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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DF274 it is the complementary color #920D8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DF274. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DF274 shade: #72F26F, #83FF82, #94FF95, #A5FFA8 and #B6FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DF274. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DF274 shade: #6DF274, #5CE061, #4BCE4E, #3ABC3B and #29AA28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DF274 shade: #6DF274, #8AF26D, #AEF26D, #D1F26D and #F2EE6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DF274 shade: #6DF274, #6DF298, #6DF2BC, #6DF2DF and #6DE0F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DF274 shade matches the following richer shades: #6DF274

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DF274 shade: #6DF274, #7AE57F, #87D88B, #93CB96 and #A0BFA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DF274 shade: #ADF26D, #8AF26D, #6DF274, #6DF297 and #6DF2BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DF274 shade: #21EB2C, #47EF50, #6DF274, #93F598 and #B9F8BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DF274 shade: #6DF274, #6DD1F2 and #F26D9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DF274 shade: #6DF274, #746DF2 and #F2746D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DF274 shade: #6DF274, #6DD1F2, #F26DEB and #F28E6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DF274 shade: #6DF274, #6DA9F2, #F26DEB and #F2B66D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

Complementary color

CMYK 0 / 91 / 5 / 43

HEX #920D8B

RGB 146 13 139

HSL 303.16, 0.84%, 0.31%

LAB 34.52, 62.03, -35.59

 

CMYK 53 / 0 / 54 / 5

HEX #72F26F

RGB 114 242 111

HSL 118.63, 0.83%, 0.69%

LAB 86.12, -60.67, 51.96

 

CMYK 49 / 0 / 49 / 0

HEX #83FF82

RGB 131 255 130

HSL 119.52, 1%, 0.75%

LAB 90.76, -58.85, 48.95

 

CMYK 42 / 0 / 42 / 0

HEX #94FF95

RGB 148 255 149

HSL 120.56, 1%, 0.79%

LAB 91.68, -51.56, 41.16

 

CMYK 35 / 0 / 34 / 0

HEX #A5FFA8

RGB 165 255 168

HSL 122, 1%, 0.82%

LAB 92.73, -43.72, 33.3

 

CMYK 29 / 0 / 27 / 0

HEX #B6FFBB

RGB 182 255 187

HSL 124.11, 1%, 0.86%

LAB 93.91, -35.44, 25.47

 

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

CMYK 59 / 0 / 57 / 12

HEX #5CE061

RGB 92 224 97

HSL 122.27, 0.68%, 0.62%

LAB 79.87, -61, 50.75

 

CMYK 64 / 0 / 62 / 19

HEX #4BCE4E

RGB 75 206 78

HSL 121.37, 0.57%, 0.55%

LAB 73.67, -60.48, 51.92

 

CMYK 69 / 0 / 69 / 26

HEX #3ABC3B

RGB 58 188 59

HSL 120.46, 0.53%, 0.48%

LAB 67.41, -59.6, 52.88

 

CMYK 76 / 0 / 76 / 33

HEX #29AA28

RGB 41 170 40

HSL 119.54, 0.62%, 0.41%

LAB 61.11, -58.19, 53.4

 

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

CMYK 43 / 0 / 55 / 5

HEX #8AF26D

RGB 138 242 109

HSL 106.92, 0.84%, 0.69%

LAB 87, -54.3, 54.13

 

CMYK 28 / 0 / 55 / 5

HEX #AEF26D

RGB 174 242 109

HSL 90.68, 0.84%, 0.69%

LAB 88.74, -42.6, 56.6

 

CMYK 14 / 0 / 55 / 5

HEX #D1F26D

RGB 209 242 109

HSL 74.89, 0.84%, 0.69%

LAB 90.85, -29.75, 59.6

 

CMYK 0 / 2 / 55 / 5

HEX #F2EE6D

RGB 242 238 109

HSL 58.2, 0.84%, 0.69%

LAB 92.19, -14.9, 61.76

 

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

CMYK 55 / 0 / 37 / 5

HEX #6DF298

RGB 109 242 152

HSL 139.4, 0.84%, 0.69%

LAB 86.52, -55.89, 32.65

 

CMYK 55 / 0 / 22 / 5

HEX #6DF2BC

RGB 109 242 188

HSL 155.64, 0.84%, 0.69%

LAB 87.19, -49, 15.15

 

CMYK 55 / 0 / 8 / 5

HEX #6DF2DF

RGB 109 242 223

HSL 171.43, 0.84%, 0.69%

LAB 88.01, -41.01, -1.91

 

CMYK 55 / 7 / 0 / 5

HEX #6DE0F2

RGB 109 224 242

HSL 188.12, 0.84%, 0.69%

LAB 83.43, -27.68, -18.72

 

