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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E00BB it is the complementary color #91FF44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E00BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E00BB shade: #7300B6, #8412C9, #9524DC, #A636EF and #B748FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E00BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E00BB shade: #6E00BB, #5D00A8, #4C0095, #3B0082 and #2A006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E00BB shade: #6E00BC, #A100BC, #BC00A4, #BC0071 and #BC003E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E00BB shade: #6E00BC, #3C00BC, #0900BC and #0000BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E00BB shade matches the following richer shades: #6E00BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E00BB shade: #6E00BC, #6C0FAD, #691E9E, #662D8E and #643D7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E00BB shade: #0900BC, #3B00BC, #6E00BC, #A000BC and #BC00A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E00BB shade: #3E006A, #560093, #6E00BC, #8700E5 and #9C10FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E00BB shade: #6E00BB, #BC0028 and #00BC22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E00BB shade: #6E00BB, #BC6E00 and #00BC6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E00BB shade: #6E00BB, #BC0028, #4EBC00 and #00BC93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E00BB shade: #6E00BB, #BC0F00, #4EBC00 and #00ACBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 100 / 0 / 27

HEX #6E00BB

RGB 110 0 187

HSL 275.29, 1%, 0.37%

LAB 31.58, 67.48, -69.68

 

Complementary color

CMYK 43 / 0 / 73 / 0

HEX #91FF44

RGB 145 255 68

HSL 95.29, 1%, 0.63%

LAB 90.76, -60.68, 74.38

 

CMYK 37 / 100 / 0 / 29

HEX #7300B6

RGB 115 0 182

HSL 277.91, 1%, 0.36%

LAB 31.86, 66.97, -66.23

 

CMYK 34 / 91 / 0 / 21

HEX #8412C9

RGB 132 18 201

HSL 277.38, 0.84%, 0.43%

LAB 37.03, 70.16, -68.84

 

CMYK 32 / 84 / 0 / 14

HEX #9524DC

RGB 149 36 220

HSL 276.85, 0.72%, 0.5%

LAB 42.49, 72.23, -70.79

 

CMYK 31 / 77 / 0 / 6

HEX #A636EF

RGB 166 54 239

HSL 276.32, 0.85%, 0.57%

LAB 48.23, 73.23, -72.12

 

CMYK 28 / 72 / 0 / 0

HEX #B748FF

RGB 183 72 255

HSL 276.39, 1%, 0.64%

LAB 53.94, 72.89, -71.67

 

CMYK 41 / 100 / 0 / 27

HEX #6E00BB

RGB 110 0 187

HSL 275.29, 1%, 0.37%

LAB 31.58, 67.48, -69.68

 

CMYK 45 / 100 / 0 / 34

HEX #5D00A8

RGB 93 0 168

HSL 273.21, 1%, 0.33%

LAB 27.17, 61.81, -65.67

 

CMYK 49 / 100 / 0 / 42

HEX #4C0095

RGB 76 0 149

HSL 270.6, 1%, 0.29%

LAB 22.68, 56.05, -61.56

 

CMYK 55 / 100 / 0 / 49

HEX #3B0082

RGB 59 0 130

HSL 267.23, 1%, 0.25%

LAB 18.11, 50.21, -57.3

 

CMYK 62 / 100 / 0 / 56

HEX #2A006F

RGB 42 0 111

HSL 262.7, 1%, 0.22%

LAB 13.47, 44.3, -52.83

 

CMYK 41 / 100 / 0 / 26

HEX #6E00BC

RGB 110 0 188

HSL 275.11, 1%, 0.37%

LAB 31.68, 67.68, -70.11

 

CMYK 14 / 100 / 0 / 26

HEX #A100BC

RGB 161 0 188

HSL 291.38, 1%, 0.37%

LAB 39.93, 73.97, -56.3

 

CMYK 0 / 100 / 13 / 26

HEX #BC00A4

RGB 188 0 164

HSL 307.66, 1%, 0.37%

LAB 43.32, 74.78, -36.35

 

CMYK 0 / 100 / 40 / 26

HEX #BC0071

RGB 188 0 113

HSL 323.94, 1%, 0.37%

LAB 41.03, 68.97, -8.66

 

CMYK 0 / 100 / 67 / 26

HEX #BC003E

RGB 188 0 62

HSL 340.21, 1%, 0.37%

LAB 39.65, 65.31, 21.79

 

CMYK 41 / 100 / 0 / 26

HEX #6E00BC

RGB 110 0 188

HSL 275.11, 1%, 0.37%

LAB 31.68, 67.68, -70.11

 

CMYK 68 / 100 / 0 / 26

HEX #3C00BC

RGB 60 0 188

HSL 259.15, 1%, 0.37%

LAB 25.54, 64.18, -80.48

 

CMYK 95 / 100 / 0 / 26

HEX #0900BC

RGB 9 0 188

HSL 242.87, 1%, 0.37%

LAB 22.62, 63.04, -85.43

 

CMYK 100 / 100 / 0 / 26

HEX #0000BC

RGB 0 0 188

HSL 240, 1%, 0.37%

LAB 22.41, 62.98, -85.78

 

CMYK 41 / 100 / 0 / 26

HEX #6E00BC

RGB 110 0 188

HSL 275.11, 1%, 0.37%

LAB 31.68, 67.68, -70.11

 

CMYK 41 / 100 / 0 / 26

HEX #6E00BC

RGB 110 0 188

HSL 275.11, 1%, 0.37%

LAB 31.68, 67.68, -70.11

 

