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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DF29A it is the complementary color #920D65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DF29A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DF29A shade: #72F295, #83FFA8, #94FFBB, #A5FFCE and #B6FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DF29A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DF29A shade: #6DF29A, #5CE087, #4BCE74, #3ABC61 and #29AA4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DF29A shade: #6DF29A, #6DF276, #88F26D, #ACF26D and #CFF26D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DF29A shade: #6DF29A, #6DF2BE, #6DF2E2, #6DDEF2 and #6DBAF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DF29A shade matches the following richer shades: #6DF29A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DF29A shade: #6DF29A, #7AE59E, #87D8A2, #93CBA6 and #A0BFAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DF29A shade: #88F26D, #6DF276, #6DF299, #6DF2BD and #6DF2E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DF29A shade: #21EB66, #47EF80, #6DF29A, #93F5B4 and #B9F8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DF29A shade: #6DF29A, #6DABF2 and #F26D76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DF29A shade: #6DF29A, #996DF2 and #F2996D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DF29A shade: #6DF29A, #6DABF2, #F26DC6 and #F2B46D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DF29A shade: #6DF29A, #6D83F2, #F26DC6 and #F2DC6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 36 / 5

HEX #6DF29A

RGB 109 242 154

HSL 140.3, 0.84%, 0.69%

LAB 86.55, -55.55, 31.69

 

Complementary color

CMYK 0 / 91 / 31 / 43

HEX #920D65

RGB 146 13 101

HSL 320.3, 0.84%, 0.31%

LAB 32.57, 56.89, -14.68

 

CMYK 53 / 0 / 38 / 5

HEX #72F295

RGB 114 242 149

HSL 136.41, 0.83%, 0.7%

LAB 86.63, -55.23, 34.33

 

CMYK 49 / 0 / 34 / 0

HEX #83FFA8

RGB 131 255 168

HSL 137.9, 1%, 0.76%

LAB 91.31, -53.12, 31.16

 

CMYK 42 / 0 / 27 / 0

HEX #94FFBB

RGB 148 255 187

HSL 141.87, 1%, 0.79%

LAB 92.31, -45.35, 23.03

 

CMYK 35 / 0 / 19 / 0

HEX #A5FFCE

RGB 165 255 206

HSL 147.33, 1%, 0.82%

LAB 93.44, -37.12, 15

 

CMYK 29 / 0 / 12 / 0

HEX #B6FFE1

RGB 182 255 225

HSL 155.34, 1%, 0.86%

LAB 94.7, -28.55, 7.14

 

CMYK 55 / 0 / 36 / 5

HEX #6DF29A

RGB 109 242 154

HSL 140.3, 0.84%, 0.69%

LAB 86.55, -55.55, 31.69

 

CMYK 59 / 0 / 40 / 12

HEX #5CE087

RGB 92 224 135

HSL 139.55, 0.68%, 0.62%

LAB 80.37, -55.49, 33.01

 

CMYK 64 / 0 / 44 / 19

HEX #4BCE74

RGB 75 206 116

HSL 138.78, 0.57%, 0.55%

LAB 74.13, -55.28, 34.42

 

CMYK 69 / 0 / 48 / 26

HEX #3ABC61

RGB 58 188 97

HSL 138, 0.53%, 0.48%

LAB 67.82, -54.83, 35.91

 

CMYK 76 / 0 / 54 / 33

HEX #29AA4E

RGB 41 170 78

HSL 137.21, 0.61%, 0.41%

LAB 61.46, -54.02, 37.45

 

CMYK 55 / 0 / 36 / 5

HEX #6DF29A

RGB 109 242 154

HSL 140.3, 0.84%, 0.69%

LAB 86.55, -55.55, 31.69

 

CMYK 55 / 0 / 51 / 5

HEX #6DF276

RGB 109 242 118

HSL 124.06, 0.84%, 0.69%

LAB 86.04, -61.02, 48.6

 

CMYK 44 / 0 / 55 / 5

HEX #88F26D

RGB 136 242 109

HSL 107.82, 0.84%, 0.69%

LAB 86.92, -54.89, 54.02

 

CMYK 29 / 0 / 55 / 5

HEX #ACF26D

RGB 172 242 109

HSL 91.58, 0.84%, 0.69%

LAB 88.63, -43.29, 56.45

 

CMYK 14 / 0 / 55 / 5

HEX #CFF26D

RGB 207 242 109

HSL 75.79, 0.84%, 0.69%

LAB 90.72, -30.51, 59.41

 

CMYK 55 / 0 / 36 / 5

HEX #6DF29A

RGB 109 242 154

HSL 140.3, 0.84%, 0.69%

LAB 86.55, -55.55, 31.69

 

CMYK 55 / 0 / 21 / 5

HEX #6DF2BE

RGB 109 242 190

HSL 156.54, 0.84%, 0.69%

LAB 87.23, -48.57, 14.17

 

CMYK 55 / 0 / 7 / 5

HEX #6DF2E2

RGB 109 242 226

HSL 172.78, 0.84%, 0.69%

LAB 88.09, -40.27, -3.36

 

CMYK 55 / 8 / 0 / 5

HEX #6DDEF2

RGB 109 222 242

HSL 189.02, 0.84%, 0.69%

LAB 82.86, -26.71, -19.58

 

CMYK 55 / 23 / 0 / 5

HEX #6DBAF2

RGB 109 186 242

HSL 205.26, 0.84%, 0.69%

LAB 72.75, -8.17, -35.06

 

CMYK 55 / 0 / 36 / 5

HEX #6DF29A

RGB 109 242 154

HSL 140.3, 0.84%, 0.69%

LAB 86.55, -55.55, 31.69

 

