%

LAB 83.33, -37.64, -1.4

 

CMYK 52 / 6 / 0 / 11

HEX #6DD5E3

RGB 109 213 227

HSL 187.12, 0.68%, 0.66%

LAB 79.83, -26.38, -16.17

 

CMYK 52 / 20 / 0 / 11

HEX #6DB6E3

RGB 109 182 227

HSL 202.88, 0.68%, 0.66%

LAB 71.05, -10.44, -29.55

 

CMYK 52 / 34 / 0 / 11

HEX #6D96E3

RGB 109 150 227

HSL 219.15, 0.68%, 0.66%

LAB 62.18, 7.49, -43.35

 

CMYK 52 / 48 / 0 / 11

HEX #6D77E3

RGB 109 119 227

HSL 234.92, 0.68%, 0.66%

LAB 54.02, 25.94, -56.31

 

CMYK 81 / 32 / 0 / 16

HEX #2890D5

RGB 40 144 213

HSL 203.93, 0.68%, 0.5%

LAB 57.27, -4.89, -43.45

 

CMYK 66 / 26 / 0 / 14

HEX #4AA2DC

RGB 74 162 220

HSL 203.84, 0.68%, 0.58%

LAB 63.72, -8.34, -37.16

 

CMYK 52 / 21 / 0 / 11

HEX #6DB4E3

RGB 109 180 227

HSL 203.9, 0.68%, 0.66%

LAB 70.48, -9.36, -30.42

 

CMYK 38 / 15 / 0 / 9

HEX #90C6E9

RGB 144 198 233

HSL 203.6, 0.67%, 0.74%

LAB 77.4, -8.88, -22.92

 

CMYK 26 / 10 / 0 / 6

HEX #B2D7F0

RGB 178 215 240

HSL 204.19, 0.67%, 0.82%

LAB 84.15, -6.64, -16.25

 

CMYK 52 / 21 / 0 / 11

HEX #6DB4E3

RGB 109 180 227

HSL 203.9, 0.68%, 0.66%

LAB 70.48, -9.36, -30.42

 

CMYK 22 / 52 / 0 / 11

HEX #B26DE3

RGB 178 109 227

HSL 275.08, 0.68%, 0.66%

LAB 57.99, 48.44, -49.61

 

CMYK 0 / 1 / 52 / 11

HEX #E3E16D

RGB 227 225 109

HSL 58.98, 0.68%, 0.66%

LAB 87.62, -14.51, 56.2

 

CMYK 52 / 21 / 0 / 11

HEX #6DB4E3

RGB 109 180 227

HSL 203.9, 0.68%, 0.66%

LAB 70.48, -9.36, -30.42

 

CMYK 0 / 52 / 20 / 11

HEX #E36DB6

RGB 227 109 182

HSL 322.88, 0.68%, 0.66%

LAB 62.21, 54.3, -17.13

 

CMYK 20 / 0 / 52 / 11

HEX #B6E36D

RGB 182 227 109

HSL 82.88, 0.68%, 0.66%

LAB 84.99, -32.97, 52.32

 

CMYK 52 / 21 / 0 / 11

HEX #6DB4E3

RGB 109 180 227

HSL 203.9, 0.68%, 0.66%

LAB 70.48, -9.36, -30.42

 

CMYK 22 / 52 / 0 / 11

HEX #B26DE3

RGB 178 109 227

HSL 275.08, 0.68%, 0.66%

LAB 57.99, 48.44, -49.61

 

CMYK 0 / 32 / 52 / 11

HEX #E39A6D

RGB 227 154 109

HSL 22.88, 0.68%, 0.66%

LAB 69.86, 22.48, 34.59

 

CMYK 30 / 0 / 52 / 11

HEX #9EE36D

RGB 158 227 109

HSL 95.08, 0.68%, 0.66%

LAB 83.61, -41.58, 50.33

 

CMYK 52 / 21 / 0 / 11

HEX #6DB4E3

RGB 109 180 227

HSL 203.9, 0.68%, 0.66%

LAB 70.48, -9.36, -30.42

 

CMYK 6 / 52 / 0 / 11

HEX #D56DE3

RGB 213 109 227

HSL 292.88, 0.68%, 0.66%

LAB 62.19, 57.71, -42.69

 

CMYK 0 / 32 / 52 / 11

HEX #E39A6D

RGB 227 154 109

HSL 22.88, 0.68%, 0.66%

LAB 69.86, 22.48, 34.59

 

CMYK 46 / 0 / 52 / 11

HEX #7BE36D

RGB 123 227 109

HSL 112.88, 0.68%, 0.66%

LAB 81.98, -52.69, 47.99

 

Description

Color code: HEX #6DB4E3 | qconv.com Color code: HEX #6DB4E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 180 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 180 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 21 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 21% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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