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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DB81C it is the complementary color #9247E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DB81C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DB81C shade: #72B817, #83CA2A, #94DC3D, #A5EE50 and #B6FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DB81C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DB81C shade: #6DB81C, #5CA609, #4B9400, #3A8200 and #297000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DB81C shade: #6EBA1B, #98BA1B, #BAB11B, #BA861B and #BA5B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DB81C shade: #6EBA1B, #43BA1B, #1BBA1F, #1BBA49 and #1BBA74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DB81C shade matches the following richer shades: #6EBA1B and #6ECB0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DB81C shade: #6EBA1B, #6DA92D, #6C973E, #6C864F and #6B7561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DB81C shade: #BAAF1B, #9ABA1B, #70BA1B, #46BA1B and #1BBA1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DB81C shade: #437211, #589616, #6EBA1B, #83DD21 and #97E345

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DB81C shade: #6DB81C, #1BBA85 and #BA1BAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DB81C shade: #6DB81C, #1B70BA and #BA1B70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DB81C shade: #6DB81C, #1BBA85, #651BBA and #BA1B50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DB81C shade: #6DB81C, #1BBAB5, #651BBA and #BA1B21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 85 / 28

HEX #6DB81C

RGB 109 184 28

HSL 88.85, 0.74%, 0.42%

LAB 67.74, -46.42, 63.83

 

Complementary color

CMYK 36 / 69 / 0 / 11

HEX #9247E3

RGB 146 71 227

HSL 268.85, 0.74%, 0.58%

LAB 47.19, 60.22, -67.15

 

CMYK 38 / 0 / 88 / 28

HEX #72B817

RGB 114 184 23

HSL 86.09, 0.78%, 0.41%

LAB 67.96, -44.85, 65.21

 

CMYK 35 / 0 / 79 / 21

HEX #83CA2A

RGB 131 202 42

HSL 86.63, 0.66%, 0.48%

LAB 74.34, -45.59, 66.5

 

CMYK 33 / 0 / 72 / 14

HEX #94DC3D

RGB 148 220 61

HSL 87.17, 0.69%, 0.55%

LAB 80.64, -46.12, 66.79

 

CMYK 31 / 0 / 66 / 7

HEX #A5EE50

RGB 165 238 80

HSL 87.72, 0.82%, 0.62%

LAB 86.86, -46.48, 66.49

 

CMYK 29 / 0 / 61 / 0

HEX #B6FF63

RGB 182 255 99

HSL 88.08, 1%, 0.69%

LAB 92.74, -46.3, 65.53

 

CMYK 41 / 0 / 85 / 28

HEX #6DB81C

RGB 109 184 28

HSL 88.85, 0.74%, 0.42%

LAB 67.74, -46.42, 63.83

 

CMYK 45 / 0 / 95 / 35

HEX #5CA609

RGB 92 166 9

HSL 88.28, 0.9%, 0.34%

LAB 61.28, -45.44, 61.56

 

CMYK 49 / 0 / 100 / 42

HEX #4B9400

RGB 75 148 0

HSL 89.59, 1%, 0.29%

LAB 54.74, -44.08, 57.38

 

CMYK 55 / 0 / 100 / 49

HEX #3A8200

RGB 58 130 0

HSL 93.23, 1%, 0.25%

LAB 48.09, -42.37, 51.87

 

CMYK 63 / 0 / 100 / 56

HEX #297000

RGB 41 112 0

HSL 98.04, 1%, 0.22%

LAB 41.31, -40.4, 46.27

 

CMYK 41 / 0 / 85 / 27

HEX #6EBA1B

RGB 110 186 27

HSL 88.68, 0.75%, 0.42%

LAB 68.4, -46.93, 64.65

 

CMYK 18 / 0 / 85 / 27

HEX #98BA1B

RGB 152 186 27

HSL 72.83, 0.75%, 0.42%

LAB 70.78, -30.98, 67.64

 

