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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E1094 it is the complementary color #91EF6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E1094. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E1094 shade: #73108F, #8422A2, #9534B5, #A646C8 and #B758DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E1094. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E1094 shade: #6E1094, #5D0081, #4C006E, #3B005B and #2A0048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E1094 shade: #6D1092, #901092, #921072, #92104E and #92102B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E1094 shade: #6D1092, #4A1092, #261092 and #101092

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E1094 shade matches the following richer shades: #6D1092 and #7203A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E1094 shade: #6D1092, #671D85, #622A78, #5C376B and #56455E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E1094 shade: #261092, #481092, #6B1092, #8E1092 and #921074

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E1094 shade: #360848, #510C6D, #6D1092, #8814B8 and #A418DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E1094 shade: #6E1094, #92101D and #109237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E1094 shade: #6E1094, #926B10 and #10926B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E1094 shade: #6E1094, #92101D, #379210 and #109285

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E1094 shade: #6E1094, #922A10, #379210 and #107892

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 89 / 0 / 42

HEX #6E1094

RGB 110 16 148

HSL 282.73, 0.8%, 0.32%

LAB 28.96, 56.75, -50.43

 

Complementary color

CMYK 39 / 0 / 55 / 6

HEX #91EF6B

RGB 145 239 107

HSL 102.73, 0.8%, 0.68%

LAB 86.41, -51.16, 54.41

 

CMYK 20 / 89 / 0 / 44

HEX #73108F

RGB 115 16 143

HSL 286.77, 0.8%, 0.31%

LAB 29.41, 56.58, -46.58

 

CMYK 19 / 79 / 0 / 36

HEX #8422A2

RGB 132 34 162

HSL 285.94, 0.65%, 0.38%

LAB 35.32, 58.34, -48.5

 

CMYK 18 / 71 / 0 / 29

HEX #9534B5

RGB 149 52 181

HSL 285.12, 0.55%, 0.46%

LAB 41.5, 58.96, -49.73

 

CMYK 17 / 65 / 0 / 22

HEX #A646C8

RGB 166 70 200

HSL 284.31, 0.54%, 0.53%

LAB 47.83, 58.93, -50.54

 

CMYK 16 / 60 / 0 / 14

HEX #B758DB

RGB 183 88 219

HSL 283.51, 0.65%, 0.6%

LAB 54.2, 58.53, -51.1

 

CMYK 26 / 89 / 0 / 42

HEX #6E1094

RGB 110 16 148

HSL 282.73, 0.8%, 0.32%

LAB 28.96, 56.75, -50.43

 

CMYK 28 / 100 / 0 / 49

HEX #5D0081

RGB 93 0 129

HSL 283.26, 1%, 0.25%

LAB 23.38, 53.65, -47.8

 

CMYK 31 / 100 / 0 / 57

HEX #4C006E

RGB 76 0 110

HSL 281.45, 1%, 0.22%

LAB 18.64, 47.49, -43.48

 

CMYK 35 / 100 / 0 / 64

HEX #3B005B

RGB 59 0 91

HSL 278.9, 1%, 0.18%

LAB 13.74, 41.15, -39.04

 

CMYK 42 / 100 / 0 / 72

HEX #2A0048

RGB 42 0 72

HSL 275, 1%, 0.14%

LAB 8.65, 34.58, -34.45

 

CMYK 25 / 89 / 0 / 43

HEX #6D1092

RGB 109 16 146

HSL 282.92, 0.8%, 0.32%

LAB 28.64, 56.19, -49.74

 

CMYK 1 / 89 / 0 / 43

HEX #901092

RGB 144 16 146

HSL 299.08, 0.8%, 0.32%

LAB 34.75, 62.26, -39.56

 

CMYK 0 / 89 / 22 / 43

HEX #921072

RGB 146 16 114

HSL 314.77, 0.8%, 0.32%

LAB 33.34, 57.98, -21.79

 

CMYK 0 / 89 / 47 / 43

HEX #92104E

RGB 146 16 78

HSL 331.38, 0.8%, 0.32%

LAB 31.88, 53.95, -0.72

 

CMYK 0 / 89 / 71 / 43

HEX #92102B

RGB 146 16 43

HSL 347.54, 0.8%, 0.32%

LAB 31.01, 51.47, 21.24

 

CMYK 25 / 89 / 0 / 43

HEX #6D1092

RGB 109 16 146

HSL 282.92, 0.8%, 0.32%

LAB 28.64, 56.19, -49.74

 

CMYK 49 / 89 / 0 / 43

HEX #4A1092

RGB 74 16 146

HSL 266.77, 0.8%, 0.32%

LAB 23.34, 51.33, -58.61

 

CMYK 74 / 89 / 0 / 43

HEX #261092

RGB 38 16 146

HSL 250.15, 0.8%, 0.32%

LAB 19.47, 48.11, -65.15

 

CMYK 89 / 89 / 0 / 43

HEX #101092

RGB 16 16 146

HSL 240, 0.8%, 0.32%

LAB 18.17, 47.13, -67.34

 

CMYK 25 / 89 / 0 / 43

HEX #6D1092

RGB 109 16 146

HSL 282.92, 0.8%, 0.32%

LAB 28.64, 56.19, -49.74

 

CMYK 29 / 98 / 0 / 37

HEX #7203A0

RGB 114 3 160

HSL 282.42, 0.96%, 0.32%

LAB 29.86, 62.01, -56.28

 

CMYK 25 / 89 / 0 / 43

HEX #6D1092

RGB 109 16 146

HSL 282.92, 0.8%, 0.32%

LAB 28.64, 56.19, -49.74

 

