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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DDA73 it is the complementary color #92258C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DDA73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DDA73 shade: #72DA6E, #83EC81, #94FE94, #A5FFA7 and #B6FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DDA73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DDA73 shade: #6DDA73, #5CC860, #4BB64D, #3AA43A and #299227

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DDA73 shade: #6CDA72, #83DA6C, #A1DA6C, #BFDA6C and #DAD76C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DDA73 shade: #6CDA72, #6CDA8F, #6CDAAD, #6CDACB and #6CCBDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DDA73 shade matches the following richer shades: #6CDA72, #5DE964 and #4EF757

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DDA73 shade: #6CDA72, #7ACB7F, #89BC8C, #98AD99 and #A79EA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DDA73 shade: #A1DA6C, #83DA6C, #6CDA71, #6CDA8F and #6CDAAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DDA73 shade: #30C338, #4BD252, #6CDA72, #8DE291 and #AEEAB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DDA73 shade: #6DDA73, #6CBEDA and #DA6C92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DDA73 shade: #6DDA73, #716CDA and #DA716C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DDA73 shade: #6DDA73, #6CBEDA, #DA6CD4 and #DA876C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DDA73 shade: #6DDA73, #6C9DDA, #DA6CD4 and #DAA86C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 47 / 15

HEX #6DDA73

RGB 109 218 115

HSL 123.3, 0.6%, 0.64%

LAB 78.83, -52.17, 41.11

 

Complementary color

CMYK 0 / 75 / 4 / 43

HEX #92258C

RGB 146 37 140

HSL 303.3, 0.6%, 0.36%

LAB 36.61, 56.33, -32.9

 

CMYK 48 / 0 / 50 / 15

HEX #72DA6E

RGB 114 218 110

HSL 117.78, 0.59%, 0.64%

LAB 78.95, -51.49, 43.74

 

CMYK 44 / 0 / 45 / 7

HEX #83EC81

RGB 131 236 129

HSL 118.88, 0.74%, 0.72%

LAB 85.2, -51.43, 42.49

 

CMYK 42 / 0 / 42 / 0

HEX #94FE94

RGB 148 254 148

HSL 120, 0.98%, 0.79%

LAB 91.38, -51.29, 41.26

 

CMYK 35 / 0 / 35 / 0

HEX #A5FFA7

RGB 165 255 167

HSL 121.33, 1%, 0.82%

LAB 92.71, -43.87, 33.78

 

CMYK 29 / 0 / 27 / 0

HEX #B6FFBA

RGB 182 255 186

HSL 123.29, 1%, 0.86%

LAB 93.89, -35.6, 25.95

 

CMYK 50 / 0 / 47 / 15

HEX #6DDA73

RGB 109 218 115

HSL 123.3, 0.6%, 0.64%

LAB 78.83, -52.17, 41.11

 

CMYK 54 / 0 / 52 / 22

HEX #5CC860

RGB 92 200 96

HSL 122.22, 0.5%, 0.57%

LAB 72.51, -52.12, 42.42

 

CMYK 59 / 0 / 58 / 29

HEX #4BB64D

RGB 75 182 77

HSL 121.12, 0.42%, 0.5%

LAB 66.13, -51.87, 43.71

 

CMYK 65 / 0 / 65 / 36

HEX #3AA43A

RGB 58 164 58

HSL 120, 0.48%, 0.44%

LAB 59.67, -51.32, 44.89

 

CMYK 72 / 0 / 73 / 43

HEX #299227

RGB 41 146 39

HSL 118.88, 0.58%, 0.36%

LAB 53.14, -50.3, 45.74

 

CMYK 50 / 0 / 48 / 15

HEX #6CDA72

RGB 108 218 114

HSL 123.27, 0.6%, 0.64%

LAB 78.78, -52.58, 41.53

 

CMYK 40 / 0 / 50 / 15

HEX #83DA6C

RGB 131 218 108

HSL 107.45, 0.6%, 0.64%

LAB 79.64, -46.72, 45.71

 

