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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DF31F it is the complementary color #920CE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DF31F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DF31F shade: #72F31A, #83FF2D, #94FF40, #A5FF53 and #B6FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DF31F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DF31F shade: #6DF31F, #5CE10C, #4BCF00, #3ABD00 and #29AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DF31F shade: #6DF320, #A6F320, #DFF320, #F3CD20 and #F39420

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DF31F shade: #6DF320, #34F320, #20F344, #20F37D and #20F3B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DF31F shade matches the following richer shades: #6DF320

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DF31F shade: #6DF320, #72E033, #77CD46, #7CBA59 and #81A76C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DF31F shade: #E1F320, #A9F320, #71F320, #38F320 and #20F33F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DF31F shade: #49B709, #59DE0B, #6DF320, #87F547 and #A0F76E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DF31F shade: #6DF31F, #20F3CC and #F320C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DF31F shade: #6DF31F, #2071F3 and #F32071

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DF31F shade: #6DF31F, #20F3CC, #A220F3 and #F32046

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DF31F shade: #6DF31F, #20DAF3, #A220F3 and #F33820

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 87 / 5

HEX #6DF31F

RGB 109 243 31

HSL 97.92, 0.9%, 0.54%

LAB 85.73, -68.21, 78.77

 

Complementary color

CMYK 35 / 95 / 0 / 12

HEX #920CE0

RGB 146 12 224

HSL 277.92, 0.9%, 0.46%

LAB 40.83, 77.29, -75.82

 

CMYK 53 / 0 / 89 / 5

HEX #72F31A

RGB 114 243 26

HSL 95.67, 0.9%, 0.53%

LAB 85.88, -67.05, 79.8

 

CMYK 49 / 0 / 82 / 0

HEX #83FF2D

RGB 131 255 45

HSL 95.43, 1%, 0.59%

LAB 90.11, -65.95, 79.99

 

CMYK 42 / 0 / 75 / 0

HEX #94FF40

RGB 148 255 64

HSL 93.61, 1%, 0.63%

LAB 90.86, -59.98, 75.79

 

CMYK 35 / 0 / 67 / 0

HEX #A5FF53

RGB 165 255 83

HSL 91.4, 1%, 0.66%

LAB 91.75, -53.31, 70.46

 

CMYK 29 / 0 / 60 / 0

HEX #B6FF66

RGB 182 255 102

HSL 88.63, 1%, 0.7%

LAB 92.76, -46.05, 64.32

 

CMYK 55 / 0 / 87 / 5

HEX #6DF31F

RGB 109 243 31

HSL 97.92, 0.9%, 0.54%

LAB 85.73, -68.21, 78.77

 

CMYK 59 / 0 / 95 / 12

HEX #5CE10C

RGB 92 225 12

HSL 97.46, 0.9%, 0.46%

LAB 79.7, -66.83, 76.2

 

CMYK 64 / 0 / 100 / 19

HEX #4BCF00

RGB 75 207 0

HSL 98.26, 1%, 0.41%

LAB 73.62, -65.04, 72.27

 

CMYK 69 / 0 / 100 / 26

HEX #3ABD00

RGB 58 189 0

HSL 101.59, 1%, 0.37%

LAB 67.5, -62.79, 67.24

 

CMYK 76 / 0 / 100 / 33

HEX #29AB00

RGB 41 171 0

HSL 105.61, 1%, 0.34%

LAB 61.31, -60.17, 62.16

 

CMYK 55 / 0 / 87 / 5

HEX #6DF320

RGB 109 243 32

HSL 98.1, 0.9%, 0.54%

LAB 85.73, -68.18, 78.59

 

CMYK 32 / 0 / 87 / 5

HEX #A6F320

RGB 166 243 32

HSL 81.9, 0.9%, 0.54%

LAB 88.12, -50.51, 81.56

 

CMYK 8 / 0 / 87 / 5

HEX #DFF320

RGB 223 243 32

HSL 65.69, 0.9%, 0.54%

LAB 91.64, -28.6, 85.9

 

CMYK 0 / 16 / 87 / 5

HEX #F3CD20

RGB 243 205 32

HSL 49.19, 0.9%, 0.54%

LAB 83.35, -1.57, 79.93

 

CMYK 0 / 39 / 87 / 5

HEX #F39420

RGB 243 148 32

HSL 32.99, 0.9%, 0.54%

LAB 69.71, 28.21, 69.08

 

CMYK 55 / 0 / 87 / 5

HEX #6DF320

RGB 109 243 32

HSL 98.1, 0.9%, 0.54%

LAB 85.73, -68.18, 78.59

 

CMYK 79 / 0 / 87 / 5

HEX #34F320

RGB 52 243 32

HSL 114.31, 0.9%, 0.54%

LAB 84.45, -78.99, 76.98

 

CMYK 87 / 0 / 72 / 5

HEX #20F344

RGB 32 243 68

HSL 130.24, 0.9%, 0.54%

LAB 84.39, -78.88, 67.1

 

CMYK 87 / 0 / 49 / 5

HEX #20F37D

RGB 32 243 125

HSL 146.45, 0.9%, 0.54%

LAB 84.94, -72.16, 43.6

 

CMYK 87 / 0 / 25 / 5

HEX #20F3B6

RGB 32 243 182

HSL 162.65, 0.9%, 0.54%

LAB 85.9, -61.15, 16.24

 

CMYK 55 / 0 / 87 / 5

HEX #6DF320

RGB 109 243 32

HSL 98.1, 0.9%, 0.54%

LAB 85.73, -68.18, 78.59

 

CMYK 55 / 0 / 87 / 5

HEX #6DF320

RGB 109 243 32

HSL 98.1, 0.9%, 0.54%

LAB 85.73, -68.18, 78.59

 

