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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E2280 it is the complementary color #91DD7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E2280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E2280 shade: #73227B, #84348E, #9546A1, #A658B4 and #B76AC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E2280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E2280 shade: #6E2280, #5D106D, #4C005A, #3B0047 and #2A0034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E2280 shade: #6E2280, #802279, #802260, #802246 and #80222C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E2280 shade: #6E2280, #552280, #3B2280 and #222280

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E2280 shade matches the following richer shades: #6E2280, #76158E and #7F079B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E2280 shade: #6E2280, #662F73, #5E3C66, #564959 and #4E574C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E2280 shade: #3B2280, #542280, #6D2280, #80227A and #802261

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E2280 shade: #36103F, #521960, #6E2280, #8A2AA1 and #A633C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E2280 shade: #6E2280, #802222 and #228048

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E2280 shade: #6E2280, #806D22 and #22806D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E2280 shade: #6E2280, #802222, #358022 and #228080

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E2280 shade: #6E2280, #803E22, #358022 and #226480

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 73 / 0 / 50

HEX #6E2280

RGB 110 34 128

HSL 288.51, 0.58%, 0.32%

LAB 29.46, 46.98, -37.2

 

Complementary color

CMYK 34 / 0 / 43 / 13

HEX #91DD7F

RGB 145 221 127

HSL 108.51, 0.58%, 0.68%

LAB 81.44, -41.08, 38.82

 

CMYK 7 / 72 / 0 / 52

HEX #73227B

RGB 115 34 123

HSL 294.61, 0.57%, 0.31%

LAB 29.96, 47.16, -33.2

 

CMYK 7 / 63 / 0 / 44

HEX #84348E

RGB 132 52 142

HSL 293.33, 0.46%, 0.38%

LAB 36.58, 47.26, -34.31

 

CMYK 7 / 57 / 0 / 37

HEX #9546A1

RGB 149 70 161

HSL 292.09, 0.39%, 0.45%

LAB 43.28, 46.86, -35.05

 

CMYK 8 / 51 / 0 / 29

HEX #A658B4

RGB 166 88 180

HSL 290.87, 0.38%, 0.53%

LAB 49.96, 46.22, -35.57

 

CMYK 8 / 47 / 0 / 22

HEX #B76AC7

RGB 183 106 199

HSL 289.68, 0.45%, 0.6%

LAB 56.58, 45.49, -35.97

 

CMYK 14 / 73 / 0 / 50

HEX #6E2280

RGB 110 34 128

HSL 288.51, 0.58%, 0.32%

LAB 29.46, 46.98, -37.2

 

CMYK 15 / 85 / 0 / 57

HEX #5D106D

RGB 93 16 109

HSL 289.68, 0.74%, 0.25%

LAB 23.01, 45.95, -35.6

 

CMYK 16 / 100 / 0 / 65

HEX #4C005A

RGB 76 0 90

HSL 290.67, 1%, 0.18%

LAB 16.87, 43.48, -33.14

 

CMYK 17 / 100 / 0 / 72

HEX #3B0047

RGB 59 0 71

HSL 289.86, 1%, 0.14%

LAB 11.86, 36.9, -28.39

 

CMYK 19 / 100 / 0 / 80

HEX #2A0034

RGB 42 0 52

HSL 288.46, 1%, 0.1%

LAB 6.69, 29.68, -23.3

 

CMYK 14 / 73 / 0 / 50

HEX #6E2280

RGB 110 34 128

HSL 288.51, 0.58%, 0.32%

LAB 29.46, 46.98, -37.2

 

CMYK 0 / 73 / 5 / 50

HEX #802279

RGB 128 34 121

HSL 304.47, 0.58%, 0.32%

LAB 32.06, 49.95, -28.46

 

CMYK 0 / 73 / 25 / 50

HEX #802260

RGB 128 34 96

HSL 320.43, 0.58%, 0.32%

LAB 30.83, 46.08, -14.42

 

CMYK 0 / 73 / 45 / 50

HEX #802246

RGB 128 34 70

HSL 337.02, 0.58%, 0.32%

LAB 29.85, 42.88, 1.17

 

CMYK 0 / 73 / 66 / 50

HEX #80222C

RGB 128 34 44

HSL 353.62, 0.58%, 0.32%

LAB 29.2, 40.66, 17.51

 

CMYK 14 / 73 / 0 / 50

HEX #6E2280

RGB 110 34 128

HSL 288.51, 0.58%, 0.32%

LAB 29.46, 46.98, -37.2

 

CMYK 34 / 73 / 0 / 50

HEX #552280

RGB 85 34 128

HSL 272.55, 0.58%, 0.32%

LAB 25.67, 41.47, -43.5

 

CMYK 54 / 73 / 0 / 50

HEX #3B2280

RGB 59 34 128

HSL 255.96, 0.58%, 0.32%

LAB 22.42, 36.46, -48.94

 

CMYK 73 / 73 / 0 / 50

HEX #222280

RGB 34 34 128

HSL 240, 0.58%, 0.32%

LAB 20.21, 32.84, -52.64

 

CMYK 14 / 73 / 0 / 50

HEX #6E2280

RGB 110 34 128

HSL 288.51, 0.58%, 0.32%

LAB 29.46, 46.98, -37.2

 

CMYK 17 / 85 / 0 / 44

HEX #76158E

RGB 118 21 142

HSL 288.1, 0.74%, 0.32%

LAB 30.26, 55.71, -44.56

 

CMYK 18 / 95 / 0 / 39

HEX #7F079B

RGB 127 7 155

HSL 288.65, 0.91%, 0.32%

LAB 31.88, 62.3, -49.86

 

