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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DF781 it is the complementary color #92087E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DF781. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DF781 shade: #72F77C, #83FF8F, #94FFA2, #A5FFB5 and #B6FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DF781. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DF781 shade: #6DF781, #5CE56E, #4BD35B, #3AC148 and #29AF35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DF781 shade: #6DF781, #7EF76D, #A3F76D, #C9F76D and #EEF76D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DF781 shade: #6DF781, #6DF7A6, #6DF7CB, #6DF7F1 and #6DD8F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DF781 shade matches the following richer shades: #6DF781

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DF781 shade: #6DF781, #7AEA8A, #86DE93, #92D29B and #9FC5A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DF781 shade: #A4F76D, #80F76D, #6DF780, #6DF7A4 and #6DF7C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DF781 shade: #1FF33D, #46F55F, #6DF781, #94F9A3 and #BCFBC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DF781 shade: #6DF781, #6DC9F7 and #F76D92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DF781 shade: #6DF781, #806DF7 and #F7806D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DF781 shade: #6DF781, #6DC9F7, #F76DE4 and #F79B6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DF781 shade: #6DF781, #6DA0F7, #F76DE4 and #F7C46D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 48 / 3

HEX #6DF781

RGB 109 247 129

HSL 128.7, 0.9%, 0.7%

LAB 87.66, -61.4, 45.41

 

Complementary color

CMYK 0 / 95 / 14 / 43

HEX #92087E

RGB 146 8 126

HSL 308.7, 0.9%, 0.3%

LAB 33.54, 60.83, -29.05

 

CMYK 54 / 0 / 50 / 3

HEX #72F77C

RGB 114 247 124

HSL 124.51, 0.89%, 0.71%

LAB 87.75, -60.9, 47.93

 

CMYK 49 / 0 / 44 / 0

HEX #83FF8F

RGB 131 255 143

HSL 125.81, 1%, 0.76%

LAB 90.93, -57.07, 42.98

 

CMYK 42 / 0 / 36 / 0

HEX #94FFA2

RGB 148 255 162

HSL 127.85, 1%, 0.79%

LAB 91.88, -49.6, 35.02

 

CMYK 35 / 0 / 29 / 0

HEX #A5FFB5

RGB 165 255 181

HSL 130.67, 1%, 0.82%

LAB 92.95, -41.61, 27.07

 

CMYK 29 / 0 / 22 / 0

HEX #B6FFC8

RGB 182 255 200

HSL 134.79, 1%, 0.86%

LAB 94.16, -33.22, 19.2

 

CMYK 56 / 0 / 48 / 3

HEX #6DF781

RGB 109 247 129

HSL 128.7, 0.9%, 0.7%

LAB 87.66, -61.4, 45.41

 

CMYK 60 / 0 / 52 / 10

HEX #5CE56E

RGB 92 229 110

HSL 127.88, 0.72%, 0.63%

LAB 81.53, -61.17, 46.73

 

CMYK 64 / 0 / 57 / 17

HEX #4BD35B

RGB 75 211 91

HSL 127.06, 0.61%, 0.56%

LAB 75.35, -60.73, 48.05

 

CMYK 70 / 0 / 63 / 24

HEX #3AC148

RGB 58 193 72

HSL 126.22, 0.54%, 0.49%

LAB 69.12, -59.96, 49.3

 

CMYK 77 / 0 / 70 / 31

HEX #29AF35

RGB 41 175 53

HSL 125.37, 0.62%, 0.42%

LAB 62.83, -58.71, 50.32

 

CMYK 56 / 0 / 48 / 3

HEX #6DF781

RGB 109 247 129

HSL 128.7, 0.9%, 0.7%

LAB 87.66, -61.4, 45.41

 

CMYK 49 / 0 / 56 / 3

HEX #7EF76D

RGB 126 247 109

HSL 112.61, 0.9%, 0.7%

LAB 88, -59.65, 55.19

 

CMYK 34 / 0 / 56 / 3

HEX #A3F76D

RGB 163 247 109

HSL 96.52, 0.9%, 0.7%

LAB 89.59, -48.48, 57.44

 

CMYK 19 / 0 / 56 / 3

HEX #C9F76D

RGB 201 247 109

HSL 80, 0.9%, 0.7%

LAB 91.7, -35.07, 60.44

 

CMYK 4 / 0 / 56 / 3

HEX #EEF76D

RGB 238 247 109

HSL 63.91, 0.9%, 0.7%

LAB 94.23, -20.85, 63.98

 

CMYK 56 / 0 / 48 / 3

HEX #6DF781

RGB 109 247 129

HSL 128.7, 0.9%, 0.7%

LAB 87.66, -61.4, 45.41

 

CMYK 56 / 0 / 33 / 3

HEX #6DF7A6

RGB 109 247 166

HSL 144.78, 0.9%, 0.7%

LAB 88.22, -55.39, 27.87

 

CMYK 56 / 0 / 18 / 3

HEX #6DF7CB

RGB 109 247 203

HSL 160.87, 0.9%, 0.7%

LAB 88.96, -47.87, 9.89

 

CMYK 56 / 0 / 2 / 3

HEX #6DF7F1

RGB 109 247 241

HSL 177.39, 0.9%, 0.7%

LAB 89.92, -38.76, -8.49

 

CMYK 56 / 13 / 0 / 3

HEX #6DD8F7

RGB 109 216 247

HSL 193.48, 0.9%, 0.7%

LAB 81.33, -22.34, -24.55

 

CMYK 56 / 0 / 48 / 3

HEX #6DF781

RGB 109 247 129

HSL 128.7, 0.9%, 0.7%

LAB 87.66, -61.4, 45.41

 

