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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DDEF9 it is the complementary color #922106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DDEF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DDEF9 shade: #72DEF4, #83F0FF, #94FFFF, #A5FFFF and #B6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DDEF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DDEF9 shade: #6DDEF9, #5CCCE6, #4BBAD3, #3AA8C0 and #2996AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DDEF9 shade: #6CDDF8, #6CB7F8, #6C91F8, #6C6CF8 and #926CF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DDEF9 shade: #6CDDF8, #6CB7F8, #6C91F8 and #6C6CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DDEF9 shade matches the following richer shades: #6CDDF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DDEF9 shade: #6CDDF8, #78D6EC, #84CEE0, #91C6D3 and #9DBFC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DDEF9 shade: #6CF8C7, #6CF8ED, #6CDFF8, #6CB9F8 and #6C94F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DDEF9 shade: #1CCBF5, #44D4F7, #6CDDF8, #93E6FA and #BBEFFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DDEF9 shade: #6DDEF9, #A26CF8 and #F8DA6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DDEF9 shade: #6DDEF9, #F86CDF and #DFF86C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DDEF9 shade: #6DDEF9, #A26CF8, #F8856C and #C2F86C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DDEF9 shade: #6DDEF9, #CC6CF8, #F8856C and #98F86C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 11 / 0 / 2

HEX #6DDEF9

RGB 109 222 249

HSL 191.57, 0.92%, 0.7%

LAB 83.09, -24.76, -22.94

 

Complementary color

CMYK 0 / 77 / 96 / 43

HEX #922106

RGB 146 33 6

HSL 11.57, 0.92%, 0.3%

LAB 32.28, 45.68, 42.66

 

CMYK 53 / 9 / 0 / 4

HEX #72DEF4

RGB 114 222 244

HSL 190.15, 0.86%, 0.7%

LAB 83.1, -25.18, -20.26

 

CMYK 49 / 6 / 0 / 0

HEX #83F0FF

RGB 131 240 255

HSL 187.26, 1%, 0.76%

LAB 89.09, -27.51, -16.94

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 56 / 11 / 0 / 2

HEX #6DDEF9

RGB 109 222 249

HSL 191.57, 0.92%, 0.7%

LAB 83.09, -24.76, -22.94

 

CMYK 60 / 11 / 0 / 10

HEX #5CCCE6

RGB 92 204 230

HSL 191.3, 0.73%, 0.63%

LAB 76.78, -24.34, -22.44

 

CMYK 64 / 12 / 0 / 17

HEX #4BBAD3

RGB 75 186 211

HSL 191.03, 0.61%, 0.56%

LAB 70.4, -23.78, -21.91

 

CMYK 70 / 13 / 0 / 25

HEX #3AA8C0

RGB 58 168 192

HSL 190.75, 0.54%, 0.49%

LAB 63.93, -23.03, -21.33

 

CMYK 76 / 13 / 0 / 32

HEX #2996AD

RGB 41 150 173

HSL 190.45, 0.62%, 0.42%

LAB 57.37, -22.03, -20.69

 

CMYK 56 / 11 / 0 / 3

HEX #6CDDF8

RGB 108 221 248

HSL 191.57, 0.91%, 0.7%

LAB 82.74, -24.74, -22.94

 

CMYK 56 / 26 / 0 / 3

HEX #6CB7F8

RGB 108 183 248

HSL 207.86, 0.91%, 0.7%

LAB 72.12, -4.93, -39.29

 

CMYK 56 / 42 / 0 / 3

HEX #6C91F8

RGB 108 145 248

HSL 224.14, 0.91%, 0.7%

LAB 61.84, 16.8, -55.48

 

CMYK 56 / 56 / 0 / 3

HEX #6C6CF8

RGB 108 108 248

HSL 240, 0.91%, 0.7%

LAB 52.61, 38.89, -70.3

 

CMYK 41 / 56 / 0 / 3

HEX #926CF8

RGB 146 108 248

HSL 256.29, 0.91%, 0.7%

LAB 55.7, 46.45, -65.16

 

CMYK 56 / 11 / 0 / 3

HEX #6CDDF8

RGB 108 221 248

HSL 191.57, 0.91%, 0.7%

LAB 82.74, -24.74, -22.94

 

CMYK 56 / 26 / 0 / 3

HEX #6CB7F8

RGB 108 183 248

HSL 207.86, 0.91%, 0.7%

LAB 72.12, -4.93, -39.29

 

CMYK 56 / 42 / 0 / 3

HEX #6C91F8

RGB 108 145 248

HSL 224.14, 0.91%, 0.7%

LAB 61.84, 16.8, -55.48

 

CMYK 56 / 56 / 0 / 3

HEX #6C6CF8

RGB 108 108 248

HSL 240, 0.91%, 0.7%

LAB 52.61, 38.89, -70.3

 

CMYK 56 / 11 / 0 / 3

HEX #6CDDF8

RGB 108 221 248

HSL 191.57, 0.91%, 0.7%

LAB 82.74, -24.74, -22.94

 

CMYK 56 / 11 / 0 / 3

HEX #6CDDF8

RGB 108 221 248

HSL 191.57, 0.91%, 0.7%

LAB 82.74, -24.74, -22.94

 

CMYK 49 / 9 / 0 / 7

HEX #78D6EC

RGB 120 214 236

HSL 191.38, 0.75%, 0.7%

LAB 80.82, -22.12, -19.44

 