CMYK 0 / 5 / 85 / 27

HEX #BAB11B

RGB 186 177 27

HSL 56.6, 0.75%, 0.42%

LAB 70.85, -12, 68.74

 

CMYK 0 / 28 / 85 / 27

HEX #BA861B

RGB 186 134 27

HSL 40.38, 0.75%, 0.42%

LAB 59.5, 11.08, 59.36

 

CMYK 0 / 51 / 85 / 27

HEX #BA5B1B

RGB 186 91 27

HSL 24.15, 0.75%, 0.42%

LAB 49.5, 34.54, 50.97

 

CMYK 41 / 0 / 85 / 27

HEX #6EBA1B

RGB 110 186 27

HSL 88.68, 0.75%, 0.42%

LAB 68.4, -46.93, 64.65

 

CMYK 64 / 0 / 85 / 27

HEX #43BA1B

RGB 67 186 27

HSL 104.91, 0.75%, 0.42%

LAB 66.82, -59.22, 62.66

 

CMYK 85 / 0 / 83 / 27

HEX #1BBA1F

RGB 27 186 31

HSL 121.51, 0.75%, 0.42%

LAB 66.1, -65.37, 60.76

 

CMYK 85 / 0 / 61 / 27

HEX #1BBA49

RGB 27 186 73

HSL 137.36, 0.75%, 0.42%

LAB 66.39, -61.69, 45.62

 

CMYK 85 / 0 / 38 / 27

HEX #1BBA74

RGB 27 186 116

HSL 153.58, 0.75%, 0.42%

LAB 66.98, -54.64, 24.88

 

CMYK 41 / 0 / 85 / 27

HEX #6EBA1B

RGB 110 186 27

HSL 88.68, 0.75%, 0.42%

LAB 68.4, -46.93, 64.65

 

CMYK 46 / 0 / 95 / 20

HEX #6ECB0A

RGB 110 203 10

HSL 88.91, 0.91%, 0.42%

LAB 73.58, -54.05, 71.71

 

CMYK 41 / 0 / 85 / 27

HEX #6EBA1B

RGB 110 186 27

HSL 88.68, 0.75%, 0.42%

LAB 68.4, -46.93, 64.65

 

CMYK 36 / 0 / 73 / 34

HEX #6DA92D

RGB 109 169 45

HSL 89.03, 0.58%, 0.42%

LAB 63.19, -39.22, 54.48

 

CMYK 28 / 0 / 59 / 41

HEX #6C973E

RGB 108 151 62

HSL 88.99, 0.42%, 0.42%

LAB 57.72, -29.99, 41.44

 

CMYK 19 / 0 / 41 / 47

HEX #6C864F

RGB 108 134 79

HSL 88.36, 0.26%, 0.42%

LAB 52.73, -19.49, 26.61

 

CMYK 9 / 0 / 17 / 54

HEX #6B7561

RGB 107 117 97

HSL 90, 0.09%, 0.42%

LAB 47.89, -7.74, 9.78

 

CMYK 0 / 6 / 85 / 27

HEX #BAAF1B

RGB 186 175 27

HSL 55.85, 0.75%, 0.42%

LAB 70.3, -10.97, 68.3

 

CMYK 17 / 0 / 85 / 27

HEX #9ABA1B

RGB 154 186 27

HSL 72.08, 0.75%, 0.42%

LAB 70.92, -30.16, 67.81

 

CMYK 40 / 0 / 85 / 27

HEX #70BA1B

RGB 112 186 27

HSL 87.92, 0.75%, 0.42%

LAB 68.49, -46.24, 64.77

 

CMYK 62 / 0 / 85 / 27

HEX #46BA1B

RGB 70 186 27

HSL 103.77, 0.75%, 0.42%

LAB 66.9, -58.54, 62.76

 

CMYK 85 / 0 / 85 / 27

HEX #1BBA1B

RGB 27 186 27

HSL 120, 0.75%, 0.42%

LAB 66.08, -65.56, 61.72

 