CMYK 55 / 0 / 36 / 5

HEX #6DF29A

RGB 109 242 154

HSL 140.3, 0.84%, 0.69%

LAB 86.55, -55.55, 31.69

 

CMYK 47 / 0 / 31 / 10

HEX #7AE59E

RGB 122 229 158

HSL 140.19, 0.67%, 0.69%

LAB 83.26, -46.33, 25.29

 

CMYK 38 / 0 / 25 / 15

HEX #87D8A2

RGB 135 216 162

HSL 140, 0.51%, 0.69%

LAB 80.11, -36.25, 18.97

 

CMYK 28 / 0 / 18 / 20

HEX #93CBA6

RGB 147 203 166

HSL 140.36, 0.35%, 0.69%

LAB 77.08, -25.68, 12.7

 

CMYK 16 / 0 / 10 / 25

HEX #A0BFAB

RGB 160 191 171

HSL 141.29, 0.19%, 0.69%

LAB 74.62, -14.42, 6.61

 

CMYK 44 / 0 / 55 / 5

HEX #88F26D

RGB 136 242 109

HSL 107.82, 0.84%, 0.69%

LAB 86.92, -54.89, 54.02

 

CMYK 55 / 0 / 51 / 5

HEX #6DF276

RGB 109 242 118

HSL 124.06, 0.84%, 0.69%

LAB 86.04, -61.02, 48.6

 

CMYK 55 / 0 / 37 / 5

HEX #6DF299

RGB 109 242 153

HSL 139.85, 0.84%, 0.69%

LAB 86.53, -55.72, 32.17

 

CMYK 55 / 0 / 22 / 5

HEX #6DF2BD

RGB 109 242 189

HSL 156.09, 0.84%, 0.69%

LAB 87.21, -48.79, 14.66

 

CMYK 55 / 0 / 7 / 5

HEX #6DF2E0

RGB 109 242 224

HSL 171.88, 0.84%, 0.69%

LAB 88.03, -40.77, -2.39

 

CMYK 86 / 0 / 57 / 8

HEX #21EB66

RGB 33 235 102

HSL 140.5, 0.83%, 0.53%

LAB 82.22, -72.87, 50.99

 

CMYK 70 / 0 / 46 / 6

HEX #47EF80

RGB 71 239 128

HSL 140.36, 0.84%, 0.61%

LAB 84.29, -66.03, 41.45

 

CMYK 55 / 0 / 36 / 5

HEX #6DF29A

RGB 109 242 154

HSL 140.3, 0.84%, 0.69%

LAB 86.55, -55.55, 31.69

 

CMYK 40 / 0 / 27 / 4

HEX #93F5B4

RGB 147 245 180

HSL 140.2, 0.83%, 0.77%

LAB 89.3, -42.54, 22.44

 

CMYK 25 / 0 / 17 / 3

HEX #B9F8CE

RGB 185 248 206

HSL 140, 0.82%, 0.85%

LAB 92.53, -27.94, 13.86

 

CMYK 55 / 0 / 36 / 5

HEX #6DF29A

RGB 109 242 154

HSL 140.3, 0.84%, 0.69%

LAB 86.55, -55.55, 31.69

 

CMYK 55 / 29 / 0 / 5

HEX #6DABF2

RGB 109 171 242

HSL 212.03, 0.84%, 0.69%

LAB 68.6, 0.1, -41.52

 

CMYK 0 / 55 / 51 / 5

HEX #F26D76

RGB 242 109 118

HSL 355.94, 0.84%, 0.69%

LAB 62.61, 51.88, 20.43

 

CMYK 55 / 0 / 36 / 5

HEX #6DF29A

RGB 109 242 154

HSL 140.3, 0.84%, 0.69%

LAB 86.55, -55.55, 31.69

 

CMYK 37 / 55 / 0 / 5

HEX #996DF2

RGB 153 109 242

HSL 259.85, 0.84%, 0.69%

LAB 56.21, 45.88, -60.97

 

CMYK 0 / 37 / 55 / 5

HEX #F2996D

RGB 242 153 109

HSL 19.85, 0.84%, 0.69%

LAB 71.39, 28.99, 36.9

 

CMYK 55 / 0 / 36 / 5

HEX #6DF29A

RGB 109 242 154

HSL 140.3, 0.84%, 0.69%

LAB 86.55, -55.55, 31.69

 

CMYK 55 / 29 / 0 / 5

HEX #6DABF2

RGB 109 171 242

HSL 212.03, 0.84%, 0.69%

LAB 68.6, 0.1, -41.52

 

CMYK 0 / 55 / 18 / 5

HEX #F26DC6

RGB 242 109 198

HSL 319.85, 0.84%, 0.69%

LAB 64.88, 61.06, -21.95

 

CMYK 0 / 26 / 55 / 5

HEX #F2B46D

RGB 242 180 109

HSL 32.03, 0.84%, 0.69%

LAB 77.65, 14.74, 44.66

 

CMYK 55 / 0 / 36 / 5

HEX #6DF29A

RGB 109 242 154

HSL 140.3, 0.84%, 0.69%

LAB 86.55, -55.55, 31.69

 

CMYK 55 / 46 / 0 / 5

HEX #6D83F2

RGB 109 131 242

HSL 230.08, 0.84%, 0.69%

LAB 57.94, 23.43, -58.39

 

CMYK 0 / 55 / 18 / 5

HEX #F26DC6

RGB 242 109 198

HSL 319.85, 0.84%, 0.69%

LAB 64.88, 61.06, -21.95

 

CMYK 0 / 9 / 55 / 5

HEX #F2DC6D

RGB 242 220 109

HSL 50.08, 0.84%, 0.69%

LAB 87.57, -5.96, 56.45

 

Description

Color code: HEX #6DF29A | qconv.com Color code: HEX #6DF29A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 242 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 242 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 36 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 36% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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