CMYK 26 / 0 / 50 / 15

HEX #A1DA6C

RGB 161 218 108

HSL 91.09, 0.6%, 0.64%

LAB 81.18, -36.62, 47.93

 

CMYK 12 / 0 / 50 / 15

HEX #BFDA6C

RGB 191 218 108

HSL 74.73, 0.6%, 0.64%

LAB 83.07, -25.4, 50.65

 

CMYK 0 / 1 / 50 / 15

HEX #DAD76C

RGB 218 215 108

HSL 58.36, 0.6%, 0.64%

LAB 84.27, -13.24, 52.56

 

CMYK 50 / 0 / 48 / 15

HEX #6CDA72

RGB 108 218 114

HSL 123.27, 0.6%, 0.64%

LAB 78.78, -52.58, 41.53

 

CMYK 50 / 0 / 34 / 15

HEX #6CDA8F

RGB 108 218 143

HSL 139.09, 0.6%, 0.64%

LAB 79.22, -47.96, 27.49

 

CMYK 50 / 0 / 21 / 15

HEX #6CDAAD

RGB 108 218 173

HSL 155.45, 0.6%, 0.64%

LAB 79.81, -42.08, 12.59

 

CMYK 50 / 0 / 7 / 15

HEX #6CDACB

RGB 108 218 203

HSL 171.82, 0.6%, 0.64%

LAB 80.54, -35.18, -2.31

 

CMYK 50 / 7 / 0 / 15

HEX #6CCBDA

RGB 108 203 218

HSL 188.18, 0.6%, 0.64%

LAB 76.66, -24.08, -16.13

 

CMYK 50 / 0 / 48 / 15

HEX #6CDA72

RGB 108 218 114

HSL 123.27, 0.6%, 0.64%

LAB 78.78, -52.58, 41.53

 

CMYK 60 / 0 / 57 / 9

HEX #5DE964

RGB 93 233 100

HSL 123, 0.76%, 0.64%

LAB 82.66, -63.65, 52.68

 

CMYK 68 / 0 / 65 / 3

HEX #4EF757

RGB 78 247 87

HSL 123.2, 0.91%, 0.64%

LAB 86.42, -72.72, 62.34

 

CMYK 50 / 0 / 48 / 15

HEX #6CDA72

RGB 108 218 114

HSL 123.27, 0.6%, 0.64%

LAB 78.78, -52.58, 41.53

 

CMYK 40 / 0 / 37 / 20

HEX #7ACB7F

RGB 122 203 127

HSL 123.7, 0.44%, 0.64%

LAB 75.07, -40.35, 30.33

 

CMYK 27 / 0 / 26 / 26

HEX #89BC8C

RGB 137 188 140

HSL 123.53, 0.28%, 0.64%

LAB 71.68, -26.37, 19.02

 

CMYK 12 / 0 / 12 / 32

HEX #98AD99

RGB 152 173 153

HSL 122.86, 0.11%, 0.64%

LAB 68.65, -11.19, 7.83

 

CMYK 0 / 5 / 0 / 35

HEX #A79EA7

RGB 167 158 167

HSL 300, 0.05%, 0.64%

LAB 66.1, 4.95, -3.51

 

CMYK 26 / 0 / 50 / 15

HEX #A1DA6C

RGB 161 218 108

HSL 91.09, 0.6%, 0.64%

LAB 81.18, -36.62, 47.93

 

CMYK 40 / 0 / 50 / 15

HEX #83DA6C

RGB 131 218 108

HSL 107.45, 0.6%, 0.64%

LAB 79.64, -46.72, 45.71

 

CMYK 50 / 0 / 48 / 15

HEX #6CDA71

RGB 108 218 113

HSL 122.73, 0.6%, 0.64%

LAB 78.77, -52.72, 42

 

CMYK 50 / 0 / 34 / 15

HEX #6CDA8F

RGB 108 218 143

HSL 139.09, 0.6%, 0.64%

LAB 79.22, -47.96, 27.49

 

