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Color name
HEX #6DBE1E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DBE1E it is the complementary color #9241E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DBE1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DBE1E shade: #72BE19, #83D02C, #94E23F, #A5F452 and #B6FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DBE1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DBE1E shade: #6DBE1E, #5CAC0B, #4B9A00, #3A8800 and #297600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DBE1E shade: #6CBD1D, #97BD1D, #BDB81D, #BD8D1D and #BD621D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DBE1E shade: #6CBD1D, #41BD1D, #1DBD24, #1DBD50 and #1DBD7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DBE1E shade matches the following richer shades: #6CBD1D and #6CCF0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DBE1E shade: #6CBD1D, #6CAB2F, #6D9A41, #6D8852 and #6D7664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DBE1E shade: #BDB81D, #98BD1D, #6DBD1D, #42BD1D and #1DBD22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DBE1E shade: #437612, #589A18, #6CBD1D, #81DD27 and #95E24A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DBE1E shade: #6DBE1E, #1DBD8D and #BD1DAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DBE1E shade: #6DBE1E, #1D6DBD and #BD1D6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DBE1E shade: #6DBE1E, #1DBD8D, #6D1DBD and #BD1D4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DBE1E shade: #6DBE1E, #1DBDBD, #6D1DBD and #BD1D1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 84 / 25

HEX #6DBE1E

RGB 109 190 30

HSL 90.38, 0.73%, 0.43%

LAB 69.59, -48.77, 64.98

 

Complementary color

CMYK 35 / 71 / 0 / 12

HEX #9241E1

RGB 146 65 225

HSL 270.38, 0.73%, 0.57%

LAB 46.08, 62.45, -67.81

 

CMYK 40 / 0 / 87 / 25

HEX #72BE19

RGB 114 190 25

HSL 87.64, 0.77%, 0.42%

LAB 69.81, -47.25, 66.37

 

CMYK 37 / 0 / 79 / 18

HEX #83D02C

RGB 131 208 44

HSL 88.17, 0.65%, 0.49%

LAB 76.14, -47.99, 67.59

 

CMYK 35 / 0 / 72 / 11

HEX #94E23F

RGB 148 226 63

HSL 88.71, 0.74%, 0.57%

LAB 82.4, -48.51, 67.86

 

CMYK 32 / 0 / 66 / 4

HEX #A5F452

RGB 165 244 82

HSL 89.26, 0.88%, 0.64%

LAB 88.6, -48.86, 67.55

 

CMYK 29 / 0 / 60 / 0

HEX #B6FF65

RGB 182 255 101

HSL 88.44, 1%, 0.7%

LAB 92.75, -46.13, 64.72

 

CMYK 43 / 0 / 84 / 25

HEX #6DBE1E

RGB 109 190 30

HSL 90.38, 0.73%, 0.43%

LAB 69.59, -48.77, 64.98

 

CMYK 47 / 0 / 94 / 33

HEX #5CAC0B

RGB 92 172 11

HSL 89.81, 0.88%, 0.36%

LAB 63.18, -47.79, 62.85

 

CMYK 51 / 0 / 100 / 40

HEX #4B9A00

RGB 75 154 0

HSL 90.78, 1%, 0.3%

LAB 56.69, -46.42, 58.91

 

CMYK 57 / 0 / 100 / 47

HEX #3A8800

RGB 58 136 0

HSL 94.41, 1%, 0.27%

LAB 50.11, -44.66, 53.46

 

CMYK 65 / 0 / 100 / 54

HEX #297600

RGB 41 118 0

HSL 99.15, 1%, 0.23%

LAB 43.4, -42.61, 47.92

 

CMYK 43 / 0 / 85 / 26

HEX #6CBD1D

RGB 108 189 29

HSL 90.38, 0.73%, 0.43%

LAB 69.24, -48.74, 64.89

 

CMYK 20 / 0 / 85 / 26

HEX #97BD1D

RGB 151 189 29

HSL 74.25, 0.73%, 0.43%

LAB 71.6, -32.73, 67.86

 