CMYK 23 / 78 / 0 / 48

HEX #671D85

RGB 103 29 133

HSL 282.69, 0.64%, 0.32%

LAB 28, 48.49, -42.74

 

CMYK 18 / 65 / 0 / 53

HEX #622A78

RGB 98 42 120

HSL 283.08, 0.48%, 0.32%

LAB 28.4, 38.64, -33.94

 

CMYK 14 / 49 / 0 / 58

HEX #5C376B

RGB 92 55 107

HSL 282.69, 0.32%, 0.32%

LAB 29.59, 26.52, -23.86

 

CMYK 9 / 27 / 0 / 63

HEX #56455E

RGB 86 69 94

HSL 280.8, 0.15%, 0.32%

LAB 31.9, 12.51, -12.02

 

CMYK 74 / 89 / 0 / 43

HEX #261092

RGB 38 16 146

HSL 250.15, 0.8%, 0.32%

LAB 19.47, 48.11, -65.15

 

CMYK 51 / 89 / 0 / 43

HEX #481092

RGB 72 16 146

HSL 265.85, 0.8%, 0.32%

LAB 23.08, 51.1, -59.06

 

CMYK 27 / 89 / 0 / 43

HEX #6B1092

RGB 107 16 146

HSL 282, 0.8%, 0.32%

LAB 28.31, 55.88, -50.29

 

CMYK 3 / 89 / 0 / 43

HEX #8E1092

RGB 142 16 146

HSL 298.15, 0.8%, 0.32%

LAB 34.39, 61.89, -40.16

 

CMYK 0 / 89 / 21 / 43

HEX #921074

RGB 146 16 116

HSL 313.85, 0.8%, 0.32%

LAB 33.44, 58.24, -22.91

 

CMYK 25 / 89 / 0 / 72

HEX #360848

RGB 54 8 72

HSL 283.13, 0.8%, 0.16%

LAB 12.13, 32.77, -28.69

 

CMYK 26 / 89 / 0 / 57

HEX #510C6D

RGB 81 12 109

HSL 282.68, 0.8%, 0.24%

LAB 20.5, 44.85, -39.75

 

CMYK 25 / 89 / 0 / 43

HEX #6D1092

RGB 109 16 146

HSL 282.92, 0.8%, 0.32%

LAB 28.64, 56.19, -49.74

 

CMYK 26 / 89 / 0 / 28

HEX #8814B8

RGB 136 20 184

HSL 282.44, 0.8%, 0.4%

LAB 36.36, 66.96, -59.93

 

CMYK 26 / 89 / 0 / 13

HEX #A418DD

RGB 164 24 221

HSL 282.64, 0.8%, 0.48%

LAB 43.9, 77.22, -68.98

 

CMYK 26 / 89 / 0 / 42

HEX #6E1094

RGB 110 16 148

HSL 282.73, 0.8%, 0.32%

LAB 28.96, 56.75, -50.43

 

CMYK 0 / 89 / 80 / 43

HEX #92101D

RGB 146 16 29

HSL 354, 0.8%, 0.32%

LAB 30.81, 50.88, 29.9

 

CMYK 89 / 0 / 62 / 43

HEX #109237

RGB 16 146 55

HSL 138, 0.8%, 0.32%

LAB 52.89, -51.93, 38.39

 

CMYK 26 / 89 / 0 / 42

HEX #6E1094

RGB 110 16 148

HSL 282.73, 0.8%, 0.32%

LAB 28.96, 56.75, -50.43

 

CMYK 0 / 27 / 89 / 43

HEX #926B10

RGB 146 107 16

HSL 42, 0.8%, 0.32%

LAB 47.83, 7.7, 51.03

 

CMYK 89 / 0 / 27 / 43

HEX #10926B

RGB 16 146 107

HSL 162, 0.8%, 0.32%

LAB 53.74, -42.02, 11.68

 

CMYK 26 / 89 / 0 / 42

HEX #6E1094

RGB 110 16 148

HSL 282.73, 0.8%, 0.32%

LAB 28.96, 56.75, -50.43

 

CMYK 0 / 89 / 80 / 43

HEX #92101D

RGB 146 16 29

HSL 354, 0.8%, 0.32%

LAB 30.81, 50.88, 29.9

 

CMYK 62 / 0 / 89 / 43

HEX #379210

RGB 55 146 16

HSL 102, 0.8%, 0.32%

LAB 53.39, -48.64, 53.2

 

CMYK 89 / 0 / 9 / 43

HEX #109285

RGB 16 146 133

HSL 174, 0.8%, 0.32%

LAB 54.41, -34.94, -2.26

 

CMYK 26 / 89 / 0 / 42

HEX #6E1094

RGB 110 16 148

HSL 282.73, 0.8%, 0.32%

LAB 28.96, 56.75, -50.43

 

CMYK 0 / 71 / 89 / 43

HEX #922A10

RGB 146 42 16

HSL 12, 0.8%, 0.32%

LAB 33.57, 42.45, 39.49

 

CMYK 62 / 0 / 89 / 43

HEX #379210

RGB 55 146 16

HSL 102, 0.8%, 0.32%

LAB 53.39, -48.64, 53.2

 

CMYK 89 / 18 / 0 / 43

HEX #107892

RGB 16 120 146

HSL 192, 0.8%, 0.32%

LAB 46.47, -17.61, -21.81

 

Description

Color code: HEX #6E1094 | qconv.com Color code: HEX #6E1094 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 16 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 16 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 89 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 89% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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