CMYK 38 / 91 / 0 / 32

HEX #6C0FAD

RGB 108 15 173

HSL 275.32, 0.84%, 0.37%

LAB 30.75, 61.9, -62.71

 

CMYK 34 / 81 / 0 / 38

HEX #691E9E

RGB 105 30 158

HSL 275.16, 0.68%, 0.37%

LAB 30.4, 54, -54.24

 

CMYK 28 / 68 / 0 / 44

HEX #662D8E

RGB 102 45 142

HSL 275.26, 0.52%, 0.37%

LAB 31.01, 43.24, -43.48

 

CMYK 21 / 52 / 0 / 50

HEX #643D7F

RGB 100 61 127

HSL 275.45, 0.35%, 0.37%

LAB 33.09, 30.24, -30.87

 

CMYK 95 / 100 / 0 / 26

HEX #0900BC

RGB 9 0 188

HSL 242.87, 1%, 0.37%

LAB 22.62, 63.04, -85.43

 

CMYK 69 / 100 / 0 / 26

HEX #3B00BC

RGB 59 0 188

HSL 258.83, 1%, 0.37%

LAB 25.44, 64.14, -80.64

 

CMYK 41 / 100 / 0 / 26

HEX #6E00BC

RGB 110 0 188

HSL 275.11, 1%, 0.37%

LAB 31.68, 67.68, -70.11

 

CMYK 15 / 100 / 0 / 26

HEX #A000BC

RGB 160 0 188

HSL 291.06, 1%, 0.37%

LAB 39.76, 73.82, -56.59

 

CMYK 0 / 100 / 12 / 26

HEX #BC00A6

RGB 188 0 166

HSL 307.02, 1%, 0.37%

LAB 43.43, 75.04, -37.38

 

CMYK 42 / 100 / 0 / 58

HEX #3E006A

RGB 62 0 106

HSL 275.09, 1%, 0.21%

LAB 15.82, 44.89, -45.58

 

CMYK 41 / 100 / 0 / 42

HEX #560093

RGB 86 0 147

HSL 275.1, 1%, 0.29%

LAB 23.95, 56.57, -58.17

 

CMYK 41 / 100 / 0 / 26

HEX #6E00BC

RGB 110 0 188

HSL 275.11, 1%, 0.37%

LAB 31.68, 67.68, -70.11

 

CMYK 41 / 100 / 0 / 10

HEX #8700E5

RGB 135 0 229

HSL 275.37, 1%, 0.45%

LAB 39.26, 78.45, -81.32

 

CMYK 39 / 94 / 0 / 0

HEX #9C10FF

RGB 156 16 255

HSL 275.15, 1%, 0.53%

LAB 45.16, 84.01, -86.16

 

CMYK 41 / 100 / 0 / 27

HEX #6E00BB

RGB 110 0 187

HSL 275.29, 1%, 0.37%

LAB 31.58, 67.48, -69.68

 

CMYK 0 / 100 / 79 / 26

HEX #BC0028

RGB 188 0 40

HSL 347.23, 1%, 0.37%

LAB 39.32, 64.42, 35.05

 

CMYK 100 / 0 / 82 / 26

HEX #00BC22

RGB 0 188 34

HSL 130.85, 1%, 0.37%

LAB 66.58, -67.39, 60.35

 

CMYK 41 / 100 / 0 / 27

HEX #6E00BB

RGB 110 0 187

HSL 275.29, 1%, 0.37%

LAB 31.58, 67.48, -69.68

 

CMYK 0 / 41 / 100 / 26

HEX #BC6E00

RGB 188 110 0

HSL 35.11, 1%, 0.37%

LAB 53.86, 24.76, 61.21

 

CMYK 100 / 0 / 41 / 26

HEX #00BC6E

RGB 0 188 110

HSL 155.11, 1%, 0.37%

LAB 67.35, -57.95, 28.49

 

CMYK 41 / 100 / 0 / 27

HEX #6E00BB

RGB 110 0 187

HSL 275.29, 1%, 0.37%

LAB 31.58, 67.48, -69.68

 

CMYK 0 / 100 / 79 / 26

HEX #BC0028

RGB 188 0 40

HSL 347.23, 1%, 0.37%

LAB 39.32, 64.42, 35.05

 

CMYK 59 / 0 / 100 / 26

HEX #4EBC00

RGB 78 188 0

HSL 95.11, 1%, 0.37%

LAB 67.71, -57.97, 67.63

 

CMYK 100 / 0 / 22 / 26

HEX #00BC93

RGB 0 188 147

HSL 166.91, 1%, 0.37%

LAB 68.07, -49.69, 9.63

 

CMYK 41 / 100 / 0 / 27

HEX #6E00BB

RGB 110 0 187

HSL 275.29, 1%, 0.37%

LAB 31.58, 67.48, -69.68

 

CMYK 0 / 92 / 100 / 26

HEX #BC0F00

RGB 188 15 0

HSL 4.79, 1%, 0.37%

LAB 39.64, 62.03, 53.66

 

CMYK 59 / 0 / 100 / 26

HEX #4EBC00

RGB 78 188 0

HSL 95.11, 1%, 0.37%

LAB 67.71, -57.97, 67.63

 

CMYK 100 / 9 / 0 / 26

HEX #00ACBC

RGB 0 172 188

HSL 185.11, 1%, 0.37%

LAB 64.27, -30.71, -18.65

 

Description

Color code: HEX #6E00BB | qconv.com Color code: HEX #6E00BB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, none green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 0 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 100 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 100% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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