CMYK 41 / 8 / 0 / 12

HEX #84CEE0

RGB 132 206 224

HSL 191.74, 0.6%, 0.7%

LAB 78.71, -18.42, -16.16

 

CMYK 31 / 6 / 0 / 17

HEX #91C6D3

RGB 145 198 211

HSL 191.82, 0.43%, 0.7%

LAB 76.75, -14.07, -12.04

 

CMYK 21 / 4 / 0 / 22

HEX #9DBFC7

RGB 157 191 199

HSL 191.43, 0.27%, 0.7%

LAB 75.17, -9.61, -7.81

 

CMYK 56 / 0 / 20 / 3

HEX #6CF8C7

RGB 108 248 199

HSL 159, 0.91%, 0.7%

LAB 89.13, -49.37, 12.2

 

CMYK 56 / 0 / 4 / 3

HEX #6CF8ED

RGB 108 248 237

HSL 175.29, 0.91%, 0.7%

LAB 90.06, -40.41, -6.19

 

CMYK 56 / 10 / 0 / 3

HEX #6CDFF8

RGB 108 223 248

HSL 190.71, 0.91%, 0.7%

LAB 83.31, -25.72, -22.09

 

CMYK 56 / 25 / 0 / 3

HEX #6CB9F8

RGB 108 185 248

HSL 207, 0.91%, 0.7%

LAB 72.67, -6.02, -38.43

 

CMYK 56 / 40 / 0 / 3

HEX #6C94F8

RGB 108 148 248

HSL 222.86, 0.91%, 0.7%

LAB 62.63, 15.03, -54.22

 

CMYK 89 / 17 / 0 / 4

HEX #1CCBF5

RGB 28 203 245

HSL 191.61, 0.92%, 0.54%

LAB 75.79, -26.3, -32.13

 

CMYK 72 / 14 / 0 / 3

HEX #44D4F7

RGB 68 212 247

HSL 191.73, 0.92%, 0.62%

LAB 79.06, -26.75, -28.13

 

CMYK 56 / 11 / 0 / 3

HEX #6CDDF8

RGB 108 221 248

HSL 191.57, 0.91%, 0.7%

LAB 82.74, -24.74, -22.94

 

CMYK 41 / 8 / 0 / 2

HEX #93E6FA

RGB 147 230 250

HSL 191.65, 0.91%, 0.78%

LAB 86.85, -20.23, -17.64

 

CMYK 26 / 5 / 0 / 1

HEX #BBEFFC

RGB 187 239 252

HSL 192, 0.92%, 0.86%

LAB 91.38, -13.63, -11.68

 

CMYK 56 / 11 / 0 / 2

HEX #6DDEF9

RGB 109 222 249

HSL 191.57, 0.92%, 0.7%

LAB 83.09, -24.76, -22.94

 

CMYK 35 / 56 / 0 / 3

HEX #A26CF8

RGB 162 108 248

HSL 263.14, 0.91%, 0.7%

LAB 57.25, 50.01, -62.58

 

CMYK 0 / 12 / 56 / 3

HEX #F8DA6C

RGB 248 218 108

HSL 47.14, 0.91%, 0.7%

LAB 87.57, -2.58, 57.06

 

CMYK 56 / 11 / 0 / 2

HEX #6DDEF9

RGB 109 222 249

HSL 191.57, 0.92%, 0.7%

LAB 83.09, -24.76, -22.94

 

CMYK 0 / 56 / 10 / 3

HEX #F86CDF

RGB 248 108 223

HSL 310.71, 0.91%, 0.7%

LAB 66.53, 66.89, -33.35

 

CMYK 10 / 0 / 56 / 3

HEX #DFF86C

RGB 223 248 108

HSL 70.71, 0.91%, 0.7%

LAB 93.41, -27.26, 63.19

 

CMYK 56 / 11 / 0 / 2

HEX #6DDEF9

RGB 109 222 249

HSL 191.57, 0.92%, 0.7%

LAB 83.09, -24.76, -22.94

 

CMYK 35 / 56 / 0 / 3

HEX #A26CF8

RGB 162 108 248

HSL 263.14, 0.91%, 0.7%

LAB 57.25, 50.01, -62.58

 

CMYK 0 / 46 / 56 / 3

HEX #F8856C

RGB 248 133 108

HSL 10.71, 0.91%, 0.7%

LAB 67.88, 41.54, 33.14

 

CMYK 22 / 0 / 56 / 3

HEX #C2F86C

RGB 194 248 108

HSL 83.14, 0.91%, 0.7%

LAB 91.54, -38.18, 60.58

 

CMYK 56 / 11 / 0 / 2

HEX #6DDEF9

RGB 109 222 249

HSL 191.57, 0.92%, 0.7%

LAB 83.09, -24.76, -22.94

 

CMYK 18 / 56 / 0 / 3

HEX #CC6CF8

RGB 204 108 248

HSL 281.14, 0.91%, 0.7%

LAB 61.95, 59.99, -54.81

 

CMYK 0 / 46 / 56 / 3

HEX #F8856C

RGB 248 133 108

HSL 10.71, 0.91%, 0.7%

LAB 67.88, 41.54, 33.14

 

CMYK 39 / 0 / 56 / 3

HEX #98F86C

RGB 152 248 108

HSL 101.14, 0.91%, 0.7%

LAB 89.34, -52.54, 57.47

 

Description

Color code: HEX #6DDEF9 | qconv.com Color code: HEX #6DDEF9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 222 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 222 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 11 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 11% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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