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

CMYK 47 / 0 / 45 / 10

HEX #7AE57F

RGB 122 229 127

HSL 122.8, 0.67%, 0.69%

LAB 82.76, -51.37, 40.29

 

CMYK 38 / 0 / 36 / 15

HEX #87D88B

RGB 135 216 139

HSL 122.96, 0.51%, 0.69%

LAB 79.69, -40.24, 30.37

 

CMYK 28 / 0 / 26 / 20

HEX #93CB96

RGB 147 203 150

HSL 123.21, 0.35%, 0.69%

LAB 76.75, -28.58, 20.76

 

CMYK 16 / 0 / 15 / 25

HEX #A0BFA2

RGB 160 191 162

HSL 123.87, 0.19%, 0.69%

LAB 74.41, -16.1, 11.18

 

CMYK 29 / 0 / 55 / 5

HEX #ADF26D

RGB 173 242 109

HSL 91.13, 0.84%, 0.69%

LAB 88.68, -42.94, 56.52

 

CMYK 43 / 0 / 55 / 5

HEX #8AF26D

RGB 138 242 109

HSL 106.92, 0.84%, 0.69%

LAB 87, -54.3, 54.13

 

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

CMYK 55 / 0 / 38 / 5

HEX #6DF297

RGB 109 242 151

HSL 138.95, 0.84%, 0.69%

LAB 86.5, -56.06, 33.13

 

CMYK 55 / 0 / 23 / 5

HEX #6DF2BB

RGB 109 242 187

HSL 155.19, 0.84%, 0.69%

LAB 87.16, -49.21, 15.64

 

CMYK 86 / 0 / 81 / 8

HEX #21EB2C

RGB 33 235 44

HSL 123.27, 0.83%, 0.53%

LAB 81.8, -78.14, 71.86

 

CMYK 70 / 0 / 67 / 6

HEX #47EF50

RGB 71 239 80

HSL 123.21, 0.84%, 0.61%

LAB 83.78, -72.02, 62.2

 

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

CMYK 40 / 0 / 38 / 4

HEX #93F598

RGB 147 245 152

HSL 123.06, 0.83%, 0.77%

LAB 88.82, -47.22, 35.95

 

CMYK 25 / 0 / 24 / 3

HEX #B9F8BC

RGB 185 248 188

HSL 122.86, 0.82%, 0.85%

LAB 92.17, -31.09, 22.6

 

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

CMYK 55 / 14 / 0 / 5

HEX #6DD1F2

RGB 109 209 242

HSL 194.89, 0.84%, 0.69%

LAB 79.19, -20.23, -25.15

 

CMYK 0 / 55 / 36 / 5

HEX #F26D9C

RGB 242 109 156

HSL 338.8, 0.84%, 0.69%

LAB 63.52, 55.65, -0.08

 

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

CMYK 52 / 55 / 0 / 5

HEX #746DF2

RGB 116 109 242

HSL 243.16, 0.84%, 0.69%

LAB 53.02, 37.95, -66.28

 

CMYK 0 / 52 / 55 / 5

HEX #F2746D

RGB 242 116 109

HSL 3.16, 0.84%, 0.69%

LAB 63.73, 47.82, 27.03

 

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

CMYK 55 / 14 / 0 / 5

HEX #6DD1F2

RGB 109 209 242

HSL 194.89, 0.84%, 0.69%

LAB 79.19, -20.23, -25.15

 

CMYK 0 / 55 / 3 / 5

HEX #F26DEB

RGB 242 109 235

HSL 303.16, 0.84%, 0.69%

LAB 66.38, 66.78, -40.3

 

CMYK 0 / 41 / 55 / 5

HEX #F28E6D

RGB 242 142 109

HSL 14.89, 0.84%, 0.69%

LAB 68.99, 34.73, 33.85

 

CMYK 55 / 0 / 52 / 5

HEX #6DF274

RGB 109 242 116

HSL 123.16, 0.84%, 0.69%

LAB 86.01, -61.28, 49.5

 

CMYK 55 / 30 / 0 / 5

HEX #6DA9F2

RGB 109 169 242

HSL 212.93, 0.84%, 0.69%

LAB 68.05, 1.22, -42.38

 

CMYK 0 / 55 / 3 / 5

HEX #F26DEB

RGB 242 109 235

HSL 303.16, 0.84%, 0.69%

LAB 66.38, 66.78, -40.3

 

CMYK 0 / 25 / 55 / 5

HEX #F2B66D

RGB 242 182 109

HSL 32.93, 0.84%, 0.69%

LAB 78.13, 13.69, 45.25

 

Description

Color code: HEX #6DF274 | qconv.com Color code: HEX #6DF274 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 242 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 242 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 52 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 52% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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