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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DC18D it is the complementary color #923E72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DC18D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DC18D shade: #72C188, #83D39B, #94E5AE, #A5F7C1 and #B6FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DC18D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DC18D shade: #6DC18D, #5CAF7A, #4B9D67, #3A8B54 and #297941

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DC18D shade: #6CC08C, #6CC075, #79C06C, #90C06C and #A6C06C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DC18D shade: #6CC08C, #6CC0A3, #6CC0B9, #6CB0C0 and #6C99C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DC18D shade matches the following richer shades: #6CC08C, #5BD188, #4AE284 and #39F380

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DC18D shade: #6CC08C, #7DAF90, #8E9E94, #9F8D98 and #B07C9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DC18D shade: #7AC06C, #6CC074, #6CC08B, #6CC0A1 and #6CC0B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DC18D shade: #419862, #4FB375, #6CC08C, #89CCA3 and #A6D9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DC18D shade: #6DC18D, #6C90C0 and #C06C6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DC18D shade: #6DC18D, #8B6CC0 and #C08B6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DC18D shade: #6DC18D, #6C90C0, #C06CA1 and #C09C6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DC18D shade: #6DC18D, #6C77C0, #C06CA1 and #C0B56C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 27 / 24

HEX #6DC18D

RGB 109 193 141

HSL 142.86, 0.4%, 0.59%

LAB 71.77, -37.18, 18.39

 

Complementary color

CMYK 0 / 58 / 22 / 43

HEX #923E72

RGB 146 62 114

HSL 322.86, 0.4%, 0.41%

LAB 39.19, 41.67, -12.79

 

CMYK 41 / 0 / 30 / 24

HEX #72C188

RGB 114 193 136

HSL 136.71, 0.39%, 0.6%

LAB 71.89, -36.7, 21.27

 

CMYK 38 / 0 / 27 / 17

HEX #83D39B

RGB 131 211 155

HSL 138, 0.48%, 0.67%

LAB 78.33, -36.43, 20.17

 

CMYK 35 / 0 / 24 / 10

HEX #94E5AE

RGB 148 229 174

HSL 139.26, 0.61%, 0.74%

LAB 84.68, -36.17, 19.15

 

CMYK 33 / 0 / 22 / 3

HEX #A5F7C1

RGB 165 247 193

HSL 140.49, 0.84%, 0.81%

LAB 90.95, -35.91, 18.18

 

CMYK 29 / 0 / 17 / 0

HEX #B6FFD4

RGB 182 255 212

HSL 144.66, 1%, 0.86%

LAB 94.41, -31.04, 13.41

 

CMYK 44 / 0 / 27 / 24

HEX #6DC18D

RGB 109 193 141

HSL 142.86, 0.4%, 0.59%

LAB 71.77, -37.18, 18.39

 

CMYK 47 / 0 / 30 / 31

HEX #5CAF7A

RGB 92 175 122

HSL 141.69, 0.34%, 0.52%

LAB 65.23, -37.41, 19.55

 

CMYK 52 / 0 / 34 / 38

HEX #4B9D67

RGB 75 157 103

HSL 140.49, 0.35%, 0.45%

LAB 58.59, -37.57, 20.81

 

CMYK 58 / 0 / 40 / 45

HEX #3A8B54

RGB 58 139 84

HSL 139.26, 0.41%, 0.39%

LAB 51.84, -37.63, 22.2

 

CMYK 66 / 0 / 46 / 53

HEX #297941

RGB 41 121 65

HSL 138, 0.49%, 0.32%

LAB 44.98, -37.46, 23.72

 

CMYK 44 / 0 / 27 / 25

HEX #6CC08C

RGB 108 192 140

HSL 142.86, 0.4%, 0.59%

LAB 71.41, -37.2, 18.42

 

CMYK 44 / 0 / 39 / 25

HEX #6CC075

RGB 108 192 117

HSL 126.43, 0.4%, 0.59%

LAB 70.99, -41.29, 30.05

 

CMYK 37 / 0 / 44 / 25

HEX #79C06C

RGB 121 192 108

HSL 110.71, 0.4%, 0.59%

LAB 71.45, -38.64, 35.4

 

