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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DE126 it is the complementary color #921ED9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DE126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DE126 shade: #72E121, #83F334, #94FF47, #A5FF5A and #B6FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DE126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DE126 shade: #6DE126, #5CCF13, #4BBD00, #3AAB00 and #299900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DE126 shade: #6EE127, #A0E127, #D2E127, #E1BE27 and #E18C27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DE126 shade: #6EE127, #3CE127, #27E145, #27E177 and #27E1A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DE126 shade matches the following richer shades: #6EE127 and #69F513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DE126 shade: #6EE127, #72CD3B, #77BA4F, #7CA662 and #819276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DE126 shade: #D2E127, #A0E127, #6EE127, #3DE127 and #27E143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DE126 shade: #4AA015, #5BC51A, #6EE127, #86E64B and #9FEB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DE126 shade: #6DE126, #27E1BF and #E127B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DE126 shade: #6DE126, #276EE1 and #E1276E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DE126 shade: #6DE126, #27E1BF, #9A27E1 and #E12749

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DE126 shade: #6DE126, #27CBE1, #9A27E1 and #E13D27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 83 / 12

HEX #6DE126

RGB 109 225 38

HSL 97.22, 0.76%, 0.52%

LAB 80.32, -61.68, 72.6

 

Complementary color

CMYK 33 / 86 / 0 / 15

HEX #921ED9

RGB 146 30 217

HSL 277.22, 0.76%, 0.48%

LAB 41.29, 72.73, -71.04

 

CMYK 49 / 0 / 85 / 12

HEX #72E121

RGB 114 225 33

HSL 94.69, 0.76%, 0.51%

LAB 80.48, -60.45, 73.92

 

CMYK 46 / 0 / 79 / 5

HEX #83F334

RGB 131 243 52

HSL 95.18, 0.89%, 0.58%

LAB 86.59, -61.27, 75.02

 

CMYK 42 / 0 / 72 / 0

HEX #94FF47

RGB 148 255 71

HSL 94.89, 1%, 0.64%

LAB 90.9, -59.57, 73.58

 

CMYK 35 / 0 / 65 / 0

HEX #A5FF5A

RGB 165 255 90

HSL 92.73, 1%, 0.68%

LAB 91.8, -52.8, 67.86

 

CMYK 29 / 0 / 57 / 0

HEX #B6FF6D

RGB 182 255 109

HSL 90, 1%, 0.71%

LAB 92.83, -45.44, 61.43

 

CMYK 52 / 0 / 83 / 12

HEX #6DE126

RGB 109 225 38

HSL 97.22, 0.76%, 0.52%

LAB 80.32, -61.68, 72.6

 

CMYK 56 / 0 / 91 / 19

HEX #5CCF13

RGB 92 207 19

HSL 96.7, 0.83%, 0.44%

LAB 74.16, -60.56, 70.77

 

CMYK 60 / 0 / 100 / 26

HEX #4BBD00

RGB 75 189 0

HSL 96.19, 1%, 0.37%

LAB 67.94, -59.06, 67.77

 

CMYK 66 / 0 / 100 / 33

HEX #3AAB00

RGB 58 171 0

HSL 99.65, 1%, 0.34%

LAB 61.68, -56.97, 62.61

 

CMYK 73 / 0 / 100 / 40

HEX #299900

RGB 41 153 0

HSL 103.92, 1%, 0.3%

LAB 55.33, -54.52, 57.4

 

CMYK 51 / 0 / 83 / 12

HEX #6EE127

RGB 110 225 39

HSL 97.1, 0.76%, 0.52%

LAB 80.35, -61.36, 72.41

 

CMYK 29 / 0 / 83 / 12

HEX #A0E127

RGB 160 225 39

HSL 80.97, 0.76%, 0.52%

LAB 82.63, -44.94, 75.29

 

