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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DE21C it is the complementary color #921DE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DE21C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DE21C shade: #72E217, #83F42A, #94FF3D, #A5FF50 and #B6FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DE21C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DE21C shade: #6DE21C, #5CD009, #4BBE00, #3AAC00 and #299A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DE21C shade: #6DE21C, #A3E21C, #D8E21C, #E2B71C and #E2811C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DE21C shade: #6DE21C, #37E21C, #1CE235, #1CE26B and #1CE2A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DE21C shade matches the following richer shades: #6DE21C and #69F707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DE21C shade: #6DE21C, #71CE30, #74B945, #78A559 and #7C906E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DE21C shade: #D9E21C, #A3E21C, #6EE21C, #39E21C and #1CE233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DE21C shade: #4A9912, #5BBE17, #6DE21C, #84E740 and #9CEC65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DE21C shade: #6DE21C, #1CE2B7 and #E21CBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DE21C shade: #6DE21C, #1C6EE2 and #E21C6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DE21C shade: #6DE21C, #1CE2B7, #901CE2 and #E21C47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DE21C shade: #6DE21C, #1CD2E2, #901CE2 and #E22C1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 88 / 11

HEX #6DE21C

RGB 109 226 28

HSL 95.45, 0.78%, 0.5%

LAB 80.59, -62.39, 74.92

 

Complementary color

CMYK 36 / 87 / 0 / 11

HEX #921DE3

RGB 146 29 227

HSL 275.45, 0.78%, 0.5%

LAB 42.06, 75, -75.52

 

CMYK 50 / 0 / 90 / 11

HEX #72E217

RGB 114 226 23

HSL 93.1, 0.82%, 0.49%

LAB 80.76, -61.11, 75.98

 

CMYK 46 / 0 / 83 / 4

HEX #83F42A

RGB 131 244 42

HSL 93.56, 0.9%, 0.56%

LAB 86.85, -62.08, 77.78

 

CMYK 42 / 0 / 76 / 0

HEX #94FF3D

RGB 148 255 61

HSL 93.09, 1%, 0.62%

LAB 90.85, -60.15, 76.68

 

CMYK 35 / 0 / 69 / 0

HEX #A5FF50

RGB 165 255 80

HSL 90.86, 1%, 0.66%

LAB 91.73, -53.52, 71.54

 

CMYK 29 / 0 / 61 / 0

HEX #B6FF63

RGB 182 255 99

HSL 88.08, 1%, 0.69%

LAB 92.74, -46.3, 65.53

 

CMYK 52 / 0 / 88 / 11

HEX #6DE21C

RGB 109 226 28

HSL 95.45, 0.78%, 0.5%

LAB 80.59, -62.39, 74.92

 

CMYK 56 / 0 / 96 / 18

HEX #5CD009

RGB 92 208 9

HSL 94.97, 0.92%, 0.43%

LAB 74.45, -61.11, 72.23

 

CMYK 61 / 0 / 100 / 25

HEX #4BBE00

RGB 75 190 0

HSL 96.32, 1%, 0.37%

LAB 68.26, -59.4, 68.02

 

CMYK 66 / 0 / 100 / 33

HEX #3AAC00

RGB 58 172 0

HSL 99.77, 1%, 0.34%

LAB 62, -57.31, 62.87

 

CMYK 73 / 0 / 100 / 40

HEX #299A00

RGB 41 154 0

HSL 104.03, 1%, 0.3%

LAB 55.67, -54.85, 57.67

 

CMYK 52 / 0 / 88 / 11

HEX #6DE21C

RGB 109 226 28

HSL 95.45, 0.78%, 0.5%

LAB 80.59, -62.39, 74.92

 

CMYK 28 / 0 / 88 / 11

HEX #A3E21C

RGB 163 226 28

HSL 79.09, 0.78%, 0.5%

LAB 83.05, -44.58, 77.98

 