CMYK 0 / 3 / 85 / 26

HEX #BDB81D

RGB 189 184 29

HSL 58.13, 0.73%, 0.43%

LAB 73.02, -14.22, 70.19

 

CMYK 0 / 25 / 85 / 26

HEX #BD8D1D

RGB 189 141 29

HSL 42, 0.73%, 0.43%

LAB 61.62, 8.62, 60.68

 

CMYK 0 / 48 / 85 / 26

HEX #BD621D

RGB 189 98 29

HSL 25.88, 0.73%, 0.43%

LAB 51.43, 32.15, 52.03

 

CMYK 43 / 0 / 85 / 26

HEX #6CBD1D

RGB 108 189 29

HSL 90.38, 0.73%, 0.43%

LAB 69.24, -48.74, 64.89

 

CMYK 66 / 0 / 85 / 26

HEX #41BD1D

RGB 65 189 29

HSL 106.5, 0.73%, 0.43%

LAB 67.73, -60.57, 62.98

 

CMYK 85 / 0 / 81 / 26

HEX #1DBD24

RGB 29 189 36

HSL 122.63, 0.73%, 0.43%

LAB 67.11, -65.78, 60.36

 

CMYK 85 / 0 / 58 / 26

HEX #1DBD50

RGB 29 189 80

HSL 139.13, 0.73%, 0.43%

LAB 67.45, -61.57, 43.63

 

CMYK 85 / 0 / 35 / 26

HEX #1DBD7B

RGB 29 189 123

HSL 155.25, 0.73%, 0.43%

LAB 68.08, -54.14, 22.64

 

CMYK 43 / 0 / 85 / 26

HEX #6CBD1D

RGB 108 189 29

HSL 90.38, 0.73%, 0.43%

LAB 69.24, -48.74, 64.89

 

CMYK 48 / 0 / 95 / 19

HEX #6CCF0B

RGB 108 207 11

HSL 90.31, 0.9%, 0.43%

LAB 74.72, -56.16, 72.49

 

CMYK 43 / 0 / 85 / 26

HEX #6CBD1D

RGB 108 189 29

HSL 90.38, 0.73%, 0.43%

LAB 69.24, -48.74, 64.89

 

CMYK 37 / 0 / 73 / 33

HEX #6CAB2F

RGB 108 171 47

HSL 90.48, 0.57%, 0.43%

LAB 63.77, -40.32, 54.31

 

CMYK 29 / 0 / 58 / 40

HEX #6D9A41

RGB 109 154 65

HSL 90.34, 0.41%, 0.43%

LAB 58.74, -30.73, 41.19

 

CMYK 20 / 0 / 40 / 47

HEX #6D8852

RGB 109 136 82

HSL 90, 0.25%, 0.43%

LAB 53.46, -19.72, 25.91

 

CMYK 8 / 0 / 15 / 54

HEX #6D7664

RGB 109 118 100

HSL 90, 0.08%, 0.43%

LAB 48.42, -6.96, 8.78

 

CMYK 0 / 3 / 85 / 26

HEX #BDB81D

RGB 189 184 29

HSL 58.13, 0.73%, 0.43%

LAB 73.02, -14.22, 70.19

 

CMYK 20 / 0 / 85 / 26

HEX #98BD1D

RGB 152 189 29

HSL 73.88, 0.73%, 0.43%

LAB 71.66, -32.33, 67.94

 

CMYK 42 / 0 / 85 / 26

HEX #6DBD1D

RGB 109 189 29

HSL 90, 0.73%, 0.43%

LAB 69.28, -48.4, 64.95

 

CMYK 65 / 0 / 85 / 26

HEX #42BD1D

RGB 66 189 29

HSL 106.13, 0.73%, 0.43%

LAB 67.76, -60.36, 63.01

 

CMYK 85 / 0 / 82 / 26

HEX #1DBD22

RGB 29 189 34

HSL 121.88, 0.73%, 0.43%

LAB 67.11, -65.9, 60.9

 