CMYK 7 / 0 / 83 / 12

HEX #D2E127

RGB 210 225 39

HSL 64.84, 0.76%, 0.52%

LAB 85.86, -25.25, 79.33

 

CMYK 0 / 16 / 83 / 12

HEX #E1BE27

RGB 225 190 39

HSL 48.71, 0.76%, 0.52%

LAB 77.86, -1.41, 73.07

 

CMYK 0 / 38 / 83 / 12

HEX #E18C27

RGB 225 140 39

HSL 32.58, 0.76%, 0.52%

LAB 65.68, 25.1, 62.63

 

CMYK 51 / 0 / 83 / 12

HEX #6EE127

RGB 110 225 39

HSL 97.1, 0.76%, 0.52%

LAB 80.35, -61.36, 72.41

 

CMYK 73 / 0 / 83 / 12

HEX #3CE127

RGB 60 225 39

HSL 113.23, 0.76%, 0.52%

LAB 79.02, -72.35, 70.7

 

CMYK 83 / 0 / 69 / 12

HEX #27E145

RGB 39 225 69

HSL 129.68, 0.76%, 0.52%

LAB 78.87, -72.97, 61.04

 

CMYK 83 / 0 / 47 / 12

HEX #27E177

RGB 39 225 119

HSL 145.81, 0.76%, 0.52%

LAB 79.39, -66.67, 39.53

 

CMYK 83 / 0 / 25 / 12

HEX #27E1A9

RGB 39 225 169

HSL 161.94, 0.76%, 0.52%

LAB 80.26, -56.8, 15.11

 

CMYK 51 / 0 / 83 / 12

HEX #6EE127

RGB 110 225 39

HSL 97.1, 0.76%, 0.52%

LAB 80.35, -61.36, 72.41

 

CMYK 57 / 0 / 92 / 4

HEX #69F513

RGB 105 245 19

HSL 97.17, 0.92%, 0.52%

LAB 86.18, -70.19, 80.89

 

CMYK 51 / 0 / 83 / 12

HEX #6EE127

RGB 110 225 39

HSL 97.1, 0.76%, 0.52%

LAB 80.35, -61.36, 72.41

 

CMYK 44 / 0 / 71 / 20

HEX #72CD3B

RGB 114 205 59

HSL 97.4, 0.59%, 0.52%

LAB 74.54, -51.51, 60.87

 

CMYK 36 / 0 / 58 / 27

HEX #77BA4F

RGB 119 186 79

HSL 97.57, 0.44%, 0.52%

LAB 69.19, -40.22, 46.8

 

CMYK 25 / 0 / 41 / 35

HEX #7CA662

RGB 124 166 98

HSL 97.06, 0.28%, 0.52%

LAB 63.7, -26.85, 30.7

 

CMYK 12 / 0 / 19 / 43

HEX #819276

RGB 129 146 118

HSL 96.43, 0.11%, 0.52%

LAB 58.54, -11.52, 12.84

 

CMYK 7 / 0 / 83 / 12

HEX #D2E127

RGB 210 225 39

HSL 64.84, 0.76%, 0.52%

LAB 85.86, -25.25, 79.33

 

CMYK 29 / 0 / 83 / 12

HEX #A0E127

RGB 160 225 39

HSL 80.97, 0.76%, 0.52%

LAB 82.63, -44.94, 75.29

 

CMYK 51 / 0 / 83 / 12

HEX #6EE127

RGB 110 225 39

HSL 97.1, 0.76%, 0.52%

LAB 80.35, -61.36, 72.41

 

CMYK 73 / 0 / 83 / 12

HEX #3DE127

RGB 61 225 39

HSL 112.9, 0.76%, 0.52%

LAB 79.03, -72.19, 70.72

 

CMYK 83 / 0 / 70 / 12

HEX #27E143

RGB 39 225 67

HSL 129.03, 0.76%, 0.52%

LAB 78.86, -73.15, 61.78

 