CMYK 49 / 0 / 77 / 12

HEX #72E033

RGB 114 224 51

HSL 98.15, 0.74%, 0.54%

LAB 80.25, -59.27, 69.12

 

CMYK 42 / 0 / 66 / 20

HEX #77CD46

RGB 119 205 70

HSL 98.22, 0.57%, 0.54%

LAB 74.84, -49.08, 57.01

 

CMYK 33 / 0 / 52 / 27

HEX #7CBA59

RGB 124 186 89

HSL 98.35, 0.41%, 0.54%

LAB 69.56, -37.39, 42.55

 

CMYK 23 / 0 / 35 / 35

HEX #81A76C

RGB 129 167 108

HSL 98.64, 0.25%, 0.54%

LAB 64.47, -24.06, 26.43

 

CMYK 7 / 0 / 87 / 5

HEX #E1F320

RGB 225 243 32

HSL 65.12, 0.9%, 0.54%

LAB 91.78, -27.78, 86.08

 

CMYK 30 / 0 / 87 / 5

HEX #A9F320

RGB 169 243 32

HSL 81.04, 0.9%, 0.54%

LAB 88.28, -49.44, 81.76

 

CMYK 53 / 0 / 87 / 5

HEX #71F320

RGB 113 243 32

HSL 96.97, 0.9%, 0.54%

LAB 85.86, -67.14, 78.75

 

CMYK 77 / 0 / 87 / 5

HEX #38F320

RGB 56 243 32

HSL 113.18, 0.9%, 0.54%

LAB 84.51, -78.49, 77.05

 

CMYK 87 / 0 / 74 / 5

HEX #20F33F

RGB 32 243 63

HSL 128.82, 0.9%, 0.54%

LAB 84.36, -79.26, 68.76

 

CMYK 60 / 0 / 95 / 28

HEX #49B709

RGB 73 183 9

HSL 97.93, 0.91%, 0.38%

LAB 65.98, -57.33, 65.11

 

CMYK 60 / 0 / 95 / 13

HEX #59DE0B

RGB 89 222 11

HSL 97.82, 0.91%, 0.46%

LAB 78.69, -66.57, 75.44

 

CMYK 55 / 0 / 87 / 5

HEX #6DF320

RGB 109 243 32

HSL 98.1, 0.9%, 0.54%

LAB 85.73, -68.18, 78.59

 

CMYK 45 / 0 / 71 / 4

HEX #87F547

RGB 135 245 71

HSL 97.93, 0.9%, 0.62%

LAB 87.44, -59.72, 69.94

 

CMYK 35 / 0 / 55 / 3

HEX #A0F76E

RGB 160 247 110

HSL 98.1, 0.9%, 0.7%

LAB 89.45, -49.36, 56.8

 

CMYK 55 / 0 / 87 / 5

HEX #6DF31F

RGB 109 243 31

HSL 97.92, 0.9%, 0.54%

LAB 85.73, -68.21, 78.77

 

CMYK 87 / 0 / 16 / 5

HEX #20F3CC

RGB 32 243 204

HSL 168.91, 0.9%, 0.54%

LAB 86.39, -55.88, 5.49

 

CMYK 0 / 87 / 19 / 5

HEX #F320C5

RGB 243 32 197

HSL 313.08, 0.9%, 0.54%

LAB 56.21, 85.71, -34.76

 

CMYK 55 / 0 / 87 / 5

HEX #6DF31F

RGB 109 243 31

HSL 97.92, 0.9%, 0.54%

LAB 85.73, -68.21, 78.77

 

CMYK 87 / 53 / 0 / 5

HEX #2071F3

RGB 32 113 243

HSL 216.97, 0.9%, 0.54%

LAB 50.2, 24.76, -71.58

 

CMYK 0 / 87 / 53 / 5

HEX #F32071

RGB 243 32 113

HSL 336.97, 0.9%, 0.54%

LAB 53.25, 77.61, 10.46

 

CMYK 55 / 0 / 87 / 5

HEX #6DF31F

RGB 109 243 31

HSL 97.92, 0.9%, 0.54%

LAB 85.73, -68.21, 78.77

 

CMYK 87 / 0 / 16 / 5

HEX #20F3CC

RGB 32 243 204

HSL 168.91, 0.9%, 0.54%

LAB 86.39, -55.88, 5.49

 

CMYK 33 / 87 / 0 / 5

HEX #A220F3

RGB 162 32 243

HSL 276.97, 0.9%, 0.54%

LAB 45.89, 79.6, -78.21

 

CMYK 0 / 87 / 71 / 5

HEX #F32046

RGB 243 32 70

HSL 349.19, 0.9%, 0.54%

LAB 52.43, 75.26, 35.19

 

CMYK 55 / 0 / 87 / 5

HEX #6DF31F

RGB 109 243 31

HSL 97.92, 0.9%, 0.54%

LAB 85.73, -68.21, 78.77

 

CMYK 87 / 10 / 0 / 5

HEX #20DAF3

RGB 32 218 243

HSL 187.11, 0.9%, 0.54%

LAB 80.14, -34.01, -24.4

 

CMYK 33 / 87 / 0 / 5

HEX #A220F3

RGB 162 32 243

HSL 276.97, 0.9%, 0.54%

LAB 45.89, 79.6, -78.21

 

CMYK 0 / 77 / 87 / 5

HEX #F33820

RGB 243 56 32

HSL 6.82, 0.9%, 0.54%

LAB 54.01, 68.61, 56.68

 

Description

Color code: HEX #6DF31F | qconv.com Color code: HEX #6DF31F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 243 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 243 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 87 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 87% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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