CMYK 43 / 0 / 85 / 54

HEX #437612

RGB 67 118 18

HSL 90.6, 0.74%, 0.27%

LAB 44.51, -33.75, 44.99

 

CMYK 43 / 0 / 84 / 40

HEX #589A18

RGB 88 154 24

HSL 90.46, 0.73%, 0.35%

LAB 57.32, -41.43, 55.23

 

CMYK 43 / 0 / 85 / 26

HEX #6CBD1D

RGB 108 189 29

HSL 90.38, 0.73%, 0.43%

LAB 69.24, -48.74, 64.89

 

CMYK 42 / 0 / 82 / 13

HEX #81DD27

RGB 129 221 39

HSL 90.33, 0.73%, 0.51%

LAB 79.91, -54.09, 72.3

 

CMYK 34 / 0 / 67 / 11

HEX #95E24A

RGB 149 226 74

HSL 90.39, 0.72%, 0.59%

LAB 82.53, -47.43, 64

 

CMYK 43 / 0 / 84 / 25

HEX #6DBE1E

RGB 109 190 30

HSL 90.38, 0.73%, 0.43%

LAB 69.59, -48.77, 64.98

 

CMYK 85 / 0 / 25 / 26

HEX #1DBD8D

RGB 29 189 141

HSL 162, 0.73%, 0.43%

LAB 68.45, -50.12, 13.45

 

CMYK 0 / 85 / 8 / 26

HEX #BD1DAD

RGB 189 29 173

HSL 306, 0.73%, 0.43%

LAB 45.24, 72.52, -38.66

 

CMYK 43 / 0 / 84 / 25

HEX #6DBE1E

RGB 109 190 30

HSL 90.38, 0.73%, 0.43%

LAB 69.59, -48.77, 64.98

 

CMYK 85 / 42 / 0 / 26

HEX #1D6DBD

RGB 29 109 189

HSL 210, 0.73%, 0.43%

LAB 45.46, 6.25, -48.56

 

CMYK 0 / 85 / 42 / 26

HEX #BD1D6D

RGB 189 29 109

HSL 330, 0.73%, 0.43%

LAB 42.46, 64.85, -4

 

CMYK 43 / 0 / 84 / 25

HEX #6DBE1E

RGB 109 190 30

HSL 90.38, 0.73%, 0.43%

LAB 69.59, -48.77, 64.98

 

CMYK 85 / 0 / 25 / 26

HEX #1DBD8D

RGB 29 189 141

HSL 162, 0.73%, 0.43%

LAB 68.45, -50.12, 13.45

 

CMYK 42 / 85 / 0 / 26

HEX #6D1DBD

RGB 109 29 189

HSL 270, 0.73%, 0.43%

LAB 33.57, 62.01, -67.6

 

CMYK 0 / 85 / 59 / 26

HEX #BD1D4D

RGB 189 29 77

HSL 342, 0.73%, 0.43%

LAB 41.58, 62.3, 14.88

 

CMYK 43 / 0 / 84 / 25

HEX #6DBE1E

RGB 109 190 30

HSL 90.38, 0.73%, 0.43%

LAB 69.59, -48.77, 64.98

 

CMYK 85 / 0 / 0 / 26

HEX #1DBDBD

RGB 29 189 189

HSL 180, 0.73%, 0.43%

LAB 69.7, -37.16, -10.99

 

CMYK 42 / 85 / 0 / 26

HEX #6D1DBD

RGB 109 29 189

HSL 270, 0.73%, 0.43%

LAB 33.57, 62.01, -67.6

 

CMYK 0 / 85 / 85 / 26

HEX #BD1D1D

RGB 189 29 29

HSL 0, 0.73%, 0.43%

LAB 40.87, 60.2, 42.8

 

Description

Color code: HEX #6DBE1E | qconv.com Color code: HEX #6DBE1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 190 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 190 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 84 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 84% 25% C M Y K

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Provide designers and agencies with accurate color values.

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