CMYK 4 / 0 / 88 / 11

HEX #D8E21C

RGB 216 226 28

HSL 63.03, 0.78%, 0.5%

LAB 86.54, -23.51, 82.27

 

CMYK 0 / 19 / 88 / 11

HEX #E2B71C

RGB 226 183 28

HSL 46.97, 0.78%, 0.5%

LAB 76.14, 2.4, 74.35

 

CMYK 0 / 43 / 88 / 11

HEX #E2811C

RGB 226 129 28

HSL 30.61, 0.78%, 0.5%

LAB 63.3, 31.06, 64.22

 

CMYK 52 / 0 / 88 / 11

HEX #6DE21C

RGB 109 226 28

HSL 95.45, 0.78%, 0.5%

LAB 80.59, -62.39, 74.92

 

CMYK 76 / 0 / 88 / 11

HEX #37E21C

RGB 55 226 28

HSL 111.82, 0.78%, 0.5%

LAB 79.21, -73.84, 73.19

 

CMYK 88 / 0 / 77 / 11

HEX #1CE235

RGB 28 226 53

HSL 127.58, 0.78%, 0.5%

LAB 78.98, -75.46, 66.63

 

CMYK 88 / 0 / 53 / 11

HEX #1CE26B

RGB 28 226 107

HSL 143.94, 0.78%, 0.5%

LAB 79.44, -69.72, 45.34

 

CMYK 88 / 0 / 29 / 11

HEX #1CE2A1

RGB 28 226 161

HSL 160.3, 0.78%, 0.5%

LAB 80.3, -59.77, 19.34

 

CMYK 52 / 0 / 88 / 11

HEX #6DE21C

RGB 109 226 28

HSL 95.45, 0.78%, 0.5%

LAB 80.59, -62.39, 74.92

 

CMYK 57 / 0 / 97 / 3

HEX #69F707

RGB 105 247 7

HSL 95.5, 0.94%, 0.5%

LAB 86.77, -71.04, 82.48

 

CMYK 52 / 0 / 88 / 11

HEX #6DE21C

RGB 109 226 28

HSL 95.45, 0.78%, 0.5%

LAB 80.59, -62.39, 74.92

 

CMYK 45 / 0 / 77 / 19

HEX #71CE30

RGB 113 206 48

HSL 95.32, 0.62%, 0.5%

LAB 74.74, -52.92, 64.78

 

CMYK 37 / 0 / 63 / 27

HEX #74B945

RGB 116 185 69

HSL 95.69, 0.46%, 0.5%

LAB 68.64, -41.8, 50.63

 

CMYK 27 / 0 / 46 / 35

HEX #78A559

RGB 120 165 89

HSL 95.53, 0.3%, 0.5%

LAB 63.03, -29.06, 34.5

 

CMYK 14 / 0 / 24 / 44

HEX #7C906E

RGB 124 144 110

HSL 95.29, 0.13%, 0.5%

LAB 57.42, -13.72, 15.75

 

CMYK 4 / 0 / 88 / 11

HEX #D9E21C

RGB 217 226 28

HSL 62.73, 0.78%, 0.5%

LAB 86.62, -23.1, 82.36

 

CMYK 28 / 0 / 88 / 11

HEX #A3E21C

RGB 163 226 28

HSL 79.09, 0.78%, 0.5%

LAB 83.05, -44.58, 77.98

 

CMYK 51 / 0 / 88 / 11

HEX #6EE21C

RGB 110 226 28

HSL 95.15, 0.78%, 0.5%

LAB 80.62, -62.11, 74.96

 

CMYK 75 / 0 / 88 / 11

HEX #39E21C

RGB 57 226 28

HSL 111.21, 0.78%, 0.5%

LAB 79.24, -73.55, 73.23

 

CMYK 88 / 0 / 77 / 11

HEX #1CE233

RGB 28 226 51

HSL 126.97, 0.78%, 0.5%

LAB 78.97, -75.59, 67.23

 