CMYK 25 / 0 / 44 / 25

HEX #90C06C

RGB 144 192 108

HSL 94.29, 0.4%, 0.59%

LAB 72.7, -30.71, 37.24

 

CMYK 14 / 0 / 44 / 25

HEX #A6C06C

RGB 166 192 108

HSL 78.57, 0.4%, 0.59%

LAB 74.12, -22.43, 39.33

 

CMYK 44 / 0 / 27 / 25

HEX #6CC08C

RGB 108 192 140

HSL 142.86, 0.4%, 0.59%

LAB 71.41, -37.2, 18.42

 

CMYK 44 / 0 / 15 / 25

HEX #6CC0A3

RGB 108 192 163

HSL 159.29, 0.4%, 0.59%

LAB 71.91, -32.4, 6.7

 

CMYK 44 / 0 / 4 / 25

HEX #6CC0B9

RGB 108 192 185

HSL 175, 0.4%, 0.59%

LAB 72.49, -27.21, -4.45

 

CMYK 44 / 8 / 0 / 25

HEX #6CB0C0

RGB 108 176 192

HSL 191.43, 0.4%, 0.59%

LAB 68.05, -17.3, -14.91

 

CMYK 44 / 20 / 0 / 25

HEX #6C99C0

RGB 108 153 192

HSL 207.86, 0.4%, 0.59%

LAB 61.46, -4.83, -24.94

 

CMYK 44 / 0 / 27 / 25

HEX #6CC08C

RGB 108 192 140

HSL 142.86, 0.4%, 0.59%

LAB 71.41, -37.2, 18.42

 

CMYK 56 / 0 / 35 / 18

HEX #5BD188

RGB 91 209 136

HSL 142.88, 0.56%, 0.59%

LAB 75.82, -49.57, 26.46

 

CMYK 67 / 0 / 42 / 11

HEX #4AE284

RGB 74 226 132

HSL 142.89, 0.72%, 0.59%

LAB 80.47, -60.23, 34.57

 

CMYK 77 / 0 / 47 / 5

HEX #39F380

RGB 57 243 128

HSL 142.9, 0.89%, 0.59%

LAB 85.27, -69.33, 42.63

 

CMYK 44 / 0 / 27 / 25

HEX #6CC08C

RGB 108 192 140

HSL 142.86, 0.4%, 0.59%

LAB 71.41, -37.2, 18.42

 

CMYK 29 / 0 / 18 / 31

HEX #7DAF90

RGB 125 175 144

HSL 142.8, 0.24%, 0.59%

LAB 67.3, -23.15, 10.63

 

CMYK 10 / 0 / 6 / 38

HEX #8E9E94

RGB 142 158 148

HSL 142.5, 0.08%, 0.59%

LAB 63.63, -7.66, 3.29

 

CMYK 0 / 11 / 4 / 38

HEX #9F8D98

RGB 159 141 152

HSL 323.33, 0.09%, 0.59%

LAB 60.5, 8.73, -3.37

 

CMYK 0 / 30 / 11 / 31

HEX #B07C9C

RGB 176 124 156

HSL 323.08, 0.25%, 0.59%

LAB 58.08, 25.28, -9.07

 

CMYK 36 / 0 / 44 / 25

HEX #7AC06C

RGB 122 192 108

HSL 110, 0.4%, 0.59%

LAB 71.5, -38.31, 35.47

 

CMYK 44 / 0 / 40 / 25

HEX #6CC074

RGB 108 192 116

HSL 125.71, 0.4%, 0.59%

LAB 70.97, -41.45, 30.54

 

CMYK 44 / 0 / 28 / 25

HEX #6CC08B

RGB 108 192 139

HSL 142.14, 0.4%, 0.59%

LAB 71.39, -37.39, 18.93

 

CMYK 44 / 0 / 16 / 25

HEX #6CC0A1

RGB 108 192 161

HSL 157.86, 0.4%, 0.59%

LAB 71.87, -32.84, 7.72

 

