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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DCF5C it is the complementary color #9230A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DCF5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DCF5C shade: #72CF57, #83E16A, #94F37D, #A5FF90 and #B6FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DCF5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DCF5C shade: #6DCF5C, #5CBD49, #4BAB36, #3A9923 and #298710

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DCF5C shade: #6DCF5C, #8CCF5C, #ABCF5C, #CACF5C and #CFB55C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DCF5C shade: #6DCF5C, #5CCF6A, #5CCF89, #5CCFA8 and #5CCFC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DCF5C shade matches the following richer shades: #6DCF5C, #62E04C and #56F13B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DCF5C shade: #6DCF5C, #79BF6D, #85AE7E, #919D8F and #9D8CA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DCF5C shade: #ABCF5C, #8CCF5C, #6ECF5C, #5CCF6A and #5CCF89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DCF5C shade: #42A931, #51C63C, #6DCF5C, #8AD97C and #A7E29C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DCF5C shade: #6DCF5C, #5CCACF and #CF5C9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DCF5C shade: #6DCF5C, #5C6ECF and #CF5C6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DCF5C shade: #6DCF5C, #5CCACF, #BE5CCF and #CF625C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DCF5C shade: #6DCF5C, #5CA7CF, #BE5CCF and #CF855C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 56 / 19

HEX #6DCF5C

RGB 109 207 92

HSL 111.13, 0.55%, 0.59%

LAB 75.23, -50.74, 47.72

 

Complementary color

CMYK 10 / 71 / 0 / 36

HEX #9230A3

RGB 146 48 163

HSL 291.13, 0.55%, 0.41%

LAB 39.36, 56.39, -42.49

 

CMYK 45 / 0 / 58 / 19

HEX #72CF57

RGB 114 207 87

HSL 106.5, 0.56%, 0.58%

LAB 75.38, -49.82, 50.24

 

CMYK 42 / 0 / 53 / 12

HEX #83E16A

RGB 131 225 106

HSL 107.39, 0.66%, 0.65%

LAB 81.68, -49.86, 49.12

 

CMYK 39 / 0 / 49 / 5

HEX #94F37D

RGB 148 243 125

HSL 108.31, 0.83%, 0.72%

LAB 87.91, -49.81, 47.94

 

CMYK 35 / 0 / 44 / 0

HEX #A5FF90

RGB 165 255 144

HSL 108.65, 1%, 0.78%

LAB 92.37, -47.16, 44.62

 

CMYK 29 / 0 / 36 / 0

HEX #B6FFA3

RGB 182 255 163

HSL 107.61, 1%, 0.82%

LAB 93.5, -39.13, 36.96

 

CMYK 47 / 0 / 56 / 19

HEX #6DCF5C

RGB 109 207 92

HSL 111.13, 0.55%, 0.59%

LAB 75.23, -50.74, 47.72

 

CMYK 51 / 0 / 61 / 26

HEX #5CBD49

RGB 92 189 73

HSL 110.17, 0.47%, 0.51%

LAB 68.86, -50.57, 48.84

 

CMYK 56 / 0 / 68 / 33

HEX #4BAB36

RGB 75 171 54

HSL 109.23, 0.52%, 0.44%

LAB 62.41, -50.16, 49.73

 

CMYK 62 / 0 / 77 / 40

HEX #3A9923

RGB 58 153 35

HSL 108.31, 0.63%, 0.37%

LAB 55.89, -49.39, 50.12

 

CMYK 70 / 0 / 88 / 47

HEX #298710

RGB 41 135 16

HSL 107.39, 0.79%, 0.3%

LAB 49.3, -48.02, 49.46

 

CMYK 47 / 0 / 56 / 19

HEX #6DCF5C

RGB 109 207 92

HSL 111.13, 0.55%, 0.59%

LAB 75.23, -50.74, 47.72

 

CMYK 32 / 0 / 56 / 19

HEX #8CCF5C

RGB 140 207 92

HSL 94.96, 0.55%, 0.59%

LAB 76.66, -40.82, 49.76

 