CMYK 56 / 0 / 48 / 3

HEX #6DF781

RGB 109 247 129

HSL 128.7, 0.9%, 0.7%

LAB 87.66, -61.4, 45.41

 

CMYK 48 / 0 / 41 / 8

HEX #7AEA8A

RGB 122 234 138

HSL 128.57, 0.73%, 0.7%

LAB 84.39, -51.77, 36.95

 

CMYK 40 / 0 / 34 / 13

HEX #86DE93

RGB 134 222 147

HSL 128.86, 0.57%, 0.7%

LAB 81.52, -41.88, 28.7

 

CMYK 30 / 0 / 26 / 18

HEX #92D29B

RGB 146 210 155

HSL 128.44, 0.42%, 0.7%

LAB 78.79, -31.36, 20.93

 

CMYK 19 / 0 / 17 / 23

HEX #9FC5A4

RGB 159 197 164

HSL 127.89, 0.25%, 0.7%

LAB 76.06, -19.12, 12.43

 

CMYK 34 / 0 / 56 / 3

HEX #A4F76D

RGB 164 247 109

HSL 96.09, 0.9%, 0.7%

LAB 89.64, -48.15, 57.51

 

CMYK 48 / 0 / 56 / 3

HEX #80F76D

RGB 128 247 109

HSL 111.74, 0.9%, 0.7%

LAB 88.07, -59.11, 55.29

 

CMYK 56 / 0 / 48 / 3

HEX #6DF780

RGB 109 247 128

HSL 128.26, 0.9%, 0.7%

LAB 87.65, -61.54, 45.87

 

CMYK 56 / 0 / 34 / 3

HEX #6DF7A4

RGB 109 247 164

HSL 143.91, 0.9%, 0.7%

LAB 88.19, -55.75, 28.84

 

CMYK 56 / 0 / 19 / 3

HEX #6DF7C9

RGB 109 247 201

HSL 160, 0.9%, 0.7%

LAB 88.92, -48.31, 10.87

 

CMYK 87 / 0 / 75 / 5

HEX #1FF33D

RGB 31 243 61

HSL 128.49, 0.9%, 0.54%

LAB 84.34, -79.48, 69.38

 

CMYK 71 / 0 / 61 / 4

HEX #46F55F

RGB 70 245 95

HSL 128.57, 0.9%, 0.62%

LAB 85.72, -72.58, 58.24

 

CMYK 56 / 0 / 48 / 3

HEX #6DF781

RGB 109 247 129

HSL 128.7, 0.9%, 0.7%

LAB 87.66, -61.4, 45.41

 

CMYK 41 / 0 / 35 / 2

HEX #94F9A3

RGB 148 249 163

HSL 128.91, 0.89%, 0.78%

LAB 90.18, -46.91, 32.27

 

CMYK 25 / 0 / 22 / 2

HEX #BCFBC5

RGB 188 251 197

HSL 128.57, 0.89%, 0.86%

LAB 93.33, -30.01, 19.63

 

CMYK 56 / 0 / 48 / 3

HEX #6DF781

RGB 109 247 129

HSL 128.7, 0.9%, 0.7%

LAB 87.66, -61.4, 45.41

 

CMYK 56 / 19 / 0 / 3

HEX #6DC9F7

RGB 109 201 247

HSL 200, 0.9%, 0.7%

LAB 77.13, -14.66, -30.99

 

CMYK 0 / 56 / 41 / 3

HEX #F76D92

RGB 247 109 146

HSL 343.91, 0.9%, 0.7%

LAB 63.99, 56.18, 6.42

 

CMYK 56 / 0 / 48 / 3

HEX #6DF781

RGB 109 247 129

HSL 128.7, 0.9%, 0.7%

LAB 87.66, -61.4, 45.41

 

CMYK 48 / 56 / 0 / 3

HEX #806DF7

RGB 128 109 247

HSL 248.26, 0.9%, 0.7%

LAB 54.28, 41.82, -66.97

 

CMYK 0 / 48 / 56 / 3

HEX #F7806D

RGB 247 128 109

HSL 8.26, 0.9%, 0.7%

LAB 66.76, 43.74, 31.12

 

CMYK 56 / 0 / 48 / 3

HEX #6DF781

RGB 109 247 129

HSL 128.7, 0.9%, 0.7%

LAB 87.66, -61.4, 45.41

 

CMYK 56 / 19 / 0 / 3

HEX #6DC9F7

RGB 109 201 247

HSL 200, 0.9%, 0.7%

LAB 77.13, -14.66, -30.99

 

CMYK 0 / 56 / 8 / 3

HEX #F76DE4

RGB 247 109 228

HSL 308.26, 0.9%, 0.7%

LAB 66.76, 66.97, -35.78

 

CMYK 0 / 37 / 56 / 3

HEX #F79B6D

RGB 247 155 109

HSL 20, 0.9%, 0.7%

LAB 72.44, 29.91, 38.35

 

CMYK 56 / 0 / 48 / 3

HEX #6DF781

RGB 109 247 129

HSL 128.7, 0.9%, 0.7%

LAB 87.66, -61.4, 45.41

 

CMYK 56 / 35 / 0 / 3

HEX #6DA0F7

RGB 109 160 247

HSL 217.83, 0.9%, 0.7%

LAB 65.83, 7.91, -48.6

 

CMYK 0 / 56 / 8 / 3

HEX #F76DE4

RGB 247 109 228

HSL 308.26, 0.9%, 0.7%

LAB 66.76, 66.97, -35.78

 

CMYK 0 / 21 / 56 / 3

HEX #F7C46D

RGB 247 196 109

HSL 37.83, 0.9%, 0.7%

LAB 82.03, 8.4, 50.06

 

Description

Color code: HEX #6DF781 | qconv.com Color code: HEX #6DF781 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 247 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 247 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 48 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 48% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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