CMYK 44 / 0 / 5 / 25

HEX #6CC0B7

RGB 108 192 183

HSL 173.57, 0.4%, 0.59%

LAB 72.43, -27.7, -3.44

 

CMYK 57 / 0 / 36 / 40

HEX #419862

RGB 65 152 98

HSL 142.76, 0.4%, 0.43%

LAB 56.55, -38.87, 20.76

 

CMYK 56 / 0 / 35 / 30

HEX #4FB375

RGB 79 179 117

HSL 142.8, 0.4%, 0.51%

LAB 65.89, -43.43, 23.07

 

CMYK 44 / 0 / 27 / 25

HEX #6CC08C

RGB 108 192 140

HSL 142.86, 0.4%, 0.59%

LAB 71.41, -37.2, 18.42

 

CMYK 33 / 0 / 20 / 20

HEX #89CCA3

RGB 137 204 163

HSL 143.28, 0.4%, 0.67%

LAB 76.77, -29.85, 13.79

 

CMYK 24 / 0 / 15 / 15

HEX #A6D9B9

RGB 166 217 185

HSL 142.35, 0.4%, 0.75%

LAB 82.51, -22.87, 10.44

 

CMYK 44 / 0 / 27 / 24

HEX #6DC18D

RGB 109 193 141

HSL 142.86, 0.4%, 0.59%

LAB 71.77, -37.18, 18.39

 

CMYK 44 / 25 / 0 / 25

HEX #6C90C0

RGB 108 144 192

HSL 214.29, 0.4%, 0.59%

LAB 58.92, 0.28, -28.86

 

CMYK 0 / 44 / 42 / 25

HEX #C06C6F

RGB 192 108 111

HSL 357.86, 0.4%, 0.59%

LAB 55.15, 33.62, 13.09

 

CMYK 44 / 0 / 27 / 24

HEX #6DC18D

RGB 109 193 141

HSL 142.86, 0.4%, 0.59%

LAB 71.77, -37.18, 18.39

 

CMYK 28 / 44 / 0 / 25

HEX #8B6CC0

RGB 139 108 192

HSL 262.14, 0.4%, 0.59%

LAB 51.86, 30.09, -39.72

 

CMYK 0 / 28 / 44 / 25

HEX #C08B6C

RGB 192 139 108

HSL 22.14, 0.4%, 0.59%

LAB 62.3, 16.31, 24.53

 

CMYK 44 / 0 / 27 / 24

HEX #6DC18D

RGB 109 193 141

HSL 142.86, 0.4%, 0.59%

LAB 71.77, -37.18, 18.39

 

CMYK 44 / 25 / 0 / 25

HEX #6C90C0

RGB 108 144 192

HSL 214.29, 0.4%, 0.59%

LAB 58.92, 0.28, -28.86

 

CMYK 0 / 44 / 16 / 25

HEX #C06CA1

RGB 192 108 161

HSL 322.14, 0.4%, 0.59%

LAB 56.59, 40.42, -14.01

 

CMYK 0 / 19 / 44 / 25

HEX #C09C6C

RGB 192 156 108

HSL 34.29, 0.4%, 0.59%

LAB 66.57, 6.97, 30.14

 

CMYK 44 / 0 / 27 / 24

HEX #6DC18D

RGB 109 193 141

HSL 142.86, 0.4%, 0.59%

LAB 71.77, -37.18, 18.39

 

CMYK 44 / 38 / 0 / 25

HEX #6C77C0

RGB 108 119 192

HSL 232.14, 0.4%, 0.59%

LAB 52.05, 15.05, -39.6

 

CMYK 0 / 44 / 16 / 25

HEX #C06CA1

RGB 192 108 161

HSL 322.14, 0.4%, 0.59%

LAB 56.59, 40.42, -14.01

 

CMYK 0 / 6 / 44 / 25

HEX #C0B56C

RGB 192 181 108

HSL 52.14, 0.4%, 0.59%

LAB 73.11, -6.41, 38.5

 

Description

Color code: HEX #6DC18D | qconv.com Color code: HEX #6DC18D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 193 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 193 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 27 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 27% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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