CMYK 41 / 0 / 85 / 55

HEX #437211

RGB 67 114 17

HSL 89.07, 0.74%, 0.26%

LAB 43.16, -32.01, 44.07

 

CMYK 41 / 0 / 85 / 41

HEX #589616

RGB 88 150 22

HSL 89.06, 0.74%, 0.34%

LAB 56.03, -39.83, 54.61

 

CMYK 41 / 0 / 85 / 27

HEX #6EBA1B

RGB 110 186 27

HSL 88.68, 0.75%, 0.42%

LAB 68.4, -46.93, 64.65

 

CMYK 41 / 0 / 85 / 13

HEX #83DD21

RGB 131 221 33

HSL 88.72, 0.74%, 0.5%

LAB 79.98, -53.66, 73.76

 

CMYK 33 / 0 / 70 / 11

HEX #97E345

RGB 151 227 69

HSL 88.86, 0.74%, 0.58%

LAB 82.89, -47.5, 66.27

 

CMYK 41 / 0 / 85 / 28

HEX #6DB81C

RGB 109 184 28

HSL 88.85, 0.74%, 0.42%

LAB 67.74, -46.42, 63.83

 

CMYK 85 / 0 / 28 / 27

HEX #1BBA85

RGB 27 186 133

HSL 160, 0.75%, 0.42%

LAB 67.31, -50.97, 16.2

 

CMYK 0 / 85 / 6 / 27

HEX #BA1BAF

RGB 186 27 175

HSL 304.15, 0.75%, 0.42%

LAB 44.69, 72.61, -40.76

 

CMYK 41 / 0 / 85 / 28

HEX #6DB81C

RGB 109 184 28

HSL 88.85, 0.74%, 0.42%

LAB 67.74, -46.42, 63.83

 

CMYK 85 / 40 / 0 / 27

HEX #1B70BA

RGB 27 112 186

HSL 207.92, 0.75%, 0.42%

LAB 46.13, 3.04, -45.75

 

CMYK 0 / 85 / 40 / 27

HEX #BA1B70

RGB 186 27 112

HSL 327.92, 0.75%, 0.42%

LAB 41.83, 64.83, -6.87

 

CMYK 41 / 0 / 85 / 28

HEX #6DB81C

RGB 109 184 28

HSL 88.85, 0.74%, 0.42%

LAB 67.74, -46.42, 63.83

 

CMYK 85 / 0 / 28 / 27

HEX #1BBA85

RGB 27 186 133

HSL 160, 0.75%, 0.42%

LAB 67.31, -50.97, 16.2

 

CMYK 46 / 85 / 0 / 27

HEX #651BBA

RGB 101 27 186

HSL 267.92, 0.75%, 0.42%

LAB 32.02, 60.91, -68.41

 

CMYK 0 / 85 / 57 / 27

HEX #BA1B50

RGB 186 27 80

HSL 340, 0.75%, 0.42%

LAB 40.9, 62.15, 11.95

 

CMYK 41 / 0 / 85 / 28

HEX #6DB81C

RGB 109 184 28

HSL 88.85, 0.74%, 0.42%

LAB 67.74, -46.42, 63.83

 

CMYK 85 / 0 / 3 / 27

HEX #1BBAB5

RGB 27 186 181

HSL 178.11, 0.75%, 0.42%

LAB 68.52, -38.3, -8.36

 

CMYK 46 / 85 / 0 / 27

HEX #651BBA

RGB 101 27 186

HSL 267.92, 0.75%, 0.42%

LAB 32.02, 60.91, -68.41

 

CMYK 0 / 85 / 82 / 27

HEX #BA1B21

RGB 186 27 33

HSL 357.74, 0.75%, 0.42%

LAB 40.14, 59.91, 39.76

 

Description

Color code: HEX #6DB81C | qconv.com Color code: HEX #6DB81C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 184 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 184 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 85 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 85% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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