CMYK 54 / 0 / 87 / 37

HEX #4AA015

RGB 74 160 21

HSL 97.12, 0.77%, 0.35%

LAB 58.65, -48.42, 56.92

 

CMYK 54 / 0 / 87 / 23

HEX #5BC51A

RGB 91 197 26

HSL 97.19, 0.77%, 0.44%

LAB 71.03, -57.06, 66.85

 

CMYK 51 / 0 / 83 / 12

HEX #6EE127

RGB 110 225 39

HSL 97.1, 0.76%, 0.52%

LAB 80.35, -61.36, 72.41

 

CMYK 42 / 0 / 67 / 10

HEX #86E64B

RGB 134 230 75

HSL 97.16, 0.76%, 0.6%

LAB 83, -53.93, 63.9

 

CMYK 32 / 0 / 52 / 8

HEX #9FEB70

RGB 159 235 112

HSL 97.07, 0.75%, 0.68%

LAB 85.99, -44.4, 51.8

 

CMYK 52 / 0 / 83 / 12

HEX #6DE126

RGB 109 225 38

HSL 97.22, 0.76%, 0.52%

LAB 80.32, -61.68, 72.6

 

CMYK 83 / 0 / 15 / 12

HEX #27E1BF

RGB 39 225 191

HSL 169.03, 0.76%, 0.52%

LAB 80.76, -51.45, 4.21

 

CMYK 0 / 83 / 18 / 12

HEX #E127B9

RGB 225 39 185

HSL 312.9, 0.76%, 0.52%

LAB 52.91, 79.34, -33.21

 

CMYK 52 / 0 / 83 / 12

HEX #6DE126

RGB 109 225 38

HSL 97.22, 0.76%, 0.52%

LAB 80.32, -61.68, 72.6

 

CMYK 83 / 51 / 0 / 12

HEX #276EE1

RGB 39 110 225

HSL 217.1, 0.76%, 0.52%

LAB 48.28, 20.32, -64.58

 

CMYK 0 / 83 / 51 / 12

HEX #E1276E

RGB 225 39 110

HSL 337.1, 0.76%, 0.52%

LAB 50.2, 71.65, 7.47

 

CMYK 52 / 0 / 83 / 12

HEX #6DE126

RGB 109 225 38

HSL 97.22, 0.76%, 0.52%

LAB 80.32, -61.68, 72.6

 

CMYK 83 / 0 / 15 / 12

HEX #27E1BF

RGB 39 225 191

HSL 169.03, 0.76%, 0.52%

LAB 80.76, -51.45, 4.21

 

CMYK 32 / 83 / 0 / 12

HEX #9A27E1

RGB 154 39 225

HSL 277.1, 0.76%, 0.52%

LAB 43.88, 73.16, -71.34

 

CMYK 0 / 83 / 68 / 12

HEX #E12749

RGB 225 39 73

HSL 349.03, 0.76%, 0.52%

LAB 49.42, 69.35, 28.93

 

CMYK 52 / 0 / 83 / 12

HEX #6DE126

RGB 109 225 38

HSL 97.22, 0.76%, 0.52%

LAB 80.32, -61.68, 72.6

 

CMYK 83 / 10 / 0 / 12

HEX #27CBE1

RGB 39 203 225

HSL 187.1, 0.76%, 0.52%

LAB 75.19, -32.02, -22.28

 

CMYK 32 / 83 / 0 / 12

HEX #9A27E1

RGB 154 39 225

HSL 277.1, 0.76%, 0.52%

LAB 43.88, 73.16, -71.34

 

CMYK 0 / 73 / 83 / 12

HEX #E13D27

RGB 225 61 39

HSL 7.1, 0.76%, 0.52%

LAB 51.26, 61.83, 49.82

 

Description

Color code: HEX #6DE126 | qconv.com Color code: HEX #6DE126 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 225 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 225 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 83 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 83% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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