CMYK 14 / 73 / 0 / 50

HEX #6E2280

RGB 110 34 128

HSL 288.51, 0.58%, 0.32%

LAB 29.46, 46.98, -37.2

 

CMYK 11 / 59 / 0 / 55

HEX #662F73

RGB 102 47 115

HSL 288.53, 0.42%, 0.32%

LAB 29.65, 36, -28.75

 

CMYK 8 / 41 / 0 / 60

HEX #5E3C66

RGB 94 60 102

HSL 288.57, 0.26%, 0.32%

LAB 30.81, 22.97, -18.74

 

CMYK 3 / 18 / 0 / 65

HEX #564959

RGB 86 73 89

HSL 288.75, 0.1%, 0.32%

LAB 32.84, 8.81, -7.41

 

CMYK 10 / 0 / 13 / 66

HEX #4E574C

RGB 78 87 76

HSL 109.09, 0.07%, 0.32%

LAB 35.9, -5.93, 5.19

 

CMYK 54 / 73 / 0 / 50

HEX #3B2280

RGB 59 34 128

HSL 255.96, 0.58%, 0.32%

LAB 22.42, 36.46, -48.94

 

CMYK 34 / 73 / 0 / 50

HEX #542280

RGB 84 34 128

HSL 271.91, 0.58%, 0.32%

LAB 25.53, 41.26, -43.74

 

CMYK 15 / 73 / 0 / 50

HEX #6D2280

RGB 109 34 128

HSL 287.87, 0.58%, 0.32%

LAB 29.3, 46.75, -37.46

 

CMYK 0 / 73 / 5 / 50

HEX #80227A

RGB 128 34 122

HSL 303.83, 0.58%, 0.32%

LAB 32.12, 50.12, -29

 

CMYK 0 / 73 / 24 / 50

HEX #802261

RGB 128 34 97

HSL 319.79, 0.58%, 0.32%

LAB 30.87, 46.22, -15

 

CMYK 14 / 75 / 0 / 75

HEX #36103F

RGB 54 16 63

HSL 288.51, 0.59%, 0.15%

LAB 12.7, 27.04, -21.46

 

CMYK 15 / 74 / 0 / 62

HEX #521960

RGB 82 25 96

HSL 288.17, 0.59%, 0.24%

LAB 21.33, 37.49, -29.89

 

CMYK 14 / 73 / 0 / 50

HEX #6E2280

RGB 110 34 128

HSL 288.51, 0.58%, 0.32%

LAB 29.46, 46.98, -37.2

 

CMYK 14 / 74 / 0 / 37

HEX #8A2AA1

RGB 138 42 161

HSL 288.4, 0.59%, 0.4%

LAB 37.17, 56.55, -44.86

 

CMYK 14 / 74 / 0 / 24

HEX #A633C2

RGB 166 51 194

HSL 288.25, 0.58%, 0.48%

LAB 44.76, 65.36, -51.98

 

CMYK 14 / 73 / 0 / 50

HEX #6E2280

RGB 110 34 128

HSL 288.51, 0.58%, 0.32%

LAB 29.46, 46.98, -37.2

 

CMYK 0 / 73 / 73 / 50

HEX #802222

RGB 128 34 34

HSL 0, 0.58%, 0.32%

LAB 29.03, 40.08, 23.76

 

CMYK 73 / 0 / 44 / 50

HEX #228048

RGB 34 128 72

HSL 144.26, 0.58%, 0.32%

LAB 47.3, -40.39, 22.78

 

CMYK 14 / 73 / 0 / 50

HEX #6E2280

RGB 110 34 128

HSL 288.51, 0.58%, 0.32%

LAB 29.46, 46.98, -37.2

 

CMYK 0 / 15 / 73 / 50

HEX #806D22

RGB 128 109 34

HSL 47.87, 0.58%, 0.32%

LAB 46.5, -1.26, 42.63

 

CMYK 73 / 0 / 15 / 50

HEX #22806D

RGB 34 128 109

HSL 167.87, 0.58%, 0.32%

LAB 48.11, -31.66, 2.55

 

CMYK 14 / 73 / 0 / 50

HEX #6E2280

RGB 110 34 128

HSL 288.51, 0.58%, 0.32%

LAB 29.46, 46.98, -37.2

 

CMYK 0 / 73 / 73 / 50

HEX #802222

RGB 128 34 34

HSL 0, 0.58%, 0.32%

LAB 29.03, 40.08, 23.76

 

CMYK 59 / 0 / 73 / 50

HEX #358022

RGB 53 128 34

HSL 107.87, 0.58%, 0.32%

LAB 47.38, -41.34, 41.9

 

CMYK 73 / 0 / 0 / 50

HEX #228080

RGB 34 128 128

HSL 180, 0.58%, 0.32%

LAB 48.68, -26.07, -7.8

 

CMYK 14 / 73 / 0 / 50

HEX #6E2280

RGB 110 34 128

HSL 288.51, 0.58%, 0.32%

LAB 29.46, 46.98, -37.2

 

CMYK 0 / 52 / 73 / 50

HEX #803E22

RGB 128 62 34

HSL 17.87, 0.58%, 0.32%

LAB 34.29, 26.24, 29.78

 

CMYK 59 / 0 / 73 / 50

HEX #358022

RGB 53 128 34

HSL 107.87, 0.58%, 0.32%

LAB 47.38, -41.34, 41.9

 

CMYK 73 / 22 / 0 / 50

HEX #226480

RGB 34 100 128

HSL 197.87, 0.58%, 0.32%

LAB 39.6, -10.82, -21.61

 

Description

Color code: HEX #6E2280 | qconv.com Color code: HEX #6E2280 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 34 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 34 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 73 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 73% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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