CMYK 52 / 0 / 88 / 40

HEX #4A9912

RGB 74 153 18

HSL 95.11, 0.79%, 0.34%

LAB 56.37, -45.85, 55.6

 

CMYK 52 / 0 / 88 / 25

HEX #5BBE17

RGB 91 190 23

HSL 95.57, 0.78%, 0.42%

LAB 68.83, -54.61, 65.56

 

CMYK 52 / 0 / 88 / 11

HEX #6DE21C

RGB 109 226 28

HSL 95.45, 0.78%, 0.5%

LAB 80.59, -62.39, 74.92

 

CMYK 43 / 0 / 72 / 9

HEX #84E740

RGB 132 231 64

HSL 95.57, 0.78%, 0.58%

LAB 83.14, -55.73, 68

 

CMYK 34 / 0 / 57 / 7

HEX #9CEC65

RGB 156 236 101

HSL 95.56, 0.78%, 0.66%

LAB 86.01, -46.96, 56.74

 

CMYK 52 / 0 / 88 / 11

HEX #6DE21C

RGB 109 226 28

HSL 95.45, 0.78%, 0.5%

LAB 80.59, -62.39, 74.92

 

CMYK 88 / 0 / 19 / 11

HEX #1CE2B7

RGB 28 226 183

HSL 166.97, 0.78%, 0.5%

LAB 80.77, -54.61, 8.44

 

CMYK 0 / 88 / 16 / 11

HEX #E21CBE

RGB 226 28 190

HSL 310.91, 0.78%, 0.5%

LAB 52.64, 82.16, -36.52

 

CMYK 52 / 0 / 88 / 11

HEX #6DE21C

RGB 109 226 28

HSL 95.45, 0.78%, 0.5%

LAB 80.59, -62.39, 74.92

 

CMYK 88 / 51 / 0 / 11

HEX #1C6EE2

RGB 28 110 226

HSL 215.15, 0.78%, 0.5%

LAB 48.12, 19.93, -65.42

 

CMYK 0 / 88 / 51 / 11

HEX #E21C6E

RGB 226 28 110

HSL 335.15, 0.78%, 0.5%

LAB 49.65, 74.03, 6.71

 

CMYK 52 / 0 / 88 / 11

HEX #6DE21C

RGB 109 226 28

HSL 95.45, 0.78%, 0.5%

LAB 80.59, -62.39, 74.92

 

CMYK 88 / 0 / 19 / 11

HEX #1CE2B7

RGB 28 226 183

HSL 166.97, 0.78%, 0.5%

LAB 80.77, -54.61, 8.44

 

CMYK 36 / 88 / 0 / 11

HEX #901CE2

RGB 144 28 226

HSL 275.15, 0.78%, 0.5%

LAB 41.61, 74.76, -75.69

 

CMYK 0 / 88 / 69 / 11

HEX #E21C47

RGB 226 28 71

HSL 346.97, 0.78%, 0.5%

LAB 48.83, 71.7, 29.44

 

CMYK 52 / 0 / 88 / 11

HEX #6DE21C

RGB 109 226 28

HSL 95.45, 0.78%, 0.5%

LAB 80.59, -62.39, 74.92

 

CMYK 88 / 7 / 0 / 11

HEX #1CD2E2

RGB 28 210 226

HSL 184.85, 0.78%, 0.5%

LAB 77.18, -35.72, -19.81

 

CMYK 36 / 88 / 0 / 11

HEX #901CE2

RGB 144 28 226

HSL 275.15, 0.78%, 0.5%

LAB 41.61, 74.76, -75.69

 

CMYK 0 / 81 / 88 / 11

HEX #E22C1C

RGB 226 44 28

HSL 4.85, 0.78%, 0.5%

LAB 49.56, 66.95, 53.5

 

Description

Color code: HEX #6DE21C | qconv.com Color code: HEX #6DE21C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 226 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 226 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 88 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 88% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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