CMYK 17 / 0 / 56 / 19

HEX #ABCF5C

RGB 171 207 92

HSL 78.78, 0.55%, 0.59%

LAB 78.49, -29.39, 52.36

 

CMYK 2 / 0 / 56 / 19

HEX #CACF5C

RGB 202 207 92

HSL 62.61, 0.55%, 0.59%

LAB 80.71, -17.04, 55.48

 

CMYK 0 / 13 / 56 / 19

HEX #CFB55C

RGB 207 181 92

HSL 46.43, 0.55%, 0.59%

LAB 74.24, -1.65, 48.14

 

CMYK 47 / 0 / 56 / 19

HEX #6DCF5C

RGB 109 207 92

HSL 111.13, 0.55%, 0.59%

LAB 75.23, -50.74, 47.72

 

CMYK 56 / 0 / 49 / 19

HEX #5CCF6A

RGB 92 207 106

HSL 127.3, 0.55%, 0.59%

LAB 74.79, -53.46, 40.35

 

CMYK 56 / 0 / 34 / 19

HEX #5CCF89

RGB 92 207 137

HSL 143.48, 0.55%, 0.59%

LAB 75.27, -48.33, 25.19

 

CMYK 56 / 0 / 19 / 19

HEX #5CCFA8

RGB 92 207 168

HSL 159.65, 0.55%, 0.59%

LAB 75.9, -41.91, 9.63

 

CMYK 56 / 0 / 4 / 19

HEX #5CCFC7

RGB 92 207 199

HSL 175.83, 0.55%, 0.59%

LAB 76.69, -34.34, -5.89

 

CMYK 47 / 0 / 56 / 19

HEX #6DCF5C

RGB 109 207 92

HSL 111.13, 0.55%, 0.59%

LAB 75.23, -50.74, 47.72

 

CMYK 56 / 0 / 66 / 12

HEX #62E04C

RGB 98 224 76

HSL 111.08, 0.7%, 0.59%

LAB 79.86, -61.77, 59.75

 

CMYK 64 / 0 / 76 / 5

HEX #56F13B

RGB 86 241 59

HSL 111.1, 0.87%, 0.59%

LAB 84.59, -71.53, 70.55

 

CMYK 47 / 0 / 56 / 19

HEX #6DCF5C

RGB 109 207 92

HSL 111.13, 0.55%, 0.59%

LAB 75.23, -50.74, 47.72

 

CMYK 37 / 0 / 43 / 25

HEX #79BF6D

RGB 121 191 109

HSL 111.22, 0.39%, 0.59%

LAB 71.17, -38.05, 34.52

 

CMYK 24 / 0 / 28 / 32

HEX #85AE7E

RGB 133 174 126

HSL 111.25, 0.23%, 0.59%

LAB 67.1, -23.24, 20.27

 

CMYK 8 / 0 / 9 / 38

HEX #919D8F

RGB 145 157 143

HSL 111.43, 0.07%, 0.59%

LAB 63.44, -7, 5.86

 

CMYK 2 / 13 / 0 / 37

HEX #9D8CA0

RGB 157 140 160

HSL 291, 0.1%, 0.59%

LAB 60.3, 10.12, -8.24

 

CMYK 17 / 0 / 56 / 19

HEX #ABCF5C

RGB 171 207 92

HSL 78.78, 0.55%, 0.59%

LAB 78.49, -29.39, 52.36

 

CMYK 32 / 0 / 56 / 19

HEX #8CCF5C

RGB 140 207 92

HSL 94.96, 0.55%, 0.59%

LAB 76.66, -40.82, 49.76

 

CMYK 47 / 0 / 56 / 19

HEX #6ECF5C

RGB 110 207 92

HSL 110.61, 0.55%, 0.59%

LAB 75.27, -50.45, 47.78

 

CMYK 56 / 0 / 49 / 19

HEX #5CCF6A

RGB 92 207 106

HSL 127.3, 0.55%, 0.59%

LAB 74.79, -53.46, 40.35

 