CMYK 50 / 0 / 21 / 15

HEX #6CDAAC

RGB 108 218 172

HSL 154.91, 0.6%, 0.64%

LAB 79.79, -42.29, 13.09

 

CMYK 75 / 0 / 71 / 24

HEX #30C338

RGB 48 195 56

HSL 123.27, 0.6%, 0.48%

LAB 69.43, -63.83, 56.1

 

CMYK 64 / 0 / 61 / 18

HEX #4BD252

RGB 75 210 82

HSL 123.11, 0.6%, 0.56%

LAB 74.95, -61.44, 51.63

 

CMYK 50 / 0 / 48 / 15

HEX #6CDA72

RGB 108 218 114

HSL 123.27, 0.6%, 0.64%

LAB 78.78, -52.58, 41.53

 

CMYK 38 / 0 / 36 / 11

HEX #8DE291

RGB 141 226 145

HSL 122.82, 0.59%, 0.72%

LAB 82.97, -41.88, 31.71

 

CMYK 26 / 0 / 24 / 8

HEX #AEEAB1

RGB 174 234 177

HSL 123, 0.59%, 0.8%

LAB 87.49, -29.91, 21.69

 

CMYK 50 / 0 / 47 / 15

HEX #6DDA73

RGB 109 218 115

HSL 123.3, 0.6%, 0.64%

LAB 78.83, -52.17, 41.11

 

CMYK 50 / 13 / 0 / 15

HEX #6CBEDA

RGB 108 190 218

HSL 195.27, 0.6%, 0.64%

LAB 72.94, -17.46, -21.75

 

CMYK 0 / 50 / 33 / 15

HEX #DA6C92

RGB 218 108 146

HSL 339.27, 0.6%, 0.64%

LAB 59.62, 47.06, -0.42

 

CMYK 50 / 0 / 47 / 15

HEX #6DDA73

RGB 109 218 115

HSL 123.3, 0.6%, 0.64%

LAB 78.83, -52.17, 41.11

 

CMYK 48 / 50 / 0 / 15

HEX #716CDA

RGB 113 108 218

HSL 242.73, 0.6%, 0.64%

LAB 51.03, 30.68, -56

 

CMYK 0 / 48 / 50 / 15

HEX #DA716C

RGB 218 113 108

HSL 2.73, 0.6%, 0.64%

LAB 59.71, 40.48, 21.63

 

CMYK 50 / 0 / 47 / 15

HEX #6DDA73

RGB 109 218 115

HSL 123.3, 0.6%, 0.64%

LAB 78.83, -52.17, 41.11

 

CMYK 50 / 13 / 0 / 15

HEX #6CBEDA

RGB 108 190 218

HSL 195.27, 0.6%, 0.64%

LAB 72.94, -17.46, -21.75

 

CMYK 0 / 50 / 3 / 15

HEX #DA6CD4

RGB 218 108 212

HSL 303.27, 0.6%, 0.64%

LAB 61.98, 56.88, -34.57

 

CMYK 0 / 38 / 50 / 15

HEX #DA876C

RGB 218 135 108

HSL 14.73, 0.6%, 0.64%

LAB 64.42, 28.96, 27.89

 

CMYK 50 / 0 / 47 / 15

HEX #6DDA73

RGB 109 218 115

HSL 123.3, 0.6%, 0.64%

LAB 78.83, -52.17, 41.11

 

CMYK 50 / 28 / 0 / 15

HEX #6C9DDA

RGB 108 157 218

HSL 213.27, 0.6%, 0.64%

LAB 63.64, 0.5, -36.07

 

CMYK 0 / 50 / 3 / 15

HEX #DA6CD4

RGB 218 108 212

HSL 303.27, 0.6%, 0.64%

LAB 61.98, 56.88, -34.57

 

CMYK 0 / 23 / 50 / 15

HEX #DAA86C

RGB 218 168 108

HSL 32.73, 0.6%, 0.64%

LAB 72.22, 11.21, 37.9

 

Description

Color code: HEX #6DDA73 | qconv.com Color code: HEX #6DDA73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 218 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 218 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 47 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 47% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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