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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DD038 it is the complementary color #922FC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DD038. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DD038 shade: #72D033, #83E246, #94F459, #A5FF6C and #B6FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DD038. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DD038 shade: #6DD038, #5CBE25, #4BAC12, #3A9A00 and #298800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DD038 shade: #6DD038, #96D038, #BFD038, #D0B838 and #D08F38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DD038 shade: #6DD038, #44D038, #38D055, #38D07E and #38D0A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DD038 shade matches the following richer shades: #6DD038, #67E424 and #61F811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DD038 shade: #6DD038, #73BC4C, #79A860, #7F9574 and #858187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DD038 shade: #BED038, #96D038, #6DD038, #45D038 and #38D054

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DD038 shade: #4A9322, #5AB52A, #6DD038, #86D85A and #9EE07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DD038 shade: #6DD038, #38D0B9 and #D038AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DD038 shade: #6DD038, #386DD0 and #D0386D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DD038 shade: #6DD038, #38D0B9, #9B38D0 and #D0384F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DD038 shade: #6DD038, #38B9D0, #9B38D0 and #D04F38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

Complementary color

CMYK 27 / 76 / 0 / 22

HEX #922FC7

RGB 146 47 199

HSL 279.08, 0.62%, 0.48%

LAB 41.64, 63.95, -60.08

 

CMYK 45 / 0 / 75 / 18

HEX #72D033

RGB 114 208 51

HSL 95.92, 0.63%, 0.51%

LAB 75.41, -53.21, 64.48

 

CMYK 42 / 0 / 69 / 11

HEX #83E246

RGB 131 226 70

HSL 96.54, 0.73%, 0.58%

LAB 81.65, -53.67, 64.33

 

CMYK 39 / 0 / 64 / 4

HEX #94F459

RGB 148 244 89

HSL 97.16, 0.88%, 0.65%

LAB 87.83, -53.95, 63.74

 

CMYK 35 / 0 / 58 / 0

HEX #A5FF6C

RGB 165 255 108

HSL 96.73, 1%, 0.71%

LAB 91.95, -51.25, 60.63

 

CMYK 29 / 0 / 50 / 0

HEX #B6FF7F

RGB 182 255 127

HSL 94.22, 1%, 0.75%

LAB 93.01, -43.65, 53.62

 

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

CMYK 52 / 0 / 81 / 25

HEX #5CBE25

RGB 92 190 37

HSL 98.43, 0.67%, 0.45%

LAB 68.92, -53.74, 62.29

 

CMYK 56 / 0 / 90 / 33

HEX #4BAC12

RGB 75 172 18

HSL 97.79, 0.81%, 0.37%

LAB 62.55, -52.69, 60.92

 

CMYK 62 / 0 / 100 / 40

HEX #3A9A00

RGB 58 154 0

HSL 97.4, 1%, 0.3%

LAB 56.1, -51.18, 58.19

 

CMYK 70 / 0 / 100 / 47

HEX #298800

RGB 41 136 0

HSL 101.91, 1%, 0.27%

LAB 49.59, -48.92, 52.84

 

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

CMYK 28 / 0 / 73 / 18

HEX #96D038

RGB 150 208 56

HSL 82.89, 0.62%, 0.52%

LAB 77.21, -40.51, 65.18

 

CMYK 8 / 0 / 73 / 18

HEX #BFD038

RGB 191 208 56

HSL 66.71, 0.62%, 0.52%

LAB 79.88, -24.3, 68.68

 

CMYK 0 / 12 / 73 / 18

HEX #D0B838

RGB 208 184 56

HSL 50.53, 0.62%, 0.52%

LAB 74.81, -5.02, 64.31

 

CMYK 0 / 31 / 73 / 18

HEX #D08F38

RGB 208 143 56

HSL 34.34, 0.62%, 0.52%

LAB 64.44, 16.89, 54.05

 

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

CMYK 67 / 0 / 73 / 18

HEX #44D038

RGB 68 208 56

HSL 115.26, 0.62%, 0.52%

LAB 73.95, -64.59, 60.85

 

CMYK 73 / 0 / 59 / 18

HEX #38D055

RGB 56 208 85

HSL 131.45, 0.62%, 0.52%

LAB 73.94, -63.82, 49.02

 

CMYK 73 / 0 / 39 / 18

HEX #38D07E

RGB 56 208 126

HSL 147.63, 0.62%, 0.52%

LAB 74.48, -57.5, 29.7

 

CMYK 73 / 0 / 20 / 18

HEX #38D0A7

RGB 56 208 167

HSL 163.82, 0.62%, 0.52%

LAB 75.29, -48.72, 9.17

 

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

CMYK 55 / 0 / 84 / 11

HEX #67E424

RGB 103 228 36

HSL 99.06, 0.78%, 0.52%

LAB 81.01, -64.43, 73.6

 