CMYK 56 / 0 / 34 / 19

HEX #5CCF89

RGB 92 207 137

HSL 143.48, 0.55%, 0.59%

LAB 75.27, -48.33, 25.19

 

CMYK 61 / 0 / 71 / 34

HEX #42A931

RGB 66 169 49

HSL 111.5, 0.55%, 0.43%

LAB 61.44, -52.15, 50.62

 

CMYK 59 / 0 / 70 / 22

HEX #51C63C

RGB 81 198 60

HSL 110.87, 0.55%, 0.51%

LAB 71.19, -58.03, 56.66

 

CMYK 47 / 0 / 56 / 19

HEX #6DCF5C

RGB 109 207 92

HSL 111.13, 0.55%, 0.59%

LAB 75.23, -50.74, 47.72

 

CMYK 36 / 0 / 43 / 15

HEX #8AD97C

RGB 138 217 124

HSL 110.97, 0.55%, 0.67%

LAB 79.89, -41.98, 38.26

 

CMYK 26 / 0 / 31 / 11

HEX #A7E29C

RGB 167 226 156

HSL 110.57, 0.55%, 0.75%

LAB 84.49, -31.86, 28.35

 

CMYK 47 / 0 / 56 / 19

HEX #6DCF5C

RGB 109 207 92

HSL 111.13, 0.55%, 0.59%

LAB 75.23, -50.74, 47.72

 

CMYK 56 / 2 / 0 / 19

HEX #5CCACF

RGB 92 202 207

HSL 182.61, 0.55%, 0.59%

LAB 75.46, -29.83, -12.04

 

CMYK 0 / 56 / 25 / 19

HEX #CF5C9C

RGB 207 92 156

HSL 326.61, 0.55%, 0.59%

LAB 55.4, 52.52, -12.69

 

CMYK 47 / 0 / 56 / 19

HEX #6DCF5C

RGB 109 207 92

HSL 111.13, 0.55%, 0.59%

LAB 75.23, -50.74, 47.72

 

CMYK 56 / 47 / 0 / 19

HEX #5C6ECF

RGB 92 110 207

HSL 230.61, 0.55%, 0.59%

LAB 49.41, 21.52, -52.43

 

CMYK 0 / 56 / 47 / 19

HEX #CF5C6E

RGB 207 92 110

HSL 350.61, 0.55%, 0.59%

LAB 54.08, 47.14, 12.49

 

CMYK 47 / 0 / 56 / 19

HEX #6DCF5C

RGB 109 207 92

HSL 111.13, 0.55%, 0.59%

LAB 75.23, -50.74, 47.72

 

CMYK 56 / 2 / 0 / 19

HEX #5CCACF

RGB 92 202 207

HSL 182.61, 0.55%, 0.59%

LAB 75.46, -29.83, -12.04

 

CMYK 8 / 56 / 0 / 19

HEX #BE5CCF

RGB 190 92 207

HSL 291.13, 0.55%, 0.59%

LAB 55.18, 56.03, -42.67

 

CMYK 0 / 53 / 56 / 19

HEX #CF625C

RGB 207 98 92

HSL 3.13, 0.55%, 0.59%

LAB 54.84, 42.61, 24.08

 

CMYK 47 / 0 / 56 / 19

HEX #6DCF5C

RGB 109 207 92

HSL 111.13, 0.55%, 0.59%

LAB 75.23, -50.74, 47.72

 

CMYK 56 / 19 / 0 / 19

HEX #5CA7CF

RGB 92 167 207

HSL 200.87, 0.55%, 0.59%

LAB 65.29, -11.89, -27.48

 

CMYK 8 / 56 / 0 / 19

HEX #BE5CCF

RGB 190 92 207

HSL 291.13, 0.55%, 0.59%

LAB 55.18, 56.03, -42.67

 

CMYK 0 / 36 / 56 / 19

HEX #CF855C

RGB 207 133 92

HSL 21.39, 0.55%, 0.59%

LAB 62.35, 24.22, 33.73

 

Description

Color code: HEX #6DCF5C | qconv.com Color code: HEX #6DCF5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 207 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 207 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 56 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 56% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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