CMYK 61 / 0 / 93 / 3

HEX #61F811

RGB 97 248 17

HSL 99.22, 0.94%, 0.52%

LAB 86.86, -73.09, 81.58

 

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

CMYK 39 / 0 / 60 / 26

HEX #73BC4C

RGB 115 188 76

HSL 99.11, 0.46%, 0.52%

LAB 69.56, -42.75, 48.55

 

CMYK 28 / 0 / 43 / 34

HEX #79A860

RGB 121 168 96

HSL 99.17, 0.29%, 0.52%

LAB 64.09, -29.2, 32.21

 

CMYK 15 / 0 / 22 / 42

HEX #7F9574

RGB 127 149 116

HSL 100, 0.13%, 0.52%

LAB 59.22, -14.23, 14.89

 

CMYK 1 / 4 / 0 / 47

HEX #858187

RGB 133 129 135

HSL 280, 0.02%, 0.52%

LAB 54.49, 2.69, -2.71

 

CMYK 9 / 0 / 73 / 18

HEX #BED038

RGB 190 208 56

HSL 67.11, 0.62%, 0.52%

LAB 79.81, -24.71, 68.58

 

CMYK 28 / 0 / 73 / 18

HEX #96D038

RGB 150 208 56

HSL 82.89, 0.62%, 0.52%

LAB 77.21, -40.51, 65.18

 

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

CMYK 67 / 0 / 73 / 18

HEX #45D038

RGB 69 208 56

HSL 114.87, 0.62%, 0.52%

LAB 73.97, -64.39, 60.88

 

CMYK 73 / 0 / 60 / 18

HEX #38D054

RGB 56 208 84

HSL 131.05, 0.62%, 0.52%

LAB 73.93, -63.94, 49.46

 

CMYK 50 / 0 / 77 / 42

HEX #4A9322

RGB 74 147 34

HSL 98.76, 0.62%, 0.35%

LAB 54.49, -42.66, 49.3

 

CMYK 50 / 0 / 77 / 29

HEX #5AB52A

RGB 90 181 42

HSL 99.28, 0.62%, 0.44%

LAB 66.05, -50.64, 58.03

 

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

CMYK 38 / 0 / 58 / 15

HEX #86D85A

RGB 134 216 90

HSL 99.05, 0.62%, 0.6%

LAB 78.99, -46.92, 53.28

 

CMYK 29 / 0 / 45 / 12

HEX #9EE07B

RGB 158 224 123

HSL 99.21, 0.62%, 0.68%

LAB 82.92, -38.62, 42.81

 

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 0 / 73 / 18 / 18

HEX #D038AA

RGB 208 56 170

HSL 315, 0.62%, 0.52%

LAB 50.85, 69.14, -27.86

 

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

CMYK 73 / 48 / 0 / 18

HEX #386DD0

RGB 56 109 208

HSL 219.08, 0.62%, 0.52%

LAB 47.41, 16.38, -56.32

 

CMYK 0 / 73 / 48 / 18

HEX #D0386D

RGB 208 56 109

HSL 339.08, 0.62%, 0.52%

LAB 48.69, 62.31, 5.5

 

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

CMYK 73 / 0 / 11 / 18

HEX #38D0B9

RGB 56 208 185

HSL 170.92, 0.62%, 0.52%

LAB 75.73, -44.18, 0.14

 

CMYK 25 / 73 / 0 / 18

HEX #9B38D0

RGB 155 56 208

HSL 279.08, 0.62%, 0.52%

LAB 44.73, 64.11, -60.22

 

CMYK 0 / 73 / 62 / 18

HEX #D0384F

RGB 208 56 79

HSL 350.92, 0.62%, 0.52%

LAB 48.01, 60.07, 22.85

 

CMYK 48 / 0 / 73 / 18

HEX #6DD038

RGB 109 208 56

HSL 99.08, 0.62%, 0.52%

LAB 75.23, -54.42, 62.56

 

CMYK 73 / 11 / 0 / 18

HEX #38B9D0

RGB 56 185 208

HSL 189.08, 0.62%, 0.52%

LAB 69.54, -26.88, -21.63

 

CMYK 25 / 73 / 0 / 18

HEX #9B38D0

RGB 155 56 208

HSL 279.08, 0.62%, 0.52%

LAB 44.73, 64.11, -60.22

 

CMYK 0 / 62 / 73 / 18

HEX #D04F38

RGB 208 79 56

HSL 9.08, 0.62%, 0.52%

LAB 51.02, 49.73, 39.84

 

Description

Color code: HEX #6DD038 | qconv.com Color code: HEX #6DD038 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 208 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 208 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 73 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 73% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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